{"title":"Artist: Nancy Sinatra \u0026 Lee Hazlewood","description":null,"products":[{"product_id":"nancy-sinatra-lee-hazlewood-nancy-and-lee-lp-vinyl-record","title":"Nancy \u0026 Lee","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLP available on Standard Black Wax plus a Special Limited Color Editions (Sundown, Sundown Metallic Gold \u0026amp; Clear Wax; Psychedelic Sands Orange\/Red Wax) \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFirst ever official reissue of Nancy \u0026amp; Lee’s classic 1968 duet album \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDefinitive reissue with Nancy’s involvement Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNewly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eQ\u0026amp;A with Nancy \u0026amp; GRAMMY®-nominated reissue co-producer Hunter Lea \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNever-before-seen photos from Nancy Sinatra’s personal archive \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBeautifully packaged and expanded gatefold LP featuring a 20-page booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic\u003c\/strong\u003e\u003c\/em\u003e is thrilled to announce the first official reissue of \u003cem\u003e\u003cstrong\u003eNancy \u0026amp; Lee\u003c\/strong\u003e\u003c\/em\u003e: the highly-influential 1968 duet album from \u003cem\u003e\u003cstrong\u003eNancy Sinatra\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eLee Hazlewood\u003c\/strong\u003e\u003c\/em\u003e. This definitive edition of Nancy \u0026amp; Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey \u0026amp; Sylvia in 1956). This release marks the official debut on vinyl for both tracks.\u003c\/p\u003e\n\u003cp\u003eNancy \u0026amp; Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (\u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q\u0026amp;A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package).\u003c\/p\u003e\n\u003cp\u003eIn celebration of the release, Nancy Sinatra and fellow musician and longtime friend \u003cem\u003e\u003cstrong\u003eDon Randi\u003c\/strong\u003e\u003c\/em\u003e (\u003cem\u003eThe Wrecking Crew\u003c\/em\u003e) visited Record Technology, Inc. (\u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eplant manager, Rick Hashimoto is available\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=pnamWlNxZr0\"\u003e\u003cstrong\u003ehere\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan class=\"caps\"\u003eMORE\u003c\/span\u003e \u003cspan class=\"caps\"\u003eABOUT\u003c\/span\u003e \u003cspan class=\"caps\"\u003eNANCY\u003c\/span\u003e \u0026amp; \u003cspan class=\"caps\"\u003eLEE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Nancy – the eldest daughter of \u003cem\u003e\u003cstrong\u003eFrank Sinatra\u003c\/strong\u003e\u003c\/em\u003e – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.\u003c\/p\u003e\n\u003cp\u003eInitially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.\u003c\/p\u003e\n\u003cp\u003eRecalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”\u003c\/p\u003e\n\u003cp\u003eBefore long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.\u003c\/p\u003e\n\u003cp\u003eThroughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love\/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”\u003c\/p\u003e\n\u003cp\u003eThat je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy \u0026amp; Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eRIAA\u003c\/span\u003e. Over the decades, however, the appeal of Nancy \u0026amp; Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus \u0026amp; Mary Chain, have cited Nancy \u0026amp; Lee as an influence.\u003c\/p\u003e\n\u003cp\u003eIn recent years, Nancy \u0026amp; Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy \u0026amp; Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy \u0026amp; Lee to be “a masterpiece that still ripples in the sonic waves today.”\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eNPR\u003c\/span\u003e, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy \u0026amp; Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”\u003c\/p\u003e\n\u003cp\u003eToday, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy \u0026amp; Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”\u003c\/p\u003e\n\u003cp\u003eSinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eLITA\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ereissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1.    You've Lost That Lovin' Feelin'\u003cbr\u003e2.    Elusive Dreams\u003cbr\u003e3.    Greenwich Village Folk Song Salesman\u003cbr\u003e4.    Summer Wine\u003cbr\u003e5.    Storybook Children\u003cbr\u003e6.    Sundown, Sundown\u003cbr\u003e7.    Jackson\u003cbr\u003e8.    Some Velvet Morning\u003cbr\u003e9.    Sand\u003cbr\u003e10.    Lady Bird\u003cbr\u003e11.    