{"title":"Genre: Folk \/ Country","description":"","products":[{"product_id":"various-artists-go-back-to-the-countryside-c-w-the-countryside-is-great-12-inch-vinyl-record","title":"Go Back to the Countryside \/ The Countryside is Great [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e Features\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eJapanese Pressing\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e45rpm 12\" EP on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCover art by Shinsuke Takagi of Soi48\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eA Luk Thung gem\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis 12-inch vinyl-only release is the fourth in the series in support of the Kuzoku film \u003cem\u003e\u003cstrong\u003eBangkok Nites\u003c\/strong\u003e\u003c\/em\u003e. Both songs here are covers of “\u003cem\u003e\u003cstrong\u003eThe Countryside is Great\u003c\/strong\u003e\u003c\/em\u003e”, a 70s luk thung classic originally sung by \u003cem\u003e\u003cstrong\u003eRunghpet Laemsing\u003c\/strong\u003e\u003c\/em\u003e. The song, which plays a pivotal role in the film, is re-titled on the A side by\u003cstrong\u003e Ozawa and the Babylon Band\u003c\/strong\u003e, who deliver a funky version with winsome vocals by \u003cem\u003e\u003cstrong\u003eKatsuya Tomita\u003c\/strong\u003e\u003c\/em\u003e, one of the film’s directors, who, as Ozawa, also plays the leading role in the film. The Babylon Band is led by \u003cem\u003e\u003cstrong\u003eIwao Yamazaki\u003c\/strong\u003e\u003c\/em\u003e, who has a long-running relationship with Kuzok films; he is the sound engineer of \u003cem\u003e\u003cstrong\u003eBangkok Nites\u003c\/strong\u003e\u003c\/em\u003e. The AA side is a version by the Tokyo-based synthesizer quartet Kufuki, with vocals by \u003cem\u003e\u003cstrong\u003eRifu Otsu\u003c\/strong\u003e\u003c\/em\u003e, a singer\/voice performer and master of shigin. \u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eGo Back to the Countryside\u003c\/li\u003e\n\u003cli\u003eThe Countryside is Great\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"12\" \/ Black","offer_id":41672557723839,"sku":"EM1172TEP-BK","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1513988097119-3jvnwaj7n3v-0ff0ba84f06e41e23ddc8bbd56c4a957_2FOzawa.jpg?v=1680819826"},{"product_id":"kikagaku-moyo-house-in-the-tall-grass-lp-vinyl-record","title":"House in the Tall Grass [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTheir music incorporates elements of \u003cem\u003eclassical Indian music\u003c\/em\u003e, \u003cem\u003eKrautrock\u003c\/em\u003e, \u003cem\u003eTraditional Folk\u003c\/em\u003e, and \u003cem\u003e70s Rock\u003c\/em\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMost importantly their music is about freedom of the mind and body and building a bridge between the supernatural and the present\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eImprovisation is a key element to their sound\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eLike a long journey, this record unfolds itself through many layers. Fans of \u003cem\u003e\u003cstrong\u003eKikagaku Moyo\u003c\/strong\u003e\u003c\/em\u003e will be comforted by the soft vocals harmonies and warm Sitar but what sets this release apart is the refinement of the band’s songwriting and their delicate execution. Side A begins with a pair of traveling songs where the interplay between the vocals, guitar, and sitar lift and suspend you on an unexpected journey.\u003c\/p\u003e\n\u003cp\u003eThe patient listener is rewarded by tracks like “\u003cem\u003e\u003cstrong\u003eTrad\u003c\/strong\u003e\u003c\/em\u003e” and “\u003cem\u003e\u003cstrong\u003eSilver Owl\u003c\/strong\u003e\u003c\/em\u003e” that demonstrate the masterful balance the band has between soft and loud; chaos and order, or being both cold and tender at the same time. “\u003cem\u003e\u003cstrong\u003eHouse in the Tall Grass\u003c\/strong\u003e\u003c\/em\u003e” takes the listener by the hand on a comfortable quest through destinations both familiar and unknown. It is a natural step forward for the band and perhaps the most refined example of their style to date.\u003c\/p\u003e\n\u003cp\u003eKikagaku Moyo started in the summer of 2012 busking on the streets of Tokyo. Though the band started as a free music collective, it quickly evolved into a tight group of multi-instrumentalists. Kikagaku Moyo calls their sound psychedelic because it encompasses a broad spectrum of influence.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eGreen Sugar\u003c\/li\u003e\n\u003cli\u003eKogarashi\u003c\/li\u003e\n\u003cli\u003eOld Snow, White Sun\u003c\/li\u003e\n\u003cli\u003eMelted Crystal\u003c\/li\u003e\n\u003cli\u003eDune\u003c\/li\u003e\n\u003cli\u003eSilver Owl\u003c\/li\u003e\n\u003cli\u003eFata Morgana\u003c\/li\u003e\n\u003cli\u003eTrad\u003c\/li\u003e\n\u003cli\u003eCardigan Song\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe height=\"380\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/0A6hLzACLoB32gRz2UFTYu?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Kikagaku Moyo","offers":[{"title":"LP \/ Black","offer_id":41672590557375,"sku":"GGB-008-BK","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/HouseInTheTallGrass.jpg?v=1698470921"},{"product_id":"karen-dalton-1966-lp-vinyl-record","title":"1966","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: bold;\"\u003e\u003cstrong\u003eBACKORDER\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eNewly unearthed rehearsal tape from \u003cem\u003e\u003cstrong\u003e1966\u003c\/strong\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eFeatures Karen solo on banjo and guitar, plus 4 duets with \u003cem\u003e\u003cstrong\u003eRichard Tucker\u003c\/strong\u003e\u003c\/em\u003e. Many never heard before covers including ‘\u003cem\u003e\u003cstrong\u003eReason To Believe\u003c\/strong\u003e\u003c\/em\u003e’ \u0026amp; ‘\u003cem\u003e\u003cstrong\u003eDon’t Make Promises\u003c\/strong\u003e\u003c\/em\u003e’ by \u003cem\u003e\u003cstrong\u003eTim Hardin\u003c\/strong\u003e\u003c\/em\u003e, and ‘\u003cem\u003e\u003cstrong\u003eOther Side To This Life\u003c\/strong\u003e\u003c\/em\u003e’ by \u003cem\u003e\u003cstrong\u003eFred Neil\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cstrong\u003eKaren Dalton\u003c\/strong\u003e\u003c\/em\u003e at her most intimate and unfiltered.\u003c\/li\u003e\n\u003cli\u003eLP housed in tip-on jacket, with 4-page heavy insert, \u003cem\u003e\u003cstrong\u003eexclusive color portrait\u003c\/strong\u003e\u003c\/em\u003e, and download card\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecial Edition: Remastered\/recut \/ re-pressed at \u003cem\u003e\u003cstrong\u003eThird Man\u003c\/strong\u003e\u003c\/em\u003e on \u003cem\u003e\u003cstrong\u003eClear Green Rocky Road\u003c\/strong\u003e\u003c\/em\u003e vinyl with \u003cem\u003e\u003cstrong\u003eOBI\u003c\/strong\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eKaren Dalton was a remote, elusive creature. A hybrid of tough and tender with an unearthly voice that seemed to embody a time long past. As is often the case with such fragile beings, she instinctively understood that the only way to survive the harshness of the world around her was to keep herself hidden. So it comes as no great surprise that she rarely sang in public or ventured into the unnatural setting of a recording studio. Only twice, for 1969’s It’s So Hard To Tell Who’s Going To Love You The Best and then again for 1971’s In My Own Time, was she coaxed from her habitat into the studio. Other times she made music in casual settings, sitting around a kitchen table or wood burning stove with her friends, singing and playing until daybreak.\u003cbr\u003e\u003cbr\u003eIn 1966, Carl Baron brought his reel-to-reel over to her remote cabin in Summerville, Colorado, and recorded one of those exquisite musical evenings. Karen and Richard Tucker were rehearsing for a gig when Carl hit the “Record” button. The result is a 45-year-old tape, carefully exhumed, documenting Karen at her most raw and unfiltered. On it are Fred Neil and Tim Hardin songs we’ve never heard Karen give voice to before, as well as traditional songs she uncannily makes her own, including a devastating version of ‘Katie Cruel’, that is so powerful, it is as if the ghost of Katie Cruel seeped into her blood. This recording is a window to her Summerville cabin opened, allowing us to eavesdrop on Karen Dalton at her most pure and unaffected.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1. Reason To Believe\u003cbr\u003e2. Katie Cruel\u003cbr\u003e3. Cotton Eyed Joe\u003cbr\u003e4. Green Rocky Road\u003cbr\u003e5. Don't Make Promises\u003cbr\u003e6. Other Side To This Life\u003cbr\u003e7. God Bless The Child\u003cbr\u003e8. Little Bit Of Rain\u003cbr\u003e9. While You're On Your Way\u003cbr\u003e10. 2:19 Train\u003cbr\u003e11. Misery Blues\u003cbr\u003e12. Mole In The Ground\u003cbr\u003e13. Shiloh Town\u003cbr\u003e14. Hallelujah\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Karen Dalton","offers":[{"title":"LP \/ Green","offer_id":41673116451007,"sku":"DE30LP-GN","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_DE13_Cover.jpg?v=1699816297"},{"product_id":"lou-reed-words-music-may-1965-standard-edition-lp-vinyl-record","title":"Words \u0026 Music, May 1965 Standard Edition","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAll tracks previously unreleased\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eProduced in partnership with \u003cem\u003eLaurie Anderson\u003c\/em\u003e and the \u003cem\u003eLou Reed Archive\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInaugural release in Light in the Attic’s Lou Reed Archive Series\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures the earliest-known recordings of “I’m Waiting for the Man,” “Pale Blue Eyes\" and “Heroin\" as made famous by The Velvet Underground\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes seven unheard Lou Reed compositions\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRemastered from the original analog tapes by GRAMMY®-nominated engineer \u003cem\u003eJohn Baldwin\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePackage designed by multi-GRAMMY®-winning artist \u003cem\u003eMasaki Koike\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e \u003cem\u003eSpecial Limited Color Edition\u003c\/em\u003e (pressed on \u003cem\u003eBright Yellow Wax\u003c\/em\u003e)\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLP includes a 28-page booklet (CD 60-page) featuring lyrics, archival photos, and liner notes by \u003cem\u003eGreil Marcus, Don Fleming, and Jason Stern\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTracks 1-10: Special Color LP Edition \/ Standard LP Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"320\" height=\"240\" src=\"https:\/\/www.youtube.com\/embed\/UFcrIe7d3uQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"320\" height=\"240\" src=\"https:\/\/www.youtube.com\/embed\/DPTYzhUHQek\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e“To hear a tape containing their earliest demos, recorded on May 11, 1965, and locked away until now, is to hear traces of things rarely associated with The Velvet Underground: blues and folk, earthy and traditional, uncertain and hesitant… yet bristling with that rusty, caustic, Lou Reed spirit. It is a revelation.” – Will Hodgkinson, MOJO\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic Records\u003c\/strong\u003e\u003c\/em\u003e, in cooperation with \u003cem\u003e\u003cstrong\u003eLaurie Anderson\u003c\/strong\u003e\u003c\/em\u003e, proudly announces the inaugural title in their ongoing \u003cem\u003e\u003cstrong\u003eLou Reed Archive Series: Words \u0026amp; Music, May 1965\u003c\/strong\u003e\u003c\/em\u003e. Released in tandem with the late artist’s 80th birthday celebrations, the album offers an extraordinary, unvarnished, and plainly poignant insight into one of America’s true poet-songwriters. Capturing Reed in his formative years, this previously unreleased collection of songs—penned by a young Lou Reed, recorded to tape with the help of future bandmate John Cale, and mailed to himself as a “poor man’s copyright”—remained sealed in its original envelope and unopened for nearly 50 years. Its contents embody some of the most vital, groundbreaking contributions to American popular music committed to tape in the 20th century. Through examination of these songs rooted firmly in the folk tradition, we see clearly Lou’s lasting influence on the development of modern American music – from punk to art-rock and everything in between. A true time capsule, these recordings not only memorialize the nascent sparks of what would become the seeds of the incredibly influential Velvet Underground; they also cement Reed as a true observer with an innate talent for synthesizing and distilling the world around him into pure sonic poetry.\u003cbr\u003e\u003cbr\u003eFeaturing contributions from Reed’s future bandmate, \u003cem\u003e\u003cstrong\u003eJohn Cale\u003c\/strong\u003e\u003c\/em\u003e, Words \u0026amp; Music, May 1965 presents in their entirety the earliest-known recordings of such historic songs as “\u003cem\u003e\u003cstrong\u003eHeroin\u003c\/strong\u003e\u003c\/em\u003e”, “\u003cem\u003e\u003cstrong\u003eI’m Waiting for the Man\u003c\/strong\u003e\u003c\/em\u003e”, and “\u003cem\u003e\u003cstrong\u003ePale Blue Eyes\u003c\/strong\u003e\u003c\/em\u003e”—all of which Reed would eventually record and make indelibly influential with the Velvet Underground. Also included are several more previously-unreleased compositions that offer additional insight into Reed’s creative process and early influences. Produced by \u003cem\u003e\u003cstrong\u003eLaurie Anderson, Don Fleming, Jason Stern, Hal Willner, and Matt Sullivan\u003c\/strong\u003e\u003c\/em\u003e, the album features newly-remastered audio from the original tape by GRAMMY®-nominated engineer, \u003cem\u003e\u003cstrong\u003eJohn Baldwin\u003c\/strong\u003e\u003c\/em\u003e. Rounding out the package are new liner notes from acclaimed journalist and author, Greil Marcus, plus in-depth archival notes from Don Fleming and Jason Stern, who oversee the Lou Reed Archive, while the release has been designed by multi-GRAMMY®-winning artist Masaki Koike.\u003c\/p\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3Et83FjIHml5vd3Q73mJL1?utm_source=generator\" width=\"100%\" height=\"380\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Lou Reed","offers":[{"title":"LP \/ Yellow","offer_id":41710239973567,"sku":"LITA188-1-YL","price":37.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":41710226866367,"sku":"LITA188-1-BK","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/LITA188-LouReed-Words_MusicMay1965-StandardEdition-Hi-ResCover.jpg?v=1654899362"},{"product_id":"george-ezra-gold-rush-kid-lp-vinyl-record","title":"Gold Rush Kid","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on 180-Gram Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoused in a gatefold jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes 12” x 12” booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eGold Rush Kid\u003c\/strong\u003e\u003c\/em\u003e is the highly anticipated new album by singer-songwriter \u003cem\u003e\u003cstrong\u003eGeorge Ezra\u003c\/strong\u003e\u003c\/em\u003e. This 12-track album was announced with the release of the first single and video, ‘\u003cem\u003e\u003cstrong\u003eAnyone For You\u003c\/strong\u003e\u003c\/em\u003e.’ In speaking about the lead single, George says: “‘Anyone For You’ is a patchwork of lyric ideas found in old notebooks and chance moments shared between musicians in the studio. It’s joyous and infectious, and I can’t help but smile every time I sing it.”\u003cbr\u003e\u003cbr\u003eAfter two successful albums – 2014’s \u003cstrong\u003e\u003cem\u003eWanted On Voyage\u003c\/em\u003e\u003c\/strong\u003e and 2018’s \u003cem\u003e\u003cstrong\u003eStaying At Tamara’s\u003c\/strong\u003e\u003c\/em\u003e – both of which reached number 1 in the UK and sold millions around the world, it was time to return to heart and hearth, with an album written and produced entirely in London with longstanding collaborator \u003cem\u003e\u003cstrong\u003eJoel Pott\u003c\/strong\u003e\u003c\/em\u003e. With Gold Rush Kid, George Ezra has created a reviving and invigorating collection of songs.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1. Anyone for You (Tiger Lily)\u003cbr\u003e2. Green Green Grass\u003cbr\u003e3. Gold Rush Kid\u003cbr\u003e4. Manila\u003cbr\u003e5. Fell in Love at the End of the World\u003cbr\u003e6. Don't Give Up\u003cbr\u003e7. Dance All Over Me\u003cbr\u003e8. I Went Hunting\u003cbr\u003e9. In the Morning\u003cbr\u003e10. Sweetest Human Being Alive\u003cbr\u003e11. Love Somebody Else\u003cbr\u003e12. The Sun Went Down\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/5RaDlk1pjOFSfcGDurH62z?utm_source=generator\" width=\"100%\" height=\"380\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"George Ezra","offers":[{"title":"LP \/ Black","offer_id":41789583294655,"sku":"CLBI98412-1-BK","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/A1SgwxE_k1L._SL1500.jpg?v=1657338740"},{"product_id":"kalapana-kalapana-lp-vinyl-record","title":"Kalapana (Limited Edition)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe 1975 debut from Hawaii’s most beloved group\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFronted by singer-songwriter \u003cem\u003eMackey Feary\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe first official vinyl reissue in 45 years\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA uniquely Hawaiian style of \u003cem\u003esoul, rock, pop, AOR, and jazz\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRemastered by \u003cem\u003eJessica Thompson\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePressed at \u003cem\u003eGotta Groove Records\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Limited Cear Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThe paragon of 1970s pop paradise, Kalapana’s 1975 recording debut left an indelible mark on \u003cem\u003e\u003cstrong\u003eHawaii\u003c\/strong\u003e\u003c\/em\u003e. With its instantly recognizable cover art featuring the faces of the group’s four members — \u003cem\u003e\u003cstrong\u003eMackey Feary, Malani Bilyeu, David John Pratt, and Kirk Thompson\u003c\/strong\u003e\u003c\/em\u003e — the eponymous album presented 11 masterfully crafted songs, each purposefully poised to become a hit.\u003cbr\u003e\u003cbr\u003eFollowing a successful concert tour of the Hawaiian Islands, the band moved to California in October 1975 to work on their first album, \u003cem\u003e\u003cstrong\u003eKalapana\u003c\/strong\u003e\u003c\/em\u003e. They already had an idea for what a great record should sound like. “\u003cem\u003eWe grew up listening to the Beatles, and every song on a Beatles record was a hit\u003c\/em\u003e,” reflects keyboardist Thompson. “\u003cem\u003eThat was the standard, so we operated at that level.\u003c\/em\u003e” And in the 1960s and 70s, the standard was incredibly high: groups like the Beatles, Tower of Power, Eric Clapton, Santana, Earth Wind \u0026amp; Fire, James Taylor, Stevie Wonder, Crosby Stills Nash \u0026amp; Young, and Elton John filled the radio airwaves and record store bins. “In our heads, that’s who the competition was. We had to be just as good.” \u003cbr\u003e\u003cbr\u003eWith nearly a dozen original compositions plus one cover song ready (Hall \u0026amp; Oates’ “When The Morning Comes”), the band laid tracks for guitar, bass, vocals, and keyboards. Their producer, LA-based Barry Alan Fasman, did the rest: arranging, conducting, hiring a bassist and drummer, adding strings and flutes and effects. His guidance and expertise helped the group create a musical masterpiece, both artistically and commercially. “\u003cem\u003eThe songs were all singles because the mindset was to be commercial and make them all good\u003c\/em\u003e,” guitarist Pratt said. Released by the end of 1975, the album sold 125,000 copies in its first 16 months.\u003cbr\u003e\u003cbr\u003eKalapana’s success was not all positive, however. For decades, the band’s manager withheld royalties due to the band. It wasn’t until 2017 that Kalapana got its rights back, when Los Angeles-based music lawyer Evan Cohen served their former manager, Ed Guy, with a lawsuit on behalf of the band. Cohen succeeded, and the band’s newly formed partnership, \u003cem\u003e\u003cstrong\u003eKalapana Music\u003c\/strong\u003e\u003c\/em\u003e, finally owned its recordings and publishing rights.\u003cbr\u003e\u003cbr\u003eAs a band, Kalapana’s story is one of synergy, stardom, and naivety. Yet their legacy extends far beyond that, for they created a sound as unique as Hawai‘i itself. By blending soul, jazz, funk, pop, and rock into a singular expression inspired by modern Island life, their debut album helped shape the stories and lives of Hawai‘i’s people in the 1970s and for generations to come. \u003cbr\u003e\u003cbr\u003eAloha Got Soul's greatest hope is this official vinyl reissue, AGS-070, will continue to perpetuate Kalapana's musical legacy for Hawaii and the world to enjoy.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLicensed from Kalapana Music.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eThe Hurt\u003c\/li\u003e\n\u003cli\u003eWhat Do I Do\u003c\/li\u003e\n\u003cli\u003eNightbird\u003c\/li\u003e\n\u003cli\u003eWhen The Morning Comes\u003c\/li\u003e\n\u003cli\u003eKona Daze\u003c\/li\u003e\n\u003cli\u003eGoing Going Gone\u003c\/li\u003e\n\u003cli\u003eNaturally\u003c\/li\u003e\n\u003cli\u003eAll I Want\u003c\/li\u003e\n\u003cli\u003eTo Be True\u003c\/li\u003e\n\u003cli\u003eYou Make It Hard\u003c\/li\u003e\n\u003cli\u003eEverything Is Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Kalapana","offers":[{"title":"LP \/ Clear","offer_id":41880426905791,"sku":"AGS-070-CL","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/AGS-070-Kalapana-A-front-v1-1200px_1024x1024_2x_1655e9d2-5c51-4610-8e53-d0dec75ca837.jpg?v=1661186314"},{"product_id":"assassin-s-creed-leap-into-history-deluxe-x5lp-boxset","title":"Assassin’s Creed - Leap Into History (Original Soundtrack) [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e70 tracks from 12 mainline \u003cem\u003eAssassin’s Creed \u003c\/em\u003egames, following the historical timeline from \u003cem\u003eOdyssey\u003c\/em\u003e to \u003cem\u003eSyndicate\u003c\/em\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMusic by Jesper Kyd, Lorne Balfe, Brian Tyler, Michiel Schrey, Seán Dagher, Nils Brown, Chris Tilton, Sarah Schachner, Elitsa Alexandrova, Austin Wintory, The Flight (Joe Henson and Alexis Smith), and Einar Selvik\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e5 black heavyweight LPs\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRigid slipcase with gold foil\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDeluxe 3mm spined disc sleeves\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAssassin’s Creed\u003c\/strong\u003e launched in 2007, introducing the world to \u003cstrong\u003eAltaïr\u003c\/strong\u003e, the \u003cstrong\u003eAssassin Brotherhood\u003c\/strong\u003e, the \u003cstrong\u003eTemplar Order\u003c\/strong\u003e, and the \u003cstrong\u003ePieces of Eden\u003c\/strong\u003e; and kicking off a franchise that would go on to sell over \u003cstrong\u003e155 million\u003c\/strong\u003e copies.\u003c\/p\u003e\n\u003cp\u003eAs part of AC’s \u003cstrong\u003e15th-anniversary\u003c\/strong\u003e celebrations, \u003cstrong\u003eUbisoft\u003c\/strong\u003e and \u003cstrong\u003eLaced Records\u003c\/strong\u003e have created \u003cstrong\u003eAssassin’s Creed - Leap Into History\u003c\/strong\u003e — a special \u003cstrong\u003e5-disc vinyl box set\u003c\/strong\u003e spanning \u003cstrong\u003e12 games\u003c\/strong\u003e from the historied series. This \u003cstrong\u003eStandard Edition\u003c\/strong\u003e features traditional \u003cstrong\u003eblack discs\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eListeners will be taken on a truly epic chronological journey through the series’ historical timeline — starting in antiquity with \u003cstrong\u003eAssassin’s Creed Odyssey\u003c\/strong\u003e and ending in the modern era with \u003cstrong\u003eAssassin’s Creed Syndicate\u003c\/strong\u003e. Each vinyl side includes music from one of the mainline games (\u003cstrong\u003eEzio sequels Brotherhood and Revelations\u003c\/strong\u003e share a side, as do \u003cstrong\u003eUnity and Rogue\u003c\/strong\u003e).\u003c\/p\u003e\n\u003cp\u003eA carefully curated selection of \u003cstrong\u003e70 tracks\u003c\/strong\u003e has been specially mastered for vinyl and will be pressed onto \u003cstrong\u003eheavyweight LPs\u003c\/strong\u003e. These slip into \u003cstrong\u003eprinted inner sleeves\u003c\/strong\u003e, all of which fits snugly into a \u003cstrong\u003erigid board slipcase\u003c\/strong\u003e adorned with \u003cstrong\u003egold foil\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAll the composers and musicians that have touched Assassin’s Creed have faced the challenge of enrapturing action-adventure gamers while encapsulating momentous periods of human history. \u003cstrong\u003eJesper Kyd\u003c\/strong\u003e — the architect of the series’ musical moodscape — inadvertently created an iconic sonic signature with “\u003cstrong\u003eEzio's Family\u003c\/strong\u003e” from Assassin’s Creed II, an emotive piece about loss and struggle in Renaissance Florence.