{"title":"Gems Under $25","description":"","products":[{"product_id":"enumclaw-jimbo-demo-lp-vinyl-record","title":"Jimbo Demo","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eRemastered for vinyl by Jonathan Schenke \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP available on \u003cem\u003eCloudy Clear Colored Vinyl\u003c\/em\u003e and \u003cem\u003eRainy Teal Colored Vinyl\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSpins at 45 RPM\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"320\" height=\"240\" src=\"https:\/\/www.youtube.com\/embed\/x_acAPULk38\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e“Tacoma, Washington’s Enumclaw bill themselves as ‘The Best Band Since Oasis,’ but they’re self-released and, thanks to COVID, have never had a chance to play a live show…Blown-out guitars and languid beats conjure a sort of dingy, Pacific Northwest shoegaze.” - Marc Hogan, Pitchfork\u003cbr\u003e\u003cbr\u003e“Last year was a banner year for Tacoma-based rock band Enumclaw.\u003cbr\u003e\u003cbr\u003eAfter dropping their first single \"Fast N All\" in early 2021, the band blew up, nabbing features in the Seattle Times, KEXP, Pitchfork, and The Fader before playing any public live shows. In April, they dropped their debut EP Jimbo Demo to rare reviews. And just last week, Enumclaw announced Luminelle Recordings signed them. Things are only looking up for the grungy four-piece…\u003cbr\u003e\u003cbr\u003eCiting bands like Nirvana, Radiohead, Mötley Crüe, Drake, and Weird Al Yankovic as influences, Enumclaw's sound is a mashup of shoegaze, post-grunge, and emo. The mix is a kind of ironic evocation of the music that made the Pacific Northwest so popular in the '90s. There's angst inherent to the band's distorted guitar and disaffected, flat singing, with lyrics earnest enough to make you want to sing along—like when Johnson speak-sings with his characteristically brash vulnerability, \"Remember when we were kids\/ How did it end up like this\/Those are the days that I miss\" on Jimbo Demo album opener ‘Cents’.” - Jas Keimig, The Stranger\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1. Cents\u003cbr\u003e2. Cinderella\u003cbr\u003e3. Eat\u003cbr\u003e4. Fast N All\u003cbr\u003e5. Free Drop Billy\u003cbr\u003e6. Fruit Flies\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Enumclaw","offers":[{"title":"LP \/ Teal","offer_id":41668181557439,"sku":"YRR048LP-TE","price":16.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Clear","offer_id":41668181590207,"sku":"YRR048LP-CL","price":16.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/JimboDemosCDFront.jpg?v=1653695352"},{"product_id":"ntski-7fo-d-ya-hear-me-10-inch-ep-vinyl-record","title":"D'Ya Hear Me! [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eCover of the 1981 post-punk classic\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeaturing a karaoke version, plus two remixes\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e10\" EP pressed on Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoused in a single-pocket sleeve\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSpins at 45 RPM\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIn 1981, \u003cem\u003e\u003cstrong\u003eBrenda Ray \/ Naffi Sandwich\u003c\/strong\u003e\u003c\/em\u003e released the sweetly yearning “\u003cem\u003e\u003cstrong\u003eD’ Ya Hear Me!\u003c\/strong\u003e\u003c\/em\u003e”. The song is now considered a post-punk classic, and here we have a warm digi-reggae version sung by Kyoto composer\/producer\/vocalist \u003cem\u003e\u003cstrong\u003eNTsKI\u003c\/strong\u003e \u003c\/em\u003e(“\u003cem\u003eNatsuki\u003c\/em\u003e”), with backing tracks performed, recorded, and mixed by Osaka-based producer\/guitarist \u003cem\u003e\u003cstrong\u003e7FO\u003c\/strong\u003e\u003c\/em\u003e ( “\u003cem\u003enana f o\u003c\/em\u003e” ). Also on this release is a karaoke version, plus two remixes, the first a dancehall-flavored version by \u003cem\u003e\u003cstrong\u003eBim One Production\u003c\/strong\u003e\u003c\/em\u003e, a Tokyo electro-reggae production duo. The second mix is from Nagoya-based electronic producer \u003cem\u003e\u003cstrong\u003eCVN\u003c\/strong\u003e\u003c\/em\u003e, who provides a harder version. This revisioning of a much-loved classic is available on 10-inch vinyl and digital.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eDo You Hear Me\u003c\/li\u003e\n\u003cli\u003eDo You Hear Me (Karaoke)\u003c\/li\u003e\n\u003cli\u003eD'Ya Hear Me (Bim One Production Remix)\u003c\/li\u003e\n\u003cli\u003eD'Ya Hear Me (CVN Remix)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eLISTEN\u003c\/h3\u003e\n\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/5pBe9SWNEcwVCYYsSoz2mP?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"NTsKi \u0026 7Fo","offers":[{"title":"10\" \/ Black","offer_id":41679423275199,"sku":"EM1187TEP-BK","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1571336252891-51793sj0i03-afa7b92141c980590779559d2eb62bae_2FEM1187_coverart_3000.jpg?v=1674114020"},{"product_id":"lou-reed-words-music-may-1965-cd","title":"Words \u0026 Music, May 1965 [CD]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAll tracks previously unreleased\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eProduced in partnership with \u003cem\u003eLaurie Anderson\u003c\/em\u003e and the \u003cem\u003eLou Reed Archive\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInaugural release in Light in the Attic’s Lou Reed Archive Series\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures the earliest-known recordings of “I’m Waiting for the Man,” “Pale Blue Eyes\" and “Heroin\" as made famous by The Velvet Underground\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes seven unheard Lou Reed compositions\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRemastered from the original analog tapes by GRAMMY®-nominated engineer \u003cem\u003eJohn Baldwin\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePackage designed by multi-GRAMMY®-winning artist \u003cem\u003eMasaki Koike\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCD includes six unheard tracks recorded between 1958 and 1964, including early demos, a cover of \u003cem\u003eBob Dylan\u003c\/em\u003e’s “\u003cem\u003eDon’t Think Twice, It’s All Right\u003c\/em\u003e”, and a doo-wop serenade recorded in ‘58 when the legendary singer-songwriter was just sixteen-years-old\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimited first CD edition housed in a special die-cut jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracks 1-17: CD\u003c\/strong\u003e \u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UFcrIe7d3uQ\" height=\"240\" width=\"320\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“To hear a tape containing their earliest demos, recorded on May 11, 1965, and locked away until now, is to hear traces of things rarely associated with The Velvet