{"title":"Genre: Psych","description":"","products":[{"product_id":"grateful-dead-three-from-the-vault-4lp-vinyl-record","title":"Grateful Dead: Three From The Vault","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFirst time ever on vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNewly remastered by \u003cem\u003eJoe Gastwirt\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLacquers cut by \u003cem\u003eKevin Gray\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e4LPs pressed at RTI and housed in a gatefold Stoughton “tip-on” M-Pack jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRemastered for vinyl, the original DAT tapes were captured at that format's original rate of 16-bit \/ 44.1 kHz\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eFollowing on the heels of \u003cem\u003e\u003cstrong\u003eLight In The Attic\u003c\/strong\u003e\u003c\/em\u003e’s vinyl LP release of One and Two From The Vault comes the final release in the trilogy of \u003cem\u003e\u003cstrong\u003eFrom The Vault\u003c\/strong\u003e\u003c\/em\u003e releases by the \u003cem\u003e\u003cstrong\u003eGrateful Dead\u003c\/strong\u003e\u003c\/em\u003e. These releases are distinguished from the more abundant \u003cem\u003e\u003cstrong\u003eDick’s Picks\u003c\/strong\u003e\u003c\/em\u003e series in that Dick’s Picks are “direct from the soundboard” recordings, while the From The Vault series were professionally recorded on multi-track tape and then mixed down (decades) later for release.\u003cbr\u003e\u003cbr\u003eRecorded live at the \u003cem\u003e\u003cstrong\u003eCapitol Theatre\u003c\/strong\u003e\u003c\/em\u003e (Port Chester, NY) in 1971, this is the worldwide vinyl debut release of this seminal show featuring the 5 piece line-up of \u003cem\u003e\u003cstrong\u003ePigpen, Garcia, Weir, Lesh, and Kruetzmann\u003c\/strong\u003e\u003c\/em\u003e (\u003cem\u003e\u003cstrong\u003eMickey Hart\u003c\/strong\u003e\u003c\/em\u003e had temporarily left the band at that point), freshly remastered in 2014 by \u003cem\u003e\u003cstrong\u003eJoe Gastwirt\u003c\/strong\u003e \u003c\/em\u003efor your pleasure. 20 classic songs on 8 sides of wax, this show has previously only been available on CD; this is the first-ever vinyl LP release!\u003cbr\u003e\u003cbr\u003eThe band played six shows over the course of seven nights at the Capitol Theatre in February of 1971, and this was the second of that run, recorded on the 19th. Their previous two studio albums had been their landmark recordings of \u003cem\u003e\u003cstrong\u003eWorkingman’s Dead\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eAmerican Beauty\u003c\/strong\u003e\u003c\/em\u003e, and while songs from those albums were certainly featured, the Dead debuted seven brand new songs on this night–all of which went on to become Dead “standards” including “Playing in the Band,” “\u003cem\u003e\u003cstrong\u003eGreatest Story Ever Told\u003c\/strong\u003e\u003c\/em\u003e,” and two absolute classics: “\u003cem\u003e\u003cstrong\u003eBird Song\u003c\/strong\u003e\u003c\/em\u003e” and “\u003cem\u003e\u003cstrong\u003eDeal\u003c\/strong\u003e\u003c\/em\u003e.” Essential Dead.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eTwo Ditties: \"The Merry-Go-Round Broke Down\", \"Spring Song”\u003c\/li\u003e\n\u003cli\u003eTruckin\u003c\/li\u003e\n\u003cli\u003eLoser\u003c\/li\u003e\n\u003cli\u003eCumberland Blues\u003c\/li\u003e\n\u003cli\u003eIt Hurts Me Too\u003c\/li\u003e\n\u003cli\u003eBertha\u003c\/li\u003e\n\u003cli\u003ePlaying in the Band\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003cli\u003eDark Hollow\u003c\/li\u003e\n\u003cli\u003eSmokestack Lightning\u003c\/li\u003e\n\u003cli\u003eChina Cat Sunflower\u003c\/li\u003e\n\u003cli\u003eI Know You Rider\u003c\/li\u003e\n\u003cli\u003eGreatest Story Ever Told\u003c\/li\u003e\n\u003cli\u003eJohnny B. Goode\u003c\/li\u003e\n\u003cli\u003eBird Song\u003c\/li\u003e\n\u003cli\u003eEasy Wind\u003c\/li\u003e\n\u003cli\u003eThat's It For The Other One: I \"Cryptical Envelopment\" II \"Drums\" III \"The Other One\"\u003c\/li\u003e\n\u003cli\u003eWharf Rat\u003c\/li\u003e\n\u003cli\u003eGood Lovin'\u003c\/li\u003e\n\u003cli\u003eCasey Jones\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Grateful Dead","offers":[{"title":"4LP \/ Black","offer_id":41665626210495,"sku":"FDR609-1-BK","price":124.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1425935640420-px4zxd3qvyrpb9-31e94488da056eb165c1f469012ac7c0_2FFDR_2B609GratefulDead_Gatefold_OUT.jpg?v=1653617194"},{"product_id":"kikagaku-moyo-house-in-the-tall-grass-lp-vinyl-record","title":"House in the Tall Grass [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTheir music incorporates elements of \u003cem\u003eclassical Indian music\u003c\/em\u003e, \u003cem\u003eKrautrock\u003c\/em\u003e, \u003cem\u003eTraditional Folk\u003c\/em\u003e, and \u003cem\u003e70s Rock\u003c\/em\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMost importantly their music is about freedom of the mind and body and building a bridge between the supernatural and the present\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eImprovisation is a key element to their sound\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eLike a long journey, this record unfolds itself through many layers. Fans of \u003cem\u003e\u003cstrong\u003eKikagaku Moyo\u003c\/strong\u003e\u003c\/em\u003e will be comforted by the soft vocals harmonies and warm Sitar but what sets this release apart is the refinement of the band’s songwriting and their delicate execution. Side A begins with a pair of traveling songs where the interplay between the vocals, guitar, and sitar lift and suspend you on an unexpected journey.