\u003c\/p\u003e\n\u003cp\u003eDiegetic music increasingly played a role as the game worlds grew richer and more detailed, and players became enraptured with \u003cstrong\u003esea shanties\u003c\/strong\u003e while sailing the seas in \u003cstrong\u003eAssassin's Creed IV Black Flag\u003c\/strong\u003e. \u003cstrong\u003eAustin Wintory\u003c\/strong\u003e swerved towards cheeky 19th Century waltzes as the Frye twins danced like vicious cats around their prey in \u003cstrong\u003eAssassin’s Creed Syndicate\u003c\/strong\u003e. \u003cstrong\u003eSarah Schachner\u003c\/strong\u003e juxtaposed stunning scenes of ancient Egypt with haunting electronic music elements in the \u003cstrong\u003eAssassin’s Creed Origins\u003c\/strong\u003e score. And there were few people more qualified to add their voice to \u003cstrong\u003eAssassin’s Creed Valhalla\u003c\/strong\u003e than verified Viking and scholar of old Norse song, \u003cstrong\u003eEinar Selvik\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1 - Classical era\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e(Assassin’s Creed Odyssey)\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLegend of the Eagle Bearer (Main Theme) [feat. Mike Georgiades]\u003c\/li\u003e\n\u003cli\u003eThe 300\u003c\/li\u003e\n\u003cli\u003eOdyssey (Greek version) [feat. Mike Georgiades \u0026amp; Fanny Perrier-Rochas]\u003c\/li\u003e\n\u003cli\u003ePhoibe the Orphan (feat. Mike Georgiades)\u003c\/li\u003e\n\u003cli\u003eThe Cult of Kosmos\u003c\/li\u003e\n\u003cli\u003eAssassin's Creed\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e(Assassin's Creed Origins)\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAssassin's Creed Origins Main Theme\u003c\/li\u003e\n\u003cli\u003eBayek of Siwa\u003c\/li\u003e\n\u003cli\u003eReturn of the Medjay\u003c\/li\u003e\n\u003cli\u003eThe Shimmering Sands\u003c\/li\u003e\n\u003cli\u003eLegions of Blood\u003c\/li\u003e\n\u003cli\u003eMoonlight on the Nile\u003c\/li\u003e\n\u003cli\u003eThe Order of Ancients\u003c\/li\u003e\n\u003cli\u003eEzio's Family (Origins Version)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 2 - Middle Ages\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e(Assassin's Creed Valhalla)\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAssassin's Creed Valhalla Main Theme (feat. Einar Selvik)\u003c\/li\u003e\n\u003cli\u003eLeofirth's Honor\u003c\/li\u003e\n\u003cli\u003eKingdom of Wessex\u003c\/li\u003e\n\u003cli\u003eRavensthorpe\u003c\/li\u003e\n\u003cli\u003eHrafnsmál - The Words of the Raven (Skaldic Version)\u003c\/li\u003e\n\u003cli\u003eVígahugr - Lust for Battle (Skaldic Version)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e(Assassin's Creed)\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCity of Jerusalem\u003c\/li\u003e\n\u003cli\u003eFlight Through Jerusalem\u003c\/li\u003e\n\u003cli\u003eAcre Underworld\u003c\/li\u003e\n\u003cli\u003eMasyaf In Danger\u003c\/li\u003e\n\u003cli\u003eMeditation Begins\u003c\/li\u003e\n\u003cli\u003eThe Bureau\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 3 - Renaissance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e(Assassin's Creed II)\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEzio's Family\u003c\/li\u003e\n\u003cli\u003eFlorence Tarantella\u003c\/li\u003e\n\u003cli\u003eHome In Florence\u003c\/li\u003e\n\u003cli\u003eEzio \u0026amp; Caterina\u003c\/li\u003e\n\u003cli\u003eFlight Over Venice 1\u003c\/li\u003e\n\u003cli\u003eThe Madam\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e(Assassin's Creed Brotherhood \u0026amp; Revelations)\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAssassin's Creed Theme\u003c\/li\u003e\n\u003cli\u003eCity of Rome\u003c\/li\u003e\n\u003cli\u003eEchoes of the Roman Ruins\u003c\/li\u003e\n\u003cli\u003eFight or Flight\u003c\/li\u003e\n\u003cli\u003eLabored And Lost\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 4 - Enlightenment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e(Assassin's Creed IV Black Flag)\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAssassin's Creed IV Black Flag Main Theme\u003c\/li\u003e\n\u003cli\u003eThe High Seas\u003c\/li\u003e\n\u003cli\u003eTake What Is Ours!\u003c\/li\u003e\n\u003cli\u003eLeave her Johnny\u003c\/li\u003e\n\u003cli\u003eRandy Dandy Oh\u003c\/li\u003e\n\u003cli\u003eLowlands Away\u003c\/li\u003e\n\u003cli\u003eDrunken Sailor\u003c\/li\u003e\n\u003cli\u003eFish in the Sea\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e(Assassin's Creed III)\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAssassin's Creed III Main Theme\u003c\/li\u003e\n\u003cli\u003eFight Club\u003c\/li\u003e\n\u003cli\u003eHomeStead\u003c\/li\u003e\n\u003cli\u003eWelcome to Boston\u003c\/li\u003e\n\u003cli\u003eBeer and Friends\u003c\/li\u003e\n\u003cli\u003eTrouble in Town\u003c\/li\u003e\n\u003cli\u003eThrough the Frontier\u003c\/li\u003e\n\u003cli\u003eThe Aquila\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 5 - Enlightenment - Modern era\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e(Assassin's Creed Unity \u0026amp; Rogue)\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUnity\u003c\/li\u003e\n\u003cli\u003eDanton's Sacrifice\u003c\/li\u003e\n\u003cli\u003eVersailles for Sore Eyes\u003c\/li\u003e\n\u003cli\u003eBallroom Fight (Invention No. 13 in D Minor)\u003c\/li\u003e\n\u003cli\u003eChase by Chase Basis\u003c\/li\u003e\n\u003cli\u003eSpies, Taxes, and the Third Estate\u003c\/li\u003e\n\u003cli\u003eWelcome to the Brotherhood\u003c\/li\u003e\n\u003cli\u003eRather Death Than Slavery\u003c\/li\u003e\n\u003cli\u003eAgnus Dei\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e(Assassin's Creed Syndicate)\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBloodlines\u003c\/li\u003e\n\u003cli\u003ePeace and I Are Strangers Grown\u003c\/li\u003e\n\u003cli\u003eDanza Alla Daggers\u003c\/li\u003e\n\u003cli\u003eThe Churning Seas of London\u003c\/li\u003e\n\u003cli\u003eEveryone Has a Price\u003c\/li\u003e\n\u003cli\u003eDestruction's Our Delight\u003c\/li\u003e\n\u003cli\u003eCathedrals of Steel\u003c\/li\u003e\n\u003cli\u003eUnderground\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Various Artists","offers":[{"title":"5LP \/ Black","offer_id":41928197046463,"sku":"LMLP099-BK","price":148.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/tmp_2F1657558845789-3d96qiv2s4j-25663bad91922f3063c2b83f6ef5b4cc_2Fpack_shot.jpg?v=1703888661"},{"product_id":"far-cry-6-game-soundtrack-pedro-bromfman-3lp","title":"Far Cry 6 (Original Game Soundtrack) [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e48 original score and diegetic + radio tracks from \u003cem\u003eFar Cry 6\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e3xLP pressed on Heavyweight Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDeluxe 3mm spined disc sleeves\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSilver laminated wide-spined outer sleeve\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMusic by Pedro Bromfman, Hilario Duran, Ariel Contreras-Esquivel, Gabylonia, Nitty Scott, Qbanoamerikano Pico, El Micha \u0026amp; Diana Fuentes, El Chacal, and more\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eLaced Records and Ubisoft Toronto have banded together to bring \u003cem\u003eFar Cry 6’s\u003c\/em\u003e soundtrack to good old-fashioned vinyl records.\u003c\/p\u003e\n\u003cp\u003eThis Standard Edition features black discs, with two LPs covering the original score and one including in-world music tracks. 48 specially mastered tracks will be pressed onto heavyweight vinyl, which will come housed in spined inner sleeves that slip into a silver laminated wide-spined outer sleeve. Sleeve artwork was created by the Ubisoft Toronto team.\u003c\/p\u003e\n\u003cp\u003eLead composer Pedro Bromfman’s credits include three seasons of Netflix’s \u003cem\u003eNarcos\u003c\/em\u003e, \u003cem\u003eNeed For Speed: Heat,\u003c\/em\u003e and \u003cem\u003eMax Payne 3\u003c\/em\u003e. Having grown up studying the beautiful and soulful music of the Caribbean and Latin America, he brought his particular experience with stringed Latin instruments to bear on \u003cem\u003eFar Cry 6’s\u003c\/em\u003e score. Bromfman carefully layers Spanish guitar, Cuban tres, Bolivian ronroco, and more atop oppressive dark ambient and percussive elements, creating music that evokes a nuanced blend of sadness, anger, and hope — contrasting the menace of El Presidente with the spirit of the guerrillas.\u003c\/p\u003e\n\u003cp\u003eThe vinyl set includes a selection of diegetic and in-game radio tracks that serve to immerse the player in the vibrant setting of Yara. This in-world body of music is led by two exceptional composers: Cuban-Canadian jazz master Hilario Duran created faithful Afro-Caribbean street ensemble pieces; while composer-producer Ariel Contreras-Esquivel recorded a real military band for his fictional national anthem “Himno Nacional Yarano” and other militaristic marches.\u003c\/p\u003e\n\u003cp\u003eIt was a priority for the \u003cem\u003eFar Cry 6 \u003c\/em\u003emusic team to truthfully represent the Latino spirit, and highlight authentic Latin American and Afro-Latin artists from off the beaten path. Venezuelan rapper Gabylonia (with backing by Peruvian producer Rilabeats) contributes “Camino Revolucionario” and “Carta al Tirano”, the latter performed during the chaotic in-game Máximas Matanzas hip-hop show. American-Puerto Rican emcee from Brooklyn Nitty Scott lays down the law with hip-hop track “Pelo”; Qbanoamerikano Pico pays tribute to Buena Vista Social Club with “Cuba Linda”; singer Diana Fuentes and rapper El Micha, both Cuban, performed pop number “Canción Bonita”; while Cuban reggaetón star El Chacal brings the party with “Talento Y Dinero”. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOther tracks on the third vinyl include specially recorded alt-history covers of classics “Mambo Italiano” (“Mambo Yarano”), African American folk song “Sea Lion Woman” (“See-Line Woman”), and Italian protest song “Bella Ciao” (“El Bella Ciao de Libertad”.)\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eThe Lucky One\u003c\/li\u003e\n\u003cli\u003eA Horse and Some Paint\u003c\/li\u003e\n\u003cli\u003eBatter Up\u003c\/li\u003e\n\u003cli\u003e'67\u003c\/li\u003e\n\u003cli\u003eWe Are Lions\u003c\/li\u003e\n\u003cli\u003eYou’re in the West Now\u003c\/li\u003e\n\u003cli\u003eEl Presidente\u003c\/li\u003e\n\u003cli\u003eLibertad\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMeeting on the Mound\u003c\/li\u003e\n\u003cli\u003eMy War\u003c\/li\u003e\n\u003cli\u003eThe Sword and the Hero\u003c\/li\u003e\n\u003cli\u003eViva Clara\u003c\/li\u003e\n\u003cli\u003eRise of the Revolution\u003c\/li\u003e\n\u003cli\u003eEl Este\u003c\/li\u003e\n\u003cli\u003eAntón\u003c\/li\u003e\n\u003cli\u003eMeet the Band\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWar is Over\u003c\/li\u003e\n\u003cli\u003eTiger and Cub\u003c\/li\u003e\n\u003cli\u003eThe Tourist\u003c\/li\u003e\n\u003cli\u003eRebuild Paradise\u003c\/li\u003e\n\u003cli\u003eValle de Oro\u003c\/li\u003e\n\u003cli\u003eLa Espada\u003c\/li\u003e\n\u003cli\u003eReunion\u003c\/li\u003e\n\u003cli\u003eLos Montero\u003c\/li\u003e\n\u003cli\u003eFist of the Revolution\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Guerrilla\u003c\/li\u003e\n\u003cli\u003eSupremo\u003c\/li\u003e\n\u003cli\u003eThe Lion and the Lamb\u003c\/li\u003e\n\u003cli\u003eMadrugada\u003c\/li\u003e\n\u003cli\u003eOutcast\u003c\/li\u003e\n\u003cli\u003eThe Poison\u003c\/li\u003e\n\u003cli\u003eBalaceras\u003c\/li\u003e\n\u003cli\u003eArrival\u003c\/li\u003e\n\u003cli\u003eViva Libertad\u003c\/li\u003e\n\u003cli\u003eCamino Revolucionario by Gabylonia\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCancion Bonita by El Micha, Diana Fuentes\u003c\/li\u003e\n\u003cli\u003eYara Para Todos by Hilario Duran\u003c\/li\u003e\n\u003cli\u003eSueños de Libertad by Porfi Baloa\u003c\/li\u003e\n\u003cli\u003eEl Bella Ciao de Libertad by La Sonora Yarana\u003c\/li\u003e\n\u003cli\u003eCuba Linda by Qbanoamerikano Pico\u003c\/li\u003e\n\u003cli\u003eSee-Line Woman (Cover) by Yolanda Castillo\u003c\/li\u003e\n\u003cli\u003eLa Barbarie by Barbaro El Urbano Vargas\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTalento Y Dinero by El Chacal\u003c\/li\u003e\n\u003cli\u003ePelo by Nitty Scott\u003c\/li\u003e\n\u003cli\u003eCarta al Tirano by Gabylonia\u003c\/li\u003e\n\u003cli\u003eLatina by PUMVA\u003c\/li\u003e\n\u003cli\u003eMambo Yarano by La Sonora Yarana-Rosa Mel\u003c\/li\u003e\n\u003cli\u003eHimno Nacional Yarano by Ariel Contreras\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/464LjhUxPGmVwhm49mmSXg?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Pedro Bromfman","offers":[{"title":"3LP \/ Black","offer_id":41928197406911,"sku":"LMLP160-BK","price":72.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LMLP160-PedroBromfman-FarCry6-FrontCover.jpg?v=1696151055"},{"product_id":"sven-wunder-eastern-flowers-lp-vinyl-record","title":"Eastern Flowers [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eRepress Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEuropean Jazz, Funk, Oriental, Turkish\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUS issue of 2019’s \"Doğu Çiçekleri” – This record is produced with financial support from the Swedish Arts Council\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA vivid bouquet where Wunder fuses colours and pigments by using traditional and modern instruments merged with arrangements and melodies that stretch from popular to folk music\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAppeals to both psych and prog listeners, folk or jazz aficionados and as well the gourmet hip hop connoisseurs\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis is the first stop on \u003cem\u003e\u003cstrong\u003eSven Wunder\u003c\/strong\u003e\u003c\/em\u003e’s musical journey. Wunder takes the listener somewhere around the easternmost part of the Mediterranean Sea, around the \u003cem\u003e\u003cstrong\u003eLevantine Sea\u003c\/strong\u003e\u003c\/em\u003e, where he paints a colourful portrait and illustrates the region's flora through sound. The fruitage is a vivid bouquet where Wunder fuses colours and pigments by using traditional and modern instruments merged with arrangements and melodies that stretch from popular to folk music by portraying tulips, red roses, hibiscus, hyacinths, chamomile, magnolia, daisies etcetera. With both fine and thick brushes these flowers being pictured in a both modern and classic idiom. The outcome is prismatic. It stands between Anatolian rock and European jazz-funk with ponderous drum patterns, groovy organs, far-out synthesizers, enchanting Saz and impetuous bass lines.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eEastern Flowers\u003c\/strong\u003e\u003c\/em\u003e sweeps through time and space and points towards the future. It could appeal to both psych and prog listeners, folk or jazz aficionados and as well gourmet hip hop connoisseurs.\u003cbr\u003e\u003cbr\u003eEastern Flowers is the US issue of 2019’s \u003cstrong\u003e\u003cem\u003eDoğu Çiçekleri\u003c\/em\u003e\u003c\/strong\u003e. This record is produced with financial support from the \u003cem\u003e\u003cstrong\u003eSwedish Arts Council\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eBlack Iris\u003c\/li\u003e\n\u003cli\u003eTulip\u003c\/li\u003e\n\u003cli\u003eMagnolia\u003c\/li\u003e\n\u003cli\u003eLotus\u003c\/li\u003e\n\u003cli\u003eLily\u003c\/li\u003e\n\u003cli\u003eRed Rose\u003c\/li\u003e\n\u003cli\u003eHibiscus\u003c\/li\u003e\n\u003cli\u003eMagnolia (Reprise)\u003c\/li\u003e\n\u003cli\u003eMorning Glory\u003c\/li\u003e\n\u003cli\u003eChamomile\u003c\/li\u003e\n\u003cli\u003eHyacinth\u003c\/li\u003e\n\u003cli\u003eDaisy\u003c\/li\u003e\n\u003cli\u003eGilboa Iris\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/1Z821RvawUQZ5ExkogGKCU?utm_source=generator\" width=\"100%\" height=\"380\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Sven Wunder","offers":[{"title":"LP \/ Black","offer_id":42094756561087,"sku":"PP1001-BK","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/PP1001_2_1000x1000_f2b2933b-6e0b-4fec-bbe0-3e9765c336b2.jpg?v=1681866813"},{"product_id":"sven-wunder-wabi-sabi-lp-vinyl-record","title":"Wabi Sabi [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe follow-up to Sven Wunder's Eastern Flowers\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures 11 tracks\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoused in a single-pocket sleeve\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eBy welcoming the beauty of imperfection and simplicity, \u003cem\u003e\u003cstrong\u003eSven Wunder\u003c\/strong\u003e\u003c\/em\u003e applies the timeless wisdom of \u003cem\u003e\u003cstrong\u003ewabi sabi\u003c\/strong\u003e\u003c\/em\u003e on this musical journey. What you can hear is filtered through \u003cem\u003e\u003cstrong\u003eUkiyo-e\u003c\/strong\u003e\u003c\/em\u003e (which translates as “\u003cem\u003e\u003cstrong\u003epictures of the floating world\u003c\/strong\u003e\u003c\/em\u003e”), which illustrates everyday life, as well as through \u003cstrong\u003e\u003cem\u003eJaponism\u003c\/em\u003e\u003c\/strong\u003e, the study of Japanese art, and more specifically its influence on European works. The result is a surface that creates an illusion by sound. The infusion of \u003cstrong\u003e\u003cem\u003eMin’yō with jazz roc\u003c\/em\u003e\u003c\/strong\u003ek, this hazy scene evokes the landscape of \u003cem\u003e\u003cstrong\u003eMonet’s ”The Water Lily Pond”\u003c\/strong\u003e\u003c\/em\u003e, which depicts the painter’s Giverny garden, with a Japanese bridge, bamboo, ginkgo trees and the reflection of the sky in the pond. This illusion constructs both time and space.\u003c\/p\u003e\n\u003cp\u003eThe surface of the music, like the canvas of the painting, invents a journey between now and then by interpreting the idiom of folkloric and Western art instruments. In this composition, the sound of the Western concert flute, which stretches back to the Renaissance and Baroque periods, evokes the sound of the bamboo-flute (shakuchachi), which reached its peak during the Edo period. The \u003cem\u003e\u003cstrong\u003eguzheng\u003c\/strong\u003e\u003c\/em\u003e, also known as the \u003cem\u003e\u003cstrong\u003eChinese zither\u003c\/strong\u003e\u003c\/em\u003e, with a more than 2,500-year history, joins traditional Japanese folk melodies with modern pop percussion and 20th-century electronic instruments such as the \u003cem\u003e\u003cstrong\u003eMoog synthesizer\u003c\/strong\u003e\u003c\/em\u003e, \u003cem\u003e\u003cstrong\u003eWurlitzer electric piano\u003c\/strong\u003e\u003c\/em\u003e, and electric bass.\u003c\/p\u003e\n\u003cp\u003eThis is the illusion that celebrates the fleeting nature of all things. A journey. A deep inhale and a slow exhale. It has a mix of jazz (both funky and progressive), East Asian, and South Asian sounds. The idea of fusing these styles and reframing them with the aesthetic of wabi sabi is to reconnect with nature and concentrate on asymmetries and emphasize ornamentation to generate new ways of looking at the world, here and now.\u003c\/p\u003e\n\u003cp\u003eThis record is produced with financial support from the \u003cem\u003e\u003cstrong\u003eSwedish Arts Council\u003c\/strong\u003e\u003c\/em\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eA1 Yūgen 4:06\u003cbr\u003eA2 Shinrinyoku 2:34\u003cbr\u003eA3 Hot Winds Arrive 2:37\u003cbr\u003eA4 Hanami 3:11\u003cbr\u003eA5 Komorebi 3:40\u003cbr\u003eA6 Blanket Fog Descends 3:02\u003cbr\u003eB1 Wabi Sabi 3:15\u003cbr\u003eB2 Bamboo And Rocks 2:59\u003cbr\u003eB3 Kachōfūgetsu 2:55\u003cbr\u003eB4 Onsen 3:43\u003cbr\u003eB5 North Wind Rattles the Leaves 4:21\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\n\u003cp\u003e\u003ciframe height=\"380\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/3qNJwHJzGkO4D0VOJ4hNeP?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e","brand":"Sven Wunder","offers":[{"title":"LP \/ Black","offer_id":42094756626623,"sku":"PP10002-BK","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1587756006515-2puqxefztq3-bbc8b000e6c8a6048831cb9243751dc5_2FPP1002_1500x1500_8f0ffa0c-6095-4c6a-90aa-2d3fbf29bf9d.jpg?v=1674114924"},{"product_id":"various-artists-belong-to-the-wind-lp-vinyl-record","title":"Belong To The Wind","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFeaturing a selection of songs from rare 45s of the 1970s\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe first release from Los Angeles-based sound sleuths Forager Records\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e 10 restored and remastered tracks from 10 obscure American artists\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e Official re-issues of never before compiled songs, exclusive to Forager Records\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOriginal hand-drawn artwork by Callum Rooney\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor all those who relate “\u003cem\u003emaybe to the wind, because they can feel it or dirt because they can touch it. But nothing else.\u003c\/em\u003e” Like \u003cem\u003e\u003cstrong\u003eBobby Cornett\u003c\/strong\u003e\u003c\/em\u003e (aka \u003cem\u003e\u003cstrong\u003eShane\u003c\/strong\u003e\u003c\/em\u003e), we are all trying to find where we belong.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eBelong To The Wind\u003c\/em\u003e\u003c\/strong\u003e marks \u003cem\u003e\u003cstrong\u003eForager Records\u003c\/strong\u003e\u003c\/em\u003e’ debut release: A lovingly curated collection of crooning psychedelic folk and soul songs gathered from American 45s of the 1970s. The compilation features 10 songs from 10 different acts, each with an indelible story of love, loss, loneliness, and an unrelenting desire to shake the confines of routine existence.\u003c\/p\u003e\n\u003cp\u003eMeet a man named \u003cem\u003e\u003cstrong\u003eDenny Fast\u003c\/strong\u003e\u003c\/em\u003e, perched behind a tobacco-stained piano in a smokey Michigan lounge. He’s singing of the faded memory of distant hope and better times past. Listen to a portrait of the heartless Texan, told in arrestingly angelic prose by \u003cem\u003e\u003cstrong\u003eConnie Mims\u003c\/strong\u003e\u003c\/em\u003e of \u003cem\u003e\u003cstrong\u003eSt. Elmo’s Fire\u003c\/strong\u003e\u003c\/em\u003e. Contemplate with \u003cem\u003e\u003cstrong\u003eSnuffy\u003c\/strong\u003e\u003c\/em\u003e, the honest musings of a failed and misunderstood outsider, daring to hope for change.\u003c\/p\u003e\n\u003cp\u003eThis LP aims to shed light on the more opaque cuts of these brooding artists. Many of these songs were recorded at the early stages of a career, at a time when experimenting and searching are pursued with reckless abandon. As a result, these songs are aggressively honest and uncompromising. Many have a distinct sense of the lo-fi DIY variety. Others are polished in production. Some are minimal, tentative, and vulnerable. What all of these songs share, is a transportive quality. An uncanny ability to take a captive listener on a search for the soul, and a journey into the bellowing fields of easy reflection.\u003cbr\u003e\u003cbr\u003eSit back and enjoy a soft trip through the hazy milieu of a loner’s mind.\u003c\/p\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/1IlxzFanli5qOmpefIDD7L?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Various Artists","offers":[{"title":"LP \/ Black","offer_id":42194831605951,"sku":"FOR-LP001-BK","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/BTTW_FRONT.jpg?v=1703895906"},{"product_id":"various-artists-six-feet-under-lp-vinyl-record","title":"Six Feet Under","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eCompilation Album of obscure American country, hillbilly, rock \u0026amp; roll from the 1950s \u0026amp; 1960s\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes liner notes\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReissue Edition - 2019\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Stock\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA compilation of obscure American country, hillbilly \u0026amp; rock n roll tunes from the late 50s and early 60s, favoring the rough, raw, and echoey\/jittery side of things. For fans of \u003cstrong\u003e\u003cem\u003eLee Hazlewood, Link Wray, Wanda Jackson, The Cramps, Sun Records\u003c\/em\u003e\u003c\/strong\u003e, etc.\u003c\/p\u003e\n\u003cp\u003eRecommended for those long nights of soul searching, spirit journeys, drinking, weeping, and rambling. Titles include \"\u003cem\u003eWillie Joe\u003c\/em\u003e\" by \u003cem\u003e\u003cstrong\u003eMystery Trio\u003c\/strong\u003e\u003c\/em\u003e, \"\u003cem\u003eDark Mood\u003c\/em\u003e\" by \u003cem\u003e\u003cstrong\u003eBartlett Brothers \u0026amp; The Country Paupers\u003c\/strong\u003e\u003c\/em\u003e, \"\u003cem\u003eKentucky Fandango\u003c\/em\u003e\" by \u003cem\u003e\u003cstrong\u003eJP Dunn\u003c\/strong\u003e\u003c\/em\u003e, \"\u003cem\u003eMisery\u003c\/em\u003e\" by \u003cem\u003e\u003cstrong\u003eJacky Lee\u003c\/strong\u003e\u003c\/em\u003e, \"\u003cem\u003eA Woman's Mind\u003c\/em\u003e\" by \u003cem\u003e\u003cstrong\u003eJimmy Merrill\u003c\/strong\u003e\u003c\/em\u003e, \"\u003cem\u003eGhost Train\u003c\/em\u003e\" by \u003cem\u003e\u003cstrong\u003eElectro Tones\u003c\/strong\u003e\u003c\/em\u003e, and \"\u003cem\u003eIf You Love Me\u003c\/em\u003e\" by \u003cem\u003e\u003cstrong\u003eJohnny Fortune\u003c\/strong\u003e\u003c\/em\u003e. Includes new liner notes! Co-released with Lost Train Records.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBob Fryfogle - Six Feet Under\u003c\/li\u003e\n\u003cli\u003eMystery Trio - Willie Joe\u003c\/li\u003e\n\u003cli\u003eRamblin' Rebels - The Lost Safari\u003c\/li\u003e\n\u003cli\u003eJohnny Waleen - Mystery Train\u003c\/li\u003e\n\u003cli\u003eClint Blacklaw - Still As The Night\u003c\/li\u003e\n\u003cli\u003eBartlett Brothers And The Country Paupers - Dark Mood\u003c\/li\u003e\n\u003cli\u003eJ. P. 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A world that juxtaposes visceral, menacing harshness with soft elegance-brimstone and fire, married with elusive tones reminiscent of rolling hills and reaching valleys. Be transported into a world of bustling medieval cities, sinister swamps, majestic mountains, brutal battles, and epic adventure.