I've Been Down So Long (It Looks Like Up To Me)\u003cbr\u003e12.    Tired Of Waiting for You (Bonus Track)\u003cbr\u003e13.    Love Is Strange (Bonus Track)\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe loading=\"lazy\" height=\"380\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/4XI8r5L0ewd7VMsF64YcIl?utm_source=generator\" style=\"border-radius: 12px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Nancy Sinatra \u0026 Lee Hazlewood","offers":[{"title":"LP \/ Gold","offer_id":41977171968191,"sku":"LITA198-1-GD","price":29.99,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":41977150079167,"sku":"LITA198-BK","price":26.99,"currency_code":"USD","in_stock":true},{"title":"LP \/ Orange","offer_id":41977172000959,"sku":"LITA198-OR","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1649365771244-qb7eutyjqp-eb549cd0b90f48745332abb55162bec8_2Flita198_3000px_300dpi.jpg?v=1664515921"},{"product_id":"nancy-sinatra-lee-hazlewood-nancy-and-lee-again-lp-vinyl-record","title":"Nancy \u0026 Lee Again","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE NOTES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFirst-ever reissue of Nancy \u0026amp; Lee’s 1972 classic\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP available on four color editions\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\"\u003cem\u003eBig Red Balloon Swirl\u003c\/em\u003e\" Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNancy’s Bootique Edition pressed on \"\u003cem\u003eTippy Toes Teal \u0026amp; White Swirl\u003c\/em\u003e\"\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFanclub Edition pressed on \"\u003cem\u003eGot It Together Again Gold\u003c\/em\u003e\"\u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eExperience Vinyl Edition pressed on Clear with Black \u0026amp; White Hi-Melt\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eClassic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes bonus tracks “Machine Gun Kelly” and the previously unreleased “Think I’m Coming Down”\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNewly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBeautifully packaged and expanded gatefold LP featuring a 20-page booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eQ\u0026amp;A with Nancy \u0026amp; GRAMMY®-nominated reissue co-producer Hunter Lea\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNever-before-seen photos from Nancy Sinatra’s personal archive\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eREAD MORE...\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic Records\u003c\/strong\u003e\u003c\/em\u003e is proud to present the next installment of the \u003cem\u003e\u003cstrong\u003eNancy Sinatra Archival Series\u003c\/strong\u003e\u003c\/em\u003e with the first-ever reissue of the classic 1972 album \u003cem\u003e\u003cstrong\u003eNancy \u0026amp; Lee Again\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eRecorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pair’s most enduring and ambitious duets including the epic ”\u003cem\u003e\u003cstrong\u003eArkansas Coal (Suite)\u003c\/strong\u003e\u003c\/em\u003e,” the sensual “Paris Summer” and the incredibly powerful Dolly Parton-penned “Down From Dover.” Equal parts daring, psychedelic, cinematic, and sweet, Nancy \u0026amp; Lee Again reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.\u003cbr\u003e\u003cbr\u003eNancy \u0026amp; Lee Again is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activist’s personal collection, as well as in-depth Q\u0026amp;A with Nancy Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, “Machine Gun Kelly” (first time on vinyl) and the previously unreleased “Think I’m Coming Down.”\u003cbr\u003e\u003cbr\u003eNancy’s impact on fashion, music, and culture will also be celebrated at \u003cem\u003e\u003cstrong\u003eModernism Week\u003c\/strong\u003e\u003c\/em\u003e in Palm Springs this February with three events, including a roundtable discussion featuring \u003cem\u003e\u003cstrong\u003eKii Arens\u003c\/strong\u003e\u003c\/em\u003e (Visual Artist), \u003cem\u003e\u003cstrong\u003eAlison Martino\u003c\/strong\u003e\u003c\/em\u003e (Vintage Los Angeles), \u003cem\u003e\u003cstrong\u003eHunter Lea\u003c\/strong\u003e\u003c\/em\u003e (Record Producer), \u003cem\u003e\u003cstrong\u003eDon Randi\u003c\/strong\u003e\u003c\/em\u003e (The Wrecking Crew), and \u003cem\u003e\u003cstrong\u003eAmanda Erlinger\u003c\/strong\u003e\u003c\/em\u003e (daughter of Nancy Sinatra, and co-author of the book \u003cem\u003e\u003cstrong\u003eNancy Sinatra: One For Your Dreams\u003c\/strong\u003e\u003c\/em\u003e), a double-decker bus tour featuring audio commentary from Nancy at notable locations, and a \u003cem\u003e\u003cstrong\u003eNancy Sinatra Tribute\u003c\/strong\u003e\u003c\/em\u003e street party on Arenas to close out the week’s festivities.