\u003c\/p\u003e\n\u003cp\u003eThe patient listener is rewarded by tracks like “\u003cem\u003e\u003cstrong\u003eTrad\u003c\/strong\u003e\u003c\/em\u003e” and “\u003cem\u003e\u003cstrong\u003eSilver Owl\u003c\/strong\u003e\u003c\/em\u003e” that demonstrate the masterful balance the band has between soft and loud; chaos and order, or being both cold and tender at the same time. “\u003cem\u003e\u003cstrong\u003eHouse in the Tall Grass\u003c\/strong\u003e\u003c\/em\u003e” takes the listener by the hand on a comfortable quest through destinations both familiar and unknown. It is a natural step forward for the band and perhaps the most refined example of their style to date.\u003c\/p\u003e\n\u003cp\u003eKikagaku Moyo started in the summer of 2012 busking on the streets of Tokyo. Though the band started as a free music collective, it quickly evolved into a tight group of multi-instrumentalists. Kikagaku Moyo calls their sound psychedelic because it encompasses a broad spectrum of influence.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eGreen Sugar\u003c\/li\u003e\n\u003cli\u003eKogarashi\u003c\/li\u003e\n\u003cli\u003eOld Snow, White Sun\u003c\/li\u003e\n\u003cli\u003eMelted Crystal\u003c\/li\u003e\n\u003cli\u003eDune\u003c\/li\u003e\n\u003cli\u003eSilver Owl\u003c\/li\u003e\n\u003cli\u003eFata Morgana\u003c\/li\u003e\n\u003cli\u003eTrad\u003c\/li\u003e\n\u003cli\u003eCardigan Song\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe height=\"380\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/0A6hLzACLoB32gRz2UFTYu?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Kikagaku Moyo","offers":[{"title":"LP \/ Black","offer_id":41672590557375,"sku":"GGB-008-BK","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/HouseInTheTallGrass.jpg?v=1698470921"},{"product_id":"red-hot-chili-peppers-unlimited-love-2lp-vinyl-record","title":"Unlimited Love (Limited Edition)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eExclusive Edition Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2xLP pressed on Light Blue Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eGatefold Jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Edition of 3,000 copies\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eOne of the most successful acts in rock history, \u003cem\u003e\u003cstrong\u003eRed Hot Chili Peppers\u003c\/strong\u003e\u003c\/em\u003e have sold more than 60 million albums, including five multi-platinum LPs, and won \u003cem\u003e\u003cstrong\u003esix Grammy Awards\u003c\/strong\u003e\u003c\/em\u003e, including \"Best Rock Album\" for \u003cem\u003e\u003cstrong\u003eStadium Arcadium\u003c\/strong\u003e\u003c\/em\u003e, \"Best Rock Performance By a Duo or Group\" for \"\u003cem\u003e\u003cstrong\u003eDani California\u003c\/strong\u003e\u003c\/em\u003e, \"Best Rock Song\" for \"Scar Tissue,\" and \"Best Hard Rock Performance With Vocal\" for \"Give It Away.\" The band holds the record for the most No. 1 singles of all time at Alternative radio, a total of 11, and a combined 81 weeks at No. 1.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom the label:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur only goal is to get lost in the music. We (John, Anthony, Chad, and Flea) spent thousands of hours, collectively and individually, honing our craft and showing up for one another, to make the best album we could. Our antennae attuned to the divine cosmos, we were just so damn grateful for the opportunity to be in a room together, and, once again, try to get better. Days, weeks, and months were spent listening to each other, composing, jamming freely, and arranging the fruit of those jams with great care and purpose. The sounds, rhythms, vibrations, words, and melodies had us enrapt.\u003cbr\u003e\u003cbr\u003eWe yearn to shine a light in the world, to uplift, connect, and bring people together. Each of the songs on our new album \u003cem\u003e\u003cstrong\u003eUNLIMITED LOVE\u003c\/strong\u003e\u003c\/em\u003e, is a facet of us, reflecting our view of the universe. This is our life’s mission. We work, focus, and prepare so that when the biggest wave comes, we are ready to ride it. The ocean has gifted us a mighty wave and this record is the ride that is the sum of our lives. Thank you for listening, we hope you enjoy it.