Underground: blues and folk, earthy and traditional, uncertain and hesitant… yet bristling with that rusty, caustic, Lou Reed spirit. It is a revelation.” – Will Hodgkinson, MOJO\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic Records\u003c\/strong\u003e\u003c\/em\u003e, in cooperation with \u003cem\u003e\u003cstrong\u003eLaurie Anderson\u003c\/strong\u003e\u003c\/em\u003e, proudly announces the inaugural title in their ongoing \u003cem\u003e\u003cstrong\u003eLou Reed Archive Series: Words \u0026amp; Music, May 1965\u003c\/strong\u003e\u003c\/em\u003e. Released in tandem with the late artist’s 80th birthday celebrations, the album offers an extraordinary, unvarnished, and plainly poignant insight into one of America’s true poet-songwriters. Capturing Reed in his formative years, this previously unreleased collection of songs—penned by a young Lou Reed, recorded to tape with the help of future bandmate John Cale, and mailed to himself as a “poor man’s copyright”—remained sealed in its original envelope and unopened for nearly 50 years. Its contents embody some of the most vital, groundbreaking contributions to American popular music committed to tape in the 20th century. Through examination of these songs rooted firmly in the folk tradition, we see clearly Lou’s lasting influence on the development of modern American music – from punk to art-rock and everything in between. A true time capsule, these recordings not only memorialize the nascent sparks of what would become the seeds of the incredibly influential Velvet Underground; they also cement Reed as a true observer with an innate talent for synthesizing and distilling the world around him into pure sonic poetry.\u003cbr\u003e\u003cbr\u003eFeaturing contributions from Reed’s future bandmate, \u003cem\u003e\u003cstrong\u003eJohn Cale\u003c\/strong\u003e\u003c\/em\u003e, Words \u0026amp; Music, May 1965 presents in their entirety the earliest-known recordings of such historic songs as “\u003cem\u003e\u003cstrong\u003eHeroin\u003c\/strong\u003e\u003c\/em\u003e”, “\u003cem\u003e\u003cstrong\u003eI’m Waiting for the Man\u003c\/strong\u003e\u003c\/em\u003e”, and “\u003cem\u003e\u003cstrong\u003ePale Blue Eyes\u003c\/strong\u003e\u003c\/em\u003e”—all of which Reed would eventually record and make indelibly influential with the Velvet Underground. Also included are several more previously-unreleased compositions that offer additional insight into Reed’s creative process and early influences. Produced by \u003cem\u003e\u003cstrong\u003eLaurie Anderson, Don Fleming, Jason Stern, Hal Willner, and Matt Sullivan\u003c\/strong\u003e\u003c\/em\u003e, the album features newly-remastered audio from the original tape by GRAMMY®-nominated engineer, \u003cem\u003e\u003cstrong\u003eJohn Baldwin\u003c\/strong\u003e\u003c\/em\u003e. Rounding out the package are new liner notes from acclaimed journalist and author, Greil Marcus, plus in-depth archival notes from Don Fleming and Jason Stern, who oversee the Lou Reed Archive, while the release has been designed by multi-GRAMMY®-winning artist Masaki Koike.\u003c\/p\u003e","brand":"Lou Reed","offers":[{"title":"CD \/ Deluxe","offer_id":41711646245055,"sku":"LITA188-2","price":16.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/LITA188LouReed-Words_Music1965Cover.jpg?v=1658468702"},{"product_id":"helix-sounds-gift-card","title":"Helix Sounds Gift Card","description":"","brand":"Helix Sounds","offers":[{"title":"$10.00 \/ Gold","offer_id":41729418264767,"sku":"HSGC-GD-10","price":10.0,"currency_code":"USD","in_stock":true},{"title":"$10.00 \/ Blue","offer_id":42096339550399,"sku":"HSGC-BL-10","price":10.0,"currency_code":"USD","in_stock":true},{"title":"$25.00 \/ Gold","offer_id":41729418297535,"sku":"HSGC-GD-25","price":25.0,"currency_code":"USD","in_stock":true},{"title":"$25.00 \/ Blue","offer_id":42096339583167,"sku":"HSGC-BL-25","price":25.0,"currency_code":"USD","in_stock":true},{"title":"$50.00 \/ Gold","offer_id":41729418330303,"sku":"HSGC-GD-50","price":50.0,"currency_code":"USD","in_stock":true},{"title":"$50.00 \/ Blue","offer_id":42096339615935,"sku":"HSGC-BL-50","price":50.0,"currency_code":"USD","in_stock":true},{"title":"$100.00 \/ Gold","offer_id":41729418363071,"sku":"HSGC-GD-100","price":100.0,"currency_code":"USD","in_stock":true},{"title":"$100.00 \/ Blue","offer_id":42096339648703,"sku":"HSGC-BL-100","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/HelixSoundsGiftCardHero.png?v=1669159323"},{"product_id":"john-powell-dont-worry-darling-score-from-the-original-motion-picture-soundtrack-2lp-vinyl-record","title":"Don’t Worry Darling (Original Motion Picture Score)","description":"\u003ch3\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003ePressed on 2xLP 140-Gram Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAvailable on Black Vinyl, Eggshell White Vinyl, and Standard CD\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSpins at 33 1\/3 RPM\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeaturing artwork by Jack Hughes\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes liner notes by composer John Powell\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThe \u003cem\u003e\u003cstrong\u003eDon’t Worry Darling (Score from the Original Motion Picture Soundtrack)\u003c\/strong\u003e\u003c\/em\u003e showcases all new music from Academy Award- and three-time Grammy Award-nominated composer \u003cem\u003e\u003cstrong\u003eJohn Powell\u003c\/strong\u003e\u003c\/em\u003e (“Happy Feet,” “How To Train Your Dragon,” “Solo: A Star Wars Story”). When it came to composing the score, Powell first viewed the assemblage without any sound, only the dialogue. Director \u003cem\u003e\u003cstrong\u003eOlivia Wilde\u003c\/strong\u003e\u003c\/em\u003e remembers, “Then he said to me, ‘This movie is more romantic than you are letting it be. Let the score be something that sweeps our hearts away.’ He said that if we played with something more romantic, and used percussion to feel like a heartbeat… by bringing in the world of the orchestra he made it much more emotionally impactful. This was my first experience being able to be with a composer conducting the orchestra, creating the score. I was overwhelmed with that moment, like a kid in a candy store.”\u003c\/p\u003e\n\u003cp\u003eThe perfect counterpoint to the sunny and lovestuck soundtrack album, the score properly presents the reality of the film’s protagonist. Composer John Powell creates some truly disorienting horrifying soundscapes to underscore the psychological terror of Alice (\u003cem\u003e\u003cstrong\u003eFlorence Pugh\u003c\/strong\u003e\u003c\/em\u003e) and her journey of discovery in the world of the Victory project.