{"title":"Artist: Karen Dalton","description":null,"products":[{"product_id":"karen-dalton-1966-lp-vinyl-record","title":"1966","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: bold;\"\u003e\u003cstrong\u003eBACKORDER\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eNewly unearthed rehearsal tape from \u003cem\u003e\u003cstrong\u003e1966\u003c\/strong\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eFeatures Karen solo on banjo and guitar, plus 4 duets with \u003cem\u003e\u003cstrong\u003eRichard Tucker\u003c\/strong\u003e\u003c\/em\u003e. Many never heard before covers including ‘\u003cem\u003e\u003cstrong\u003eReason To Believe\u003c\/strong\u003e\u003c\/em\u003e’ \u0026amp; ‘\u003cem\u003e\u003cstrong\u003eDon’t Make Promises\u003c\/strong\u003e\u003c\/em\u003e’ by \u003cem\u003e\u003cstrong\u003eTim Hardin\u003c\/strong\u003e\u003c\/em\u003e, and ‘\u003cem\u003e\u003cstrong\u003eOther Side To This Life\u003c\/strong\u003e\u003c\/em\u003e’ by \u003cem\u003e\u003cstrong\u003eFred Neil\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cstrong\u003eKaren Dalton\u003c\/strong\u003e\u003c\/em\u003e at her most intimate and unfiltered.\u003c\/li\u003e\n\u003cli\u003eLP housed in tip-on jacket, with 4-page heavy insert, \u003cem\u003e\u003cstrong\u003eexclusive color portrait\u003c\/strong\u003e\u003c\/em\u003e, and download card\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecial Edition: Remastered\/recut \/ re-pressed at \u003cem\u003e\u003cstrong\u003eThird Man\u003c\/strong\u003e\u003c\/em\u003e on \u003cem\u003e\u003cstrong\u003eClear Green Rocky Road\u003c\/strong\u003e\u003c\/em\u003e vinyl with \u003cem\u003e\u003cstrong\u003eOBI\u003c\/strong\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eKaren Dalton was a remote, elusive creature. A hybrid of tough and tender with an unearthly voice that seemed to embody a time long past. As is often the case with such fragile beings, she instinctively understood that the only way to survive the harshness of the world around her was to keep herself hidden. So it comes as no great surprise that she rarely sang in public or ventured into the unnatural setting of a recording studio. Only twice, for 1969’s It’s So Hard To Tell Who’s Going To Love You The Best and then again for 1971’s In My Own Time, was she coaxed from her habitat into the studio. Other times she made music in casual settings, sitting around a kitchen table or wood burning stove with her friends, singing and playing until daybreak.\u003cbr\u003e\u003cbr\u003eIn 1966, Carl Baron brought his reel-to-reel over to her remote cabin in Summerville, Colorado, and recorded one of those exquisite musical evenings. Karen and Richard Tucker were rehearsing for a gig when Carl hit the “Record” button. The result is a 45-year-old tape, carefully exhumed, documenting Karen at her most raw and unfiltered. On it are Fred Neil and Tim Hardin songs we’ve never heard Karen give voice to before, as well as traditional songs she uncannily makes her own, including a devastating version of ‘Katie Cruel’, that is so powerful, it is as if the ghost of Katie Cruel seeped into her blood. This recording is a window to her Summerville cabin opened, allowing us to eavesdrop on Karen Dalton at her most pure and unaffected.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1. Reason To Believe\u003cbr\u003e2. Katie Cruel\u003cbr\u003e3. Cotton Eyed Joe\u003cbr\u003e4. Green Rocky Road\u003cbr\u003e5. Don't Make Promises\u003cbr\u003e6. Other Side To This Life\u003cbr\u003e7. God Bless The Child\u003cbr\u003e8. Little Bit Of Rain\u003cbr\u003e9. While You're On Your Way\u003cbr\u003e10. 2:19 Train\u003cbr\u003e11. Misery Blues\u003cbr\u003e12. Mole In The Ground\u003cbr\u003e13. Shiloh Town\u003cbr\u003e14. Hallelujah\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Karen Dalton","offers":[{"title":"LP \/ Green","offer_id":41673116451007,"sku":"DE30LP-GN","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_DE13_Cover.jpg?v=1699816297"},{"product_id":"karen-dalton-in-my-own-time-standard-deluxe-edition-2lp-vinyl-record","title":"In My Own Time - 50th Anniversary (Standard Deluxe Edition)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e Two 180-gram, 45 RPM LPs cut from new 2021 transfers and pressed at RTI, featuring bonus tracks from the original album sessions \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e Previously unreleased 7” single: \"Take Me\" Live at Beat Club, Germany (April 1971) \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e Repro of 1971 French edition 7” single: Something On Your Mind b\/w One Night Of Love \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e Both 7” singles pressed at Third Man Pressing and housed in old-style tip-on jackets \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e 20-page booklet featuring unseen photos and liner notes by Lenny Kaye, plus contributions from Nick Cave and Devendra Banhart \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e Housed in a special, expanded trifold jacket \u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eKaren Dalton\u003c\/strong\u003e\u003c\/em\u003e’s 1971 album, \u003cem\u003e\u003cstrong\u003eIn My Own Time\u003c\/strong\u003e\u003c\/em\u003e, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Light in the Attic is honored to celebrate the 50th anniversary of In My Own Time with a special edition of this monumental classic.