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMORE ABOUT NANCY \u0026amp; LEE AGAIN:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972’s Nancy \u0026amp; Lee Again, a follow-up to their bestselling duet debut, Nancy \u0026amp; Lee. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965 when she topped the pop charts with “These Boots Are Made For Walkin’.” Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancy’s solo hits. Soon, the duo found success with a series of duets, including “Sand,” “Summer Wine,” and “Some Velvet Morning” – all of which appeared on their highly-influential 1968 debut.\u003cbr\u003e\u003cbr\u003eNot long after the critical acclaim and chart success of Nancy \u0026amp; Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. “Trivial music and not profound music became unimportant,” recalls Nancy, speaking to Hunter Lea. “It was a tough time.” And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.\u003cbr\u003e\u003cbr\u003eReturning to Los Angeles for the project, Hazlewood – who reprised his role as producer – chose to take a new direction with the duo’s sophomore album. Nancy recalls, “It was more dramatic; it was more fun to do, more challenging to do…. It was more grandiose.” For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presley’s TCB band, whose early ‘70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewood’s 1970 LP, Cowboy in Sweden. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.\u003cbr\u003e\u003cbr\u003eThe big sound that Nancy describes above is exemplified in the album’s cinematic opener, “Arkansas Coal (Suite).” Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the miner’s daughter and his wife. Hazlewood’s knack for vivid, nuanced storytelling shines throughout Nancy \u0026amp; Lee Again, particularly in “Paris Summer,” which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, “Did You Ever,” which was released as the album’s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.\u003cbr\u003e\u003cbr\u003eOne of the most emotionally-charged moments on Nancy \u0026amp; Lee Again is a cover of Dolly Parton’s “Down From Dover.” The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Parton’s 1970 version was sung from the teenager’s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the man’s side of the story, sings in a notably deeper octave than his signature baritone.\u003cbr\u003e\u003cbr\u003eAnother poignant selection is “Congratulations,” which describes a soldier coming home from Vietnam. “His face has grown old and his eyes have grown cold\/And they tell you of where he has been\/Congratulations, you sure made a man out of him,” Hazlewood sings, pointedly. Nancy, who performs as the vet’s wife, argues that the song had a deeper meaning for her duet partner. “Lee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didn’t talk about it, but at some point, he changed radically. ‘Congratulations’ was almost like an apology from him. I don’t want to put words in his mouth, but it was as though he was saying ‘I’m really sorry.’”\u003cbr\u003e\u003cbr\u003eThe song “Friendship Train” could also be interpreted as an apology of sorts – this time to Nancy. “You’ve been hurt and I’ve been hurt\/Now we’re living pain,” the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. “I felt pretty betrayed. I mean, who does that? Who just up and disappears like that? I’ll never understand it,” she reveals. But the uplifting duet – a slice of ‘70s pop perfection – offers reaffirming words of love between friends. “[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,” explains Nancy.\u003cbr\u003e\u003cbr\u003eThe 10-track album closes with the stripped-down “Got It Together.” Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. “I wish that we’d quit getting so old,” laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings – this time asking his partner, “Can I go back to Sweden?” With that, Nancy gives her blessing.\u003cbr\u003e\u003cbr\u003eThis definitive reissue of Nancy \u0026amp; Lee Again also includes two bonus tracks. Both are stylistic departures for the duo – but fit right in with the psychedelic pop of the era. The first one, “Think I’m Coming Down,” is a harmony-filled reflection on a toxic relationship. “I think that was one of [Lee’s] drug things. I don’t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,” explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is “Machine Gun Kelly,” penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy \u0026amp; Lee. Sinatra and Hazlewood first performed “Machine Gun Kelly” during their residency at Las Vegas’ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancy’s, it would be decades before it was officially released.