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003eSide A\u003cbr\u003e1. Beginners Ballet Class\u003cbr\u003e2. Breakfast of Champignons\u003cbr\u003e3. Welcome to the Party\u003cbr\u003e4. In the Bedroom\u003cbr\u003e5. Margaret’s Flashback\u003cbr\u003e6. Keeping House\u003cbr\u003e7. Trolley to HQ\u003cbr\u003e8. Waking Up to An Ever-Decreasing World\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003e1. Advanced Ballet Class\u003cbr\u003e2. Long Relaxing Bath\u003cbr\u003e3. A Doctor Visits\u003cbr\u003e4. Whisky by the Hearth\u003cbr\u003e5. In the Ladies with Bunny\u003cbr\u003e6. Whose World Is It?\u003cbr\u003e7. Sorties \/ Delusions\u003cbr\u003e\u003cbr\u003eSide C\u003cbr\u003e1. Dinner Party Fallout\u003cbr\u003e2. We Need to Go\u003cbr\u003e3. Rabbit Hole\u003cbr\u003e4. Everything is Good Now\u003cbr\u003e5. Catechisms \/ Catheters\u003cbr\u003e\u003cbr\u003eSide D\u003cbr\u003e1. All For You Alice\u003cbr\u003e2. Bunny’s Wise Words\u003cbr\u003e3. Victory Chase\u003cbr\u003e4. End Credits (Don’t Worry Darling)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"John Powell","offers":[{"title":"CD \/ Standard","offer_id":41977221644479,"sku":"MOND-270-2","price":24.99,"currency_code":"USD","in_stock":true},{"title":"2LP \/ Black","offer_id":41977221578943,"sku":"MOND-270-BK","price":44.99,"currency_code":"USD","in_stock":true},{"title":"2LP \/ White","offer_id":41977221611711,"sku":"MOND-270-WH","price":59.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/DWD_SCORE_FC.jpg?v=1664520859"},{"product_id":"nancy-sinatra-lee-hazlewood-nancy-and-lee-again-lp-vinyl-record","title":"Nancy \u0026 Lee Again","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE NOTES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFirst-ever reissue of Nancy \u0026amp; Lee’s 1972 classic\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP available on four color editions\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\"\u003cem\u003eBig Red Balloon Swirl\u003c\/em\u003e\" Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNancy’s Bootique Edition pressed on \"\u003cem\u003eTippy Toes Teal \u0026amp; White Swirl\u003c\/em\u003e\"\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFanclub Edition pressed on \"\u003cem\u003eGot It Together Again Gold\u003c\/em\u003e\"\u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eExperience Vinyl Edition pressed on Clear with Black \u0026amp; White Hi-Melt\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eClassic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes bonus tracks “Machine Gun Kelly” and the previously unreleased “Think I’m Coming Down”\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNewly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBeautifully packaged and expanded gatefold LP featuring a 20-page booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eQ\u0026amp;A with Nancy \u0026amp; GRAMMY®-nominated reissue co-producer Hunter Lea\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNever-before-seen photos from Nancy Sinatra’s personal archive\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eREAD MORE...\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic Records\u003c\/strong\u003e\u003c\/em\u003e is proud to present the next installment of the \u003cem\u003e\u003cstrong\u003eNancy Sinatra Archival Series\u003c\/strong\u003e\u003c\/em\u003e with the first-ever reissue of the classic 1972 album \u003cem\u003e\u003cstrong\u003eNancy \u0026amp; Lee Again\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eRecorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pair’s most enduring and ambitious duets including the epic ”\u003cem\u003e\u003cstrong\u003eArkansas Coal (Suite)\u003c\/strong\u003e\u003c\/em\u003e,” the sensual “Paris Summer” and the incredibly powerful Dolly Parton-penned “Down From Dover.” Equal parts daring, psychedelic, cinematic, and sweet, Nancy \u0026amp; Lee Again reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.\u003cbr\u003e\u003cbr\u003eNancy \u0026amp; Lee Again is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activist’s personal collection, as well as in-depth Q\u0026amp;A with Nancy Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, “Machine Gun Kelly” (first time on vinyl) and the previously unreleased “Think I’m Coming Down.”\u003cbr\u003e\u003cbr\u003eNancy’s impact on fashion, music, and culture will also be celebrated at \u003cem\u003e\u003cstrong\u003eModernism Week\u003c\/strong\u003e\u003c\/em\u003e in Palm Springs this February with three events, including a roundtable discussion featuring \u003cem\u003e\u003cstrong\u003eKii Arens\u003c\/strong\u003e\u003c\/em\u003e (Visual Artist), \u003cem\u003e\u003cstrong\u003eAlison Martino\u003c\/strong\u003e\u003c\/em\u003e (Vintage Los Angeles), \u003cem\u003e\u003cstrong\u003eHunter Lea\u003c\/strong\u003e\u003c\/em\u003e (Record Producer), \u003cem\u003e\u003cstrong\u003eDon Randi\u003c\/strong\u003e\u003c\/em\u003e (The Wrecking Crew), and \u003cem\u003e\u003cstrong\u003eAmanda Erlinger\u003c\/strong\u003e\u003c\/em\u003e (daughter of Nancy Sinatra, and co-author of the book \u003cem\u003e\u003cstrong\u003eNancy Sinatra: One For Your Dreams\u003c\/strong\u003e\u003c\/em\u003e), a double-decker bus tour featuring audio commentary from Nancy at notable locations, and a \u003cem\u003e\u003cstrong\u003eNancy Sinatra Tribute\u003c\/strong\u003e\u003c\/em\u003e street party on Arenas to close out the week’s festivities.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMORE ABOUT NANCY \u0026amp; LEE AGAIN:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972’s Nancy \u0026amp; Lee Again, a follow-up to their bestselling duet debut, Nancy \u0026amp; Lee. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965 when she topped the pop charts with “These Boots Are Made For Walkin’.” Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancy’s solo hits. Soon, the duo found success with a series of duets, including “Sand,” “Summer Wine,” and “Some Velvet Morning” – all of which appeared on their highly-influential 1968 debut.\u003cbr\u003e\u003cbr\u003eNot long after the critical acclaim and chart success of Nancy \u0026amp; Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. “Trivial music and not profound music became unimportant,” recalls Nancy, speaking to Hunter Lea. “It was a tough time.” And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.\u003cbr\u003e\u003cbr\u003eReturning to Los Angeles for the project, Hazlewood – who reprised his role as producer – chose to take a new direction with the duo’s sophomore album. Nancy recalls, “It was more dramatic; it was more fun to do, more challenging to do…. It was more grandiose.” For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presley’s TCB band, whose early ‘70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewood’s 1970 LP, Cowboy in Sweden. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.\u003cbr\u003e\u003cbr\u003eThe big sound that Nancy describes above is exemplified in the album’s cinematic opener, “Arkansas Coal (Suite).” Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the miner’s daughter and his wife. Hazlewood’s knack for vivid, nuanced storytelling shines throughout Nancy \u0026amp; Lee Again, particularly in “Paris Summer,” which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, “Did You Ever,” which was released as the album’s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.\u003cbr\u003e\u003cbr\u003eOne of the most emotionally-charged moments on Nancy \u0026amp; Lee Again is a cover of Dolly Parton’s “Down From Dover.” The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Parton’s 1970 version was sung from the teenager’s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the man’s side of the story, sings in a notably deeper octave than his signature baritone.\u003cbr\u003e\u003cbr\u003eAnother poignant selection is “Congratulations,” which describes a soldier coming home from Vietnam. “His face has grown old and his eyes have grown cold\/And they tell you of where he has been\/Congratulations, you sure made a man out of him,” Hazlewood sings, pointedly. Nancy, who performs as the vet’s wife, argues that the song had a deeper meaning for her duet partner. “Lee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didn’t talk about it, but at some point, he changed radically. ‘Congratulations’ was almost like an apology from him. I don’t want to put words in his mouth, but it was as though he was saying ‘I’m really sorry.’”\u003cbr\u003e\u003cbr\u003eThe song “Friendship Train” could also be interpreted as an apology of sorts – this time to Nancy. “You’ve been hurt and I’ve been hurt\/Now we’re living pain,” the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. “I felt pretty betrayed. I mean, who does that? Who just up and disappears like that? I’ll never understand it,” she reveals. But the uplifting duet – a slice of ‘70s pop perfection – offers reaffirming words of love between friends. “[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,” explains Nancy.\u003cbr\u003e\u003cbr\u003eThe 10-track album closes with the stripped-down “Got It Together.” Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. “I wish that we’d quit getting so old,” laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings – this time asking his partner, “Can I go back to Sweden?” With that, Nancy gives her blessing.\u003cbr\u003e\u003cbr\u003eThis definitive reissue of Nancy \u0026amp; Lee Again also includes two bonus tracks. Both are stylistic departures for the duo – but fit right in with the psychedelic pop of the era. The first one, “Think I’m Coming Down,” is a harmony-filled reflection on a toxic relationship. “I think that was one of [Lee’s] drug things. I don’t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,” explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is “Machine Gun Kelly,” penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy \u0026amp; Lee. Sinatra and Hazlewood first performed “Machine Gun Kelly” during their residency at Las Vegas’ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancy’s, it would be decades before it was officially released.\u003cbr\u003e\u003cbr\u003eNancy \u0026amp; Lee Again remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, Record World, and Cash Box, among others. Yet, Nancy \u0026amp; Lee Again never received the spotlight it so utterly deserved. “We didn’t have label support at all in those days,” recalls Nancy. “Without the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. It’s a very ageist kind of business.” Nevertheless, she adds, “I think it’s a very good album. I think it’s timeless.” Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.\u003cbr\u003e\u003cbr\u003eFive decades later, Nancy’s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. LITA has also reissued Sinatra’s classic debut, Boots, and her iconic, 1968 album with Lee Hazlewood, Nancy \u0026amp; Lee. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eArkansas Coal (Suite)\u003c\/li\u003e\n\u003cli\u003eBig Red Balloon\u003c\/li\u003e\n\u003cli\u003eFriendship Train\u003c\/li\u003e\n\u003cli\u003eParis Summer\u003c\/li\u003e\n\u003cli\u003eCongratulations\u003c\/li\u003e\n\u003cli\u003eDown From Dover\u003c\/li\u003e\n\u003cli\u003eDid You Ever?\u003c\/li\u003e\n\u003cli\u003eTippy Toes\u003c\/li\u003e\n\u003cli\u003eBack On The Road\u003c\/li\u003e\n\u003cli\u003eGot It Together\u003c\/li\u003e\n\u003cli\u003eMachine Gun Kelly (bonus track, first time on vinyl)\u003c\/li\u003e\n\u003cli\u003eThink I'm Coming Down (bonus track, previously unreleased)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/79ZtznPmq6uW1NuOyaYqKb?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Nancy Sinatra \u0026 Lee Hazlewood","offers":[{"title":"LP \/ Teal \/ White Swirl","offer_id":42281093857471,"sku":"LITA199-TEWH-SWL","price":24.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Gold","offer_id":42281093824703,"sku":"LITA199-GD","price":24.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Red Swirl","offer_id":42281093890239,"sku":"LITA199-RD-SWL","price":24.98,"currency_code":"USD","in_stock":false},{"title":"LP \/ Clear Black White Hi-Melt","offer_id":42387506200767,"sku":"LITA199-1-5-CLBKWH-HM","price":24.98,"currency_code":"USD","in_stock":false},{"title":"LP \/ Black","offer_id":42281089859775,"sku":"LITA199-BK","price":19.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1674083385494-opfm8kfke1c-6447dc37d5dd53b1becdbf5aedd35c80_2Flita199_hiRez.jpg?v=1678956190"},{"product_id":"nancy-sinatra-boots-lp-vinyl-record","title":"Boots","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eNewly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP Pressed on Classic Black Vinyl and Exclusive Limited Edition \"So Long, Babe Blue\" Swirl Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBeautifully packaged and expanded gatefold LP featuring a 20–page booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNever–before–seen photos from Nancy’s personal archive\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe definitive reissue of Nancy’s debut album.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eDumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.\u003c\/em\u003e” – \u003cstrong\u003e\u003cem\u003eNancy Sinatra\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic\u003c\/strong\u003e\u003c\/em\u003e is proud to present the next installment of the \u003cem\u003e\u003cstrong\u003eNancy Sinatra Archival Series\u003c\/strong\u003e\u003c\/em\u003e with a deluxe reissue of Nancy’s first album, Boots.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003e\u003cem\u003e1966 debut million-selling debut LP\u003c\/em\u003e\u003c\/strong\u003e, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “\u003cem\u003e\u003cstrong\u003eSo Long, Babe\u003c\/strong\u003e\u003c\/em\u003e,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood, and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, \u003cem\u003e\u003cstrong\u003eThe Wrecking Crew\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eBilly Strange\u003c\/strong\u003e\u003c\/em\u003e’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “\u003cem\u003e\u003cstrong\u003eThe City Never Sleeps At Night\u003c\/strong\u003e\u003c\/em\u003e” and the previously unreleased “\u003cem\u003e\u003cstrong\u003eFor Some\u003c\/strong\u003e\u003c\/em\u003e.”