\u003c\/p\u003e\n\u003ch3\u003e \u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 23px;\"\u003e\n\u003ctd style=\"height: 23px;\"\u003e\n\u003cstrong\u003eDISC 1 \/ SIDE A\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. The Trail (2:49)\u003cbr\u003e2. Geralt of Rivia (2:22)\u003cbr\u003e3. Eredin, King of the Hunt (2:27)\u003cbr\u003e4. Wake Up, Ciri (1:34)\u003cbr\u003e5. Aen Seidhe (2:36)\u003cbr\u003e6. Commanding the Fury (2:08)\u003cbr\u003e7. Emhyr var Emreis (2:29)\u003cbr\u003e8. Spikeroog (3:05)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISC 1 \/ SIDE B\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. Silver for Monsters (feat. Percival Schuttenbach) (2:19)\u003cbr\u003e2. The Nightingale (feat. Percival Schuttenbach) (1:39)\u003cbr\u003e3. City of Intrigues (2:06)\u003cbr\u003e4. The Hunter’s Path (2:52)\u003cbr\u003e5. Widow-maker (2:10)\u003cbr\u003e6. The Vagabond (2:47)\u003cbr\u003e7. …Steel for Humans (feat. Percival Schuttenbach) (1:27)\u003cbr\u003e8. Fate Calls (1:58)\u003cbr\u003e9. Drink Up, There’s More! (1:36)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISC 2 \/ SIDE A\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. After the Storm (1:31)\u003cbr\u003e2. Cloak and Dagger (feat. Percival Schuttenbach) (2:46)\u003cbr\u003e3. Blood on the Cobblestones (2:02)\u003cbr\u003e4. Farewell, Old Friend (2:52)\u003cbr\u003e5. The Song of the Sword-Dancer (feat. Percival Schuttenbach) (2:12)\u003cbr\u003e6. The Hunt is Coming (2:05)\u003cbr\u003e7. The Fields of Ard Skellig (3:09)\u003cbr\u003e8. Ladies of the Woods (1:51)\u003cbr\u003e9. I Name Thee Dea (…) (1:20)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISC 2 \/ SIDE B\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. In the Giant’s Shadow (2:49)\u003cbr\u003e2. Merchants of Novigrad (3:09)\u003cbr\u003e3. A Story You Won’t Believe (feat. Percival Schuttenbach) (1:37)\u003cbr\u003e4. Go for it (1:08)\u003cbr\u003e5. The Wolf and the Swallow (2:36)\u003cbr\u003e6. Like a Wounded Animal (1:11)\u003cbr\u003e7. Words on Wind (2:48)\u003cbr\u003e8. On Thin Ice (1:37)\u003cbr\u003e9. Hunt or Be Hunted (2:25)\u003c\/td\u003e\n\u003ctd style=\"height: 23px;\"\u003e\n\u003cp\u003e\u003cstrong\u003eMusic From \u003cem\u003eHearts of Stone\u003c\/em\u003e (Expansion Pack)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISC 3 \/ SIDE A\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. Hearts of Stone (2:53)\u003cbr\u003e2. Go Back Whence You Came (1:45)\u003cbr\u003e3. You’re… Immortal? (feat. Percival Schuttenbach) (2:54)\u003cbr\u003e4. Evil’s Soft First Touches (2:48)\u003cbr\u003e5. Dead Man’s Party (feat. Percival Schuttenbach) (0:49)\u003cbr\u003e6. Mystery Man (2:41)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISC 3 \/ SIDE B\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. Breaking In (1:40)\u003cbr\u003e2. Whatsoever a Man Soweth… (2:21)\u003cbr\u003e3. The House of the Borsodis (0:49)\u003cbr\u003e4. The Temple of Lilvani (2:21)\u003cbr\u003e5. A Gifted Man Brings Gifts Galore (4:04)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMusic From \u003cem\u003eBlood and Wine\u003c\/em\u003e (Expansion Pack)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISC 4 \/ SIDE A\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. Blood and Wine (2:57)\u003cbr\u003e2. Fanfares and Flowers (3:10)\u003cbr\u003e3. For Honor! For Toussaint! (2:04)\u003cbr\u003e4. Blood Run (2:01)\u003cbr\u003e5. The Banks of Sansretour (3:58)\u003cbr\u003e6. Wine Wars (2:04)\u003cbr\u003e7. Vivienne (1:36)\u003cbr\u003e8. Titans of Infamy (1:38)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISC 4 \/ SIDE B\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. On the Champs-Désolés (2:02)\u003cbr\u003e2. Beyond Hill and Dale… (3:04)\u003cbr\u003e3. The Mandragora (1:53)\u003cbr\u003e4. Tesham Mutna (2:02)\u003cbr\u003e5. Wind in the Caroberta Woods (3:19)\u003cbr\u003e6. The Beast of Beauclair (1:37)\u003cbr\u003e7. Searching for Cecilia Bellant (2:29)\u003cbr\u003e8. The Night of Long Fangs (1:44)\u003cbr\u003e9. Lady of the Lake (1:10)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Various Artists","offers":[{"title":"4LP \/ Clear","offer_id":42298741751999,"sku":"SL9-2049-1-10-CL","price":254.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/SL9-2049-1-0TheWitcher3-WildHuntOST-01.png?v=1680383528"},{"product_id":"various-artists-native-north-america-vol-1-aboriginal-folk-rock-and-country-1966-1985-box-set-3lp-vinyl-record","title":"Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e2016 Grammy's Best Historical Album Nominee\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e34 tracks newly remastered\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDeluxe 3xLP set includes a 60-page book housed in a “Tip-On” slipcase with three “Tip-On” jackets\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes comprehensive liner notes, artist interviews, unseen archival photos, and lyrics (with translations)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLiner notes by Kevin “Sipreano” Howes\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fpnnwYn93UA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eLargely unheard, criminally undocumented, but at their core, utterly revolutionary, the recordings of the diverse North American Aboriginal community will finally take their rightful place in our collective history in the form of \u003cem\u003e\u003cstrong\u003eNative North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985\u003c\/strong\u003e\u003c\/em\u003e. An anthology of music that was once near-extinct and off-the-grid is now available for all to hear, in what is, without a doubt, Light In The Attic’s most ambitious and historically significant project in the label’s 12-year journey.\u003cbr\u003e\u003cbr\u003eNative North America (Vol. 1) features music from the Indigenous peoples of Canada and the northern United States, recorded in the turbulent decades between 1966 to 1985. It represents the fusion of shifting global popular culture and a reawakening of Aboriginal spirituality and expression. The majority of this material has been widely unavailable for decades, hindered by lack of distribution or industry support and by limited mass media coverage, until now. You’ll hear Arctic garage rock from the Nunavik region of northern Quebec, melancholy Yup’ik folk from Alaska, and hushed country blues from the Wagmatcook First Nation reserve in Nova Scotia. You’ll hear echoes of \u003cstrong\u003e\u003cem\u003eNeil Young, Velvet Underground, Leonard Cohen, Creedence Clearwater Revival, Johnny Cash\u003c\/em\u003e\u003c\/strong\u003e, and more among the songs, but injected with Native consciousness, storytelling, poetry, history, and ceremony.\u003cbr\u003e\u003cbr\u003eThe stories behind the music presented on Native North America (Vol. 1) range from standard rock-and-roll dreams to transcendental epiphanies. They have been collected with love and respect by Vancouver-based record archaeologist and curator \u003cem\u003e\u003cstrong\u003eKevin “Sipreano” Howes\u003c\/strong\u003e\u003c\/em\u003e in a 15-year quest to unearth the history that falls between the notes of this unique music. Tirelessly, Howes scoured obscure, remote areas for the original vinyl recordings and the artists who made them, going so far as to send messages in Inuktitut over community radio airwaves in hopes that these lost cultural heroes would resurface.\u003cbr\u003e\u003cbr\u003eWith cooperation and guidance from the artists, producers, family members, and behind-the-scenes players, Native North America (Vol. 1) sheds real light on the painful struggles and deep traditions of the greater Indigenous community and the significance of its music. The songs speak of joy and spirituality but also tell of real tragedy and strife, like that of Algonquin\/Mohawk artist \u003cem\u003e\u003cstrong\u003eWilly Mitchell\u003c\/strong\u003e\u003c\/em\u003e, whose music career was sparked by a bullet to the head from the gun of a trigger-happy police officer, or those of Inuk singer-songwriter Willie Thrasher, who was robbed of his family and traditional Inuit culture by the residential school system.\u003cbr\u003e\u003cbr\u003eConsidering the financially motivated destruction of our environment, the conservative political landscape, and corporate bottom-line dominance, it’s bittersweet to report that the revolutionary songs featured on Native North America hold as much meaning today as when they were originally recorded. Dedicated to legendary Mi’kmaq singer-songwriter and poet \u003cstrong\u003e\u003cem\u003eWillie Dunn\u003c\/em\u003e\u003c\/strong\u003e, featured on the anthology but who sadly passed away during its making, Native North America (Vol. 1) is only the beginning. A companion set featuring a crucial selection of folk, rock, and country from the United States Lower 48 is currently in production.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eWillie Dunn - I Pity The Country\u003c\/li\u003e\n\u003cli\u003eJohn Angaiak - I'll Rock You To The Rhythm Of The Ocean\u003c\/li\u003e\n\u003cli\u003eSugluk - Fall Away\u003c\/li\u003e\n\u003cli\u003eSikumiut - Sikumiut\u003c\/li\u003e\n\u003cli\u003eWillie Thrasher - Spirit Child\u003c\/li\u003e\n\u003cli\u003eWilly Mitchell - Call Of The Moose\u003c\/li\u003e\n\u003cli\u003eLloyd Cheechoo - James Bay\u003c\/li\u003e\n\u003cli\u003eAlexis Utatnaq - Maqaivvigivalauqtavut\u003c\/li\u003e\n\u003cli\u003eBrian Davey - Dreams Of Ways\u003c\/li\u003e\n\u003cli\u003eMorley Loon - N'Doheeno\u003c\/li\u003e\n\u003cli\u003ePeter Frank - Little Feather\u003c\/li\u003e\n\u003cli\u003eErnest Monias - Tormented Soul\u003c\/li\u003e\n\u003cli\u003eEric Landry - Out Of The Blue\u003c\/li\u003e\n\u003cli\u003eDavid Campbell - Sky-Man And The Moon\u003c\/li\u003e\n\u003cli\u003eWillie Dunn - Son Of The Sun\u003c\/li\u003e\n\u003cli\u003eShingoose - Silver River\u003c\/li\u003e\n\u003cli\u003eWilly Mitchell And Desert River Band - Kill'n Your Mind\u003c\/li\u003e\n\u003cli\u003ePhillippe McKenzie - Mistashipu\u003c\/li\u003e\n\u003cli\u003eWillie Thrasher - Old Man Carver\u003c\/li\u003e\n\u003cli\u003eLloyd Cheechoo - Winds Of Change\u003c\/li\u003e\n\u003cli\u003eThe Chieftones - I Shouldn't Have Did What I Done\u003c\/li\u003e\n\u003cli\u003eSugluk - I Didn't Know\u003c\/li\u003e\n\u003cli\u003eLawrence Martin - I Got My Music\u003c\/li\u003e\n\u003cli\u003eGordon Dick - Siwash Rock\u003c\/li\u003e\n\u003cli\u003eWilly Mitchell And Desert River Band - Birchbark Letter\u003c\/li\u003e\n\u003cli\u003eWilliam Tagoona - Anaanaga\u003c\/li\u003e\n\u003cli\u003eLeland Bell - Messenger\u003c\/li\u003e\n\u003cli\u003eSaddle Lake Drifting Cowboys - Modern Rock\u003c\/li\u003e\n\u003cli\u003eWillie Thrasher - We Got To Take You Higher\u003c\/li\u003e\n\u003cli\u003eSikumiut - Utirumavunga\u003c\/li\u003e\n\u003cli\u003eSugluk - Ajuinnarasuarsunga\u003c\/li\u003e\n\u003cli\u003eJohn Angaiak - Hey, Hey, Hey, Brother\u003c\/li\u003e\n\u003cli\u003eGroupe Folklorique Montagnais - Tshekuan Mak Tshetutamak\u003c\/li\u003e\n\u003cli\u003eWillie Dunn - Peruvian Dream (Part 2)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/20uFRx6K8E7YtRsbiRJyen?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Various Artists","offers":[{"title":"3LP \/ Black","offer_id":42324737491135,"sku":"LITA103-1-BK","price":89.99,"currency_code":"USD","in_stock":false},{"title":"3LP \/ Clear","offer_id":42324745486527,"sku":"LITA103-1-CL","price":97.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/tmp_2F1449521975587-bc2jk87ouma38fr-3086c10817a272a87bcdad174e572d28_2Funnamed.gif?v=1681839683"},{"product_id":"sven-wunder-natura-morta-lp-vinyl-record","title":"Natura Morta [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe highly anticipated follow-up to Eastern Flowers and Wabi Sabi\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoused in a single-pocket printed sleeve\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe instruments used on Natura Morta are:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e9 violins, 4 violas, 3 cellos, 1 flute, 1 piano, 1 electric piano, 1 cembalo, 1 twelve-string guitar, 1 electric guitar, 1 trumpet, 1 flugelhorn, 1 tenor horn, 1 marimba, 1 electric bass, drums, and percussions\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eOn \u003cem\u003e\u003cstrong\u003eNatura Morta\u003c\/strong\u003e\u003c\/em\u003e, \u003cem\u003e\u003cstrong\u003eSven Wunder\u003c\/strong\u003e\u003c\/em\u003e is exploring art as a bridge between nature and the human ability to judge and observe in eleven musical compositions with brightly colored textures and an emphasis on vibrant melodies.\u003cbr\u003e\u003cbr\u003eThroughout human history, we have depicted the world we live in through art. By reworking what we see in the world, the simplest things have helped us understand the beauty of nature and to evaluate the material world that we have created around us, as a window to a constantly changing reality, through our own perception. It is that absolute reality that appears in the seam of humans and nature and that can be revealed through art.\u003cbr\u003e\u003cbr\u003eStill life painting, also referred to as \u003cem\u003e\u003cstrong\u003eNatura Morta (”dead nature”)\u003c\/strong\u003e\u003c\/em\u003e in Italian, stretches back to ancient times. Some of the earliest works, found in Pompeii, depict commonplace objects such as fresh autumn fruits alongside man-made objects such as a small amphora and a small terracotta heap with dried fruits. These two-thousand-year-old paintings give a snapshot of Roman life and also create a link to time and space. A slice of life has been created by binding the earth’s pigments with extracts of oil, made from nuts and seeds, painted with brushes, and made from a variety of fibers, such as trees and hair from animals. While life wanes with each brushstroke, by shifting reality into the past, art exists to make us come alive, being a living image of a dead thing, a surface, and a symbol with symbolic powers of its own. Still life works celebrate material and ephemeral pleasures by returning to nature as the ultimate source for our standards in art as well as in life itself.\u003cbr\u003e\u003cbr\u003eNatura Morta collects pieces from a continuous variety of melodies — supported by a decisive rhythm section — creating a musical kaleidoscope of ever-changing colors. Sven Wunder brings life into this rich assortment of musical implications by fusing and combining melodic instruments with each other in a setting that spans from a classical to a modern idiom. The author evokes this panoramic portrait by articulating an instrumental dialog between a chamber orchestra and a jazz ensemble. The result is a musical celebration of material pleasures that also serves as a reminder of the brevity of human life.\u003c\/p\u003e\n\u003cp\u003eThis album was produced with financial support from the \u003cem\u003e\u003cstrong\u003eSwedish Arts Council\u003c\/strong\u003e\u003c\/em\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eEn Plein Air\u003c\/li\u003e\n\u003cli\u003eImpasto\u003c\/li\u003e\n\u003cli\u003ePrussian Blue\u003c\/li\u003e\n\u003cli\u003eNatura Morta\u003c\/li\u003e\n\u003cli\u003ePanorama\u003c\/li\u003e\n\u003cli\u003eAlla Prima\u003c\/li\u003e\n\u003cli\u003eUmber\u003c\/li\u003e\n\u003cli\u003eBarocco, Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eMemento Mori\u003c\/li\u003e\n\u003cli\u003ePentimento\u003c\/li\u003e\n\u003cli\u003eNatura Morta (reprise)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/2lwfUJNT3VZlGOGXwDUgX7?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Sven Wunder","offers":[{"title":"LP \/ Black","offer_id":42352052568255,"sku":"PP1003-BK","price":26.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/7320470255308.jpg?v=1683940230"},{"product_id":"jim-sullivan-ufo-lp-vinyl-record","title":"U.F.O.","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eUltra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNewly remastered\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLacquers cut by John Golden Mastering\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePlated at Record Technology Inc. (RTI)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes deep booklet with liner notes by Andria Lisle, rare photos, archival materials, and full lyrics (LP: 16-pgs, CD: 48-pgs)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNew Color LP Edition pressed on \u003c\/b\u003e\u003cem\u003e\u003cstrong\u003eAlien Highways Splatter\u003c\/strong\u003e\u003c\/em\u003e\u003cb\u003e colored vinyl (Blue with Black Splatter)\u003c\/b\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIn March 1975, \u003cstrong\u003eJim Sullivan\u003c\/strong\u003e mysteriously disappeared outside \u003cstrong\u003eSanta Rosa, New Mexico\u003c\/strong\u003e. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.\u003c\/p\u003e\n\u003cp\u003eBy coincidence – or perhaps not – Jim’s 1969 debut album was titled \u003cem\u003e\u003cstrong\u003eU.F.O.\u003c\/strong\u003e\u003c\/em\u003e Released in tiny numbers on a private label, it too was truly lost, until Seattle’s \u003cstrong\u003eLight In The Attic Records\u003c\/strong\u003e began a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.\u003c\/p\u003e\n\u003cp\u003eFor record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. \u003cem\u003e\u003cstrong\u003eU.F.O.\u003c\/strong\u003e\u003c\/em\u003e is one of those albums. A seventh son, \u003cstrong\u003eJim Sullivan\u003c\/strong\u003e was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like \u003cstrong\u003eHarry Dean Stanton\u003c\/strong\u003e, performing on the \u003cstrong\u003eJose Feliciano\u003c\/strong\u003e show, and even stealing a cameo in the ultimate hippie movie, \u003cem\u003e\u003cstrong\u003eEasy Rider\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eFriend and actor \u003cstrong\u003eAl Dobbs\u003c\/strong\u003e thought he could change all that, and founded a label – \u003cem\u003e\u003cstrong\u003eMonnie Records\u003c\/strong\u003e\u003c\/em\u003e – to release Jim’s album, enlisting the assistance of \u003cstrong\u003ePhil Spector\u003c\/strong\u003e’s legendary sessioneers \u003cstrong\u003eThe Wrecking Crew\u003c\/strong\u003e to do so. That’s \u003cstrong\u003eDon Randi\u003c\/strong\u003e, \u003cstrong\u003eEarl Palmer\u003c\/strong\u003e, and \u003cstrong\u003eJimmy Bond\u003c\/strong\u003e you can hear, the latter also acting as producer and arranger.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eU.F.O.\u003c\/strong\u003e\u003c\/em\u003e was a different beast to the one-man-and-his-guitar stuff \u003cstrong\u003eJim\u003c\/strong\u003e had been doing on stage; instead, it was a fully realized album of scope and imagination, a \u003cem\u003efolk-rock\u003c\/em\u003e record with its head in the stratosphere. Sullivan's voice is deep and expressive like \u003cstrong\u003eFred Neil\u003c\/strong\u003e's with a weathered and worldly Americana sound like \u003cstrong\u003eJoe South\u003c\/strong\u003e, pop songs that aren't happy - but filled with despair. The album is punctuated with a string section (that recalls \u003cstrong\u003eDavid Axelrod\u003c\/strong\u003e), other times a Wurlitzer piano provides the driving groove (as if Memphis great \u003cstrong\u003eJim Dickinson\u003c\/strong\u003e was running the show). \u003cem\u003e\u003cstrong\u003eU.F.O.\u003c\/strong\u003e\u003c\/em\u003e is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.\u003c\/p\u003e\n\u003cp\u003eWith no music industry contacts, the record went largely unnoticed, and \u003cstrong\u003eJim\u003c\/strong\u003e simply moved on, releasing a further album on the \u003cstrong\u003ePlayboy\u003c\/strong\u003e label in 1972. But by 1975, his marriage breaking up, \u003cstrong\u003eJim\u003c\/strong\u003e left, for \u003cstrong\u003eNashville\u003c\/strong\u003e and the promise of a new life as a sessioneer in the home of C\u0026amp;W. That’s where it gets hazy.\u003c\/p\u003e\n\u003cp\u003eWe know he was stopped by cops for swerving on the highway in \u003cstrong\u003eSanta Rosa\u003c\/strong\u003e, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local \u003cstrong\u003eLa Mesa Motel\u003c\/strong\u003e to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local \u003cstrong\u003eGenetti\u003c\/strong\u003e family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes, and several copies of his second album, but no note, and no \u003cstrong\u003eJim\u003c\/strong\u003e. It was as if he had simply vanished into thin air.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJim\u003c\/strong\u003e’s family traveled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the \u003cstrong\u003eGenettis\u003c\/strong\u003e moved to \u003cstrong\u003eHawaii\u003c\/strong\u003e. \u003cstrong\u003eJim\u003c\/strong\u003e’s manager \u003cstrong\u003eRobert 'Buster' Ginter\u003c\/strong\u003e later stated that during the early morning hours of a long evening, \u003cstrong\u003eJim\u003c\/strong\u003e and \u003cstrong\u003eBuster\u003c\/strong\u003e were talking about what would you do if they had to disappear. \u003cstrong\u003eJim\u003c\/strong\u003e said he'd walk into the desert and never come back.\u003c\/p\u003e\n\u003cp\u003eTracking down the truth behind \u003cstrong\u003eJim\u003c\/strong\u003e’s mystery became an obsession of \u003cstrong\u003eLight In The Attic\u003c\/strong\u003e’s \u003cstrong\u003eMatt Sullivan\u003c\/strong\u003e (no relation) when he happened upon a copy of the album and fell in love. He took on a cross-country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings, and meetings with \u003cstrong\u003eJim\u003c\/strong\u003e’s wife, son, and producer. Thanks to superb digital mastering techniques, \u003cstrong\u003eLight In The Attic\u003c\/strong\u003e is still able to present a clean, near-perfect copy of \u003cstrong\u003eJim\u003c\/strong\u003e’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eJerome\u003c\/li\u003e\n\u003cli\u003ePlain As Your Eyes Can See\u003c\/li\u003e\n\u003cli\u003eRoll Back The Time\u003c\/li\u003e\n\u003cli\u003eWhistle Stop\u003c\/li\u003e\n\u003cli\u003eRosey\u003c\/li\u003e\n\u003cli\u003eHighways\u003c\/li\u003e\n\u003cli\u003eU.F.O.\u003c\/li\u003e\n\u003cli\u003eSo Natural\u003c\/li\u003e\n\u003cli\u003eJohnny\u003c\/li\u003e\n\u003cli\u003eSandman\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/6zaVaNAjvlN583TtOJIpZu?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Jim Sullivan","offers":[{"title":"LP \/ Blue Black Splatter","offer_id":42366715592895,"sku":"LITA206-BLBK-SPR","price":34.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":42366715560127,"sku":"LITA206-BK","price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA206-JimSullivan-U.F.O_Cover.jpg?v=1685251408"},{"product_id":"joyama-no-narazumono-joyama-no-narazumono-lp","title":"Joyama no Narazumono","description":"\u003ch3\u003e** This is a BACKORDER item. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eOriginally self-released in only 100 copies in 1979\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eStoughton “tip-on” jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eVinyl pressed at Cascade Record Pressing\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAvailable on two color editions: Black Vinyl and Translucent “Root Beer” Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNew liner notes\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eExperience the captivating and hypnotic sounds of Joyama no Narazumono – a rare gem of Japan’s 70’s folk scene!\u003c\/p\u003e\n\u003cp\u003eA genre-bending album by duo Shigeki Kobayashi and Yasuo Yamada, who drew inspiration from songs by local boatmen and British folk like Fairport Convention and The Albion Band to craft a minimalist, intimate approach to both traditional and original compositions.\u003c\/p\u003e\n\u003cp\u003eLocally released in 1979 in an edition of just 100 copies, this highly sought-after album is now available worldwide for the first time.\u003c\/p\u003e\n\u003cp\u003ePrinted on Stoughton “tip-on” jackets. 300 copies on black vinyl, and 200 on Translucent “Root beer” vinyl.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eKagura Song (神楽の唄)\u003c\/li\u003e\n\u003cli\u003eJoyama Song (城山唄)\u003c\/li\u003e\n\u003cli\u003eTarodon and Jirodon’s Dog (太郎どんと次郎どんの犬)\u003c\/li\u003e\n\u003cli\u003eJarigachi Song (じゃりがち唄)\u003c\/li\u003e\n\u003cli\u003eOver the Mountain (山越えて)\u003c\/li\u003e\n\u003cli\u003eBoatman’s Song (船頭唄)\u003c\/li\u003e\n\u003cli\u003eTenjinko Song (天神講の唄)\u003c\/li\u003e\n\u003cli\u003eShimiwatari (しみわたり)\u003c\/li\u003e\n\u003cli\u003eBon Odori Part 1 (盆踊りパート1)\u003c\/li\u003e\n\u003cli\u003eGinkgo (いちょう)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Joyama no Narazumono","offers":[{"title":"LP \/ Brown","offer_id":42378863640767,"sku":"FLR-002-BN","price":34.99,"currency_code":"USD","in_stock":false},{"title":"LP \/ Black","offer_id":42378863607999,"sku":"FLR-002-BK","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/090952255887.jpg?v=1687077095"},{"product_id":"live-at-the-old-quarter-townes-van-zandt-2lp","title":"Live At The Old Quarter","description":"\u003ch3\u003e** This is a BACKORDER. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003e2xLP pressed on Classic Black Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eHoused in a Gatefold Jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eRecorded in 1973\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eTownes had just finished the most prolific run of songwriting and recording in his career when he recorded this 1973 double LP. It's not just his best live album, but maybe his best album, period: Pancho \u0026amp; Lefty; For the Sake of a Song; Waitin' 'Round to Die; No Place to Fall; Loretta; If I Needed You; Tecumseh Valley, and 20 more.