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1. Black Summer\u003cbr\u003e2. Here Ever After\u003cbr\u003e3. Aquatic Mouth Dance\u003cbr\u003e4. Not The One\u003cbr\u003e5. Poster Child\u003cbr\u003e6. The Great Apes\u003cbr\u003e7. It’S Only Natural\u003cbr\u003e8. She’S A Lover\u003cbr\u003e9. These Are The Ways\u003cbr\u003e10. Whatchu Thinkin’\u003cbr\u003e11. Bastards Of Light\u003cbr\u003e12. White Braids \/ Pillow Chair\u003cbr\u003e13. One Way Traffic\u003cbr\u003e14. Veronica\u003cbr\u003e15. Let ‘Em Cry\u003cbr\u003e16. The Heavy Wing\u003cbr\u003e17. Tangelo\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\n\u003cp\u003e\u003ciframe height=\"380\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/2ITVvrNiINKRiW7wA3w6w6?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Red Hot Chili Peppers","offers":[{"title":"2LP \/ Light Blue","offer_id":41679488876735,"sku":"UO-68815620-BL","price":59.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/RedHotChiliPeppersUnlimitedLoveCover.jpg?v=1654066987"},{"product_id":"lou-reed-words-music-may-1965-standard-edition-lp-vinyl-record","title":"Words \u0026 Music, May 1965 Standard Edition","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAll tracks previously unreleased\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eProduced in partnership with \u003cem\u003eLaurie Anderson\u003c\/em\u003e and the \u003cem\u003eLou Reed Archive\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInaugural release in Light in the Attic’s Lou Reed Archive Series\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures the earliest-known recordings of “I’m Waiting for the Man,” “Pale Blue Eyes\" and “Heroin\" as made famous by The Velvet Underground\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes seven unheard Lou Reed compositions\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRemastered from the original analog tapes by GRAMMY®-nominated engineer \u003cem\u003eJohn Baldwin\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePackage designed by multi-GRAMMY®-winning artist \u003cem\u003eMasaki Koike\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e \u003cem\u003eSpecial Limited Color Edition\u003c\/em\u003e (pressed on \u003cem\u003eBright Yellow Wax\u003c\/em\u003e)\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLP includes a 28-page booklet (CD 60-page) featuring lyrics, archival photos, and liner notes by \u003cem\u003eGreil Marcus, Don Fleming, and Jason Stern\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTracks 1-10: Special Color LP Edition \/ Standard LP Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"320\" height=\"240\" src=\"https:\/\/www.youtube.com\/embed\/UFcrIe7d3uQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"320\" height=\"240\" src=\"https:\/\/www.youtube.com\/embed\/DPTYzhUHQek\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e“To hear a tape containing their earliest demos, recorded on May 11, 1965, and locked away until now, is to hear traces of things rarely associated with The Velvet Underground: blues and folk, earthy and traditional, uncertain and hesitant… yet bristling with that rusty, caustic, Lou Reed spirit. It is a revelation.” – Will Hodgkinson, MOJO\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic Records\u003c\/strong\u003e\u003c\/em\u003e, in cooperation with \u003cem\u003e\u003cstrong\u003eLaurie Anderson\u003c\/strong\u003e\u003c\/em\u003e, proudly announces the inaugural title in their ongoing \u003cem\u003e\u003cstrong\u003eLou Reed Archive Series: Words \u0026amp; Music, May 1965\u003c\/strong\u003e\u003c\/em\u003e. Released in tandem with the late artist’s 80th birthday celebrations, the album offers an extraordinary, unvarnished, and plainly poignant insight into one of America’s true poet-songwriters. Capturing Reed in his formative years, this previously unreleased collection of songs—penned by a young Lou Reed, recorded to tape with the help of future bandmate John Cale, and mailed to himself as a “poor man’s copyright”—remained sealed in its original envelope and unopened for nearly 50 years. Its contents embody some of the most vital, groundbreaking contributions to American popular music committed to tape in the 20th century. Through examination of these songs rooted firmly in the folk tradition, we see clearly Lou’s lasting influence on the development of modern American music – from punk to art-rock and everything in between. A true time capsule, these recordings not only memorialize the nascent sparks of what would become the seeds of the incredibly influential Velvet Underground; they also cement Reed as a true observer with an innate talent for synthesizing and distilling the world around him into pure sonic poetry.\u003cbr\u003e\u003cbr\u003eFeaturing contributions from Reed’s future bandmate, \u003cem\u003e\u003cstrong\u003eJohn Cale\u003c\/strong\u003e\u003c\/em\u003e, Words \u0026amp; Music, May 1965 presents in their entirety the earliest-known recordings of such historic songs as “\u003cem\u003e\u003cstrong\u003eHeroin\u003c\/strong\u003e\u003c\/em\u003e”, “\u003cem\u003e\u003cstrong\u003eI’m Waiting for the Man\u003c\/strong\u003e\u003c\/em\u003e”, and “\u003cem\u003e\u003cstrong\u003ePale Blue Eyes\u003c\/strong\u003e\u003c\/em\u003e”—all of which Reed would eventually record and make indelibly influential with the Velvet Underground. Also included are several more previously-unreleased compositions that offer additional insight into Reed’s creative process and early influences. Produced by \u003cem\u003e\u003cstrong\u003eLaurie Anderson, Don Fleming, Jason Stern, Hal Willner, and Matt Sullivan\u003c\/strong\u003e\u003c\/em\u003e, the album features newly-remastered audio from the original tape by GRAMMY®-nominated engineer, \u003cem\u003e\u003cstrong\u003eJohn Baldwin\u003c\/strong\u003e\u003c\/em\u003e. Rounding out the package are new liner notes from acclaimed journalist and author, Greil Marcus, plus in-depth archival notes from Don Fleming and Jason Stern, who oversee the Lou Reed Archive, while the release has been designed by multi-GRAMMY®-winning artist Masaki Koike.