\u003cbr\u003e\u003cbr\u003eNancy \u0026amp; Lee Again remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, Record World, and Cash Box, among others. Yet, Nancy \u0026amp; Lee Again never received the spotlight it so utterly deserved. “We didn’t have label support at all in those days,” recalls Nancy. “Without the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. It’s a very ageist kind of business.” Nevertheless, she adds, “I think it’s a very good album. I think it’s timeless.” Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.\u003cbr\u003e\u003cbr\u003eFive decades later, Nancy’s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. LITA has also reissued Sinatra’s classic debut, Boots, and her iconic, 1968 album with Lee Hazlewood, Nancy \u0026amp; Lee. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eArkansas Coal (Suite)\u003c\/li\u003e\n\u003cli\u003eBig Red Balloon\u003c\/li\u003e\n\u003cli\u003eFriendship Train\u003c\/li\u003e\n\u003cli\u003eParis Summer\u003c\/li\u003e\n\u003cli\u003eCongratulations\u003c\/li\u003e\n\u003cli\u003eDown From Dover\u003c\/li\u003e\n\u003cli\u003eDid You Ever?\u003c\/li\u003e\n\u003cli\u003eTippy Toes\u003c\/li\u003e\n\u003cli\u003eBack On The Road\u003c\/li\u003e\n\u003cli\u003eGot It Together\u003c\/li\u003e\n\u003cli\u003eMachine Gun Kelly (bonus track, first time on vinyl)\u003c\/li\u003e\n\u003cli\u003eThink I'm Coming Down (bonus track, previously unreleased)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/79ZtznPmq6uW1NuOyaYqKb?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Nancy Sinatra \u0026 Lee Hazlewood","offers":[{"title":"LP \/ Teal \/ White Swirl","offer_id":42281093857471,"sku":"LITA199-TEWH-SWL","price":24.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Gold","offer_id":42281093824703,"sku":"LITA199-GD","price":24.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Red Swirl","offer_id":42281093890239,"sku":"LITA199-RD-SWL","price":24.98,"currency_code":"USD","in_stock":false},{"title":"LP \/ Clear Black White Hi-Melt","offer_id":42387506200767,"sku":"LITA199-1-5-CLBKWH-HM","price":24.98,"currency_code":"USD","in_stock":false},{"title":"LP \/ Black","offer_id":42281089859775,"sku":"LITA199-BK","price":19.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1674083385494-opfm8kfke1c-6447dc37d5dd53b1becdbf5aedd35c80_2Flita199_hiRez.jpg?v=1678956190"},{"product_id":"some-velvet-morning-bw-tired-of-waiting-for-you-nancy-sinatra-and-lee-hazlewood-7-inch","title":"Some Velvet Morning b\/w Tired Of Waiting For You","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003e2020 Record Store Day \/ Black Friday Exclusive Release\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited to 2,000 copies\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eTwo classics recorded with The Wrecking Crew in 1967 and 1968\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNewly remastered from the original analog tapes\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFirst time on vinyl for “Tired Of Waiting For You”\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePressed on splattered color wax (images are mock-ups and subject to change)\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eLight in the Attic Records is proud to honor the enduring legacy of singer, actress, activist, and cultural icon Nancy Sinatra, who recently entered her eighth decade and sixth as a worldwide household name and a force for positive cultural change both at home and abroad. LITA will pay homage to Sinatra’s pioneering music career with a selection of archival releases and full-album reissues throughout 2021 and beyond.\u003c\/p\u003e\n\u003cp\u003eLITA’s Nancy Sinatra Archival Series will kicked off on Black Friday 2020 with a limited edition 7” single featuring one of the 20th century’s greatest recordings, “Some Velvet Morning” on the A-side, while the flip includes a cover of The Kinks’ classic “Tired Of Waiting For You.” Stay tuned for much more to follow, including a definitive new collection entitled Start Walkin’ 1965–1976, available as of 2021.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eSome Velvet Morning - Nancy Sinatra \u0026amp; Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eTired Of Waiting For You - Nancy Sinatra \u0026amp; Lee Hazlewood\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3OcYspDTFl3d8evfhXIFx2?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Nancy Sinatra \u0026 Lee Hazlewood","offers":[{"title":"7\" \/ Orange Black Swirl","offer_id":42779424686271,"sku":"LITA45-052-ORBK-SWL","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA45-052-NancySinatra_LeeHazlewood-SomeVelvetMorningbwTiredOfWaitingForYou.jpg?v=1706578314"}],"url":"https:\/\/helixsounds.com\/collections\/artist-nancy-sinatra-lee-hazlewood.oembed","provider":"Helix Sounds","version":"1.0","type":"link"}