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eAnnouncement\u003c\/li\u003e\n\u003cli\u003ePancho \u0026amp; Lefty\u003c\/li\u003e\n\u003cli\u003eMr. Mudd \u0026amp; Mr. Gold\u003c\/li\u003e\n\u003cli\u003eDon't You Take It Too Bad\u003c\/li\u003e\n\u003cli\u003eTwo Girls\u003c\/li\u003e\n\u003cli\u003eFraternity Blues\u003c\/li\u003e\n\u003cli\u003eIf I Needed You\u003c\/li\u003e\n\u003cli\u003eBrand New Companion\u003c\/li\u003e\n\u003cli\u003eWhite Freight Liner Blues\u003c\/li\u003e\n\u003cli\u003eTo Live Is to Fly\u003c\/li\u003e\n\u003cli\u003eShe Came and She Touched Me\u003c\/li\u003e\n\u003cli\u003eTalking Thunderbird Blues\u003c\/li\u003e\n\u003cli\u003eRex's Blues\u003c\/li\u003e\n\u003cli\u003eNine Pound Hammer\u003c\/li\u003e\n\u003cli\u003eFor the Sake of the Song\u003c\/li\u003e\n\u003cli\u003eChauffeur's Blues\u003c\/li\u003e\n\u003cli\u003eNo Place to Fall\u003c\/li\u003e\n\u003cli\u003eLoretta\u003c\/li\u003e\n\u003cli\u003eKathleen\u003c\/li\u003e\n\u003cli\u003eWhy She's Acting This Way\u003c\/li\u003e\n\u003cli\u003eCocaine Blues\u003c\/li\u003e\n\u003cli\u003eWho Do You Love?\u003c\/li\u003e\n\u003cli\u003eTower Song\u003c\/li\u003e\n\u003cli\u003eWaiting 'Round to Die\u003c\/li\u003e\n\u003cli\u003eTecumseh Valley\u003c\/li\u003e\n\u003cli\u003eLungs\u003c\/li\u003e\n\u003cli\u003eOnly Him or Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/1SXpC0UH36YNCRSQMVRsoC?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Townes Van Zandt","offers":[{"title":"2LP \/ Black","offer_id":42400031178943,"sku":"FP1118-BK","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/FP1118-TownesVanZandt-LiveAtTheOldQuarter.jpg?v=1699236510"},{"product_id":"rear-view-mirror-townes-van-zandt-2lp","title":"Rear View Mirror","description":"\u003ch3\u003e** This is a BACKORDER. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003ePressed on Double Black Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLive recordings from 1993\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeaturing 17 songs\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis intimate collection of Townes Van Zandt live recordings from 1993 is being pressed on double vinyl for the first time. '... The 17-song set finds Van Zandt in fine form - upbeat, gracious, apparently sober - and in good company, with fiddler Owen Cody and guitarist Danny Rowland adding a dimension of musical enhancement that never overwhelms the nuances of the material,' wrote No Depression. 'As anyone who ever saw Van Zandt fall off a stool recognizes, there was no such thing as a typical Townes performance, but when he was good, no one working in the Texas troubadour tradition has ever been better... Listeners only familiar with this album's higher-profile material in more popular renditions by Willie Nelson and Merle Haggard ('Pancho \u0026amp; Lefty'), Don Williams and Emmylou Harris ('If I Needed You') or Nanci Griffith and Arlo Guthrie ('Tecumseh Valley') may have heard the tunes, heard the words, but they haven't really heard the songs until they've heard Townes.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003ePancho \u0026amp; Lefty\u003c\/li\u003e\n\u003cli\u003eIf I Needed You\u003c\/li\u003e\n\u003cli\u003eFor The Sake Of The Song\u003c\/li\u003e\n\u003cli\u003eOur Mother The Mountain\u003c\/li\u003e\n\u003cli\u003eTo Live's To Fly\u003c\/li\u003e\n\u003cli\u003eLungs\u003c\/li\u003e\n\u003cli\u003eFlyin' Shoes\u003c\/li\u003e\n\u003cli\u003eNo Place To Fall\u003c\/li\u003e\n\u003cli\u003eDollar Bill Blues\u003c\/li\u003e\n\u003cli\u003eWhite Freightliner Blues\u003c\/li\u003e\n\u003cli\u003eTecumeseh Valley\u003c\/li\u003e\n\u003cli\u003eDon't You Take It Too Bad\u003c\/li\u003e\n\u003cli\u003eTower Song\u003c\/li\u003e\n\u003cli\u003eRex's Blues\u003c\/li\u003e\n\u003cli\u003eBrother Flower\u003c\/li\u003e\n\u003cli\u003eWaitin' 'Round To Die\u003c\/li\u003e\n\u003cli\u003eColorado Girl\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e","brand":"Townes Van Zandt","offers":[{"title":"2LP \/ Black","offer_id":42400031277247,"sku":"FP1107-BK","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/FP1107-TownesVanZandt-RearViewMirror.jpg?v=1688427406"},{"product_id":"91-kanashimi-to-odorasete-teresa-teng-lp","title":"91 Kanashimi to odorasete [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eIncludes new original song\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePressed on black vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eOriginally released in 1991\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eTeresa Teng's last original album released in Japan. A total of 10 songs including the single 'Kanashimi to odorasete'\u003c\/p\u003e\n\u003cp\u003eOriginal release date: March 27, 1991\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eKanashimi to odorasete\u003c\/li\u003e\n\u003cli\u003eFuyu no himawari\u003c\/li\u003e\n\u003cli\u003eFIRE OF LOVE\u003c\/li\u003e\n\u003cli\u003eDoukeshi\u003c\/li\u003e\n\u003cli\u003eCasiopea\u003c\/li\u003e\n\u003cli\u003eTwilight Town\u003c\/li\u003e\n\u003cli\u003eNemonogatri wo kikasete\u003c\/li\u003e\n\u003cli\u003eAishi aisarete\u003c\/li\u003e\n\u003cli\u003eMy Song\u003c\/li\u003e\n\u003cli\u003eMizu no seiza\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\n\u003ciframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/track\/1wtx2taFQMfoOlOj1ztQbU?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Teresa Teng","offers":[{"title":"LP \/ Black","offer_id":42400033734847,"sku":"PROT-7009-BK","price":56.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/PROT-7009-TeresaTeng-91Kanashimitoodorasete.jpg?v=1710479538"},{"product_id":"whats-my-name-1967-1970-henson-cargill-lp","title":"What's My Name (1967-1970) [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eHoused in a Deluxe Gatefold Jacket with exclusive scholarly liner notes!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFull dynamic range 2023 remasters direct from the first-generation analogue master tapes!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition 500 LPs – 250 ‘Plastic People’ Red LPs! \/ 250 ‘Gnashville Nihilist’ Black LPs! (randomly inserted)\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eFrom the people who brought you 'Hillbillies In Hell'...\u003c\/p\u003e\n\u003cp\u003eStellar songs, heartfelt performances, the finest Nashville players and the greatest set of tonsils to ever wrap themselves around Activist Country-Pop...\u003c\/p\u003e\n\u003cp\u003eHere are the almost forgotten masterpieces of Henson Cargill, sourced directly from the Monument Records vault and presented together for the first time on LP.\u003c\/p\u003e\n\u003cp\u003eHear Henson's smooth baritone lambast apathy ('None of My Business'), chide neglectful parenting ('Skip A Rope'), ponder the byzantine tableaux of love ('Four Shades of Love'), dismiss the space race and dissect de-evolution ('Going Backwards') and name-check both Adolph Eichmann and Cecil B. DeMille in one very lysergic song ('What's my Name?').\u003c\/p\u003e\n\u003cp\u003eAcross 1967-1970, Cargill pioneered a unique and radical New Nashville Sound. Swinging, dobro-led shuffles with controversial, cosmic\/striking themes and insightful lyrics.\u003c\/p\u003e\n\u003cp\u003eDystopian and defiant anti-war laments. Tender and timeless brooding ballads of regret. Wise, worldly and weary. 16 prime cuts of Psyche-Gnashville brilliance.\u003c\/p\u003e\n\u003cp\u003eWitness the Hillbilly Zen of 'Row Row Row', the Apocalyptic revelations of 'This Generation Shall Not Pass' and the acerbic disestablishmentarianism of 'Reprints (Plastic People)'.\u003c\/p\u003e\n\u003cp\u003eNashville 1967, something was in the water and Henson Cargill drank his fill.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eReprints (Plastic People)\u003c\/li\u003e\n\u003cli\u003eNone Of My Business\u003c\/li\u003e\n\u003cli\u003eSkip A Rope\u003c\/li\u003e\n\u003cli\u003eRow Row Row\u003c\/li\u003e\n\u003cli\u003eThis Generation Shall Not Pass\u003c\/li\u003e\n\u003cli\u003eWildflower\u003c\/li\u003e\n\u003cli\u003eHemphill Kentucky Consolidated Coal Mine\u003c\/li\u003e\n\u003cli\u003eJohnny One Time\u003c\/li\u003e\n\u003cli\u003eWhat's My Name?\u003c\/li\u003e\n\u003cli\u003eGoing Backwards\u003c\/li\u003e\n\u003cli\u003eFour Shades Of Love\u003c\/li\u003e\n\u003cli\u003eIt's Over\u003c\/li\u003e\n\u003cli\u003eSix White Horses\u003c\/li\u003e\n\u003cli\u003eShe Thinks I'm On That Train\u003c\/li\u003e\n\u003cli\u003eHusbands And Wives\u003c\/li\u003e\n\u003cli\u003eBless 'Em All\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Henson Cargill","offers":[{"title":"LP \/ Random","offer_id":42404248027327,"sku":"IMAR134LP-BK","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/0934334410757.jpg?v=1688374875"},{"product_id":"hillbillies-in-hell-wake-me-up-brimstone-and-beauty-from-the-nashville-pulpit-1952-1974-various-artists-lp","title":"Hillbillies In Hell: Wake Me Up! Brimstone And Beauty From The Nashville Pulpit (1952-1974) [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eSEE Dan Johnson spy FOUR HORSEMEN RIDING FAST!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eHEAR Rhys Evans catch THE DEVIL TRAIN!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eWITNESS The Revelators Quartet and the great power of the ATOM BOMB!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFull dynamic range 2023 remasters direct from the first-generation analogue master tapes!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited to 666 copies!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e222 (randomly inserted) ‘Armageddon Red’ LPs \/ 222 (randomly inserted) ‘Soul Apocalypse’ Splatter LPs \/ 222 (randomly inserted) ‘Purgatory Black’ Black LPs!\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eRaw Revelations for Rapturous Times...\u003c\/p\u003e\n\u003cp\u003eIn this era of tumult and strife, shadow and light...take these seeds and let them grow. Apocalyptic Visions and Luciferian Combat, Armageddon Fever Dreams and Biblical Torments, Restless Redemptions and Ultimate Resurrections. Some collected from the acclaimed and out-of-print 'Hillbillies In Hell' series, some newly unearthed into the light of day, some burning with Evangelistic passion, some bountiful with the beauty and peace of the Final Light - all presented in this all-new volume.\u003c\/p\u003e\n\u003cp\u003eSpiritual Sleeper Awake! This world is but a kingdom of veils...\u003c\/p\u003e\n\u003cp\u003eYears in the making – ‘Hillbillies In Hell: Wake Me Up!' is your Good Book through the uncanny valley of the End Times - a dusty clutch of Hellfire Preachers, Satanic Traps and Tests, Diabolic Jousts, Backwoods Mountain Messiahs, Plagues and Pestilence, the Creator's Smite and God's Blazing Light.\u003c\/p\u003e\n\u003cp\u003eA deep catacomb of marginal 45s - some of these sides may be familiar, some are impossibly rare and are reissued here for the very first time. All for your proselytic listening pleasure.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eJimmy Murphy - Wake Me Up Sweet Jesus\u003c\/li\u003e\n\u003cli\u003eBuck Owens And His Buckaroos - Satan's Gotta Get Along Without Me\u003c\/li\u003e\n\u003cli\u003eBobby Bare - I Saw The Light\u003c\/li\u003e\n\u003cli\u003eGary Williams - Troubled Times\u003c\/li\u003e\n\u003cli\u003eBobby Grove - Ain't No Grave Gonna' Hold My Body Down\u003c\/li\u003e\n\u003cli\u003eJerry Jericho - Which Way You Going?\u003c\/li\u003e\n\u003cli\u003eMargie Singleton - Jesus Is My Pusher\u003c\/li\u003e\n\u003cli\u003eEd Bruce - The Workingman's Prayer\u003c\/li\u003e\n\u003cli\u003eThe Revelators Quartet - Atom Bomb\u003c\/li\u003e\n\u003cli\u003eJimmy Murphy - My Feet's On Solid Ground\u003c\/li\u003e\n\u003cli\u003eWendy Bagwell And The Sunliters - Jesus Met The Woman At The Well\u003c\/li\u003e\n\u003cli\u003eThe Christian Troubadours - Don't Let Satan Steal Your Time\u003c\/li\u003e\n\u003cli\u003eJimmy Murphy - Half A Loaf Of Bread\u003c\/li\u003e\n\u003cli\u003eRhys Evans - The Devil Train\u003c\/li\u003e\n\u003cli\u003eDan Johnson - Four Horsemen Riding Fast\u003c\/li\u003e\n\u003cli\u003eBarney Pierce And The Friendly Four - Ten Rounds With The Devil\u003c\/li\u003e\n\u003cli\u003eThe Sunshine Boys - Keep On The Firing Line\u003c\/li\u003e\n\u003cli\u003eBrother Claude Ely - There Ain't No Grave Gonna Hold My Body Down\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Various Artists","offers":[{"title":"LP \/ Black","offer_id":42419609305279,"sku":"IMAR133LP-BK","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/tmp_2F1687892120984-8yj4mkclrym-972704202ca11786115e13273774aaa3_2FHiH_2BWake_2BMe_2BUp_21_2Bcover_2B01_974x_73587036-e778-4f85-8e3d-54f23f1dcfc4.jpg?v=1717524289"},{"product_id":"folk-funk-and-trippy-troubadours-vol-2-various-artists-2lp","title":"Folk Funk \u0026 Trippy Troubadours Vol. 2 [Import]","description":"\u003ch3\u003e** This is a BACKORDER. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eAvailable on Double Black Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eCurated by DJ Paul Hillery\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes privately pressed obscurities with some previously unreleased material\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeaturing Grand Union, Tasha Lee McClunney, and more...\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eRE:WARM Records are delighted to announce 'Folk Funk \u0026amp; Trippy Troubadours Volume Two' compiled by Paul Hillery - record collector, archivist and DJ.\u003c\/p\u003e\n\u003cp\u003eHillery is a relentless seeker of musical treasures that span generation and genre, uncovering some brilliantly psychedelic and ever-so-funky gems along the way. These nuggets were initially documented on the Folk Funk and Trippy Troubadours blog, and then released on 'Folk Funk \u0026amp; Trippy Troubadours Volume One' in 2021. Volume One received praise from all the right places, including BBC 6 Music's Lauren Laverne making it her compilation of the week and Giles Peterson giving the record plenty of airtime.\u003c\/p\u003e\n\u003cp\u003eFor 'Folk Funk \u0026amp; Trippy Troubadours Volume Two', Paul dives back into the vaults for more seriously good, rare cuts for all to enjoy. Spanning seventeen tracks, the new compilation represents his continued journey with the Folk Funk \u0026amp; Trippy Troubadours sound. Think of heady sounds to soundtrack balmy English summers and Balearic poolside drops, the compilation includes a huge slab of privately pressed obscurities with some previously unreleased material. Standout tracks include the folk funk masterpiece 'Morning Brings The Light' by Grand Union, pressed to vinyl for the first time here. The previously unreleased groove of 'Undone by Tasha Lee McCluney' was co-written with Joey Stec of Curt Boettcher's California supergroup The Millennium. Another vinyl debut 'Teardrops Lost In The Rain (Stallions Remix)' by Findlay Brown, where the original folky Midnight Cowboy soundtrack vibe is elevated by a hypnotic space disco twist, all while still keeping the melodic root of the original version. Another outstanding cut is the flute-driven jazz masterpiece 'Weepin' by Cascada' featuring Jaime Roos, Ronald Langestraat, and Ben van Bergen on percussion. And the anthemic 'Let Me Ride' by Australian singer\/songwriter Peter Campbell will leave you yearning for more.\u003c\/p\u003e\n\u003cp\u003eHillery has had quite a golden run of critically acclaimed compilation releases over the past couple of years, including 'We Are The Children Of The Sun' and 'Once Again We Are The Children Of The Sun', the former was hailed by MOJO as 'one of the most emotionally uplifting and hazily beautiful compilations of recent years'. Paul also curated the full album re-issue projects of 'Will \u0026amp; James Ragar', 'Forest' and 'Monica Rypma' all for the much-beloved label BBE.\u003c\/p\u003e\n\u003cp\u003eIn addition to his crate digging and credible curatorial reputation, Paul is also renowned for providing information for sleeve notes and magazine articles. He has built longstanding relationships with overlooked and underrated musicians of the 60s, 70s, and 80s, which deftly inspires his mission to give these troubadours the exposure they deserve. Paul has carried his record boxes to many a venue and festival playing alongside The Polyphonic Spree, Arthur Lee \u0026amp; Love, Bonnie Dobson, Spiritualized, 4 Hero, Happy Mondays, Simian, The Bees, Julian Cope, Courtney Pine, and many, many more. He has also graced the turntables at Jazz Café, Spiritland, Refuge, Shepherds Bush Empire, Astoria, KoKo, Village Underground, Electric Ballroom, Forum, Festival No.6, Lunar Festival, Edinburgh Festival, Psychemagik's Magik Forest, and countless others. All the while continuing to supply guest mixes and commissions for the likes of Apple Music and radio stations here and far. There will also be another release in Paul's other series, 'We Are The Children Of The Setting Sun', to look out for.\u003c\/p\u003e\n\u003cp\u003eThis compilation is the second in a planned series of releases that we hope you will come to treasure. Lovingly handpicked and released with the full support of all featured artists. Lost gems found on privately pressed obscurities, forgotten studio tapes, and hidden deep in digital folders waiting to be heard again. So tune in, turn on, drop the stylus, and join RE:WARM and Paul Hillery on a 'further' ride through the vast and wonderful musical world of Folk Funk \u0026amp; Trippy Troubadours.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eMorning Brings the Light - Grand Union\u003c\/li\u003e\n\u003cli\u003eUndone - Tasha Lee McClunney\u003c\/li\u003e\n\u003cli\u003eOlivia - Lucy Kitchen\u003c\/li\u003e\n\u003cli\u003eBeauty Raise The Tree - Len Udow\u003c\/li\u003e\n\u003cli\u003eWild Canada - Dan Donahue\u003c\/li\u003e\n\u003cli\u003eThe Ballad Of Ho Chi Minh - Mike Glick\u003c\/li\u003e\n\u003cli\u003eSong of Creation - Chris Rawlings\u003c\/li\u003e\n\u003cli\u003eBamboo In The Wind - Gary Lapow\u003c\/li\u003e\n\u003cli\u003eTurn On Your Lovelight - Summer Rain\u003c\/li\u003e\n\u003cli\u003eRainfall - Jennie Rylatt\u003c\/li\u003e\n\u003cli\u003eProspect Of Wealth - Henry Parker\u003c\/li\u003e\n\u003cli\u003eTeardrops Lost In The Rain (Stallions Remix) - Findlay Brown\u003c\/li\u003e\n\u003cli\u003eChange Is Me\u003c\/li\u003e\n\u003cli\u003eChange Is You - Harris and Crane Band\u003c\/li\u003e\n\u003cli\u003eWaco - Frank Pyne \u0026amp; Loon Saloon\u003c\/li\u003e\n\u003cli\u003eTheme IV _A Detective KJAMM1644 D1 - The B.B. Jackson Band\u003c\/li\u003e\n\u003cli\u003eWeepin' - Cascada\u003c\/li\u003e\n\u003cli\u003eLet Me Ride - Peter Campbell\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe src=\"https:\/\/embed.music.apple.com\/us\/album\/folk-funk-trippy-troubadours-volume-two\/1694731506\" style=\"width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px;\" height=\"450\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" frameborder=\"0\" allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\"\u003e\u003c\/iframe\u003e","brand":"Various Artists","offers":[{"title":"2LP \/ Black","offer_id":42419609338047,"sku":"REWARM16LP-BK","price":48.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/REWARM16LP-VariousArtists-FolkFunk_TrippyTroubadoursVol.2.png?v=1711585017"},{"product_id":"wilderness-america-a-celebration-of-the-land-various-artists-lp","title":"Wilderness America, A Celebration Of The Land [Import]","description":"\u003ch3\u003e** This is a BACKORDER item. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eHoly grail for collectors\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e47th-anniversary reissue\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eMastered from original tapes by Grammy-nominated Jessica Thompson\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFans of Walter Hawkins, Iasos, Sugarloaf, Psychemagik\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eUltimate collector’s item for those who are deeply in Ambient\/New Age Music history\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAvailable on limited CD and VINYL with original artworks from 1975\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ScLBwtyxRRo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e'Before I’m gone I’d like to see us turn the corner and give up being spoilers of the land...\u003c\/p\u003e\n\u003cp\u003eIn 1975 Wallace ‘Wally’ Smith Broecker published a paper that popularised the term ‘global warming’ and against a backdrop of change and environmental uncertainty, a musical concept album was commissioned. ‘Wilderness America \/ A Celebration of the Land’ - is a musical exploration of our place within the cycle of living things. All compositions were specially commissioned for the album and blended with natural sounds recorded in the wild – lending the entire project a conceptual air that still feels fresh today.\u003c\/p\u003e\n\u003cp\u003eThe journey begins with the sun rising in the atmospheric haze of 'Dawn' - a track composed by new-age innovator Iasos. Gospel singer Walter Hawkins soon drops in with the soulful but ever so funky 'Metropolis' backed by a heavy array of session musicians with Patrick Gleeson, Ed Bogas, and Tom Salisbury all adding their own misty magic to the album. David Riordan is the sorcerer conjuring up many of the compositions and also takes vocal duties on the evocative 'Mountain' and the climatic 'Before I'm Gone'.\u003c\/p\u003e\n\u003cp\u003e‘Wilderness America \/ A Celebration of the Land’ was born when environmentalist Emily DeSpain Polk assembled a group of California residents to participate in a groundbreaking conservationist project. Christening the group SWAP (Small Wilderness Area Preservation) Emily needed funds and began a project to produce a promotional nature-based music album. To acquire the financial backing Emily would need to source a musician of some calibre. Contacting Cliff Branch from ‘Warehouse Sound Co.’ she was told the man she was looking for was David Riordan.\u003c\/p\u003e\n\u003cp\u003eDavid Riordan had been around the music business for several years, first with The Yankee Dollar, then Sugarloaf, and then Sweet Pain, he saw huge success with the single 'Green Eyed Lady'. David had worked on Cliff Branch’s 'Warehouse Sound Co. \u0026amp; Friends' albums and then released his solo album, 'Medicine Wheel'. But bored of touring he made the move to more concept-driven albums. First with ‘Christmas in San Francisco’ and then, in quick succession, 'Wilderness America, A Celebration Of The Land'.\u003c\/p\u003e\n\u003cp\u003eRiordan, along with Peter Scott, a music producer friend in San Francisco, began piecing together an idea for the album. They brought in Ed Bogas to do string arrangements and Tom Salisbury to conduct. David had also asked his friend Patrick Gleeson if he knew of any R\u0026amp;B\/Gospel singers in the Bay Area, and they soon added gospel singer Walter Hawkins into the mix.\u003c\/p\u003e\n\u003cp\u003eOther than the track ‘Metropolis’, which was recorded in LA, the rest of ‘Wilderness America, A Celebration Of The Land’ was recorded and mixed by Richard Beggs at the San Francisco studio of Francis Ford Coppola. Coppola was filming ‘Apocalypse Now’ at the same time – so in between studio sessions, the musicians were able to view the seemingly never-ending film rushes arriving from the Philippines.\u003c\/p\u003e\n\u003cp\u003eEventually, the record produced by David Riordan and Peter Scott drifted onto the radar of vinyl obsessives and selectors as several of its key tracks began popping up on mixtapes and sales lists. It wasn’t long before this privately pressed, art-funded masterpiece became something of a holy grail for collectors. At long last, a re-issue of this masterpiece is now available on EBALUNGA!!! Records.\u003c\/p\u003e\n\u003cp\u003ePaul Hillery - May 2022\u003c\/p\u003e\n\u003cp\u003ePaul is a heathen, conceivably, but not, I hope, an unenlightened one, whose handpicked compilation albums have been released on the labels BBE and RE:WARM - he is also the curator at Folk Funk \u0026amp; Trippy Troubadours\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eDawn\u003c\/li\u003e\n\u003cli\u003eMetropolis\u003c\/li\u003e\n\u003cli\u003eWater Cycle\u003c\/li\u003e\n\u003cli\u003eMountain\u003c\/li\u003e\n\u003cli\u003eManchild\u003c\/li\u003e\n\u003cli\u003eFlight of the Egret\u003c\/li\u003e\n\u003cli\u003eWindsong\u003c\/li\u003e\n\u003cli\u003eBefore I'm Gone\u003c\/li\u003e\n\u003cli\u003eManchild (Reprise)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Various Artists","offers":[{"title":"LP \/ Black","offer_id":42431533973695,"sku":"EBL-013LP-BK","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/tmp_2F1653508650920-yjzvluu6a7j-980962e58ff55f2f8f234e81bceb0c55_2Fa1279407995_10_974x_00211725-7c95-4eb6-99aa-89e9650b1c20.jpg?v=1703843262"},{"product_id":"catching-a-wave-steve-and-teresa-lp","title":"Catching A Wave","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eRarely does a record so perfectly encapsulate the essence of Hawai‘i\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eThey cut the album in less than three hours\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePressed on Clear Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eDuring the 1970s and 1980s, Hawai‘i’s live music scene was at its peak. Countless clubs, lounges, and bars filled the islands. Musicians embraced and experimented with all manner of ideas.\u003c\/p\u003e\n\u003cp\u003eAmong them were \u003cstrong\u003eSteve Ma‘i‘i\u003c\/strong\u003e and \u003cstrong\u003eTeresa Bright\u003c\/strong\u003e, a harmonizing guitar-and-bass duo that floated somewhere between nostalgia and an unassuming island sound. They could fill a concert hall or bring the family together at a backyard \u003cstrong\u003ekanikapila\u003c\/strong\u003e with their music.\u003c\/p\u003e\n\u003cp\u003eBoth singers share backgrounds rooted in native Hawaiian culture; \u003cstrong\u003eSteve\u003c\/strong\u003e once the bassist for musician\/ activist \u003cstrong\u003eGeorge Helm\u003c\/strong\u003e, and \u003cstrong\u003eTeresa\u003c\/strong\u003e the daughter of hula dancer \u003cstrong\u003eCarol Bright\u003c\/strong\u003e and musician \u003cstrong\u003eDaniel Bright\u003c\/strong\u003e. Together, they crafted a refreshing approach to jazz standards, traditional Hawaiian tunes, and hapa-haole classics.