\u003cbr\u003e\u003cbr\u003eRemastered from the original analog tapes by GRAMMY®-nominated engineer \u003cem\u003e\u003cstrong\u003eJohn Baldwin\u003c\/strong\u003e\u003c\/em\u003e, the reissue is complemented by a new Q\u0026amp;A interview with Nancy and GRAMMY®-nominated reissue co-producer \u003cem\u003e\u003cstrong\u003eHunter Lea\u003c\/strong\u003e\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eThe vinyl set is presented in an expanded gatefold jacket (featuring a 20-page booklet), with special color editions available exclusively at NancySinatra.com, LightInTheAttic.net, and independent record stores.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eAs Tears Go By\u003c\/li\u003e\n\u003cli\u003eDay Tripper\u003c\/li\u003e\n\u003cli\u003eI Move Around\u003c\/li\u003e\n\u003cli\u003eIt Ain't Me Babe\u003c\/li\u003e\n\u003cli\u003eThese Boots Are Made For Walkin'\u003c\/li\u003e\n\u003cli\u003eIn My Room\u003c\/li\u003e\n\u003cli\u003eLies\u003c\/li\u003e\n\u003cli\u003eSo Long, Babe\u003c\/li\u003e\n\u003cli\u003eFlowers On The Wall\u003c\/li\u003e\n\u003cli\u003eIf He'd Love Me\u003c\/li\u003e\n\u003cli\u003eRun For Your Life\u003c\/li\u003e\n\u003cli\u003eThe City Never Sleeps At Night (Bonus Track)\u003c\/li\u003e\n\u003cli\u003eFor Some (Bonus Track)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/4qyuqoJb1ffoE11trJgsXc?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Nancy Sinatra","offers":[{"title":"LP \/ Blue Swirl","offer_id":42288424288447,"sku":"LITA197-1-BYBL-SWL","price":24.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":42288448372927,"sku":"LITA197-1-BK","price":19.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA197-NancySinatra-Boots-Cover.jpg?v=1698649900"},{"product_id":"donnie-and-joe-emerson-dreamin-wild-lp-vinyl-record","title":"Dreamin' Wild","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e2023 Reissue Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes newly expanded artwork\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDetailed liner notes by Dave Segal, interviewing the Emersons plus unseen photos, lyrics and OBI\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLP includes 20-page booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLP pressed at RTI and housed in a gatefold jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSpecial LP color edition pressed on Transparent Blue Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003ePacific Northwest\u003c\/strong\u003e\u003c\/em\u003e isolation mixed with wide-eyed ambition, a strong sense of family and the gift of music proved to be quite the combination for teenage brothers \u003cem\u003e\u003cstrong\u003eDonnie and Joe Emerson\u003c\/strong\u003e\u003c\/em\u003e. Originally released in 1979, \u003cstrong\u003e\u003cem\u003eDreamin’ Wild\u003c\/em\u003e\u003c\/strong\u003e is the sonic vision of the talented Emerson boys, recorded in a family built home studio in rural Washington State. Situated in the unlikely blink-and-you-missed-it town of Fruitland and far removed from the late 1970s punk movement and the larger disco boom, Donnie and Joe tilled their own musical soil, channeling bedroom pop jams, raw funk, and yacht rock.\u003c\/p\u003e\n\u003cp\u003eSpurred on their high school’s music program, Donnie and Joe received a further push from their lifelong farmer father, who drew up a contract stating that he’d support his sons lofty ambitions with their very own recording studio as long as they focused on original material, sage advice for a man with zero experience in the music business. After taking out a second mortgage to help cover costs, \u003cem\u003e\u003cstrong\u003eDon Sr.\u003c\/strong\u003e\u003c\/em\u003e also built his children a 300-capacity concert hall (dubbed \u003cem\u003e\u003cstrong\u003eCamp Jammin’\u003c\/strong\u003e\u003c\/em\u003e) replete with ticket booth, stage, and fully functioning snack bar. The only problem was that the projected audience never quite materialized, despite a prime time TV profile entitled “\u003cem\u003e\u003cstrong\u003eThe Rock And Roll Farmers\u003c\/strong\u003e\u003c\/em\u003e” from nearby Spokane, Washington. Even the Emerson brother’s school pals were nonplussed at their privately pressed long player; hand distributed to local music stores, but not as far as Seattle, five hours away from their rural home. Somewhat rejected by the muted response, but never surrendering, both Donnie and Joe continued down a musical path and are still active as performers today.\u003c\/p\u003e\n\u003cp\u003eThis rare slice of bedroom-funk gets the usual \u003cem\u003e\u003cstrong\u003eLight In The Attic\u003c\/strong\u003e\u003c\/em\u003e treatment with newly remastered audio, detailed liner notes, and expanded original album art with loads of photos from the Emerson’s collection. Be sure to also check out the short documentary \u003ca title=\"The Rock-n-Roll Farmers: Donnie \u0026amp; Joe Emerson\" href=\"https:\/\/www.youtube.com\/watch?v=mbK8QOgr7_8\" target=\"_blank\"\u003e\u003cstrong\u003e\u003cem\u003eThe Rock-n-Roll Farmers\u003c\/em\u003e\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/mbK8QOgr7_8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eGood Time\u003c\/li\u003e\n\u003cli\u003eGive Me The Chance\u003c\/li\u003e\n\u003cli\u003eBaby\u003c\/li\u003e\n\u003cli\u003eFeels Like the Sun\u003c\/li\u003e\n\u003cli\u003eLove Is\u003c\/li\u003e\n\u003cli\u003eDon't Go Lovin' Nobody Else\u003c\/li\u003e\n\u003cli\u003eDream Full of Dreams\u003c\/li\u003e\n\u003cli\u003eMy Heart\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e","brand":"Donnie \u0026 Joe Emerson","offers":[{"title":"LP \/ Black","offer_id":42307583803583,"sku":"LITA082-1-BK","price":19.99,"currency_code":"USD","in_stock":true},{"title":"LP \/ Transparent Blue","offer_id":42307592192191,"sku":"LITA082-1-BL","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_Donnie_JoeEmerson_DreaminWild_325.jpg?v=1680575116"},{"product_id":"various-artists-dont-worry-darling-soundtrack-cd","title":"Don't Worry Darling (Original Motion Picture Soundtrack) [CD]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eCompact Disc\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePackaged in a clear jewel case\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes booklet\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMondo\u003c\/strong\u003e\u003c\/em\u003e, in partnership with \u003cem\u003e\u003cstrong\u003eWaterTower Music\u003c\/strong\u003e\u003c\/em\u003e, are proud to present the various artists soundtrack to \u003cstrong\u003e\u003cem\u003eOlivia Wilde\u003c\/em\u003e\u003c\/strong\u003e's sophomore feature \u003cem\u003e\u003cstrong\u003eDon't Worry Darling\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen it came to assembling the songs from the film that would ultimately be compiled into the \u003cem\u003e\u003cstrong\u003eDon't Worry Darling\u003c\/strong\u003e \u003c\/em\u003e\u003cspan\u003e(Original Motion Picture Soundtrack), Wilde reached out to two-time Grammy Award-winning music supervisor Randall Poster, whom she calls “one of the all-time greatest.” The director and Poster crossed paths while working on the Martin Scorsese\/Mick Jagger executive-produced series “Vinyl.” Wilde supplies, “Randy has an encyclopedic knowledge of music, and I really wanted to place the audience in this era through music. It’s such a great time for music and Randy and I had a lot of fun building the soundtrack, using so many of the songs I’ve been waiting for a long time to put into a movie. And what made it such a fun experience to be in the world of this movie was to dance to this wonderful music.”