\u003c\/p\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3Et83FjIHml5vd3Q73mJL1?utm_source=generator\" width=\"100%\" height=\"380\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Lou Reed","offers":[{"title":"LP \/ Yellow","offer_id":41710239973567,"sku":"LITA188-1-YL","price":37.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":41710226866367,"sku":"LITA188-1-BK","price":34.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/LITA188-LouReed-Words_MusicMay1965-StandardEdition-Hi-ResCover.jpg?v=1654899362"},{"product_id":"grateful-dead-one-from-the-vault-3lp-vinyl-record","title":"Grateful Dead: One From The Vault: Live at the Great American Music Hall, San Francisco 8\/13\/75","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eBack in print on vinyl after 22 years\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFirst-ever American LP release\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNewly remastered by Joe Gastwirt\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLacquers cut by Kevin Gray\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eFor a legacy filled with legendary performances, the \u003cem\u003e\u003cstrong\u003eGrateful Dead Live at the Great American Music Hall in San Francisco on August 13th, 1975\u003c\/strong\u003e\u003c\/em\u003e stands out. The band only played 4 shows during that entire year! (Remarkable for a band that toured non-stop for decades) and at their August 13th show, they rolled multi-track tape (which allowed for the band decades later to properly mix the show).\u003cbr\u003e\u003cbr\u003eBecause the Great American Music Hall holds less than 1,000 people (another unique thing about this show), it was an invitation-only performance in which the band debuted their recent studio album \u003cem\u003e\u003cstrong\u003eBlues For Allah\u003c\/strong\u003e\u003c\/em\u003e in a live setting.\u003cbr\u003e\u003cbr\u003eAlthough \u003cem\u003e\u003cstrong\u003eOne From The Vault\u003c\/strong\u003e\u003c\/em\u003e has been available on CD nearly continuously since 1991, the vinyl version was only available for less than a year (and in Europe only) in the early 1990s. This deluxe vinyl reissue marks the first time this legendary show has been available anywhere in over 20 years and the first time in America.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eRolling Stone\u003c\/strong\u003e\u003c\/em\u003e magazine has described One From The Vault as:\u003cbr\u003e\u003cbr\u003e“The closest the Dead came in the Seventies to the band’s trippy, late-Sixties peak, and the performance indulged the group’s jazzy, free-form impulses even further. “Help on the Way,” “Franklin’s Tower” and “The Music Never Stopped” cohere into a twenty-minute song cycle. “King Solomon’s Marbles,” a tumbling, polyrhythmic instrumental by bassist Phil Lesh, crackles with energy. Inventive percussion duets by Mickey Hart and Bill Kreutzmann are appended to “Eyes of the World,” as well as to the pretty, elliptical “Crazy Fingers.” The crowning touch is “Blues for Allah,” which runs 21 minutes and explores inner space with a meditative intensity barely hinted at on the studio version.”\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1. Introduction\u003cbr\u003e2. Help On The Way\u003cbr\u003e3. Franklin'S Tower\u003cbr\u003e4. The Music Never Stopped\u003cbr\u003e5. It Must Have Been The Roses\u003cbr\u003e6. Eyes Of The World \/ Drums\u003cbr\u003e7. King Solomon'S Marbles\u003cbr\u003e8. Around \/ Around\u003cbr\u003e9. Sugaree\u003cbr\u003e10. Big River\u003cbr\u003e11. Crazy Fingers \/ Drums\u003cbr\u003e12. The Other One\u003cbr\u003e13. Sage And Spirit\u003cbr\u003e14. Goin' Down The Road Feeling Bad\u003cbr\u003e15. U.S. Blues\u003cbr\u003e16. Blues For Allah\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe height=\"380\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/7K5jvjbQB05gnFxsgwPvmt?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Grateful Dead","offers":[{"title":"3LP \/ Black","offer_id":41794867888319,"sku":"FDR607-1-BK","price":124.