\u003cbr\u003e\u003cbr\u003eFeaturing Dalton’s interpretations of songs like “\u003cem\u003e\u003cstrong\u003eAre You Leaving for the Country\u003c\/strong\u003e\u003c\/em\u003e,” “\u003cem\u003e\u003cstrong\u003eWhen a Man Loves a Woman\u003c\/strong\u003e\u003c\/em\u003e,” “\u003cem\u003e\u003cstrong\u003eKatie Cruel\u003c\/strong\u003e\u003c\/em\u003e,” and her posthumously recognized signature performance, “\u003cem\u003e\u003cstrong\u003eSomething On Your Mind\u003c\/strong\u003e\u003c\/em\u003e,” will be available in a 50th anniversary Deluxe Edition, which expands exponentially upon Light in the Attic’s 2006 reissue of the album, co-produced by Nicholas Hill.\u003cbr\u003e\u003cbr\u003eThis 50th Anniversary Standard Deluxe Edition features the newly remastered (2021) In My Own Time album, presented on three sides of 45-RPM, 180-gram vinyl pressed at \u003cem\u003e\u003cstrong\u003eRecord Technology Inc. (RTI)\u003c\/strong\u003e\u003c\/em\u003e, with the fourth side showcasing alternate takes from the album sessions. The set also contains two 7-inch singles, featuring previously-unreleased live recordings captured at Germany’s Beat Club in 1971, both pressed at Third Man Record Pressing and housed in tip-on jackets. All audio has been newly remastered by \u003cem\u003e\u003cstrong\u003eDave Cooley\u003c\/strong\u003e\u003c\/em\u003e, while lacquers were cut by \u003cem\u003e\u003cstrong\u003ePhil Rodriguez\u003c\/strong\u003e\u003c\/em\u003e at \u003cem\u003e\u003cstrong\u003eElysian Masters\u003c\/strong\u003e\u003c\/em\u003e. A 20-page booklet—featuring rarely seen photos, liner notes from musician and writer \u003cem\u003e\u003cstrong\u003eLenny Kaye\u003c\/strong\u003e\u003c\/em\u003e, and contributions from \u003cem\u003e\u003cstrong\u003eNick Cave\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eDevendra Banhart\u003c\/strong\u003e\u003c\/em\u003e—rounds out the package, which comes housed in a special trifold jacket.\u003cbr\u003e\u003cbr\u003eThe Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “\u003cem\u003ethe jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R\u0026amp;B and country that had to seep in as she made her way to New York.\u003c\/em\u003e\"\u003cbr\u003e\u003cbr\u003eArmed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including \u003cem\u003e\u003cstrong\u003eTim Hardin, Fred Neil, and Richard Tucker\u003c\/strong\u003e\u003c\/em\u003e, whom she later married. \u003cem\u003e\u003cstrong\u003eBob Dylan\u003c\/strong\u003e\u003c\/em\u003e, meanwhile, was instantly taken with her artistry. “\u003cem\u003eMy favorite singer in the place was Karen Dalton\u003c\/em\u003e,” he recalled in Chronicles: Volume One (Simon \u0026amp; Schuster, 2004). “\u003cem\u003eKaren had a voice like Billie Holiday and played the guitar like Jimmy Reed.\u003c\/em\u003e”\u003cbr\u003e\u003cbr\u003eThose who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, \u003cem\u003e\u003cstrong\u003eIt’s So Hard to Tell Who’s Going To Love You The Best\u003c\/strong\u003e\u003c\/em\u003e, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.\u003cbr\u003e\u003cbr\u003eProducing the album was bassist \u003cem\u003e\u003cstrong\u003eHarvey Brooks\u003c\/strong\u003e\u003c\/em\u003e, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “\u003cem\u003esimple, solid and supportive,\u003c\/em\u003e” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “\u003cem\u003eI left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.\u003c\/em\u003e”\u003cbr\u003e\u003cbr\u003eDalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R\u0026amp;B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.\u003cbr\u003e\u003cbr\u003eWhile ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recently acclaimed film documentary \u003cem\u003e\u003cstrong\u003eKaren Dalton: In My Own Time\u003c\/strong\u003e\u003c\/em\u003e, Cave muses on Dalton’s unique appeal: “\u003cem\u003eThere’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.\u003c\/em\u003e” He adds, “\u003cem\u003eShe had a deep and profound and loving soul…you can hear it in her music.