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis various artists compilation is an incredible mix of 50's and 60's classics by artists such as \u003cem\u003e\u003cstrong\u003eRay Charles, Ella Fitzgerald, The Chords, Mel Tormé, and more\u003c\/strong\u003e\u003c\/em\u003e. These standards are essential for any collector, whether you be a part of the Victory Project, or at home in 2022. This comp also features an original song performed by the film's leads Alice and Jack. Package design by Mondo's Creative Director \u003cem\u003e\u003cstrong\u003eMo Shafeek\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eThe Right Time – Ray Charles\u003c\/li\u003e\n\u003cli\u003eBang Bang – Dizzy Gillespie\u003c\/li\u003e\n\u003cli\u003eWhere Or When – The Benny Goodman Trio\u003c\/li\u003e\n\u003cli\u003eComin' Home Baby – Mel Tormé\u003c\/li\u003e\n\u003cli\u003eThe Oogum Boogum Song – Brenton Wood\u003c\/li\u003e\n\u003cli\u003eTears On My Pillow – Little Anthony \/ The Imperials\u003c\/li\u003e\n\u003cli\u003eTwilight Time – The Platters\u003c\/li\u003e\n\u003cli\u003eSh-Boom – The Chords\u003c\/li\u003e\n\u003cli\u003eNeed Your Love So Bad – Little Willie John\u003c\/li\u003e\n\u003cli\u003eSleep Walk – Santo and Johnny\u003c\/li\u003e\n\u003cli\u003eYou Belong To Me - Helen Foster and the Rovers\u003c\/li\u003e\n\u003cli\u003eSomeone To Watch Over Me – Ella Fitzgerald\u003c\/li\u003e\n\u003cli\u003eWith You All The Time – Alice and Jack\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/7vd9ogxIg5CSBFuvHE60LZ?utm_source=generator\" width=\"100%\" height=\"380\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Various Artists","offers":[{"title":"CD \/ Standard","offer_id":42352027369663,"sku":"MOND-269-2","price":22.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/DWD_OST_CD_FC_837009df-9035-474b-8ba7-e3b923399ab7.jpg?v=1683930628"},{"product_id":"sven-wunder-natura-morta-lp-vinyl-record","title":"Natura Morta [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe highly anticipated follow-up to Eastern Flowers and Wabi Sabi\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoused in a single-pocket printed sleeve\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe instruments used on Natura Morta are:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e9 violins, 4 violas, 3 cellos, 1 flute, 1 piano, 1 electric piano, 1 cembalo, 1 twelve-string guitar, 1 electric guitar, 1 trumpet, 1 flugelhorn, 1 tenor horn, 1 marimba, 1 electric bass, drums, and percussions\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eOn \u003cem\u003e\u003cstrong\u003eNatura Morta\u003c\/strong\u003e\u003c\/em\u003e, \u003cem\u003e\u003cstrong\u003eSven Wunder\u003c\/strong\u003e\u003c\/em\u003e is exploring art as a bridge between nature and the human ability to judge and observe in eleven musical compositions with brightly colored textures and an emphasis on vibrant melodies.\u003cbr\u003e\u003cbr\u003eThroughout human history, we have depicted the world we live in through art. By reworking what we see in the world, the simplest things have helped us understand the beauty of nature and to evaluate the material world that we have created around us, as a window to a constantly changing reality, through our own perception. It is that absolute reality that appears in the seam of humans and nature and that can be revealed through art.\u003cbr\u003e\u003cbr\u003eStill life painting, also referred to as \u003cem\u003e\u003cstrong\u003eNatura Morta (”dead nature”)\u003c\/strong\u003e\u003c\/em\u003e in Italian, stretches back to ancient times. Some of the earliest works, found in Pompeii, depict commonplace objects such as fresh autumn fruits alongside man-made objects such as a small amphora and a small terracotta heap with dried fruits. These two-thousand-year-old paintings give a snapshot of Roman life and also create a link to time and space. A slice of life has been created by binding the earth’s pigments with extracts of oil, made from nuts and seeds, painted with brushes, and made from a variety of fibers, such as trees and hair from animals. While life wanes with each brushstroke, by shifting reality into the past, art exists to make us come alive, being a living image of a dead thing, a surface, and a symbol with symbolic powers of its own. Still life works celebrate material and ephemeral pleasures by returning to nature as the ultimate source for our standards in art as well as in life itself.\u003cbr\u003e\u003cbr\u003eNatura Morta collects pieces from a continuous variety of melodies — supported by a decisive rhythm section — creating a musical kaleidoscope of ever-changing colors. Sven Wunder brings life into this rich assortment of musical implications by fusing and combining melodic instruments with each other in a setting that spans from a classical to a modern idiom. The author evokes this panoramic portrait by articulating an instrumental dialog between a chamber orchestra and a jazz ensemble. The result is a musical celebration of material pleasures that also serves as a reminder of the brevity of human life.\u003c\/p\u003e\n\u003cp\u003eThis album was produced with financial support from the \u003cem\u003e\u003cstrong\u003eSwedish Arts Council\u003c\/strong\u003e\u003c\/em\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eEn Plein Air\u003c\/li\u003e\n\u003cli\u003eImpasto\u003c\/li\u003e\n\u003cli\u003ePrussian Blue\u003c\/li\u003e\n\u003cli\u003eNatura Morta\u003c\/li\u003e\n\u003cli\u003ePanorama\u003c\/li\u003e\n\u003cli\u003eAlla Prima\u003c\/li\u003e\n\u003cli\u003eUmber\u003c\/li\u003e\n\u003cli\u003eBarocco, Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eMemento Mori\u003c\/li\u003e\n\u003cli\u003ePentimento\u003c\/li\u003e\n\u003cli\u003eNatura Morta (reprise)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/2lwfUJNT3VZlGOGXwDUgX7?