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_GratefulDead_Gatefold_copy.jpg?v=1657574290"},{"product_id":"seaside-lovers-memories-in-beach-house-lp-vinyl-record","title":"Seaside Lovers: Memories in Beach House [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Edition - Japanese Import\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAvailable on LITA Exclusive Emerald Translucent Green Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLacquer cut by Bernie Grundman\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures traditional Japanese OBI Strip\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes 594 mm x 841 mm poster\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eOriginally released in 1983 and never reissued on vinyl until now. With music by legends\u003cem\u003e\u003cstrong\u003e Akira Inoue, Hiroshi Sato, and Masataka Matsutoya\u003c\/strong\u003e\u003c\/em\u003e (performing under the name \u003cem\u003e\u003cstrong\u003eSeaside Lovers\u003c\/strong\u003e\u003c\/em\u003e), the album weaves a tapestry of island beats and rhythms that will transport you to another place and another time. From the lush production of \u003cem\u003e\u003cstrong\u003eLovers Paradise\u003c\/strong\u003e\u003c\/em\u003e to the emotionally stirring strings of \u003cem\u003e\u003cstrong\u003eBlue Memories\u003c\/strong\u003e\u003c\/em\u003e, if you close your eyes and listen very closely, we’re sure you’re bound to hear a wave or two in the background.\u003c\/p\u003e\n\u003cp\u003eHighly sought after on the vinyl aftermarket since it was released, we are happy to offer this under-recognized gem to the public again! Newly remastered by Sony Music for this release, after spinning this one you’ll agree it’s never sounded better!\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCredits:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArt Direction, Design – Junichi Nakamura\u003cbr\u003eArtwork [2020 Reissue Staff] – Kensaku Nakajima\u003cbr\u003eCoordinator [2020 Reissue Staff] – Hiroyuki Yamashita, Yuki Kaihori\u003cbr\u003eEngineer – 前島雄一*\u003cbr\u003eEngineer [Associate] – 吉川隼人*, 大野邦彦*, 高松幹宏*, 太田靖彦*\u003cbr\u003eExecutive-Producer [2020 Reissue Staff] – Hayuru Osaka, Toru Hanaoka\u003cbr\u003eLacquer Cut By – Bernie Grundman\u003cbr\u003eMastered By – 葛西 \"哲平\"*\u003cbr\u003eMusic By – 井上 鑑*, 佐藤博*, 松任谷正隆*\u003cbr\u003ePhotography – Shizuki Obuchi\u003cbr\u003eProducer – 橋本伸一*\u003cbr\u003eProduct Manager [2020 Reissue Staff] – Seiichi Fukui\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\nComing soon...\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\n\u003ciframe loading=\"lazy\" height=\"380\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/3VJMlnxxRA9XApRpwtqghb?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Akira Inoue, Hiroshi Sato, Masataka Matsutoya","offers":[{"title":"LP \/ Green","offer_id":41799992705215,"sku":"MHJL-154-GN","price":74.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/seaside.jpg?v=1668719592"},{"product_id":"kikagaku-moyo-kumoyo-island-lp-vinyl-record","title":"Kumoyo Island [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe fifth and final Kikagaku Moyo album\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRecorded between Amsterdam and Tokyo\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoused in a single-pocket sleeve\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures traditional Japanese OBI strip\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e“The fifth studio album \u0026amp; last euphoric mind-trip to Kikagaku Moyo's imagined island.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eBest-suited for counting stars, looking at the ocean, and dancing in one’s daydream.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eIn many ways ‘\u003cem\u003e\u003cstrong\u003eKumoyo Island\u003c\/strong\u003e\u003c\/em\u003e’ represents the culmination of a journey for \u003cem\u003e\u003cstrong\u003eKikagaku Moyo\u003c\/strong\u003e\u003c\/em\u003e. While their decade-long career can be summarized as a series of kaleidoscopic explorations through lands and dimensions far and near, there’s a strong intention in each of their works to take the listener to a particular place, however real or abstract they may be. In that sense, the title and cover art for the band’s fifth and final album draws you into a magical mass of land surrounded by water—but the couch suggests that ‘Kumoyo Island’ may not be a fleeting stop, but rather a place of respite, where one could pause and take it all in.\u003cbr\u003e\u003cbr\u003eReconvening at \u003cem\u003e\u003cstrong\u003eTsubame Studios\u003c\/strong\u003e\u003c\/em\u003e in \u003cem\u003eAsakusabashi, Tokyo\u003c\/em\u003e, where their earliest material had been recorded, the five members of Kikagaku Moyo found new inspiration in a familiar and comfortable environment. With their adopted home base of \u003cem\u003eAmsterdam\u003c\/em\u003e under lockdown and their touring activities halted due to the pandemic, the band felt a renewed sense of freedom being back in\u003cspan class=\"bcTruncateMore\"\u003e \u003cem\u003e\u003cstrong\u003eshitamachi\u003c\/strong\u003e\u003c\/em\u003e, or the old downtown area of their hometown. With unrestricted time in the studio, they began to build upon the demos and song fragments they’d amassed since their last tour. In the 1.5 months spent in Tokyo, everything started to come together.