\u003c\/em\u003e”\u003cbr\u003e\u003cbr\u003e1–10: Originally released as Just Sunshine – PAS 6008, 1971\u003cbr\u003e11–13: Alternate Takes from album sessions, 1970\/71\u003cbr\u003e14–15: Recorded live at Beat Club, Germany, April 21, 1971\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1. Something On Your Mind\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2. When a Man Loves A Woman\u003cbr\u003e3. In My Own Dream\u003cbr\u003e4. Katie Cruel\u003cbr\u003e5. How Sweet It Is\u003cbr\u003e6. In A Station\u003cbr\u003e7. Take Me\u003cbr\u003e8. Same Old Man\u003cbr\u003e9. One Night of Love\u003cbr\u003e10. Are You Leaving For The Country\u003cbr\u003e11. Something On Your Mind (Alternate Take)\u003cbr\u003e12. In My Own Dream (Alternate Take)\u003cbr\u003e13. Katie Cruel (Alternate Take)\u003cbr\u003e14. One Night Of Love - Live at Beat Club, Germany, April 21, 1971\u003cbr\u003e15. Take Me - Live at Beat Club, Germany, April 21, 1971\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/36WryGURqME9Y2URzzzmio?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Karen Dalton","offers":[{"title":"2LP \/ Black","offer_id":42181003018431,"sku":"LITA203-1-BK","price":69.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1636404315523-p452atftqym-fee1d2a312bf3f91b430c0f0d2442024_2Flita200_203_3000px.jpg?v=1673906425"},{"product_id":"in-my-own-time-50th-anniversary-edition-karen-dalton-lp","title":"In My Own Time (50th Anniversary Edition)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eAll tracks from 2021 transfers and newly remastered\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eCD \u0026amp; Cassette Editions feature 9 bonus tracks, including 6 previously unreleased live performances from The Montreux Golden Rose Pop Festival (May 1971) and Beat Club, Germany (April 1971)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eCD \u0026amp; LP editions include a booklet featuring unseen photos and liner notes by Lenny Kaye with contributions from Nick Cave and Devendra Banhart\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eTracks 11-19 Only Available on CD \u0026amp; Cassette Editions\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e8-Track \u0026amp; single LP editions only include tracks 1-10\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eKaren Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.\u003c\/p\u003e\n\u003cp\u003eThe LITA Anniversary LP edition features the original 10-track album, pressed on clear wax at Record Technology Inc. (RTI) and housed in an expanded gatefold LP jacket, while the album makes its long-overdue return on the almighty 8-Track format.\u003c\/p\u003e\n\u003cp\u003eBoth the CD and cassette editions feature 9 bonus tracks, including 3 alternate takes from the In My Own Time album sessions, along with 6 previously unreleased tracks captured during Karen’s 1971 European tour, including live at The Montreux Golden Rose Pop Festival and Germany’s Beat Club.\u003c\/p\u003e\n\u003cp\u003eAll audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.\u003c\/p\u003e\n\u003cp\u003eA newly expanded booklet—featuring rarely seen photos, liner notes from musician and writer Lenny Kaye, and contributions from Nick Cave and Devendra Banhart—rounds out the package (CD booklet 32-pgs; LP booklet 20-pgs).\u003c\/p\u003e\n\u003cp\u003eThe Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R\u0026amp;B and country that had to seep in as she made her way to New York.\"\u003c\/p\u003e\n\u003cp\u003eArmed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early 60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon \u0026amp; Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”\u003c\/p\u003e\n\u003cp\u003eThose who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.\u003c\/p\u003e\n\u003cp\u003eProducing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process but was also willing to offer gentle encouragement and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”\u003c\/p\u003e\n\u003cp\u003eDalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R\u0026amp;B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.\u003c\/p\u003e\n\u003cp\u003eWhile 70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, many artists would name Karen Dalton as an influence including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recently acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul… you can hear it in her music.”\u003c\/p\u003e\n\u003cp\u003e1–10: Originally released as Just Sunshine – PAS 6008, 1971\u003c\/p\u003e\n\u003cp\u003e11–13: Alternate Takes from album sessions, 1970\/71\u003c\/p\u003e\n\u003cp\u003e14–15: Recorded live at Beat Club, Germany, April 21, 1971\u003c\/p\u003e\n\u003cp\u003e16–19: Recorded live at The Montreux Golden Rose Pop Festival, May 1, 1971\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eSomething On Your Mind\u003c\/li\u003e\n\u003cli\u003eWhen a Man Loves A Woman\u003c\/li\u003e\n\u003cli\u003eIn My Own Dream\u003c\/li\u003e\n\u003cli\u003eKatie Cruel\u003c\/li\u003e\n\u003cli\u003eHow Sweet It Is\u003c\/li\u003e\n\u003cli\u003eIn A Station\u003c\/li\u003e\n\u003cli\u003eTake Me\u003c\/li\u003e\n\u003cli\u003eSame Old