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Sven Wunder","offers":[{"title":"LP \/ Black","offer_id":42352052568255,"sku":"PP1003-BK","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/7320470255308.jpg?v=1683940230"},{"product_id":"walk-in-africa-1979-81-national-wake-2lp","title":"Walk In Africa 1979-81","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFirst ever anthology\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRemastered from original sources\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2xLP housed in a deluxe gatefold tip-on jacket with 20-pg book, and download card full full anthology\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eScholarly liner notes by Punk In Africa film director Keith Jones\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUnseen photos, flyers, and band ephemera\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl cut by John Golden and pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThe South Africa of the late 1970s was neither the right place nor time to launch a mixed-race punk band. Yet, following the student-inspired Soweto Uprising of 1976, it was also exactly the right conditions to foster a band like National Wake, one formed in an underground commune, and one whose very name exists in protest at the divisive, racist apartheid regime. Never before collected together, Light In The Attic is set to release National Wake’s full body of work as Walk In Africa 1979-81.\u003cbr\u003e\u003cbr\u003eFeatured heavily in the recent documentary Punk In Africa, National Wake played punk, reggae, and tropical funk, equally at home in the city’s rock underground and the township nightclub circuit. Ivan Kadey started the band with two brothers, Gary and Punka Khoza. The three were from different worlds – while Ivan was an outsider, a Jewish orphan born in the traditional Johannesburg immigrant neighborhood, Gary, Punka, and their family were forcibly moved to the troubled township of Soweto under the apartheid regime. Later joined by guitarist Steve Moni, the whole band grew up against a backdrop of township unrest, social upheaval, and suburban tedium that characterized apartheid-era South Africa.\u003cbr\u003e\u003cbr\u003eNational Wake released just one album, in 1981. It sold approximately 700 copies before being withdrawn under government pressure. The band subsequently disintegrated, but their influence could be traced in the racially mixed post-punk underground centered around Rockey Street in Johannesburg throughout the 1980s, their legacy transmitted through fanzines and underground cassette trading.\u003cbr\u003e\u003cbr\u003eSadly, Gary and Punka Khoza both passed away in their 40s. Kadey now works as an architect in Los Angeles, but his attention eventually turned back to the band as their legacy grew in the digital era, with the emergence of specialized music websites and Punk In Africa leading to their rediscovery. Czech State Radio memorably described the band as “perhaps the most dissident music scene of the 20th century: a multi-racial punk band in a fascist police state.”\u003cbr\u003e\u003cbr\u003eIn 2011, Kadey re-released the band’s self-titled album on CD in South Africa, but spoke about having more than 20 tracks that had never seen the light of day – until now. “All of these recordings put together they speak of the whole evolution of the band,” he has said. “From a sort of naive, almost belief that we could miraculously change everything to realizing what a struggle it was, and what the country was going through and what it would go through.”\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eInternational News\u003c\/li\u003e\n\u003cli\u003eIt's All Right\u003c\/li\u003e\n\u003cli\u003eWalk in Africa\u003c\/li\u003e\n\u003cli\u003eTime and Place\u003c\/li\u003e\n\u003cli\u003eCorner House Stone\u003c\/li\u003e\n\u003cli\u003eMercenaries\u003c\/li\u003e\n\u003cli\u003eWake of the Nation\u003c\/li\u003e\n\u003cli\u003eSupaman\u003c\/li\u003e\n\u003cli\u003eSpeed It Up\u003c\/li\u003e\n\u003cli\u003eBeat up the Lights\u003c\/li\u003e\n\u003cli\u003eBlack Punk Rockers\u003c\/li\u003e\n\u003cli\u003eStratocaster\u003c\/li\u003e\n\u003cli\u003eEverybody\u003c\/li\u003e\n\u003cli\u003eVatsiketeni\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/5qCdJk2qZfjtXr0AHxNeGQ?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"National Wake","offers":[{"title":"2LP \/ Black","offer_id":42654686937279,"sku":"LITA105-BK","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA105-NationalWake-WalkInAfrica1979-81.jpg?v=1704695367"},{"product_id":"if-the-evening-were-dawn-jim-sullivan-lp","title":"If The Evening Were Dawn","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMastered from the original analog tapes\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDeluxe Stoughton “tip-on” jacket with debossing\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAll tracks previously unreleased\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eOn March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost until Light in the Attic Records began a years-long quest to re-release it–and to solve the mystery of Sullivan’s disappearance. Only one of those things happened, and you can guess which…\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLight in the Attic’s reissue of U.F.O. introduced the world to an overlooked masterwork and won Sullivan, posthumously (presumably), legions of new fans. Those new admirers are in for a real treat: a lavish, first-time release of a previously unheard 1969 studio session.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf The Evening Were Dawn contains 10 acoustic solo recordings that have never seen the light of day. Whereas U.F.O. was bolstered by legendary sessioneers The Wrecking Crew, this is Jim Sullivan on his own terms, stripped down and soulful as ever. Recorded at a Los Angeles studio circa 1969, the session contains acoustic versions of a handful of U.F.O. tracks alongside a half dozen previously unheard songs. This, then, is the closest thing to those fabled Malibu bar performances at which Sullivan was first noticed.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAccording to his widow, Barbara, this was the album Jim always hoped to record. It serves as an unprecedented glimpse into the mysterious, larger-than-life figure who’s become the stuff of legends.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile Sullivan’s disappearance remains unsolved, his music endures and is finally gaining him the recognition he deserves, albeit long overdue. This recording serves as an unexpected missing piece of the puzzle; this is Jim Sullivan’s true swan song.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eRoll Back The Time\u003c\/li\u003e\n\u003cli\u003eSandman\u003c\/li\u003e\n\u003cli\u003eWalls\u003c\/li\u003e\n\u003cli\u003eJerome\u003c\/li\u003e\n\u003cli\u003eWhat To Tell Her\u003c\/li\u003e\n\u003cli\u003eGrandpa's Trip\u003c\/li\u003e\n\u003cli\u003eSo Natural\u003c\/li\u003e\n\u003cli\u003eWhistle Stop \/ Mama\u003c\/li\u003e\n\u003cli\u003eWhat Is My Name?