\u003cbr\u003e\u003cbr\u003e“\u003cem\u003e\u003cstrong\u003eMonaka\u003c\/strong\u003e\u003c\/em\u003e”, its name taken from a type of Japanese wafer sweets, takes melodic inspiration from traditional minyofolk styles, while “\u003cem\u003e\u003cstrong\u003eYayoi Iyayoi\u003c\/strong\u003e\u003c\/em\u003e” is a rare instance of the band singing in their native tongue, its evocative lyrics utilizing archaic words taken from old poetry and nature books found in one of the many second-hand bookstores of Tokyo. For “\u003cem\u003e\u003cstrong\u003eMeu Mar\u003c\/strong\u003e\u003c\/em\u003e”, an \u003cem\u003e\u003cstrong\u003eErasmos Carlos\u003c\/strong\u003e\u003c\/em\u003e cover, the original Portuguese lyrics were translated into English, then into Japanese. Strangely enough, the words seem to conjure an image of the protagonist floating among the clouds, looking down upon \u003cem\u003eTokyo Bay\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eIn fact, it may be possible to draw a parallel between the topography of the band’s home country—an island nation, surrounded by bodies of water—and the mysterious isle of Kumoyo. Are they one and the same? Has the band finally made it back home? It’s up to the listener to decide.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e-Yosuke Kitazawa\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1.    Monaka\u003cbr\u003e2.    Dancing Blue\u003cbr\u003e3.    Effe\u003cbr\u003e4.    Meu Mar\u003cbr\u003e5.    Cardboard Pile\u003cbr\u003e6.    Gomugomu\u003cbr\u003e7.    Daydream Soda\u003cbr\u003e8.    Field of Tiger Lilies\u003cbr\u003e9.    Yayoi, Iyayoi\u003cbr\u003e10.    Nap Song\u003cbr\u003e11.    Maison Silk Road\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Kikagaku Moyo","offers":[{"title":"LP \/ Black","offer_id":42046698127551,"sku":"GGB-028-BK","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1652115522888-f56oub57tbq-8169c930de8e5b004c8a77cffd22402f_2Fa0810188384_10.jpg?v=1666908846"},{"product_id":"various-artists-belong-to-the-wind-lp-vinyl-record","title":"Belong To The Wind","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFeaturing a selection of songs from rare 45s of the 1970s\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe first release from Los Angeles-based sound sleuths Forager Records\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e 10 restored and remastered tracks from 10 obscure American artists\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e Official re-issues of never before compiled songs, exclusive to Forager Records\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOriginal hand-drawn artwork by Callum Rooney\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor all those who relate “\u003cem\u003emaybe to the wind, because they can feel it or dirt because they can touch it. But nothing else.\u003c\/em\u003e” Like \u003cem\u003e\u003cstrong\u003eBobby Cornett\u003c\/strong\u003e\u003c\/em\u003e (aka \u003cem\u003e\u003cstrong\u003eShane\u003c\/strong\u003e\u003c\/em\u003e), we are all trying to find where we belong.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eBelong To The Wind\u003c\/em\u003e\u003c\/strong\u003e marks \u003cem\u003e\u003cstrong\u003eForager Records\u003c\/strong\u003e\u003c\/em\u003e’ debut release: A lovingly curated collection of crooning psychedelic folk and soul songs gathered from American 45s of the 1970s. The compilation features 10 songs from 10 different acts, each with an indelible story of love, loss, loneliness, and an unrelenting desire to shake the confines of routine existence.\u003c\/p\u003e\n\u003cp\u003eMeet a man named \u003cem\u003e\u003cstrong\u003eDenny Fast\u003c\/strong\u003e\u003c\/em\u003e, perched behind a tobacco-stained piano in a smokey Michigan lounge. He’s singing of the faded memory of distant hope and better times past. Listen to a portrait of the heartless Texan, told in arrestingly angelic prose by \u003cem\u003e\u003cstrong\u003eConnie Mims\u003c\/strong\u003e\u003c\/em\u003e of \u003cem\u003e\u003cstrong\u003eSt. Elmo’s Fire\u003c\/strong\u003e\u003c\/em\u003e. Contemplate with \u003cem\u003e\u003cstrong\u003eSnuffy\u003c\/strong\u003e\u003c\/em\u003e, the honest musings of a failed and misunderstood outsider, daring to hope for change.\u003c\/p\u003e\n\u003cp\u003eThis LP aims to shed light on the more opaque cuts of these brooding artists. Many of these songs were recorded at the early stages of a career, at a time when experimenting and searching are pursued with reckless abandon. As a result, these songs are aggressively honest and uncompromising. Many have a distinct sense of the lo-fi DIY variety. Others are polished in production. Some are minimal, tentative, and vulnerable. What all of these songs share, is a transportive quality. An uncanny ability to take a captive listener on a search for the soul, and a journey into the bellowing fields of easy reflection.\u003cbr\u003e\u003cbr\u003eSit back and enjoy a soft trip through the hazy milieu of a loner’s mind.\u003c\/p\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/1IlxzFanli5qOmpefIDD7L?