\u003c\/p\u003e\n\u003cp\u003eSteve and Teresa enchanted every listener they encountered, including engineer \u003cstrong\u003eRick Keefer\u003c\/strong\u003e, who convinced the pair to record at his \u003cstrong\u003eSea-West Studios\u003c\/strong\u003e in nearby Hau‘ula.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eCatching A Wave\u003c\/li\u003e\n\u003cli\u003eAloha ‘Ia ‘O Wai‘anae\u003c\/li\u003e\n\u003cli\u003eNani Wai‘ale‘ale\u003c\/li\u003e\n\u003cli\u003e‘Auhea ‘Oe\u003c\/li\u003e\n\u003cli\u003e‘Alekoki\u003c\/li\u003e\n\u003cli\u003eThat's My Desire\u003c\/li\u003e\n\u003cli\u003eSouth Sea Sadie ／ My Little Grass Shack\u003c\/li\u003e\n\u003cli\u003eKaho‘olawe Song\u003c\/li\u003e\n\u003cli\u003eTa Ha Ua La\u003c\/li\u003e\n\u003cli\u003eAloha Kaua‘i\u003c\/li\u003e\n\u003cli\u003eWai O Ke Aniani\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/56vhhzhuHZoKFwbhD2fLRw?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Steve \u0026 Teresa","offers":[{"title":"LP \/ Clear","offer_id":42439802421439,"sku":"AGS-038-CL","price":28.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/AGS-038-Steve_Teresa-CatchingAWave.jpg?v=1703898805"},{"product_id":"fm-tokyo-pioneer-sound-approach-morita-doji-lp","title":"FM Tokyo Pioneer Sound Approach [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eOfficial release of a legendary Japanese folk singer 'Doji Morita'\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e\u003cb\u003e1xLP pressed on Classic Black Vinyl\u003c\/b\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eUnreleased studio live take recorded in 1978\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eJapanese Obi-strip\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eDōji Morita, who debuted in 1975 with the single 'Sayonara Boku no Tomodachi \/ Mabushii Natsu,' was a unique and enigmatic presence in Japanese folk scene with her characteristic sunglasses and curly hair. Starting with 'GOOD BYE' in the same year, she went on to release a series of masterpiece albums, including 'Mother Sky: Can You Fly Alone in the Sad Blue Sky?' (1976) and 'a Boy' (1977). This album is a live recording from the spring of 1978, during the peak of Mori's career, when she appeared on the popular FM Tokyo radio program 'Pioneer Sound Approach.' With a selection of her best songs, delicate singing and playing, and valuable on-stage banter, this is a must-have live album not only for fans but for anyone. Despite its brevity, this album captures the richness of her career.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e蒼き夜は （Blue Night)\u003c\/li\u003e\n\u003cli\u003eぼくを見かけませんでしたか (Didn't You See Me?)\u003c\/li\u003e\n\u003cli\u003e雨のクロール (Rainy Crawl)\u003c\/li\u003e\n\u003cli\u003eぼくと観光バスに乗ってみませんか (Will You Ride the Sightseeing Bus With Me)\u003c\/li\u003e\n\u003cli\u003e春爛漫 (Best Spring)\u003c\/li\u003e\n\u003cli\u003eさよならぼくのともだち (Good Bye My Friend)\u003c\/li\u003e\n\u003cli\u003e風さわぐ原地の中に (In The Windy Wilderness)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eComing soon...\u003c\/em\u003e","brand":"Morita Doji","offers":[{"title":"LP \/ Black","offer_id":42439803764927,"sku":"PLP-7654-BK","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/PLP-7654-MoritaDoji-FMTokyoPioneerSoundApproach.jpg?v=1698649601"},{"product_id":"hillbillies-in-hell-the-bards-of-prey-various-artists-lp","title":"Hillbillies In Hell: The Bards Of Prey [Import]","description":"\u003ch3\u003e** This is a BACKORDER item. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eSEE Jack Kane suffer under the brutal BLACKJACK COUNTY CHAIN!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eHEAR David Rodgers aboard the HELL BOUND TRAIN!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eWITNESS Red Bailey drown through EIGHT WEEKS IN A BAR ROOM!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFull dynamic range 2023 remasters direct from the first-generation analogue master tapes!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eOriginal Cover Art by Eric Adrian Lee!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition 666 copies!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e222 (randomly inserted) ‘Molten Mountain Lava' Red LPs \/ 222 (randomly inserted) ‘Eye Of The Gorgon’ Splatter LPs \/ 122 (RANDOMLY inserted) ‘Bar Room Blackout’ Black LPs \/ 100 ’Caverns Of Baal’ Private Member’s Edition!\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eCircling high above, searching for spiritual carrion...\u003c\/p\u003e\n\u003cp\u003eThese Bards of Baal, these Birds of Belial, hover over our hapless Hillbillies, preying on the weak and on the fallen...\u003c\/p\u003e\n\u003cp\u003ePresented here for the very first time are 16 Timeless Testaments to End Times Prophecy, Approaching Armageddon, Brutal Backwoods Slavery, Daemonic Street Walkers, and Deaths both Great and Small.\u003c\/p\u003e\n\u003cp\u003eYears in the making – ‘Hillbillies In Hell: The Bards Of Prey' presents a dusty clutch of battered vinyl Hellfire Prophets, Delirious Inebriates, Hayseed Hallucinations, Grand Arcs of Creation, and the Eternal Vista of the Endless Battle between the forces of Light and Dark.\u003c\/p\u003e\n\u003cp\u003eA dank labyrinth of forgotten 45s: Subterranean Satanic Caverns, Tales of Ambulatory Bondage, Luciferian Locomotives, Murder Most Foul, and Joyous Revival Revelations - some of these sides are impossibly rare and are reissued here for the very first time. All for your primordial listening pleasure.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eRoy Clark - Afraid To Rock The Boat\u003c\/li\u003e\n\u003cli\u003eJack Kane - Blackjack County Chain\u003c\/li\u003e\n\u003cli\u003eShirl Milete - Hell Walks The Street\u003c\/li\u003e\n\u003cli\u003eJohn D. Loudermilk - The Little Bird\u003c\/li\u003e\n\u003cli\u003eMac Curtis - Ballad Of Black Mountain\u003c\/li\u003e\n\u003cli\u003eRamblin Red Bailey - Eight Weeks In A Bar Room\u003c\/li\u003e\n\u003cli\u003eHayden Thompson - These Boots Are Made For Walkin'\u003c\/li\u003e\n\u003cli\u003eShirl Milete - Life\u003c\/li\u003e\n\u003cli\u003e'T' Tommy And The Chanters - (I'm Gonna) Sing And Shout\u003c\/li\u003e\n\u003cli\u003eRed Lane - Blackjack County Chain\u003c\/li\u003e\n\u003cli\u003eShirl Milete - Afraid To Rock The Boat\u003c\/li\u003e\n\u003cli\u003eBuck Owens And His Buckaroos - Tall Dark Stranger\u003c\/li\u003e\n\u003cli\u003eBilly Thomas - Deep Dark Mountain\u003c\/li\u003e\n\u003cli\u003eDave Baker - Listen To The Devil Laugh\u003c\/li\u003e\n\u003cli\u003eJohn D. Loudermilk - The Little Grave\u003c\/li\u003e\n\u003cli\u003eRed Lane - Valley Of The Never Do No Good\u003c\/li\u003e\n\u003cli\u003eDavid Rodgers - Hell Bound Train\u003c\/li\u003e\n\u003cli\u003eSlim \u0026amp; Zella Mae Cox - Ain't No Grave Gonna Hold My Body Down\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Various Artists","offers":[{"title":"LP \/ Black or Red (Random)","offer_id":42446312079551,"sku":"IMAR135LP-BK","price":31.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/IMAR135LP-VariousArtists-HillbilliesInHellTheBardsOfPrey.jpg?v=1697671122"},{"product_id":"nashville-gold-hayseed-delirium-from-the-boob-tube-golden-age-1956-1975-various-artists-lp","title":"Nashville Gold: Hayseed Delirium From The Boob Tube Golden Age (1956-1975) [Import]","description":"\u003ch3\u003e** This is a BACKORDER item. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFull dynamic range 2023 remasters direct from the first-generation analog master tapes!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eOriginal Cover Art by Eric Adrian Lee!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition 500 copies!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e250 ‘Boob Tube Glitz’ Gold LPs! \/ 250 ‘Tootsie's Booth’ Black LPs! (RANDOMLY inserted)!\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eFrom the people who brought you Hillbillies In Hell...\u003c\/p\u003e\n\u003cp\u003eIn the late-1960s, Prime Time Nashville Television was dominated by Country Music. Incongruous and surreal, viewers could channel-surf between the Lysergic Hayseed-ism of 'The Porter Wagoner Show,' the Pastel Psychedelia of 'Those Singin' Swingin' Stompin' Sensational Stonemans' and a multitude of Country Stars erupting between commercials for beer and laxatives.\u003c\/p\u003e\n\u003cp\u003eEffervescent and ebullient, perched on hay bales or propped in front of cardboard windmills: Dolly Parton could cry the horrors of Bedlam ('Daddy Come And Get Me'), Norma Jean preach turbo-charged cautionary tales ('I Wouldn't Buy A Used Car From Him') or George Hamilton IV might croon the smooth lament 'Urge For Going.'\u003c\/p\u003e\n\u003cp\u003eSnake Oil and Lube Oil. Primates and Inmates. Hick Pitchmen would canvas their wares, while Hillbillies sang Heartbreak Laments and Tax Slave Rebellions, Barfly Booze-Ups, and Death Row F**k-Ups.\u003c\/p\u003e\n\u003cp\u003eIn living color on the Boob Tube.\u003c\/p\u003e\n\u003cp\u003eLip-syncing to playback (with canned applause) or live-in-the-studio warts 'n' all, hear your favorite Country Music Singing Stars of yesteryear as broadcast from Music City U.S.A.\u003c\/p\u003e\n\u003cp\u003eYou have been warned...\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003ePorter Wagoner - Wino\u003c\/li\u003e\n\u003cli\u003eThe Stonemans - Tupelo County Jail\u003c\/li\u003e\n\u003cli\u003eHank Thompson - Cocaine Blues\u003c\/li\u003e\n\u003cli\u003eDick Curless - Loser's Cocktail\u003c\/li\u003e\n\u003cli\u003eWebb Pierce - The Good Lord Giveth (And The Government Taketh Away)\u003c\/li\u003e\n\u003cli\u003eAnita Carter - Tulsa County\u003c\/li\u003e\n\u003cli\u003eRoger Miller - A Million Years Or So\u003c\/li\u003e\n\u003cli\u003eDolly Parton - Daddy Come And Get Me\u003c\/li\u003e\n\u003cli\u003eThe Stonemans - I Am The Grass\u003c\/li\u003e\n\u003cli\u003ePete Drake - Oriental Twist\u003c\/li\u003e\n\u003cli\u003ePorter Wagoner - Sing Me Back Home\u003c\/li\u003e\n\u003cli\u003eNorma Jean - I Wouldn't Buy A Used Car From Him\u003c\/li\u003e\n\u003cli\u003eRoger Miller - Do-Wacka-Do\u003c\/li\u003e\n\u003cli\u003eTommy Collins - All Of The Monkeys Ain't In The Zoo\u003c\/li\u003e\n\u003cli\u003eMel Tillis - I Could Have Gone Right (Just As Easy As I Went Wrong)\u003c\/li\u003e\n\u003cli\u003ePorter Wagoner - Pictures From Life's Other Side\u003c\/li\u003e\n\u003cli\u003eGeorge Hamilton IV - Urge For Going\u003c\/li\u003e\n\u003cli\u003eGil Trythall \u0026amp; His Yakety Moog - Yakety Moog\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Various Artists","offers":[{"title":"LP \/ Black or Gold (Random)","offer_id":42446312112319,"sku":"IMAR136LP-BK","price":31.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/IMAR136LP_Digital_Cover_974x_8d0ace9a-36ab-4c22-ad17-256714d15742.jpg?v=1697670489"},{"product_id":"tsugaru-shamisen-takahashi-chikuzan-lp","title":"Tsugaru Shamisen [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eReissued on vinyl for the first time in 50 years!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e\u003cb\u003e1xLP pressed on Classic Black Vinyl\u003c\/b\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e\u003cb\u003e\u003cb\u003eFeatures a traditional Japanese OBI strip\u003c\/b\u003e\u003c\/b\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eOriginally released in 1973\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8HTNaqEMOgk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTakahashi Chikuzan\u003c\/strong\u003e's soulful masterpiece '\u003cstrong\u003eTSUGARU SHAMISEN\u003c\/strong\u003e' makes its vinyl record debut after half a century.\u003c\/p\u003e\n\u003cp\u003eTakahashi Chikuzan, a legendary and esteemed Japanese Tsugaru Shamisen performer and composer, served as an inspiration for '\u003cstrong\u003eFusetsu Nagare Tabi\u003c\/strong\u003e,' a representative song by \u003cstrong\u003eKitajima Saburou\u003c\/strong\u003e. His complete 'TSUGARU SHAMISEN' album, originally released in July 1973, has been reissued on vinyl for the first time in 50 years, alongside a 2023 remaster.\u003c\/p\u003e\n\u003cp\u003eHis 1986 series of ten concerts across seven United States cities garnered praise from The New York Times, elevating the global recognition of Tsugaru Shamisen. As an undisputed authority in Tsugaru Shamisen performance, his music continues to touch the hearts of music enthusiasts of all ages, both domestic and international, even 25 years after his passing.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eTsugaru Shamisen Suite\u003c\/li\u003e\n\u003cli\u003eTsugaru Jyongara Bushi\u003c\/li\u003e\n\u003cli\u003eTsugaru Jyongara Bushi（Naka Bushi）\u003c\/li\u003e\n\u003cli\u003eShin Tsugaru Jyongara Bushi\u003c\/li\u003e\n\u003cli\u003eYasaburou Bushi\u003c\/li\u003e\n\u003cli\u003eTsugaru Sansagari\u003c\/li\u003e\n\u003cli\u003eTsugaru Ondo\u003c\/li\u003e\n\u003cli\u003eTsugaru Yosare Bushi（Kyu Bushi)\u003c\/li\u003e\n\u003cli\u003eTsugaru Yosare Bushi\u003c\/li\u003e\n\u003cli\u003eTsugaru Ohara Bushi（Kyu Bushi）\u003c\/li\u003e\n\u003cli\u003eTsugaru Ohara Bushi\u003c\/li\u003e\n\u003cli\u003eAjigasawa Jinku\u003c\/li\u003e\n\u003cli\u003eTosa no Sunayama\u003c\/li\u003e\n\u003cli\u003eRingo Bushi\u003c\/li\u003e\n\u003cli\u003eTsugaru Aiya Bushi\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\n\u003ciframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/4J4RGacaISE1sssmnR9KmC?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Takahashi Chikuzan","offers":[{"title":"LP \/ Black","offer_id":42451484967103,"sku":"CRJI-1-BK","price":52.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/CRJI-1-TakahashiChikuzan-TsugaruShamisen.jpg?v=1692692926"},{"product_id":"while-in-exile-terry-telson-lp","title":"While In Exile [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eLimited to 300 copies\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e\u003cb\u003e1xLP pressed on Classic Black Vinyl\u003c\/b\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes an exclusive insert that outlines the story of the making of 'While In Exile' from Terry Telson himself\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eCompletely remastered audio by Greg Reierson of Rare From Mastering\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eDownload card included\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eArizona has long been a land of outsiders, roamers, wanderers, and honest 'real people' artists. One such of these characters is Terry Telson. For nearly three years Terry isolated himself in the high mountains of Prescott, Arizona working diligently to perfect his craft. His effort, 'While In Exile' (released locally in 1975) fully embodies the spirit of the true Arizona poet, whose dedication and skill is displayed through grueling hard work, sacrifice, and outright honesty. While there are bountiful amounts of privately pressed folk records from the 1970s, very few are as genuine, and even fewer display the level of musicianship and resolve that Terry Telson delivers in sole Arizona release.\u003c\/p\u003e\n\u003cp\u003e'I was in Chicago (born and raised) doing the folk club and college circuit. Which you have the live cuts from. I had a friend telling me how mellow Prescott was and that I could think and put the next level for me together. Finally after hearing that two dozen times and getting bored with where I was musically I bought into it. At the time there were some great players on the same circuit. John Prine, Steve Goodman. Bonnie Koloc, Tom Dundee, the Holstein brothers (Ed \u0026amp; Fred) etc. they all went on to bigger and better things and deserved to. I met several other good musicians who also unplugged from the grind \/ rut they too were in. It freed us all to just play and be creative. The people was a makeup of cowboys, retired, and hippies. Cowboys down in Prescott Valley, retired in cabins, hippies renting cabins. The three groups didn't get along that well, so we all kept to ourselves. We kept our musical hippie lifestyle going by making turquoise jewelry that the hustlers down in Phoenix sold as 'authentic' Indian.\u003c\/p\u003e\n\u003cp\u003eI as others kept working on our music. When I thought I had the right amount of good cuts at the time, I recorded 'While In Exile' the name was meant to mean that I was in exile from the live music scene. It was recorded on a ¾' reel-to-reel recorder in a home studio we set up so any of the musicians could record their songs to hear what it sounded like all of us broke and a step away from living out with the bears. I filed for copyright and then the album was pressed in Phoenix. The cover photo was taken by my wife. The music scene in Arizona at the time was closed to everything but country and western. Figuring I got what I wanted from the mountains, I moved to San Francisco and the rest is yesterday's look in the rearview mirror.'\u003c\/p\u003e\n\u003cp\u003e- Terry Telson\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eI Am Grey\u003c\/li\u003e\n\u003cli\u003eIf Hell Is Sin\u003c\/li\u003e\n\u003cli\u003eDied With Their Boots On\u003c\/li\u003e\n\u003cli\u003eRunning Back To You\u003c\/li\u003e\n\u003cli\u003eDefeat Of Cornwallis\u003c\/li\u003e\n\u003cli\u003eThe Alley Cat \u0026amp; Grizzley Bear\u003c\/li\u003e\n\u003cli\u003eShades Of Yesterday\u003c\/li\u003e\n\u003cli\u003eWhen Evenin' Comes\u003c\/li\u003e\n\u003cli\u003eWhere The Wind Blows Me\u003c\/li\u003e\n\u003cli\u003eLet The Tears Subside\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Terry Telson","offers":[{"title":"LP \/ Black","offer_id":42461652091071,"sku":"SVR-001-BK","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/SVR-001-TerryTelson-WhileInExile.jpg?v=1693271539"},{"product_id":"kazemachi-roman-happy-end-lp","title":"Kazemachi Roman (2023 Edition) [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003e Happy End’s second album\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e Pressed on Clear Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e Originally released in 1971\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eHappy End’s second album, the timeless masterpiece “\u003cstrong\u003eKazemachi Roman\u003c\/strong\u003e” released on colored vinyl (clear) for the first time!\u003c\/p\u003e\n\u003cp\u003eThe latest 2023 cutting from the original master. Pressed at \u003cstrong\u003eSony’s Shizuoka\u003c\/strong\u003e factory.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eDakishimetai\u003c\/li\u003e\n\u003cli\u003eSorairo no Crayon\u003c\/li\u003e\n\u003cli\u003eKaze wo Atsumete\u003c\/li\u003e\n\u003cli\u003eKurayamizaka Musasabi Henge\u003c\/li\u003e\n\u003cli\u003eHaikara Hakuchi\u003c\/li\u003e\n\u003cli\u003eHaikara Beautiful\u003c\/li\u003e\n\u003cli\u003eNatsu Nandesu\u003c\/li\u003e\n\u003cli\u003eHana Ichi Monme\u003c\/li\u003e\n\u003cli\u003eAshita Tenki ni Naare\u003c\/li\u003e\n\u003cli\u003eTaifuu\u003c\/li\u003e\n\u003cli\u003eHaru Ranman\u003c\/li\u003e\n\u003cli\u003eAi Ue wo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3N3NdhXkyIKauv6xkoUpwE?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Happy End","offers":[{"title":"LP \/ Clear","offer_id":42469665439935,"sku":"MHJL-293-CL","price":64.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/MHJL-293-HappyEnd-KazemachiRoman.jpg?v=1693601175"},{"product_id":"happy-end-happy-end-lp-red-vinyl-record","title":"Happy End はっぴいえんど [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003e Happy End’s first album\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e1xLP pressed on Clear Red Vinyl for the First Time!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e\u003cb\u003ePressed at Sony's Shizuoka Factory\u003c\/b\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e Originally released in 1970\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eHappy End\u003c\/strong\u003e’s first album, the timeless masterpiece “Happy End” released on colored vinyl (clear red) for the first time! The latest 2023 cutting from the original master. Pressed at \u003cstrong\u003eSony’s Shizuoka factory\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eHaru yo Koi\u003c\/li\u003e\n\u003cli\u003eKakurenbo\u003c\/li\u003e\n\u003cli\u003eShin Shin Shin\u003c\/li\u003e\n\u003cli\u003eTobenai Sora\u003c\/li\u003e\n\u003cli\u003eTeki Thanatos wo Souki Seyo!\u003c\/li\u003e\n\u003cli\u003eAyakashi no Dobutsuen\u003c\/li\u003e\n\u003cli\u003eJuuni Gastu no Ame no Hi\u003c\/li\u003e\n\u003cli\u003eIra Ira\u003c\/li\u003e\n\u003cli\u003eAsa\u003c\/li\u003e\n\u003cli\u003eHappy End\u003c\/li\u003e\n\u003cli\u003eZoku Happy End\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Happy End","offers":[{"title":"LP \/ Clear Red","offer_id":42472029356223,"sku":"MHJL-292-CLRD","price":59.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/MHJL-292-HappyEnd-HappyEnd.jpg?v=1693609514"},{"product_id":"abeichizoku-abeichizoku-lp","title":"Abeichizoku","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eOriginally self-released in only 100 copies in 1973\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNew liner notes by each of the three surviving members as well as new English translation of the original liner notes.\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eStoughton “tip-on” jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eVinyl pressed at Cascade Record Pressing\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAudio restoration and mastering by Michael Graves at Osiris Studio\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLacquer cut by Jeff Powell at Take Out Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAvailable on two color editions: Black Vinyl and Translucent Smoke Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eFounded in 1972 by members of a university folk club, \u003cstrong\u003eAbeichizoku\u003c\/strong\u003e was influenced by \u003cem\u003e\u003cstrong\u003eYoshio Hayakawa’s Jacks and URC bands like Happy End, Itsutsu No Akai Fusen, and Dylan II\u003c\/strong\u003e\u003c\/em\u003e. In the twilight of their school years, with the word “job” looming over them, the band recorded their lone album in a grueling 8-hour shift in their university’s assembly hall. Originally released in 1973 and made in only 100 copies, this essential piece of Japanese 70s folk rock has been reissued here for the first time.\u003c\/p\u003e\n\u003cp\u003ePrinted on Stoughton “tip-on” jackets. New liner notes by each of the three surviving members as well new English translation of the original liner notes. Audio restoration and mastering by Michael Graves at Osiris Studio. Lacquer cut by \u003cstrong\u003eJeff Powell\u003c\/strong\u003e at \u003cstrong\u003eTake Out Vinyl\u003c\/strong\u003e. \u003cstrong\u003e400 copies on black vinyl\u003c\/strong\u003e, and \u003cstrong\u003e200 on translucent smoke vinyl\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eRainy Morning\u003c\/li\u003e\n\u003cli\u003eKankan Shine\u003c\/li\u003e\n\u003cli\u003eWhite Wind\u003c\/li\u003e\n\u003cli\u003eStorm\u003c\/li\u003e\n\u003cli\u003eTomorrow Is An Amusement Park\u003c\/li\u003e\n\u003cli\u003eI Want You\u003c\/li\u003e\n\u003cli\u003eCrow In The Sky\u003c\/li\u003e\n\u003cli\u003eRoom Of Solitude\u003c\/li\u003e\n\u003cli\u003eNow\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Abeichizoku","offers":[{"title":"LP \/ Black","offer_id":42492327035071,"sku":"FLR-003-BK","price":32.99,"currency_code":"USD","in_stock":false},{"title":"LP \/ Grey","offer_id":42492327067839,"sku":"FLR-003-GY-SMK","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/FLR-003-Abeichizoku-Abeichizoku.png?v=1701214101"},{"product_id":"greatest-hits-willie-nelson-2lp","title":"Greatest Hits [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003ePressed on Black Double Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeaturing 22 tracks from across the artist's six-decade career\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes hits like “On The Road Again,” “Always On My Mind” and “Blue Eyes Crying In The Rain”\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis new collection is a career spanner jampacked with 22 songs, with each era of Willie’s illustrious six-decade career chronicled. It includes massive hits like “On The Road Again,” “Always On My Mind” and “Blue Eyes Crying In The Rain” next to a number of his 21st-century gems, including latter-day classics like “Ride Me Back Home” and “Roll Me Up.”\u003c\/p\u003e\n\u003cp\u003eIt features classic collaborations with the likes of Merle Haggard, Waylon Jennings, and Julio Iglesias, Willie’s early versions of songs made famous by others in the early 60s like “Crazy” and “Night Life,” alongside interpretations of others’ songs that he made his own from Hoagy Carmichael’s “Stardust” to Arlo Guthrie’s “City Of New Orleans” to Pearl Jam’s “Just Breathe.”\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eOn The Road Again\u003c\/li\u003e\n\u003cli\u003eWhiskey River\u003c\/li\u003e\n\u003cli\u003eBlue Eyes Crying In The Rain\u003c\/li\u003e\n\u003cli\u003eMe And Paul\u003c\/li\u003e\n\u003cli\u003eAlways On My Mind\u003c\/li\u003e\n\u003cli\u003eShotgun Willie\u003c\/li\u003e\n\u003cli\u003eCrazy\u003c\/li\u003e\n\u003cli\u003ePancho And Lefty (w\/Merle Haggard)\u003c\/li\u003e\n\u003cli\u003eGeorgia On My Mind\u003c\/li\u003e\n\u003cli\u003eMammas Don’t Let Your Babies Grow Up To Be Cowboys (w\/Waylon Jennings)\u003c\/li\u003e\n\u003cli\u003eAngel Flying Too Close To The Ground\u003c\/li\u003e\n\u003cli\u003eStill Is Still Moving To Me\u003c\/li\u003e\n\u003cli\u003eI Never Cared For You\u003c\/li\u003e\n\u003cli\u003eRide Me Back Home\u003c\/li\u003e\n\u003cli\u003eTo All The Girls I’ve Loved Before (w\/Julio Iglesias)\u003c\/li\u003e\n\u003cli\u003eRoll Me Up (w\/Snoop Dog\u003c\/li\u003e\n\u003cli\u003eJamey Johnson \u0026amp; Kris Kristofferson)\u003c\/li\u003e\n\u003cli\u003eAcross The Borderline\u003c\/li\u003e\n\u003cli\u003eCity Of New Orleans\u003c\/li\u003e\n\u003cli\u003eJust Breathe (w\/Lukas Nelson)\u003c\/li\u003e\n\u003cli\u003eLast Thing I Needed First Thing This Morning\u003c\/li\u003e\n\u003cli\u003eLiving In The Promiseland\u003c\/li\u003e\n\u003cli\u003eWho’ll Buy My Memories?