\u003c\/li\u003e\n\u003cli\u003eClose My Eyes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/7lPX2ftVjBFLVo0xWjf2hV?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Jim Sullivan","offers":[{"title":"LP \/ Orange","offer_id":42921555656895,"sku":"LITA178-OR","price":24.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":42654687428799,"sku":"LITA178-BK","price":14.99,"currency_code":"USD","in_stock":false},{"title":"LP \/ Clear Gold","offer_id":42921555689663,"sku":"LITA178-CLGD","price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/tmp_2F1561483595840-1fpxpwsnd2c-39e076f7f6ccfd4fcfef91507b8f14a4_2FLITA178_Highres_Cover_974x_2db39f67-cfba-4e56-ace5-d5b43016c9f7.jpg?v=1701592453"},{"product_id":"when-i-hit-you-youll-feel-it-leslie-winer-cd","title":"When I Hit You — You'll Feel It [CD]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eDefinitive career-spanning anthology\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeaturing musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNewly remastered by the GRAMMY®-nominated engineer John Baldwin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“The definition of a hidden gem” –\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohn Peel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” –\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMax Richter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“She might just be the coolest woman on the planet!” –\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBoy George\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLight in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.\u003c\/p\u003e\n\u003cp\u003eNewly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"caps\"\u003eMORE\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eABOUT\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eLESLIE\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eWINER….\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMusician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.\u003c\/p\u003e\n\u003cp\u003eBorn to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.\u003c\/p\u003e\n\u003cp\u003eThere, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”\u003c\/p\u003e\n\u003cp\u003eWiner’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.\u003c\/p\u003e\n\u003cp\u003eBut music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.\u003c\/p\u003e\n\u003cp\u003eOn her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.\u003c\/p\u003e\n\u003cp\u003eThe album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).\u003c\/p\u003e\n\u003cp\u003eWhile Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eBBC\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eRadio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”\u003c\/p\u003e\n\u003cp\u003eOpening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.\u003c\/p\u003e\n\u003cp\u003eWhile sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault \/ And if get bashed I must’ve provoked it \/ And if I raise my voice I’m a nagging bitch \/ And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills \/ Because I still can’t get a safe birth control while some fucker’s roaming the moon.”\u003c\/p\u003e\n\u003cp\u003eWiner had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eNME\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eto give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.\u003c\/p\u003e\n\u003cp\u003eFollowing the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.\u003c\/p\u003e\n\u003cp\u003eToday, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.\u003c\/p\u003e\n\u003cp\u003eIn the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.\u003c\/p\u003e\n\u003cp\u003eWiner’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eWhen I Was Walt Whitman - Leslie Winer\u003c\/li\u003e\n\u003cli\u003eN1 Ear - Leslie Winer\u003c\/li\u003e\n\u003cli\u003eTree - Leslie Winer\u003c\/li\u003e\n\u003cli\u003ePersonals - Jon Hassell and Bluescreen featuring Leslie\u003c\/li\u003e\n\u003cli\u003eDream 1 - Leslie Winer\u003c\/li\u003e\n\u003cli\u003eDunderhead - Purity Supreme\u003c\/li\u003e\n\u003cli\u003eThe Boy Who Used 2 Whistle - Leslie Winer\u003c\/li\u003e\n\u003cli\u003eHold On Postcards - Leslie Winer\u003c\/li\u003e\n\u003cli\u003eHe Was - Leslie Winer\u003c\/li\u003e\n\u003cli\u003eRoundUp Ready - Leslie Winer\u003c\/li\u003e\n\u003cli\u003eSkin - Leslie Winer\u003c\/li\u003e\n\u003cli\u003eBox - Leslie Winer\u003c\/li\u003e\n\u003cli\u003eThis Blank Action - Diamond Version featuring Leslie Winer\u003c\/li\u003e\n\u003cli\u003eBattle Porn - Leslie Winer\u003c\/li\u003e\n\u003cli\u003eWoodshedded - Leslie Winer \u0026amp; Jay Glass Dubs\u003c\/li\u003e\n\u003cli\u003eFragment #2 - Leslie Winer \u0026amp; Mari G. Mooney\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/1oUU0K5T9NVRtWat2tGWTY?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Leslie Winer","offers":[{"title":"CD \/ Standard","offer_id":42654687658175,"sku":"LITA181-STD","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/tmp_2F1618940932708-rsn82iilmih-8202f80a67360c73675f3525cc38be3c_2FLITA181-Hi_2BRes_2BCover_974x_613f3b5a-0cdb-4180-bea5-39e723652c53.jpg?v=1704667943"},{"product_id":"once-i-was-leslie-winer-and-maxwell-sterling-tim-buckley-7-inch","title":"Once I Was","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eLatest release in Light in the Attic’s Covers Series\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eArtwork by Los Angeles-based fine artist Robbie Simon\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited edition first pressing\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThe latest installment of Light in the Attic’s exclusive vinyl and digital singles series features musician, poet, and author Leslie Winer collaborating with Manchester-born composer Maxwell Sterling on a truly gorgeous cover of Tim Buckley’s 1967 forlorn love song “Once I Was.” Buckley’s original classic is found on the flip-side and initially taken from the release Lady, Give Me Your Key: The Unissued 1967 Solo Acoustic Sessions (FDR 631).\u003c\/p\u003e\n\u003cp\u003ePrevious singles in Light in the Attic’s Covers Series includes Bill Callahan \u0026amp; Bonnie ‘Prince’ Billy covering Johnnie Frierson’s beautiful and inspiring tune “Miracles,” BADBADNOTGOOD with Jonah Yano covering “Key To Love (Is Understanding)\" by Milwaukee’s funk\/soul pioneers Majestics, Charles Bradley \u0026amp; the Menahan Street Band covering Sixto Rodriguez, Mac DeMarco covering Haruomi Hosono’s “Honey Moon,\" and Iggy Pop with the Zig Zags transforming Betty Davis’ dirty funk into a heavy Sabbath grind, amongst many others.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eLeslie Winer \u0026amp; Maxwell Sterling - 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