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Various Artists","offers":[{"title":"LP \/ Black","offer_id":42194831605951,"sku":"FOR-LP001-BK","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/BTTW_FRONT.jpg?v=1703895906"},{"product_id":"donnie-joe-emerson-baby-heart-shaped-single-7-inch-lp","title":"Baby (Heart Shaped Single)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e Limited Edition “Baby” Heart Shaped 7-inch vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOnly 1,000 copies pressed\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOut of Print Rarity\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e B-Side Previously unreleased anywhere!\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eResealable PVC Sleeve\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eLimited Edition \u003cstrong\u003e\u003cem\u003e“Baby” Heart Shaped 7-inch vinyl by Donnie \/amp; Joe Emerson\u003c\/em\u003e\u003c\/strong\u003e. B-Side Previously unreleased anywhere! 1k units produced worldwide and released by \u003cem\u003e\u003cstrong\u003eLight in the Attic Records\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eBaby\u003c\/li\u003e\n\u003cli\u003eTonight\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Donnie \u0026 Joe Emerson","offers":[{"title":"7\" \/ Red","offer_id":42195762348223,"sku":"LITA45-046-RD","price":124.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1573772267028-0e5gdwd854ym-f6e2247219ccb6f7b73038bc50277439_2FD_26J_2BHeart_2BShaped_2BVinyl_2Bmockup.jpg?v=1701209899"},{"product_id":"grateful-dead-two-from-the-vault-4lp-vinyl-record","title":"Grateful Dead: Two From The Vault","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFirst time ever on vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNewly remastered by Joe Gastwirt\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e4LPs pressed at RTI and housed in a gatefold Stoughton “tip-on” M-Pack jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLacquers cut by Kevin Gray\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eFollowing on the heels of \u003cem\u003e\u003cstrong\u003eLight In The Attic\u003c\/strong\u003e\u003c\/em\u003e’s vinyl LP release of One and Two From The Vault comes the final release in the trilogy of \u003cem\u003e\u003cstrong\u003eFrom The Vault\u003c\/strong\u003e\u003c\/em\u003e releases by the \u003cem\u003e\u003cstrong\u003eGrateful Dead\u003c\/strong\u003e\u003c\/em\u003e. These releases are distinguished from the more abundant \u003cem\u003e\u003cstrong\u003eDick’s Picks\u003c\/strong\u003e\u003c\/em\u003e series in that Dick’s Picks are “direct from the soundboard” recordings, while the From The Vault series were professionally recorded on multi-track tape and then mixed down (decades) later for release.\u003cbr\u003e\u003cbr\u003eRecorded live at the \u003cstrong\u003e\u003cem\u003eShrine Auditorium\u003c\/em\u003e\u003c\/strong\u003e (Los Angeles) in 1968, this is the worldwide vinyl debut release of this legendary show featuring the 6 piece line-up of \u003cem\u003e\u003cstrong\u003ePigpen, Garcia, Weir, Lesh, Kruetzmann, \u0026amp; Hart\u003c\/strong\u003e\u003c\/em\u003e, freshly remastered in 2014 by \u003cem\u003e\u003cstrong\u003eJoe Gastwirt\u003c\/strong\u003e\u003c\/em\u003e for maximum mind expansion. 9 dynamic songs on 8 sides of wax, this show has previously only been available on CD; this is the first ever vinyl LP release!\u003cbr\u003e\u003cbr\u003e5 songs weigh in around the 15-minute mark, while 3 others touch down close to 10 minutes–this is the Dead at their most improvisational while still retaining the Blues-Rock roots of the “Pigpen” years.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Grateful Dead","offers":[{"title":"4LP \/ Black","offer_id":42267104051391,"sku":"FDR608-1-BK","price":124.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1413919316446-itceh72mezlzyqfr-540cb650f6cf00b10ea4e36677e670bf_2F0f129106f606045541ca682a2f18e885.jpg?v=1678276173"},{"product_id":"live-in-cleveland-1976-lp-vinyl-record","title":"Live in Cleveland 1976 [Import]","description":"\u003ch3\u003e** This is a BACKORDER item. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eUnreleased live album of the famous Eastern and psychedelic Jazz Hungarian guitarist\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eExclusive bonus tracks from single 7\" 1969\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMastered by Grammy-nominated Jessica Thompson\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFans of Grant Green, John Abercrombie, Pat Martino, Joe Pass, Wes Montgomery, Tal Farlow\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUltimate collector's item for those who deeply in Jazz music and guitar music\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAvailable on limited deluxe vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eHungarian guitarist \u003cem\u003e\u003cstrong\u003eGabor Szabo\u003c\/strong\u003e\u003c\/em\u003e (1936-82) issued only three live recordings during his lifetime. Significantly, the first of these, \u003cem\u003e\u003cstrong\u003eThe Sorcerer\u003c\/strong\u003e\u003c\/em\u003e (1967), remains the most popular album in the guitarist's all-too-abbreviated discography. But there were also \u003cem\u003e\u003cstrong\u003eMore Sorcery\u003c\/strong\u003e\u003c\/em\u003e (1968) and Gabor Szabo Live with \u003cem\u003e\u003cstrong\u003eCharles Lloyd\u003c\/strong\u003e\u003c\/em\u003e (1974), offering Szabo totally in his element and at his bewitching best. Several more of Szabo's concert recordings have surfaced in the intervening years, including this one, superbly captured for radio broadcast live in 1976 at the 600-seat \u003cem\u003e\u003cstrong\u003eAgora Ballroom\u003c\/strong\u003e\u003c\/em\u003e in Cleveland, Ohio. It is a revelation. There is a sense here that concert patrons may have been hearing an altogether different Gabor Szabo than record buyers.