\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Willie Nelson","offers":[{"title":"2LP \/ Black","offer_id":42497127776447,"sku":"19658813181-BK","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/19658813181-WillieNelson-GreatestHits.jpg?v=1695835192"},{"product_id":"eoe3-bk-blaze-foley-live-at-the-austin-outhouse-lp-blaze-foley-lp","title":"Live at the Austin Outhouse","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eRare Blaze Foley recordings from the Austin Outhouse circa 1989\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e1xLP pressed on Classic Black Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eSingle-Pocket Jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“Live at the Austin Outhouse” captures Blaze Foley, Austin’s legendary singer-songwriter, at his final appearance at the iconic Austin Outhouse venue. Recorded over two nights in 1989 just days before his tragic murder these twelve tracks are available on vinyl for the first time. Recorded by his friend John Casner these now-classic Blaze tracks were for years only shared on hand-made cassettes among a small network of friends and fans. This vinyl LP marks the twenty-year anniversary of their initial release on CD by Lost Art Records.\u003c\/p\u003e\n\u003cp\u003eWhile Blaze’s reputation as a singer-songwriter has exploded in recent years, access to his catalog on vinyl has not kept pace. The tracks here include many of his classics; Clay Pigeons (covered by John Prine), If I Could Only Fly (covered by Merle Haggard), Election Day (covered by Lyle Lovett), and nine others. Blaze is joined in this set by several of Austin’s most beloved musicians including Champ Hood and Sarah Elizabeth Campbell. “Live at the Austin Outhouse” reveals Blaze to be as talented and soulful as his friends and running buddies Townes Van Zandt and Lucinda Williams.\u003c\/p\u003e\n\u003cp\u003eFoley is also the subject of a documentary film, Blaze Foley – Duct Tape Messiah, directed by Kevin Triplett, and the 2018 feature-film, Blaze, directed by Ethan Hawke.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eOh Darlin'\u003c\/li\u003e\n\u003cli\u003eClay Pigeons\u003c\/li\u003e\n\u003cli\u003eIf I Could Only Fly\u003c\/li\u003e\n\u003cli\u003eSmall Town Hero\u003c\/li\u003e\n\u003cli\u003eNew Slow Boat To China\u003c\/li\u003e\n\u003cli\u003eOur Little Town\u003c\/li\u003e\n\u003cli\u003eOfficer Norris\u003c\/li\u003e\n\u003cli\u003eChristian Lady Talkin' On A Bus\u003c\/li\u003e\n\u003cli\u003ePicture Cards Can't Picture You\u003c\/li\u003e\n\u003cli\u003eElection Day\u003c\/li\u003e\n\u003cli\u003eFaded Love And Memories\u003c\/li\u003e\n\u003cli\u003eOooh Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/20jfTvbCUwJjOAhPkeIv61?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Blaze Foley","offers":[{"title":"LP \/ Black","offer_id":42543927918783,"sku":"EOE3-BK","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/EOE3-BlazeFoley-LiveattheAustinOuthouse.jpg?v=1697326633"},{"product_id":"have-you-been-good-to-yourself-johnnie-frierson-lp","title":"Have You Been Good To Yourself","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition of 500 copies\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e1xLP pressed on Clear Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eRemastered from the original cassette\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLiner notes by Memphis native Andria Lisle\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes OBI strip\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eVinyl pressed at RTI\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“My dad loved people. He was an activist for Black people, but also an activist for human rights. I don’t care what color you are, my dad was kind to you. He wanted the word ‘love’ out there: the self-love message, the world-love message. Anything good he knew, he wanted to let everyone know about it.” – Keesha Frierson\u003c\/p\u003e\n\u003cp\u003eFollowers of our output might have a pang of recognition on reading the name, Frierson. That was the surname of Wendy Rene, whose work was collected into the 2012 LITA anthology After Laughter Comes Tears, and indeed, Johnnie Frierson is Wendy’s brother – a fellow member of her mid-’60s Stax four-piece The Drapels.\u003c\/p\u003e\n\u003cp\u003eBut Have You Been Good To Yourself will come as a surprise to anyone expecting more of the beat-driven R\u0026amp;B Johnnie and his sibling produced – including that compilation’s much-sampled title track. A mix of spoken word and gospel songs laid down direct to cassette, these ultra-rare home recordings draw from Johnnie’s religious upbringing and his history in the music business, which was interrupted in 1970 when he was sent to fight in Vietnam.\u003c\/p\u003e\n\u003cp\u003eCratedigger Jameson Sweiger found Have You Been Good To Yourself and a companion album, Real Education, released under the name Khafele Ojore Ajanaku in a Memphis thrift store, but it was noticeably Frierson’s work. They hadn’t made it far – they would originally have been sold at corner stores and music festivals in the Memphis area, where Frierson continued to perform and host a gospel radio show, all the while working as a mechanic, laborer, and teacher.\u003c\/p\u003e\n\u003cp\u003eThe seven songs on Have You Been Good To Yourself are overtly religious; some, such as “Out Here On Your Word,” are strident and faithful; others, like the self-questioning “Have You Been Good To Yourself,” are more meditative. They reflect the difficult situation that Frierson was in when recording, shell-shocked from his time in the military and grieving the untimely death of his son. “He was really trying to find his way,” remembers Frierson’s daughter Keesha in Andria Lisle’s liner notes. “And writing and making music was a way out for him.”\u003c\/p\u003e\n\u003cp\u003eRemastered and released professionally for the first time, the message spread by Frierson – who passed away in 2010 – remains undimmed.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eHave You Been Good To Yourself\u003c\/li\u003e\n\u003cli\u003eHeavenly Father\u003c\/li\u003e\n\u003cli\u003eYou've Been Good\u003c\/li\u003e\n\u003cli\u003eMiracles\u003c\/li\u003e\n\u003cli\u003eOut Here On Your Word\u003c\/li\u003e\n\u003cli\u003eYou Were Sent To This World\u003c\/li\u003e\n\u003cli\u003eWoke Up This Morning\u003c\/li\u003e\n\u003cli\u003eTrust In The Lord\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Johnnie Frierson","offers":[{"title":"LP \/ Clear","offer_id":42552976900287,"sku":"LITA127-CL","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA127-JohnnieFrierson-HaveYouBeenGoodToYourself.jpg?v=1697583522"},{"product_id":"francoise-hardy-with-ezio-leoni-and-his-orchestra-francoise-hardy-lp","title":"Francoise Hardy with Ezio Leoni and His Orchestra [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003ePressed on Green Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eOriginally released in 1963\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAll lyrics written by Vito Pallavicini\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eFrançoise Hardy (born Françoise Madeleine Hardy on 17 January 1944) is a French former singer and songwriter mainly known for singing melancholic sentimental ballads.\u003c\/p\u003e\n\u003cp\u003eardy signed her first contract with the record label Vogue in November 1961. In April 1962, shortly after finishing school, her first album, \"Oh oh Chéri\", appeared, with the title song written by Johnny Hallyday's writing duo. The flip side of the record, \"Tous les garçons et les filles\" became a huge success, which sold 2 million copies. She had long hair and usually wore jeans with a leather jacket, while accompanying her songs on the guitar.\u003c\/p\u003e\n\u003cp\u003eShe sang in English, Spanish, and German occasionally. In 1963, she represented Monaco in the Grand Prix d'Eurovision de la Chanson with \"L'amour s'en va\" and emerged in fifth place. In 1968, she received the Grand Prix du Disque Académie Charles Cros.\u003c\/p\u003e\n\u003cp\u003eIn 1981, she married her long-time companion Jacques Dutronc, with whom she had already had a son (Thomas Dutronc) in 1973. In May 2000, she had a comeback with the album \"Clair Obscur\". Her son played the guitar, and her husband sang the duet \"Puisque vous partez en voyage\". Iggy Pop and Etienne Daho participated, as well. She currently lives near Paris.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eYour Best Friend\u003c\/li\u003e\n\u003cli\u003eI Would Like To (Understand You)\u003c\/li\u003e\n\u003cli\u003eFor A Long Time\u003c\/li\u003e\n\u003cli\u003eLove Goes\u003c\/li\u003e\n\u003cli\u003eA Girl Like The Others\u003c\/li\u003e\n\u003cli\u003eThose Of My Age\u003c\/li\u003e\n\u003cli\u003eI'm In\u003c\/li\u003e\n\u003cli\u003eIt's Love That I Think Of\u003c\/li\u003e\n\u003cli\u003eThe Age Of Love\u003c\/li\u003e\n\u003cli\u003eOh Oh Cheri\u003c\/li\u003e\n\u003cli\u003eThe Boy From Gluck Street\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Francoise Hardy","offers":[{"title":"LP \/ Green","offer_id":42603766677695,"sku":"SAAR LPJ5034-GN","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/SAARLPJ5034-FrancoiseHardy-FrancoiseHardywithEzioLeoniandHisOrchestra.jpg?v=1703887819"},{"product_id":"in-my-own-time-50th-anniversary-edition-karen-dalton-lp","title":"In My Own Time (50th Anniversary Edition)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eAll tracks from 2021 transfers and newly remastered\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eCD \u0026amp; Cassette Editions feature 9 bonus tracks, including 6 previously unreleased live performances from The Montreux Golden Rose Pop Festival (May 1971) and Beat Club, Germany (April 1971)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eCD \u0026amp; LP editions include a booklet featuring unseen photos and liner notes by Lenny Kaye with contributions from Nick Cave and Devendra Banhart\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eTracks 11-19 Only Available on CD \u0026amp; Cassette Editions\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e8-Track \u0026amp; single LP editions only include tracks 1-10\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eKaren Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.\u003c\/p\u003e\n\u003cp\u003eThe LITA Anniversary LP edition features the original 10-track album, pressed on clear wax at Record Technology Inc. (RTI) and housed in an expanded gatefold LP jacket, while the album makes its long-overdue return on the almighty 8-Track format.\u003c\/p\u003e\n\u003cp\u003eBoth the CD and cassette editions feature 9 bonus tracks, including 3 alternate takes from the In My Own Time album sessions, along with 6 previously unreleased tracks captured during Karen’s 1971 European tour, including live at The Montreux Golden Rose Pop Festival and Germany’s Beat Club.\u003c\/p\u003e\n\u003cp\u003eAll audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.\u003c\/p\u003e\n\u003cp\u003eA newly expanded booklet—featuring rarely seen photos, liner notes from musician and writer Lenny Kaye, and contributions from Nick Cave and Devendra Banhart—rounds out the package (CD booklet 32-pgs; LP booklet 20-pgs).\u003c\/p\u003e\n\u003cp\u003eThe Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R\u0026amp;B and country that had to seep in as she made her way to New York.\"\u003c\/p\u003e\n\u003cp\u003eArmed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early 60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon \u0026amp; Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”\u003c\/p\u003e\n\u003cp\u003eThose who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.\u003c\/p\u003e\n\u003cp\u003eProducing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process but was also willing to offer gentle encouragement and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”\u003c\/p\u003e\n\u003cp\u003eDalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R\u0026amp;B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.\u003c\/p\u003e\n\u003cp\u003eWhile 70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, many artists would name Karen Dalton as an influence including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recently acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul… you can hear it in her music.”\u003c\/p\u003e\n\u003cp\u003e1–10: Originally released as Just Sunshine – PAS 6008, 1971\u003c\/p\u003e\n\u003cp\u003e11–13: Alternate Takes from album sessions, 1970\/71\u003c\/p\u003e\n\u003cp\u003e14–15: Recorded live at Beat Club, Germany, April 21, 1971\u003c\/p\u003e\n\u003cp\u003e16–19: Recorded live at The Montreux Golden Rose Pop Festival, May 1, 1971\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eSomething On Your Mind\u003c\/li\u003e\n\u003cli\u003eWhen a Man Loves A Woman\u003c\/li\u003e\n\u003cli\u003eIn My Own Dream\u003c\/li\u003e\n\u003cli\u003eKatie Cruel\u003c\/li\u003e\n\u003cli\u003eHow Sweet It Is\u003c\/li\u003e\n\u003cli\u003eIn A Station\u003c\/li\u003e\n\u003cli\u003eTake Me\u003c\/li\u003e\n\u003cli\u003eSame Old Man\u003c\/li\u003e\n\u003cli\u003eOne Night of Love\u003c\/li\u003e\n\u003cli\u003eAre You Leaving For The Country\u003c\/li\u003e\n\u003cli\u003eSomething On Your Mind (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eIn My Own Dream (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eKatie Cruel (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eOne Night Of Love - Live at Beat Club\u003c\/li\u003e\n\u003cli\u003eGermany\u003c\/li\u003e\n\u003cli\u003eApril 21\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eTake Me - Live at Beat Club\u003c\/li\u003e\n\u003cli\u003eGermany\u003c\/li\u003e\n\u003cli\u003eApril 21\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eSomething On Your Mind - Live at The Montreux Golden Rose Pop Festival\u003c\/li\u003e\n\u003cli\u003eMay 1\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eBlues On The Ceiling - Live at The Montreux Golden Rose Pop Festival\u003c\/li\u003e\n\u003cli\u003eMay 1\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eAre You Leaving For The Country - Live at The Montreux Golden Rose Pop Festival\u003c\/li\u003e\n\u003cli\u003eMay 1\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eOne Night Of Love - Live at The Montreux Golden Rose Pop Festival\u003c\/li\u003e\n\u003cli\u003eMay 1\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Karen Dalton","offers":[{"title":"LP \/ Black","offer_id":42622042996927,"sku":"LITA200-BK","price":29.98,"currency_code":"USD","in_stock":false},{"title":"LP \/ Silver","offer_id":42622043062463,"sku":"LITA200-SV","price":39.98,"currency_code":"USD","in_stock":false},{"title":"LP \/ Clear","offer_id":42622043029695,"sku":"LITA200-CL","price":39.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/826853020091.jpg?v=1701149300"},{"product_id":"cowboy-in-sweden-deluxe-edition-lee-hazlewood-2lp","title":"Cowboy in Sweden - Deluxe Edition","description":"\u003ch3\u003e** This is a BACKORDER. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eNewly Expanded Deluxe Double LP Edition!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eDouble Lp Expanded Edition Includes Outtakes, Demos, and Instrumentals, Including 10 Previously Unreleased Recordings\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e26 Total Tracks\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAlbum Remastered From Pristine Lhi Master Tapes By Grammy®-Nominated Mastering Engineer John Baldwin\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLiner Notes By Grammy®-Nominated Reissue Producer Hunter Lea Including Interviews With TorbjöRn Axelman, Suzi Jane Hokom, Nina Lizell, Don Randi, Hal Blaine, and Shel Talmy\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eRare Film Production Photos From The TorbjöRn Axelman Archive\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eDouble LP Housed In A Gatefold Jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eBy the end of the 1960s Lee Hazlewood’s LHI Records had burned piles of cash, gone through a half dozen distributors, and failed to achieve the kind of chart success “Boots” had promised. Fortunately for Lee, there was a land where he was still on the top of the charts, a place where women flowed like Brännvin...Sweden was calling. Released as the last LHI LP, Cowboy in Sweden was a soundtrack to the 1970 cult classic film of the same name starring Lee Hazlewood. The film was a surreal psychedelic account of Lee’s journey to his new homeland, while the soundtrack was a perfect compilation of Hazlewood’s orchestral melancholy country pop songs. Recorded over a prolific globe trotting three-year period, Lee’s peak on LHI records was ironically the label’s swan song.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003ePray Them Bars Away (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eLeather and Lace (24 Bit)-Lee Hazlewood _ Nina Lizell\u003c\/li\u003e\n\u003cli\u003eForget Marie (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eCold Hard Times (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eThe Night Before (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eHey Cowboy (24 Bit)-Lee Hazlewood _ Nina Lizell\u003c\/li\u003e\n\u003cli\u003eNo Train to Stockholm (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eFor a Day Like Today (24 Bit)-Suzi Jane Hokom\u003c\/li\u003e\n\u003cli\u003eEasy and Me (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eWhat's More I Don't Need Her (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eVem Kan Segla (I Can Sail Without the Wind) (24 Bit)-Lee Hazlewood _ Nina Lizell\u003c\/li\u003e\n\u003cli\u003eMe and the Wine and the City Lights (session outtake) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eFirst Street Blues (session outtake) (24 Bit)-Suzi Jane Hokom\u003c\/li\u003e\n\u003cli\u003ePray Them Bars Away (alternate version) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eEasy and Me (alternate version) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eFor A Day Like Today (take 1) (24 Bit)-Suzi Jane Hokom\u003c\/li\u003e\n\u003cli\u003eFirst Street Blues (take 1) (24 Bit)-Suzi Jane Hokom\u003c\/li\u003e\n\u003cli\u003eLeather and Lace (alternate vocal mix) (24 Bit)-Lee Hazlewood _ Nina Lizell\u003c\/li\u003e\n\u003cli\u003eThe Night Before (mono single mix) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eWhat's More I Don't Need Her (instrumental) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003ePray Them Bars Away (take 7 instrumental) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eEasy and Me (take 5 instrumental) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eCold Hard Times (take 4 instrumental) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eNo Train To Stockholm (instrumental) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eMe and the Wine and the City Lights (instrumental) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eHey Cowboy (instrumental) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/6zwdOtcRntgYAyUkkxVZ4t?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Lee Hazlewood","offers":[{"title":"2LP \/ Black","offer_id":42626033451199,"sku":"LITA153-BK","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA153-LeeHazlewood-CowboyinSweden-DeluxeEdition1024x1024.jpg?v=1700266512"},{"product_id":"13-deluxe-edition-lee-hazlewood-2lp","title":"13 - Deluxe Edition","description":"\u003ch3\u003e** This is a BACKORDER. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eNewly Expanded Deluxe Double Lp Edition!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes The Original 1972 Album, Plus All Of Larry Mark's Acoustic Demos And Tracks From His Unreleased 1970 Lhi Lp For The First Time On Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePreviously Unreleased Session Outtake Of “Cold Hard Times” Plus Demos Of Obscure Hazlewood Compositions “Drums,” “The Start,” “Susie,” “Miracle On 19Th Street,” And “Peppermint Morning”\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e30 Total Tracks\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eRemastered By Grammy®-Nominated Mastering Engineer John Baldwin\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLiner Notes By Grammy®-Nominated Reissue Producer Hunter Lea Including Interviews With Larry Marks, Joe Cannon, Torbjörn Axelman \u0026amp; Suzi Jane Hokom\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLee Hazlewood Comic Strip, The Story Of 13 Told Through Original Artwork By Jess Rotter\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eDouble LP Housed In A Gatefold Jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“Pimps… whores… pushers… dopers… gangsters… and bottom of the human chain shit-heels. Now you’re probably thinking I’m writing about major record companies and their unscrupulous executives… and lawyers. You could be right… but this time… YOU’RE WRONG! I’m describing the characters in my album ‘13’ …Some I knew… some I invented … some are true… some are false… some I liked… some I didn’t. But they all had a story to tell and I told it…none of ‘em seem to care… and I don’t either… have fun…\" - Lee Hazlewood\u003c\/p\u003e\n\u003cp\u003e“He (Lee) took my voice off the album and put his voice on the album. Now don’t forget these were in my keys, it was my charts, it was my everything. Lee Hazlewood was not even remotely going to be considered as an artist for this album and that’s the way he wanted it.” - Larry Marks\u003c\/p\u003e\n\u003cp\u003eThe album 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The Bombastic brass heavy funk, deep blues, and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an off-strip seedy Vegas lounge. By 1972 Lee Hazlewood had settled in his new homeland of Sweden. His days were spent carousing, making movies with Torbjӧrn Axelman, and releasing albums. To keep up his prolific recorded output, Lee began to mine the recently defunct LHI Records archives for material. One such gem, was an unreleased album by Larry Marks (LHI producer, artist, and the voice of the first Scooby-Doo theme). Larry’s concept was to take Hazlewood’s strongest compositions and arrange them in a soul vibe. An album was completed, but with no distribution in America and no funding, Lee had no vehicle to release Larry’s record. The tapes were taken to Sweden, Larry’s voice was wiped and Hazlewood’s was dubbed… 13 was born.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eYou Look Like A Lady\u003c\/li\u003e\n\u003cli\u003eTulsa Sunday\u003c\/li\u003e\n\u003cli\u003eTen Or 11 Towns Ago\u003c\/li\u003e\n\u003cli\u003eToocie And The River\u003c\/li\u003e\n\u003cli\u003eShe Comes Running\u003c\/li\u003e\n\u003cli\u003eRosacoke Street\u003c\/li\u003e\n\u003cli\u003eI Move Around\u003c\/li\u003e\n\u003cli\u003eAnd I Loved You Then\u003c\/li\u003e\n\u003cli\u003eHej\u003c\/li\u003e\n\u003cli\u003eMe I'm Riding\u003c\/li\u003e\n\u003cli\u003eCold Hard Times\u003c\/li\u003e\n\u003cli\u003eDrums\u003c\/li\u003e\n\u003cli\u003eThe Start\u003c\/li\u003e\n\u003cli\u003eSuzie\u003c\/li\u003e\n\u003cli\u003eYou Look Like A Lady (demo)\u003c\/li\u003e\n\u003cli\u003eTulsa Sunday (demo)\u003c\/li\u003e\n\u003cli\u003eTen or 11 Towns Ago (demo)\u003c\/li\u003e\n\u003cli\u003eToocee and the River (demo)\u003c\/li\u003e\n\u003cli\u003eAnd I Loved Her Then (demo)\u003c\/li\u003e\n\u003cli\u003eI'm Riding (demo)\u003c\/li\u003e\n\u003cli\u003eCold Hard Times (demo)\u003c\/li\u003e\n\u003cli\u003eMiracle on 19th Street (demo)\u003c\/li\u003e\n\u003cli\u003ePeppermint Morning (demo)\u003c\/li\u003e\n\u003cli\u003eYou Look Like A Lady - Larry Marks\u003c\/li\u003e\n\u003cli\u003eTulsa Sunday - Larry Marks\u003c\/li\u003e\n\u003cli\u003eTen or 11 Towns Ago - Larry Marks\u003c\/li\u003e\n\u003cli\u003eShe Comes Running - Larry Marks\u003c\/li\u003e\n\u003cli\u003eRosacoke Street - Larry Marks\u003c\/li\u003e\n\u003cli\u003eI Move Around - Larry Marks\u003c\/li\u003e\n\u003cli\u003eAnd I Loved You Then - Larry Marks\u003c\/li\u003e\n\u003cli\u003eHej\u003c\/li\u003e\n\u003cli\u003eMe I'm Riding - Larry Marks\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3ktM0av8rJpqZbysLjVowl?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Lee Hazlewood","offers":[{"title":"2LP \/ Black","offer_id":42626033844415,"sku":"LITA142-BK","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA142-LeeHazlewood-13-DeluxeEdition.jpg?v=1700266116"},{"product_id":"lee-hazlewood-the-lhi-years-singles-nudes-and-backsides-lee-hazlewood-2lp","title":"Lee Hazlewood - The LHI Years: Singles, Nudes, \u0026 Backsides","description":"\u003ch3\u003e** This is a BACKORDER. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eCuts From Essential Albums Like Cowboy In Sweden\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeatures Duets With Suzi Jane Hokom, Ann-Margret And Nina Lizell\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAudio Re-Mastered From Original Tapes\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eUnreleased Song “I Just Learned To Run”\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIn-Depth Liner Notes \u0026amp; Unseen Photographs\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAs a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo-laden pop masterpieces, Lee’s influence continues to reverberate today. Between 1968-71, Hazlewood not only released his finest solo work but produced numerous artists on LHI. From acid-folk and country-rock to pop-psych and soul, LHI issued dozens of long-forgotten 45s and LPs. This series will include material from LHI (re-mastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.\u003c\/p\u003e\n\u003cp\u003eSee the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, ever-so-slightly awkwardly playing the role of the ‘60s playboy. Just like the picture, the songs present a man conflicted; he’s the tender-hearted romantic, the broken-hearted loser, and the rugged cowboy, all in one. It’s there in the western swing of “Califia (Stone Rider)”, the loneliness of ”The Bed” and the bleak beauty of ”If It’s Monday Morning.” Hazlewood’s tremulous voice was made for duets (indeed, he wrote ”Some Velvet Morning”, one of the greatest of all time); here, Suzi Jane Hokom, Ann-Margret, and Nina Lizell play counterparts to his manly tones.