Man\u003c\/li\u003e\n\u003cli\u003eOne Night of Love\u003c\/li\u003e\n\u003cli\u003eAre You Leaving For The Country\u003c\/li\u003e\n\u003cli\u003eSomething On Your Mind (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eIn My Own Dream (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eKatie Cruel (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eOne Night Of Love - Live at Beat Club\u003c\/li\u003e\n\u003cli\u003eGermany\u003c\/li\u003e\n\u003cli\u003eApril 21\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eTake Me - Live at Beat Club\u003c\/li\u003e\n\u003cli\u003eGermany\u003c\/li\u003e\n\u003cli\u003eApril 21\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eSomething On Your Mind - Live at The Montreux Golden Rose Pop Festival\u003c\/li\u003e\n\u003cli\u003eMay 1\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eBlues On The Ceiling - Live at The Montreux Golden Rose Pop Festival\u003c\/li\u003e\n\u003cli\u003eMay 1\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eAre You Leaving For The Country - Live at The Montreux Golden Rose Pop Festival\u003c\/li\u003e\n\u003cli\u003eMay 1\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eOne Night Of Love - Live at The Montreux Golden Rose Pop Festival\u003c\/li\u003e\n\u003cli\u003eMay 1\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/36WryGURqME9Y2URzzzmio?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Karen Dalton","offers":[{"title":"LP \/ Black","offer_id":42622042996927,"sku":"LITA200-BK","price":29.98,"currency_code":"USD","in_stock":false},{"title":"LP \/ Silver","offer_id":42622043062463,"sku":"LITA200-SV","price":39.98,"currency_code":"USD","in_stock":false},{"title":"LP \/ Clear","offer_id":42622043029695,"sku":"LITA200-CL","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/826853020091.jpg?v=1701149300"},{"product_id":"its-so-hard-to-tell-whos-going-to-love-you-the-best-karen-dalton-lp","title":"It's So Hard To Tell Who's Going To Love You The Best","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eFeatures new all-analog mastering by Kevin Gray at Cohearent Audio, direct from the original analog tapes\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePressed at RTI\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes liner notes by Brian Barr\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeaturing unseen photos by legendary photographer Joel Brodsky\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLP housed in an expanded gatefold jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e“My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday’s and played the guitar like Jimmy Reed.”\u003c\/em\u003e – Bob Dylan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKaren Dalton's 1969 Capitol debut is finally back in print! Light in the Attic is thrilled to present a brand new edition of this heart-wrenching \u0026amp; bluesy introduction to the intoxicating world of Dalton and her deep well of musical secrets.\u003c\/p\u003e\n\u003cp\u003eWorld-weary and filled with the blues, Dalton’s unsurpassed interpretive depth and emotional range were like no other. Recorded for Capitol in 1969, It’s So Hard To Tell Who's Going To Love You The Best spans generations of classic American songwriting–covering classics by Lead Belly, Fred Neil, and Tim Hardin. While no longer with us in the physical, Karen’s growing musical presence is stronger than ever and worthy of re-examination by both the converted and the uninitiated alike. This new re-release serves as the definitive, all-analog version of Dalton’s stunning debut, featuring remastered audio from the original Capitol masters, the original 1969 artwork in an expanded gatefold jacket, unseen photos by album photographer Joel Brodsky, and an essay interviewing Karen’s friends and music collaborators, from album producer and bassist Harvey Brooks to musician Peter Stampfel of the Holy Modal Rounders.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eLittle Bit Of Rain\u003c\/li\u003e\n\u003cli\u003eSweet Substitute\u003c\/li\u003e\n\u003cli\u003eRibbon Bow\u003c\/li\u003e\n\u003cli\u003eI Love You More Than Words Can Say\u003c\/li\u003e\n\u003cli\u003eIn The Evening\u003c\/li\u003e\n\u003cli\u003eBlues On The Ceiling\u003c\/li\u003e\n\u003cli\u003eIt Hurts Me Too\u003c\/li\u003e\n\u003cli\u003eHow Did The Feeling Feel To You\u003c\/li\u003e\n\u003cli\u003eRight\u003c\/li\u003e\n\u003cli\u003eDown On The Street\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/1O330PE8lc1dDXduHBwLXe?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Karen Dalton","offers":[{"title":"LP \/ Black","offer_id":42761455861951,"sku":"LITA045-BK","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA045-KarenDalton-It_sSoHardToTellWho_sGoingToLoveYouTheBest.jpg?v=1706126509"}],"url":"https:\/\/helixsounds.com\/collections\/artist-karen-dalton.oembed","provider":"Helix Sounds","version":"1.0","type":"link"}