\u003c\/p\u003e\n\u003cp\u003eIn the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as “a curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.” The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first-ever solo performance in the UK.\u003c\/p\u003e\n\u003cp\u003eA natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ‘50s, working as a big-shot LA producer in the ‘60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid-‘60s British invasion. He didn’t: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ‘70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latter-day interest in his work. This landmark compilation promises to create many more converts.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eCalifia (Stone Rider) - featuring Suzi Jane Hokom\u003c\/li\u003e\n\u003cli\u003eThe Bed\u003c\/li\u003e\n\u003cli\u003eSleep in the Grass - featuring Ann-Margret\u003c\/li\u003e\n\u003cli\u003eLeather and Lace - featuring Nina Lizell\u003c\/li\u003e\n\u003cli\u003eIf It's Monday Morning\u003c\/li\u003e\n\u003cli\u003eThe Night Before\u003c\/li\u003e\n\u003cli\u003eBye Babe\u003c\/li\u003e\n\u003cli\u003eVictims of the Night - featuring Ann-Margret\u003c\/li\u003e\n\u003cli\u003eChico - featuring Ann-Margret\u003c\/li\u003e\n\u003cli\u003eHey Cowboy - featuring Nina Lizell\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/7nmbzxLAOsQGY6KvWrCFZl?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Lee Hazlewood","offers":[{"title":"2LP \/ Black","offer_id":42626034008255,"sku":"LITA084-BK","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LeeHazlewood-LHIYears-Singles_Nudes_Backsides_1968-71_-Hi-ResCover.jpg?v=1700266718"},{"product_id":"cold-fact-rodriguez-lp","title":"Cold Fact","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e First Official re-release  \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2013 Re-Press Edition \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on audiophile 180g Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes the classic cut “Sugar Man,” as featured in the award-winning documentary film Searching For Sugar Man\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eProduced by fuzz guitar god Dennis Coffey \u0026amp; Mike Theodore\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes unseen photos, lyrics, and detailed liner notes interviewing Rodriguez\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures old-school tip-on jacket, insert w\/ liner notes\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAlso includes OBI strip\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIt’s one of the lost classics of the ‘60s, a psychedelic masterpiece drenched in colour and inspired by life, love, poverty, rebellion. The album is Cold Fact, and what’s more intriguing is that its maker – a shadowy figure known as Rodriguez – was, for many years, lost too. A decade ago, he was rediscovered working as a day laborer in Detroit, Michigan. He was unaware that his defining album had become not only a cult classic, but for the people of South Africa, a beacon of revolution\u003c\/p\u003e\n\u003cp\u003e“****” – MOJO\u003c\/p\u003e\n\u003cp\u003e“One of those rare lost albums that turns out to be a genuine classic” – Joe Tangari, Pitchfork\u003c\/p\u003e\n\u003cp\u003e“A buried treasure worth its weight in gold” – AllMusic\u003c\/p\u003e\n\u003cp\u003eIt’s one of the lost classics of the ‘60s, a psychedelic masterpiece drenched in colour and inspired by life, love, poverty, rebellion. The album is Cold Fact, and what’s more intriguing is that its maker – a shadowy figure known as Rodriguez – was, for many years, lost too. A decade ago, he was rediscovered working as a day laborer in Detroit, Michigan. He was unaware that his defining album had become not only a cult classic, but for the people of South Africa, a beacon of revolution.\u003c\/p\u003e\n\u003cp\u003eRodriguez recorded Cold Fact – his debut album – in 1969, and released it in March 1970. It’s crushingly good stuff, filled with tales of bad drugs, lost love, and itchy-footed songs about life in late ’60s inner-city America. “Gun sales are soaring\/Housewives find life boring\/Divorce the only answer\/Smoking causes cancer,” says the Dylan-esque Establishment Blues.\u003c\/p\u003e\n\u003cp\u003eBut the album sank without trace, thanks, in part, to some of Rodriguez’s more idiosyncratic behavior, like performing at an industry showcase with his back to the audience throughout. When the follow-up, 1972’s Coming From Reality, also sold poorly, Rodriguez called an end to his recording career. He’d never even played a proper gig. And he got on with life. Over the years, he turned his hand to local politics, gaining a degree in philosophy, factory work and eventually, hard labour.\u003c\/p\u003e\n\u003cp\u003eAs his music career became a memory, Rodriguez’s legend was growing – on the other side of the world. In South Africa, Australia and New Zealand, Cold Fact had become a major word of mouth success, particularly among young people in the South African armed forces, who identified with its counter-cultural bent. But Rodriguez was an enigma – not even the label knew where to find him – and his demise became the subject of debate and conjecture. Some rumours said he’d died of a drug overdose or burned to death on stage. Others said he was in a mental institution, or in prison for murdering his girlfriend. Barring a couple of sold out Australian tours in 1979 and 1981, nothing had been heard of him for almost 30 years.\u003c\/p\u003e\n\u003cp\u003eBut the tide began to turn in 1996, when journalist Craig Bartholemew set out to get to the bottom of the mystery. After many dead ends, he found Rodriguez alive, well, free and perfectly sane in Detroit, ending years of speculation. Rodriguez himself had no idea about his fame in South Africa (the album had gone multi-platinum, Rodriguez has received not so much as a Rand in royalties), and embarked on a triumphant South African tour followed, filling 5,000 capacity venues across the country.\u003c\/p\u003e\n\u003cp\u003eNow, Light In The Attic is set to commit Cold Fact and Coming From Reality to CD for an entire new audience, who can finally find out why – halfway across the world – Rodriguez is spoken of in the same reverent tones as The Doors, Love and Jimi Hendrix.\u003c\/p\u003e\n\u003cp\u003eRodriguez Estate receives royalties from the sale of this release.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eSugar Man\u003c\/li\u003e\n\u003cli\u003eOnly Good For Conversation\u003c\/li\u003e\n\u003cli\u003eCrucify Your Mind\u003c\/li\u003e\n\u003cli\u003eThis Is Not A Song\u003c\/li\u003e\n\u003cli\u003eIt's An Outburst Or\u003c\/li\u003e\n\u003cli\u003eThe Establishment Blues\u003c\/li\u003e\n\u003cli\u003eHate Street Dialogue\u003c\/li\u003e\n\u003cli\u003eForget It\u003c\/li\u003e\n\u003cli\u003eInner City Blues\u003c\/li\u003e\n\u003cli\u003eI Wonder\u003c\/li\u003e\n\u003cli\u003eLike Janis\u003c\/li\u003e\n\u003cli\u003eGommorah (A Nursery Rhyme)\u003c\/li\u003e\n\u003cli\u003eRich Folks Hoax\u003c\/li\u003e\n\u003cli\u003eJane S. Piddy\u003c\/li\u003e\n\u003cli\u003eI'll Slip Away (Digital-Only Album Bundle)\u003c\/li\u003e\n\u003cli\u003eYou'd Like To Admit It (Digital-Only Album Bundle)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3q90UAYeHLvAtnowiQlmgp?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Rodriguez","offers":[{"title":"LP \/ Black","offer_id":42634483040447,"sku":"LITA036-BK","price":84.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA036-Rodriguez-ColdFact.jpg?v=1700721784"},{"product_id":"bert-at-the-bbc-bert-jansch-4lp","title":"Bert at the BBC (Limited Edition Vinyl Box Set) [Import]","description":"\u003ch3\u003e** This is a BACKORDER item. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition 4xLP “Coffee table” sized Bookback package with 40 pages of liner notes, featuring unseen photos \u0026amp; exclusive interviews and a DL card that holds an additional 6 hours of tracks from the BBC Archives\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLtd edition 8xCD “Coffee table” sized Bookback CD, featuring unseen photos, exclusive interviews and stunning images from the BBC archive\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeatures rare and unreleased recordings\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eBert At the BBC is a comprehensive collection of Jansch’s appearances at the BBC, featuring over eight hours of rare and unreleased recordings, including live-on-air spots, studio sessions and full concerts straight from the BBC vaults, delving further into this legendary performer’s canon. Bert Jansch was the very essence of folk music, providing inspiration for everyone from Paul Simon and Neil Young to Led Zeppelin and countless folk revivalists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis unparalleled limited-edition compendium is available as a 4xLP and 8xCD set, housed in a coffee-table book set with a lavish 40-page book tracing the recordings from Bert’s earliest moments at the BBC. It includes interviews and insights from Lauren Laverne, Jools Holland, Johnny Marr, Jacqui McShee, Bob Harris, Bernard Butler, Mark Radcliffe and many more. Twenty broadcasters, producers and collaborators contribute at length to the booklet, with great affection for this gentle, maverick genius.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBert’s BBC legacy remains the most significant and exciting untapped reservoir of his music. The undeniable advantage of recordings made for broadcast is that they were, by their nature, created for public consumption and, barring live-on-air appearances – which might go well or go badly, but were going out either way – were explicitly signed-off by the artist as representations of his art that were good enough to be heard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe vinyl release features 48 tracks on LP and is accompanied by a download card with over six hours of extras spanning 1966–2009, including BBC4’s St Luke’s concert (2003), and a complete Queen’s Hall, Edinburgh concert (2004) for BBC Radio Scotland. It is also available as a special 8xCD set containing all 147 tracks and encased within a coffee-table book.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBert Jansch At The BBC is an epic and enduring trail, 45 years in the making.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eA1 Whiskey Man (Guitar Club\u003c\/li\u003e\n\u003cli\u003eLight Programme\u003c\/li\u003e\n\u003cli\u003e1966)\u003c\/li\u003e\n\u003cli\u003eA2 Running from Home (Guitar Club\u003c\/li\u003e\n\u003cli\u003eLight Programme\u003c\/li\u003e\n\u003cli\u003e1966)\u003c\/li\u003e\n\u003cli\u003eA3 Interview (Guitar Club\u003c\/li\u003e\n\u003cli\u003eLight Programme\u003c\/li\u003e\n\u003cli\u003e1966)\u003c\/li\u003e\n\u003cli\u003eA4 The Wheel (Guitar Club\u003c\/li\u003e\n\u003cli\u003eLight Programme\u003c\/li\u003e\n\u003cli\u003e1966)\u003c\/li\u003e\n\u003cli\u003eA5 Orlando (Top Gear\u003c\/li\u003e\n\u003cli\u003eBBC Radio 1\u003c\/li\u003e\n\u003cli\u003e1968)\u003c\/li\u003e\n\u003cli\u003eA6 Thames Lighterman (Night Ride\u003c\/li\u003e\n\u003cli\u003eBBC Radio 1\u003c\/li\u003e\n\u003cli\u003e1968)\u003c\/li\u003e\n\u003cli\u003eA7 I Am Lonely (Radio 1 Club\u003c\/li\u003e\n\u003cli\u003eBBC Radio 1\u003c\/li\u003e\n\u003cli\u003e1969)\u003c\/li\u003e\n\u003cli\u003eA8 Speak of the Devil (The Pentangle\u003c\/li\u003e\n\u003cli\u003eBBC Radio 1\u003c\/li\u003e\n\u003cli\u003e1970)\u003c\/li\u003e\n\u003cli\u003eB1 Blues Run the Game (Folkweave\u003c\/li\u003e\n\u003cli\u003eBBC World Service\u003c\/li\u003e\n\u003cli\u003e1977)\u003c\/li\u003e\n\u003cli\u003eB2 Daybreak (Folkweave\u003c\/li\u003e\n\u003cli\u003eBBC World Service\u003c\/li\u003e\n\u003cli\u003e1977)\u003c\/li\u003e\n\u003cli\u003eB3 Running from Home (In Concert\u003c\/li\u003e\n\u003cli\u003eBBC Radio 1\u003c\/li\u003e\n\u003cli\u003e1980)\u003c\/li\u003e\n\u003cli\u003eB4 Up to the Stars (In Concert\u003c\/li\u003e\n\u003cli\u003eBBC Radio 1\u003c\/li\u003e\n\u003cli\u003e1982)\u003c\/li\u003e\n\u003cli\u003eB5 Heartbreak Hotel (In Concert\u003c\/li\u003e\n\u003cli\u003eBBC Radio 1\u003c\/li\u003e\n\u003cli\u003e1980)\u003c\/li\u003e\n\u003cli\u003eB6 Angie (Russell Harty\u003c\/li\u003e\n\u003cli\u003eBBC1\u003c\/li\u003e\n\u003cli\u003e1982)\u003c\/li\u003e\n\u003cli\u003eC1 Sweet Rose (Folk on 2\u003c\/li\u003e\n\u003cli\u003eBBC Radio 2\u003c\/li\u003e\n\u003cli\u003e1988)\u003c\/li\u003e\n\u003cli\u003eC2 Knight’s Move (Folk on 2\u003c\/li\u003e\n\u003cli\u003eBBC Radio 2\u003c\/li\u003e\n\u003cli\u003e1988)\u003c\/li\u003e\n\u003cli\u003eC3 The Snows (Night Ride\u003c\/li\u003e\n\u003cli\u003eBBC Radio 2\u003c\/li\u003e\n\u003cli\u003e1988)\u003c\/li\u003e\n\u003cli\u003eC4 Been on the Road So Long (Night Ride\u003c\/li\u003e\n\u003cli\u003eBBC Radio 2\u003c\/li\u003e\n\u003cli\u003e1988)\u003c\/li\u003e\n\u003cli\u003eC5 Bogie’s Bonny Belle (Night Ride\u003c\/li\u003e\n\u003cli\u003eBBC Radio 2\u003c\/li\u003e\n\u003cli\u003e1988)\u003c\/li\u003e\n\u003cli\u003eD1 Heartbreak Hotel (Anderson on the Box\u003c\/li\u003e\n\u003cli\u003eBBC NI\u003c\/li\u003e\n\u003cli\u003e1992)\u003c\/li\u003e\n\u003cli\u003eD2 Stealing the Night Away (Bob Harris\u003c\/li\u003e\n\u003cli\u003eUnbroadcast\u003c\/li\u003e\n\u003cli\u003e1993)\u003c\/li\u003e\n\u003cli\u003eD3 Walk Quietly By (Bob Harris\u003c\/li\u003e\n\u003cli\u003eUnbroadcast\u003c\/li\u003e\n\u003cli\u003e1993)\u003c\/li\u003e\n\u003cli\u003eD4 Trouble in Mind (Bob Harris\u003c\/li\u003e\n\u003cli\u003eBBC Radio 2\u003c\/li\u003e\n\u003cli\u003e1993)\u003c\/li\u003e\n\u003cli\u003eD5 When the Circus Comes to Town (Later... with Jools Holland\u003c\/li\u003e\n\u003cli\u003eBBC2\u003c\/li\u003e\n\u003cli\u003e1996)\u003c\/li\u003e\n\u003cli\u003eD6 The River Bank (Later...with Jools Holland\u003c\/li\u003e\n\u003cli\u003eBBC2\u003c\/li\u003e\n\u003cli\u003e2000)\u003c\/li\u003e\n\u003cli\u003eE1 High Days (Liz Kershaw\u003c\/li\u003e\n\u003cli\u003eBBC 6 Music\u003c\/li\u003e\n\u003cli\u003e2004)\u003c\/li\u003e\n\u003cli\u003eE2 Blues Run the Game (Liz Kershaw\u003c\/li\u003e\n\u003cli\u003eBBC 6 Music\u003c\/li\u003e\n\u003cli\u003e2004)\u003c\/li\u003e\n\u003cli\u003eE3 The Auld Triangle (Freak Zone\u003c\/li\u003e\n\u003cli\u003eBBC 6 Music\u003c\/li\u003e\n\u003cli\u003e2008)\u003c\/li\u003e\n\u003cli\u003eE4 A Woman Like You (Freak Zone\u003c\/li\u003e\n\u003cli\u003eBBC 6 Music\u003c\/li\u003e\n\u003cli\u003e2008)\u003c\/li\u003e\n\u003cli\u003eE5 It Don’t Bother Me (Mark Radcliffe\u003c\/li\u003e\n\u003cli\u003eBBC Radio 2\u003c\/li\u003e\n\u003cli\u003e2006\u003c\/li\u003e\n\u003cli\u003eE6 Angie (Freak Zone\u003c\/li\u003e\n\u003cli\u003eBBC 6 Music\u003c\/li\u003e\n\u003cli\u003e2008)\u003c\/li\u003e\n\u003cli\u003eF1 Empty Pocket Blues (Queen's Hall\u003c\/li\u003e\n\u003cli\u003eEdinburgh\u003c\/li\u003e\n\u003cli\u003eBBC Radio Scotland\u003c\/li\u003e\n\u003cli\u003e2004)\u003c\/li\u003e\n\u003cli\u003eF2 Courting Blues (Queen's Hall\u003c\/li\u003e\n\u003cli\u003eEdinburgh\u003c\/li\u003e\n\u003cli\u003eBBC Radio Scotland\u003c\/li\u003e\n\u003cli\u003e2004)\u003c\/li\u003e\n\u003cli\u003eF3 Rosemary Lane (Queen's Hall\u003c\/li\u003e\n\u003cli\u003eEdinburgh\u003c\/li\u003e\n\u003cli\u003eBBC Radio Scotland\u003c\/li\u003e\n\u003cli\u003e2004)\u003c\/li\u003e\n\u003cli\u003eF4 October Song (Queen's Hall\u003c\/li\u003e\n\u003cli\u003eEdinburgh\u003c\/li\u003e\n\u003cli\u003eBBC Radio Scotland\u003c\/li\u003e\n\u003cli\u003e2004)\u003c\/li\u003e\n\u003cli\u003eF5 Summer Heat (Queen's Hall\u003c\/li\u003e\n\u003cli\u003eEdinburgh\u003c\/li\u003e\n\u003cli\u003eBBC Radio Scotland\u003c\/li\u003e\n\u003cli\u003e2004)\u003c\/li\u003e\n\u003cli\u003eF6 Texas Cowboy Blues (Queen's Hall\u003c\/li\u003e\n\u003cli\u003eEdinburgh\u003c\/li\u003e\n\u003cli\u003eBBC Radio Scotland\u003c\/li\u003e\n\u003cli\u003e2004)\u003c\/li\u003e\n\u003cli\u003eG1 Crimson Moon (Queen's Hall\u003c\/li\u003e\n\u003cli\u003eEdinburgh\u003c\/li\u003e\n\u003cli\u003eBBC Radio Scotland\u003c\/li\u003e\n\u003cli\u003e2004)\u003c\/li\u003e\n\u003cli\u003eG2 Blackwater Side (60th Birthday Concert\u003c\/li\u003e\n\u003cli\u003eLSO St Lukes\u003c\/li\u003e\n\u003cli\u003eBBC4\u003c\/li\u003e\n\u003cli\u003e2003)\u003c\/li\u003e\n\u003cli\u003eG3 Train Song (60th Birthday Concert\u003c\/li\u003e\n\u003cli\u003eLSO St Lukes\u003c\/li\u003e\n\u003cli\u003eBBC4\u003c\/li\u003e\n\u003cli\u003e2003)\u003c\/li\u003e\n\u003cli\u003eG4 Fool’s Mate (60th Birthday Concert\u003c\/li\u003e\n\u003cli\u003eLSO St Lukes\u003c\/li\u003e\n\u003cli\u003eBBC4\u003c\/li\u003e\n\u003cli\u003e2003)\u003c\/li\u003e\n\u003cli\u003eG5 Carnival (60th Birthday Concert\u003c\/li\u003e\n\u003cli\u003eLSO St Lukes\u003c\/li\u003e\n\u003cli\u003eBBC4\u003c\/li\u003e\n\u003cli\u003e2003)\u003c\/li\u003e\n\u003cli\u003eH1 Running from Home (Celtic Connections\u003c\/li\u003e\n\u003cli\u003eBBC Scotland\u003c\/li\u003e\n\u003cli\u003e2008)\u003c\/li\u003e\n\u003cli\u003eH2 In the Bleak Midwinter (Teddy Thompson and Friends\u003c\/li\u003e\n\u003cli\u003eBBC Radio 2\u003c\/li\u003e\n\u003cli\u003e2008)\u003c\/li\u003e\n\u003cli\u003eH3 Angie (Radio 2 Folk Awards\u003c\/li\u003e\n\u003cli\u003eBBC Radio 2\u003c\/li\u003e\n\u003cli\u003e2009)\u003c\/li\u003e\n\u003cli\u003eH4 Blues Run the Game (Tom Robinson\u003c\/li\u003e\n\u003cli\u003eBBC 6 Music\u003c\/li\u003e\n\u003cli\u003e2009)\u003c\/li\u003e\n\u003cli\u003eH5 Fresh as a Sweet Sunday Morning (Tom Robinson\u003c\/li\u003e\n\u003cli\u003eBBC 6 Music\u003c\/li\u003e\n\u003cli\u003e2009)\u003c\/li\u003e\n\u003cli\u003eH6 One for Jo (Tom Robinson\u003c\/li\u003e\n\u003cli\u003eBBC 6 Music\u003c\/li\u003e\n\u003cli\u003e2009)\u003c\/li\u003e\n\u003cli\u003eH6 One for Jo (Tom Robinson\u003c\/li\u003e\n\u003cli\u003eBBC 6 Music\u003c\/li\u003e\n\u003cli\u003e2009)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/2eLpsDdsJp9uL9gYWkQmU9?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Bert Jansch","offers":[{"title":"4LP \/ Black","offer_id":42634483237055,"sku":"EARTHLP042-BK","price":274.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/tmp_2F1657833809228-ikz7v1pg0d-0f6e32f7ded2e6b0108148b17cdefb73_2FBert_2BJansch_2B-_2BAt_2BThe_2BBBC_2BCOVER_2B_282_29_974x_a721c6de-728c-4a54-a118-e36908c1a461.jpg?v=1700638837"},{"product_id":"beautiful-rivers-and-mountains-the-psychedelic-rock-sound-of-south-koreas-shin-joong-hyun-1958-74-shin-joong-hyun-2lp","title":"Beautiful Rivers And Mountains: The Psychedelic Rock Sound Of South Korea's Shin Joong Hyun 1958-74","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFirst anthology of Shin Joong Hyun’s music outside of Korea\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eComprehensive liner notes by Kevin “Sipreano” Howes with an in-depth interview and track-by-track notes by Mr. Shin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2xLP housed in a deluxe jacket with liner notes and rare photos\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl lacquers cut by John Golden at Golden Mastering and pressed at world-renowned RTI!\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA musical trip existing somewhere between Motown, Hendrix, and the Velvet Underground\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBlack Vinyl - 2011 Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBlue Black Splatter - 2024 Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eShin Joong Hyun’s tale is personal, spiritual, and deep, not only reflecting the full spectrum of human emotions but one that produces reverberating echoes of sound, some beautiful and life-giving, others restless and ungovernable. For the first time outside of Korea, Shin’s music will be readily available to music lovers the world over. Light In The Attic is thrilled to release Beautiful Rivers And Mountains: The Psychedelic Rock Sound Of South Korea’s Shin Joong Hyun, a career spanning CD, 2xLP, and Digital Download compilation of the diminutive guitarist, songwriter, producer, arranger, and talent developer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInspired by jazz, soul, and traditional Korean music, Shin started his career in the mid-1950s, performing for US troops stationed locally after the Korean War armistice of 1953. While his English language skills were limited, the young player had no trouble communicating through his trusty electric guitar, but Shin was no mere 6-string slinger for hire, he was able to communicate something far beyond your average professional musician. Production work and extensive songwriting followed, not to mention a steady stream of electrifying performances. Gaining momentum by the moment, Shin developed popular success across South Korea molding protégés like singing duo the Pearl Sisters and folk-psych songbird Kim Jung Mi into top pop stars. From there it was hit after hit. The late 1960s rock explosion and an influx of imported music from The Beatles, Jimmy Smith, and The Jefferson Airplane all informed and inspired Mr. Shin to elevate his own craft. Even experimental trips via a crew of local hippies also took the music man to new heights despite Korean law forbidding such rebellion. Drug use was illegal and punishable as a serious offense. Park Chung-hee, then President of South Korea began to closely monitor Shin’s “subversive” activities. After refusing to write a song in praise of the political leader, the musician was labeled unpatriotic and his career was instantly snuffed-out through a series of surveillance, torture, and institutional confinement.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile this was not the end of Shin’s musical story, for an all-too-brief moment in Korean cultural history, Shin Joong Hyun and his talented accomplices laid down a trove of recordings that have slowly reverberated far from their native land. Beautiful Rivers And Mountains: The Psychedelic Rock Sound Of South Korea’s Shin Joong Hyun features Korean\/English lyric translations, unseen pictures, beautiful graphic design from Strath Shepard (Pacific Standard), fully restored and re-mastered audio by Timothy Stollenwerk (Stereophonic) extensive liner notes by Kevin “Sipreano” Howes (Jamaica-Toronto series, Rodriguez, Monks, Mowest comp) and Shin Joong Hyun himself. With loving attention to detail and Shin’s full blessing, we trust you’ll find this album as addictive as a bottle of your favorite Korean soju. So let’s raise a toast to Shin and his musical life! As they say in Seoul, “Gun Bae!!!”\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eMoon Watching - Shin Joong Hyun\u003c\/li\u003e\n\u003cli\u003ePlease Don't Bother Me Anymore - Golden Grapes\u003c\/li\u003e\n\u003cli\u003eThe Man Who Must Leave - Kim Sun\u003c\/li\u003e\n\u003cli\u003eThe Sun - Kim Jung Mi\u003c\/li\u003e\n\u003cli\u003eI Don't Like - Lee Jung Hwa\u003c\/li\u003e\n\u003cli\u003ePlease Wait - Jang Hyun\u003c\/li\u003e\n\u003cli\u003eSpring Rain - Park In Soo\u003c\/li\u003e\n\u003cli\u003eTomorrow - Lee Joong Hwa\u003c\/li\u003e\n\u003cli\u003eJ' Blues 72 - Shin Joong Hyun\u003c\/li\u003e\n\u003cli\u003ePushing Through the Fog - Jang Hyun\u003c\/li\u003e\n\u003cli\u003eI've Got Nothing To Say - Shin Joong Hyun\u003c\/li\u003e\n\u003cli\u003eWhy That Person? - Bunny Girls\u003c\/li\u003e\n\u003cli\u003eSunset - Jang Hyun\u003c\/li\u003e\n\u003cli\u003eBeautiful River and Mountains - Shin Joong Hyun \u0026amp; The Men\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Shin Joong Hyun","offers":[{"title":"2LP \/ Black","offer_id":42654686838975,"sku":"LITA065-BK","price":64.99,"currency_code":"USD","in_stock":false},{"title":"2LP \/ Blue Black Splatter","offer_id":43973225480383,"sku":"LITA065-BLBK-SPR","price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/ShinJoongHyun_325_974x_56349ed8-a6df-4e36-8fb5-92b3563112e5.jpg?v=1701593018"},{"product_id":"creation-never-sleeps-creation-never-dies-the-willie-dunn-anthology-willie-dunn-2lp","title":"Creation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe definitive overview of one of Canada’s unsung musical heroes\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRare\/previously unreleased recordings, photos, and interviews\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLyrics, discography, and filmography\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAudio re-mastered by John Baldwin Mastering\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eArtwork by Christi Belcourt and Alanna Edwards\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLiner notes by Kevin Howes (Voluntary In Nature)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eContributions from the Dunn family, Bob Robb, and Alanis Obomsawin (OC)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eHow did you first experience the poetry, music, and film of Willie Dunn?\u003cbr\u003e\u003cbr\u003eIn a Montreal coffeehouse during the mid-1960s? On a CBC Indian Magazine broadcast with host Johnny Yesno? At a Toronto record store or Native Friendship Centre at the turn of the 1970s? Waiting outside of the Mohawk Nation Longhouse? Maybe in your parent’s record collection on the Rez? A White Roots of Peace gathering? Pow wow? The Mariposa Folk Festival? Or was it that Save James Bay Benefit back in ‘73? On a good friend’s stereo? Sitting around a crackling campfire? How about an old NFB film reel or VHS tape in high school? Or while attending Manitou College? A German concert hall in the 1980s? Maybe a direct-action protest on the colonial streets of Canada? Busking in Ottawa during the 1990s? College radio? At Willie’s celebration of life service in 2013 alongside Alanis Obomsawin and Willy Mitchell? LITA’s Grammy-nominated Native North America (Vol. 1) compilation or the very anthology you hold in your hands?\u003cbr\u003e\u003cbr\u003eThere should be no judgement for coming to things when you do. All that’s important is remaining open to life-changing messages such as these…\u003cbr\u003e\u003cbr\u003eWillie Dunn shared truth through song and celluloid. His original composition, “I Pity the Country,” is an unparalleled statement on the greed and hate created by humankind, recorded in 1971 and still unfortunately needed today. “It’s like the reason you’re supposed to make music,” said Kurt Vile about the song to MOJO Magazine in 2015. With “Charlie,” Willie was the first to deliver the devastating story of Chanie Wenjack and the Canadian residential school system to the music community, nearly 50 years before the much-celebrated Secret Path, yet ignored outside of Indian Country and the folk festival circuit. Dunn’s film technique, featured in 1968’s The Ballad of Crowfoot (NFB), predates the “Ken Burns effect” to great effect. Are you catching the drift? Willie Dunn was not only a trailblazing leader in his time, but well ahead of the curve, simply without the PR push and big money backing of major label players.\u003cbr\u003e\u003cbr\u003e“He was our Leonard Cohen,” said singer-songwriter Eric Landry about his musical hero. The only difference is that Willie refused to play the Hollywood showbiz game. In talent, he is Cohen, Dylan, and Cash rolled into one and along with Buffy Sainte-Marie, Floyd Red Crow Westerman, and A. Paul Ortega brought a new set of perspectives and realities to the folk music tradition. Willie spoke directly to his people and Mother Earth through his creations, not only from experience, but by examining his roots and connecting with the world in which he lived. We are humbled to help honour Willie Dunn. May he never be forgotten… PEACE\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eThe Ballad Of Crowfoot\u003c\/li\u003e\n\u003cli\u003ePeruvian Dream (Part 1)\u003c\/li\u003e\n\u003cli\u003eCharlie\u003c\/li\u003e\n\u003cli\u003eBroker\u003c\/li\u003e\n\u003cli\u003eI Pity The Country\u003c\/li\u003e\n\u003cli\u003eCrazy Horse\u003c\/li\u003e\n\u003cli\u003eLouis Riel\u003c\/li\u003e\n\u003cli\u003eSchool Days\u003c\/li\u003e\n\u003cli\u003eThe Carver\u003c\/li\u003e\n\u003cli\u003eO Canada!\u003c\/li\u003e\n\u003cli\u003eDown By The Stream (Starlight Maiden)\u003c\/li\u003e\n\u003cli\u003eRattling Along The Freight Train (To The Spirit Land)\u003c\/li\u003e\n\u003cli\u003ePontiac\u003c\/li\u003e\n\u003cli\u003eThe Pacific\u003c\/li\u003e\n\u003cli\u003eNova Scotia\u003c\/li\u003e\n\u003cli\u003eThe Dreamer\u003c\/li\u003e\n\u003cli\u003eSonnet 33 And 55\/ Friendship Dance\u003c\/li\u003e\n\u003cli\u003eWounded Lake\u003c\/li\u003e\n\u003cli\u003eMétis Red River Song\u003c\/li\u003e\n\u003cli\u003eSon Of The Sun\u003c\/li\u003e\n\u003cli\u003eThe Lovenant Chain\u003c\/li\u003e\n\u003cli\u003eBear And Fish\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/5qr30I1zoVNzWmApcC2e3m?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Willie Dunn","offers":[{"title":"2LP \/ Red","offer_id":42688352813247,"sku":"LITA164-RD","price":74.99,"currency_code":"USD","in_stock":false},{"title":"2LP \/ Black","offer_id":42654687297727,"sku":"LITA164-BK","price":45.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/tmp_2F1608248140436-3r44o1z12uw-0ebca833430725c5a3a4edac5fe92838_2FWillie_Dunn_Cover_Final_Digital_1080X1080_IG_974x_ec9175e9-bd7d-4101-8f34-25b6ab9fa2eb.jpg?v=1701592125"},{"product_id":"400-miles-from-la-1955-56-lee-hazlewood-2lp","title":"400 Miles From L.A. 1955-56","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e2LP pressed at RTI \u0026amp; housed in a deluxe Stoughton “tip-on” jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTracks mastered from original Viv Records analog tapes\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeaturing many previously unreleased compositions and an early draft of Trouble Is A Lonesome Town\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLiner notes by Hunter Lea with an interview from John Dixon\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes archival photos and ephemera\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003ePhoenix, Arizona 1955…a twenty-five-year-old disc jockey and fledgling songwriter, Lee Hazlewood, is trying to break into the music industry. He takes Greyhound bus trips to Los Angeles to pitch songs, only to be rejected each time. Undeterred, Lee started a record label called Viv Records. Running the label out of his house, Lee finds the artists, writes the songs, produces the sessions, arranges the pressings of the records, and handles distribution. Recently discovered tapes in the Viv Records archive yielded an unbelievable find, the earliest known recordings of Hazlewood singing his songs…Lee’s first demo! The mysterious and bountiful tapes featured Lee singing early unheard compositions and a complete first draft of his Trouble Is A Lonesome Town song cycle that would become his first official solo album in 1963.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLight in the Attic Records is proud to continue its Lee Hazlewood archival series with 400 Miles From L.A. 1955-56, a collection of previously unknown intimate recordings, never intended for release. Lee sings, plays guitar, and even presses the record button on the tape machine. These are rural sketches and small-town dreams, captured in an innocent time before the path ahead was clear.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThese songs rewrite Lee’s recorded history, adding a new first chapter to his saga. For Hazlewood addicts, hearing these early tracks and the embryonic version of Trouble Is A Lonesome Town is akin to finding an early draft of the Old Testament.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“That’s the beauty of Lee’s songwriting. It lives on. People will hear it for the first time, even though it’s fifty years old or whatever, if it’s good enough and strong enough, they’ll accept and like it as much as if it was just created. That’s the wonderful legacy that Lee has. It’s wonderful to look back and make all this early work available. To put “Boots” and all those other LHI songs into perspective. That it all started somewhere and this is where.” – Arizona Music Historian and record producer, John Dixon.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eCross Country Bus\u003c\/li\u003e\n\u003cli\u003eThe Woman I Love\u003c\/li\u003e\n\u003cli\u003eFive Thousand and One\u003c\/li\u003e\n\u003cli\u003eLonesome Day\u003c\/li\u003e\n\u003cli\u003eA Lady Called Blues\u003c\/li\u003e\n\u003cli\u003eFive More Miles to Folsom\u003c\/li\u003e\n\u003cli\u003eFort Worth\u003c\/li\u003e\n\u003cli\u003eThe Old Man and His Guitar\u003c\/li\u003e\n\u003cli\u003ePeculiar Guy (Solo Version)\u003c\/li\u003e\n\u003cli\u003eLong Black Train (Solo Version)\u003c\/li\u003e\n\u003cli\u003eI Guess It's Love\u003c\/li\u003e\n\u003cli\u003eIt's an Actuality\u003c\/li\u003e\n\u003cli\u003eBuying on Time\u003c\/li\u003e\n\u003cli\u003eThe Country Bus Tune\u003c\/li\u003e\n\u003cli\u003eLong Black Train (Band Version)\u003c\/li\u003e\n\u003cli\u003eRun Boy Run\u003c\/li\u003e\n\u003cli\u003eBig Joe Slade\u003c\/li\u003e\n\u003cli\u003eSon of a Gun\u003c\/li\u003e\n\u003cli\u003eGeorgia Chain Gang\u003c\/li\u003e\n\u003cli\u003eLook at That Woman\u003c\/li\u003e\n\u003cli\u003ePeculiar Guy (Band Version)\u003c\/li\u003e\n\u003cli\u003eThe Railroad Song\u003c\/li\u003e\n\u003cli\u003eSix Feet of Chain\u003c\/li\u003e\n\u003cli\u003eTrouble is a Lonesome Town\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Lee Hazlewood","offers":[{"title":"2LP \/ Gold","offer_id":42654687363263,"sku":"LITA176-GD","price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/tmp_2F1556745633251-7lkhjx45cly-8fed12e99d3e2c0ebceed9f35bed43e6_2FLITA176_LeeHazlewood_400Miles_300DPI_Cover_974x_6a6f71bf-c5a3-4344-b134-d1baae84ee1c.jpg?v=1701593797"},{"product_id":"if-the-evening-were-dawn-jim-sullivan-lp","title":"If The Evening Were Dawn","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMastered from the original analog tapes\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDeluxe Stoughton “tip-on” jacket with debossing\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAll tracks previously unreleased\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eOn March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost until Light in the Attic Records began a years-long quest to re-release it–and to solve the mystery of Sullivan’s disappearance. Only one of those things happened, and you can guess which…\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLight in the Attic’s reissue of U.F.O. introduced the world to an overlooked masterwork and won Sullivan, posthumously (presumably), legions of new fans. Those new admirers are in for a real treat: a lavish, first-time release of a previously unheard 1969 studio session.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf The Evening Were Dawn contains 10 acoustic solo recordings that have never seen the light of day. Whereas U.F.O. was bolstered by legendary sessioneers The Wrecking Crew, this is Jim Sullivan on his own terms, stripped down and soulful as ever. Recorded at a Los Angeles studio circa 1969, the session contains acoustic versions of a handful of U.F.O. tracks alongside a half dozen previously unheard songs. This, then, is the closest thing to those fabled Malibu bar performances at which Sullivan was first noticed.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAccording to his widow, Barbara, this was the album Jim always hoped to record. It serves as an unprecedented glimpse into the mysterious, larger-than-life figure who’s become the stuff of legends.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile Sullivan’s disappearance remains unsolved, his music endures and is finally gaining him the recognition he deserves, albeit long overdue. This recording serves as an unexpected missing piece of the puzzle; this is Jim Sullivan’s true swan song.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eRoll Back The Time\u003c\/li\u003e\n\u003cli\u003eSandman\u003c\/li\u003e\n\u003cli\u003eWalls\u003c\/li\u003e\n\u003cli\u003eJerome\u003c\/li\u003e\n\u003cli\u003eWhat To Tell Her\u003c\/li\u003e\n\u003cli\u003eGrandpa's Trip\u003c\/li\u003e\n\u003cli\u003eSo Natural\u003c\/li\u003e\n\u003cli\u003eWhistle Stop \/ Mama\u003c\/li\u003e\n\u003cli\u003eWhat Is My Name?\u003c\/li\u003e\n\u003cli\u003eClose My Eyes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/7lPX2ftVjBFLVo0xWjf2hV?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Jim Sullivan","offers":[{"title":"LP \/ Orange","offer_id":42921555656895,"sku":"LITA178-OR","price":24.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":42654687428799,"sku":"LITA178-BK","price":14.99,"currency_code":"USD","in_stock":false},{"title":"LP \/ Clear Gold","offer_id":42921555689663,"sku":"LITA178-CLGD","price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/tmp_2F1561483595840-1fpxpwsnd2c-39e076f7f6ccfd4fcfef91507b8f14a4_2FLITA178_Highres_Cover_974x_2db39f67-cfba-4e56-ace5-d5b43016c9f7.jpg?v=1701592453"},{"product_id":"earls-closet-the-lost-archive-of-earl-mcgrath-1970-1980-various-artists-2lp","title":"Earl’s Closet: The Lost Archive of Earl McGrath 1970-1980","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAll tracks previously unreleased including unheard recordings from Daryl Hall and John Oates, David Johansen (New York Dolls), Terry Allen, Delbert McClinton, Andy Warhol’s Superstar Ultra Violet, Norma Jean Bell, and The Jim Carroll Band\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRestored and remastered audio by GRAMMY®-nominated engineer, John Baldwin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eExtensive booklet featuring unseen archive photos, ephemera and label history (LP: 20-pgs, CD: 40-pgs)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLiner notes by journalist Joe Hagan with exclusive interviews\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDouble LP pressed on 180-gram vinyl and housed in a gatefold jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e‘Cocktail Party’ Vinyl Color Edition pressed on Clear Wax\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e‘LITA Anniversary’ Vinyl Color Edition pressed on Red Opaque Wax\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“Earl was a wonderful man with a great eye for new and innovative art. And such an amusing companion, too.” – Mick Jagger\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEarl McGrath was the ultimate ’70s jet setter, an art collector and comic bon vivant who stumbled into the record business between legendary parties in New York and LA and discovered Daryl Hall and John Oates, and then Jim Carroll. Atlantic founder Ahmet Ertegun gave Earl his own label, Clean Records, in 1970; Mick Jagger hired him to run Rolling Stones Records in 1977.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFriend to Joan Didion, Andy Warhol, and a galaxy of luminaries, Earl was an inveterate tastemaker. Actor Harrison Ford, who before Star Wars fame was Earl’s handyman and pot dealer, called him “the last of a breed, one of the last great gentlemen and bohemians.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter Earl died in 2016, journalist Joe Hagan, author of the critically-acclaimed Sticky Fingers, the biography of Rolling Stone founder Jann Wenner, discovered a trove of rare and unheard tapes in Earl’s apartment in New York—literally inside his closet. “I asked for a step ladder and the first box I pulled off the shelf was a master tape of Some Girls, the Stones album,” says Hagan.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNow Light in the Attic Records proudly presents Earl’s Closet, a double album of the treasures discovered inside, including unheard music by Daryl Hall and John Oates, David Johansen, Terry Allen, Delbert McClinton, Warhol “Superstar” Ultra Violet, Detroit sax legend Norma Jean Bell, Jim Carroll and an eclectic cast of undiscovered artists who once vied for fame and glory—folk, rock, country, funk and R\u0026amp;B gems that virtually no one has heard in decades. Whether it’s the almost-famous power pop of Shadow from Detroit, or the Delfonics-style soul of the Blood Brothers Six, Earl’s Closet retraces the dreams of artists who once sent demos to Earl McGrath. Longtime Light in the Attic-affiliated reissue producer Pat Thomas assisted Hagan in tracking down the artists and finalizing the paperwork.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt once an archival mixtape, a secret history, and a journey into the heart of an era, Earl’s Closet features a deep booklet of documents, images, and ephemera from Earl’s archive, expansive liner notes by Joe Hagan, who tracked down and interviewed the artists, and astonishing photographs by Earl’s late wife, the Italian countess Camilla Pecci-Blunt McGrath.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eDelbert \u0026amp; Glen - Two More Bottles of Wine\u003c\/li\u003e\n\u003cli\u003eDaryl Hall \u0026amp; John Oates - Baby Come Closer\u003c\/li\u003e\n\u003cli\u003eTerry Allen - Gonna California\u003c\/li\u003e\n\u003cli\u003eKazoo Singers - Only Yourself to Lose\u003c\/li\u003e\n\u003cli\u003eMichael McCarty - Christopher\u003c\/li\u003e\n\u003cli\u003eJim Hurt - Dixie darling\u003c\/li\u003e\n\u003cli\u003eMark Rodney - California\u003c\/li\u003e\n\u003cli\u003eCountry - Killer\u003c\/li\u003e\n\u003cli\u003eDaryl Hall \u0026amp; John Oates - Dry In the Sun\u003c\/li\u003e\n\u003cli\u003eShadow (82) - Oh La La\u003c\/li\u003e\n\u003cli\u003eTerry Allen - Cocaine Cowboy\u003c\/li\u003e\n\u003cli\u003eUltra Violet (7) - How Do You Do (Children of the Most High)\u003c\/li\u003e\n\u003cli\u003eJohnny Angel - Invisible Lady\u003c\/li\u003e\n\u003cli\u003eShadow (82) - I See My Days Go By\u003c\/li\u003e\n\u003cli\u003eBlood Brothers Six - Where Have All the Flowers Gone?\u003c\/li\u003e\n\u003cli\u003eLen \u0026amp; Betsy Green - Salt Showers\u003c\/li\u003e\n\u003cli\u003ePaul Potash - Holy Commotion\u003c\/li\u003e\n\u003cli\u003eJabor - Sail Away\u003c\/li\u003e\n\u003cli\u003eDavid Johansen - Funky But Chic\u003c\/li\u003e\n\u003cli\u003eNorma Jean Bell - Just Look-Ah What You'll Be Missing\u003c\/li\u003e\n\u003cli\u003eThe Jim Carroll Band - Tension\u003c\/li\u003e\n\u003cli\u003eLittle Whisper And The Rumors - Waiting For Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/5KNu9abN0Qc5ujoVE7q3HU?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Various Artists","offers":[{"title":"2LP \/ Red","offer_id":42654687494335,"sku":"LITA180-RD","price":32.98,"currency_code":"USD","in_stock":true},{"title":"2LP \/ Clear","offer_id":42654687527103,"sku":"LITA180-CL","price":17.99,"currency_code":"USD","in_stock":true},{"title":"2LP \/ Black","offer_id":42654687461567,"sku":"LITA180-BK","price":16.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA180-VariousArtists-Earl_sClosetTheLostArchiveofEarlMcGrath1970-1980.jpg?v=1703385107"},{"product_id":"country-funk-volume-3-1975-1982-various-artists-2lp","title":"Country Funk III 1975-1982","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAll tracks newly re-mastered\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures cuts by Bob Darin, Thomas Jefferson Kaye, Willie Nelson, and more\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2xLP housed in a deluxe Stoughton “Tip-On” jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes comic with story by Jessica Hundley along with Jess Rotter’s illustrations\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDesigned by Henry Owings \/ Chunklet Graphic Control, with art by Jess Rotter \/ Rotter \u0026amp; Friends\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“Country Funk” is a genre created not from geography or shared ideology but a term applied retrospectively based solely on the feel of the songs: hip-swinging rhythms with bourbon on the breath. These are songs to make your cowboy boots itchy, songs that encompass the elation of gospel with the sexual thrust of the blues blended with country hoedown harmonies cut with inner-city grit.\u003cbr\u003e\u003cbr\u003eFollowing 2012’s, Country Funk Volume I: 1969-1975 (8.4 – Pitchfork; Best Reissue of 2012 – Spin), Country Funk Volume II mines tracks from the same period including household names like Willie Nelson, Townes Van Zandt, and JJ Cale to more obscure artists like Bill Wilson and Thomas Jefferson Kaye, among others.\u003cbr\u003e\u003cbr\u003eIn 2012, Country Funk 1969-1975 (Volume I) gathered together songs from a genre with no name. It’s a genre created not from geography or shared ideology but a term applied retrospectively based solely on the feel of the songs: hip-swinging rhythms with bourbon on the breath. These were songs to make your cowboy boots itchy, written and performed by the likes of Bobbie Gentry, Johnny Jenkins, and Link Wray. Songs that encompass the elation of gospel with the sexual thrust of the blues; country hoedown harmonies cut with inner city grit. Compiled from tracks dating from the late ‘60s to the mid-’70s, Country Funk is the sound of country music blending with sounds and scenes from coast to coast, white America’s heartland music blending with the melting pot as the nation assessed its identity in advance of its bicentennial year.\u003cbr\u003e\u003cbr\u003eThe good news for the people who fell in love with the first volume of Country Funk is this: there’s plenty more where that came from. Light In The Attic has followed up that first 16-track disc with a second volume, Country Funk Volume II 1967 – 1974, and a new set of loose-talking, lap steel-twanging tracks. On the single CD \/ 2xLP volume you’ll find household names like Willie Nelson, Townes Van Zandt, Kenny Rogers, Jackie DeShannon, JJ Cale, Bobby Darin, and Dolly Parton. You’ll also find obscure artists like Bill Wilson, whose lost Ever Changing Minstrel album was produced by the feted Dylan producer Bob Johnston, and Thomas Jefferson Kaye, noted producer of Gene Clark’s opus No Other. Gene Clark’s here too, as half of Dillard \u0026amp; Clark, wringing raw emotion from The Beatles’ “Don’t Let Me Down”.\u003cbr\u003e\u003cbr\u003eAll of the individuals featured have a story to tell, whether it’s that of the sidelined session musician, the fading star or the country upstart. There’s Donnie Fritts (“Sumpin’ Funky Goin’ On”), whose roots stretch back to Muscle Shoals, Alabama, and who has played keyboard for Kris Kristofferson for decades. There’s Canadian group Great Speckled Bird, who joined Janis Joplin and more on the 1970’s Festival Express tour. There’s Hoyt Axton, who along with singing the harmonica-sucking ode to “California Women”, also took a role in Gremlins. There’s Jim Ford, who Sly Stone once described as “the baddest white man on the planet”. And there’s Billy Swan, who kicks proceedings off with a soul-stirring organ, a lazy kickdrum, and his rockabilly vocals echoing like a croon into the Grand Canyon.\u003cbr\u003e\u003cbr\u003eCompiled and presented once again by the team behind Volume I (DJ and music supervisor Zach Cowie plus Light In The Attic’s Matt Sullivan and Patrick McCarthy), the release also includes a reunion of writer Jessica Hundley and Jess Rotter (original album\/label artwork and new illustrations by) in the form of a comic book called “The Hot Dawgs\".\u003cbr\u003e\u003cbr\u003eIt may be the genre that had no name, but there’s plenty of gas in the country funk trunk yet.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eSteven Soles - Shake The Dust\u003c\/li\u003e\n\u003cli\u003eJ. J. Cale - Nobody But You\u003c\/li\u003e\n\u003cli\u003eConway Twitty - Night Fires\u003c\/li\u003e\n\u003cli\u003eEddie Rabbit - One And Only One\u003c\/li\u003e\n\u003cli\u003eJerry Reed - Rhythm And Blues\u003c\/li\u003e\n\u003cli\u003eDolly Parton - Sure Thing\u003c\/li\u003e\n\u003cli\u003eBilly Swan - Oliver Swan\u003c\/li\u003e\n\u003cli\u003eRob Galbraith - I Got The Fever\u003c\/li\u003e\n\u003cli\u003eTravis Wammack - Do Me\u003c\/li\u003e\n\u003cli\u003eLarry Jon Wilson - I Betcha Heaven’s On A Dirt Road\u003c\/li\u003e\n\u003cli\u003eGary \u0026amp; Sandy - Gonna Let You Have It\u003c\/li\u003e\n\u003cli\u003eBrian Hyland - Hale To The Man\u003c\/li\u003e\n\u003cli\u003eTony Joe White - Alone At Last\u003c\/li\u003e\n\u003cli\u003eRonnie Milsap - Get It Up\u003c\/li\u003e\n\u003cli\u003eDelbert McClinton - Shot From The Saddle\u003c\/li\u003e\n\u003cli\u003eTerri Gibbs - Rich Man\u003c\/li\u003e\n\u003cli\u003eDennis Linde - Down To The Station\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"2LP \/ Blue Orange Swirl","offer_id":42775423221951,"sku":"LITA194-BLOR-SWL","price":59.99,"currency_code":"USD","in_stock":true},{"title":"2LP \/ Black","offer_id":42654687985855,"sku":"LITA194-BK","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA194-VariousArtists-CountryFunkVolume31975-1982.jpg?v=1706514633"},{"product_id":"its-so-hard-to-tell-whos-going-to-love-you-the-best-karen-dalton-lp","title":"It's So Hard To Tell Who's Going To Love You The Best","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eFeatures new all-analog mastering by Kevin Gray at Cohearent Audio, direct from the original analog tapes\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePressed at RTI\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes liner notes by Brian Barr\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeaturing unseen photos by legendary photographer Joel Brodsky\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLP housed in an expanded gatefold jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e“My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday’s and played the guitar like Jimmy Reed.”\u003c\/em\u003e – Bob Dylan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKaren Dalton's 1969 Capitol debut is finally back in print! Light in the Attic is thrilled to present a brand new edition of this heart-wrenching \u0026amp; bluesy introduction to the intoxicating world of Dalton and her deep well of musical secrets.\u003c\/p\u003e\n\u003cp\u003eWorld-weary and filled with the blues, Dalton’s unsurpassed interpretive depth and emotional range were like no other. Recorded for Capitol in 1969, It’s So Hard To Tell Who's Going To Love You The Best spans generations of classic American songwriting–covering classics by Lead Belly, Fred Neil, and Tim Hardin. While no longer with us in the physical, Karen’s growing musical presence is stronger than ever and worthy of re-examination by both the converted and the uninitiated alike. This new re-release serves as the definitive, all-analog version of Dalton’s stunning debut, featuring remastered audio from the original Capitol masters, the original 1969 artwork in an expanded gatefold jacket, unseen photos by album photographer Joel Brodsky, and an essay interviewing Karen’s friends and music collaborators, from album producer and bassist Harvey Brooks to musician Peter Stampfel of the Holy Modal Rounders.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eLittle Bit Of Rain\u003c\/li\u003e\n\u003cli\u003eSweet Substitute\u003c\/li\u003e\n\u003cli\u003eRibbon Bow\u003c\/li\u003e\n\u003cli\u003eI Love You More Than Words Can Say\u003c\/li\u003e\n\u003cli\u003eIn The Evening\u003c\/li\u003e\n\u003cli\u003eBlues On The Ceiling\u003c\/li\u003e\n\u003cli\u003eIt Hurts Me Too\u003c\/li\u003e\n\u003cli\u003eHow Did The Feeling Feel To You\u003c\/li\u003e\n\u003cli\u003eRight\u003c\/li\u003e\n\u003cli\u003eDown On The Street\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/1O330PE8lc1dDXduHBwLXe?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Karen Dalton","offers":[{"title":"LP \/ Black","offer_id":42761455861951,"sku":"LITA045-BK","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA045-KarenDalton-It_sSoHardToTellWho_sGoingToLoveYouTheBest.jpg?v=1706126509"}],"url":"https:\/\/helixsounds.com\/collections\/genre-folk-country.oembed?page=5","provider":"Helix Sounds","version":"1.0","type":"link"}