\u003c\/p\u003e\n\u003cp\u003eFor one thing, Szabo is heard fronting what is likely his own group, rather than an army of studio musicians. In 1976, Szabo was leading a tremendous quartet with \u003cem\u003e\u003cstrong\u003eGeorge Cables\u003c\/strong\u003e\u003c\/em\u003e (or \u003cem\u003e\u003cstrong\u003eJoanne Grauer\u003c\/strong\u003e\u003c\/em\u003e) on piano, \u003cem\u003e\u003cstrong\u003eTony Dumas\u003c\/strong\u003e\u003c\/em\u003e on bass and \u003cem\u003e\u003cstrong\u003eSherman Ferguson\u003c\/strong\u003e\u003c\/em\u003e on drums. Szabo had not had a band with this much jazz clout since his famed quartet with \u003cem\u003e\u003cstrong\u003eJimmy Stewart\u003c\/strong\u003e\u003c\/em\u003e in 1967-68 - and it is a union worth savoring: Szabo's records during this period were light, at best, on jazz.\u003c\/p\u003e\n\u003cp\u003eIt's unclear if any of these musicians are on the Agora date, but as Dumas's \"\u003cem\u003e\u003cstrong\u003eIt Happens\u003c\/strong\u003e\u003c\/em\u003e\" opens the program, it's a good bet, at least, that the bassist is on board here. But as Szabo's '76 quartet is not known to have recorded a studio record, Live in Cleveland is the closest thing to what a mid-seventies Szabo jazz album would sound like. Gone, are the strings, vocals, and concessions to commercial consideration so prevalent on so many of Szabo's studio records at the time. What is present, though, is fine craftsmanship, tremendous interplay, and the exciting improvisation that good jazz always yields.\u003c\/p\u003e\n\u003cp\u003eThis particular concert was part of \u003cem\u003e\u003cstrong\u003eSansui's \"New World of Jazz,\"\u003c\/strong\u003e\u003c\/em\u003e a series of 13-hour-long jazz concerts recorded at Cleveland's iconic Agora Ballroom and broadcast over 40 FM radio stations. The series was sponsored by \u003cem\u003e\u003cstrong\u003eSansui Electronics\u003c\/strong\u003e\u003c\/em\u003e, a Japanese manufacturer of audio and video equipment, which previously sponsored a similar series of rock concerts recorded at the Agora as well. Sansui was promoting its matrix QS 4-channel sound system \"“ offering, what was considered at the time, superior diagonal separation and stereo compatibility. The firm, partnering with Agora Ballroom and Agency Recording Studio owner Hank LoConti (1929-2014), was looking to take advantage of what they rightly felt was the then-current jazz renaissance. Each show's 16-track master tape was mixed through the Sansui QS 4-channel encoder,\" according to an August 1976 Billboard article detailing the arrangement, \"for distribution to the 40 FM stations throughout the United States that bought the series\" - allowing for three commercial spots for local dealers to advertise.''\u003c\/p\u003e\n\u003cp\u003eThe recording is available for the first time on VINYL. Mastering by grammy-nominated \u003cem\u003e\u003cstrong\u003eJessica Thompson\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eIt Happens\u003c\/li\u003e\n\u003cli\u003eAutumn Leaves\u003c\/li\u003e\n\u003cli\u003eMagical Connection\u003c\/li\u003e\n\u003cli\u003eConcorde (Nightflight)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/5xfDuQ4Irbmr8QdeQ77y2K?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Gabor Szabo","offers":[{"title":"LP \/ Clear","offer_id":42661903892671,"sku":"EBL-013LP-CL","price":39.99,"currency_code":"USD","in_stock":false},{"title":"LP \/ Black","offer_id":42298737655999,"sku":"EBL-013LP-BK","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/8016670151807.jpg?v=1679874000"},{"product_id":"lou-reed-transformer-lp-vinyl-record","title":"Transformer","description":"\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Reissue Edition of 1,000 copies\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLITA Exclusive Color\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP Pressed on Bronze Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOriginally released by RCA Records in 1972\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLou Reed\u003c\/strong\u003e\u003c\/em\u003e’s second solo album \u003cem\u003e\u003cstrong\u003eTransformer\u003c\/strong\u003e\u003c\/em\u003e is an album that everyone should own and without a doubt – Essential. Considered an influential landmark of the glam rock genre and anchored by Reed’s most successful single, “\u003cem\u003e\u003cstrong\u003eWalk on the Wild Side\u003c\/strong\u003e\u003c\/em\u003e” along with “\u003cem\u003e\u003cstrong\u003ePerfect Day\u003c\/strong\u003e\u003c\/em\u003e” and “\u003cem\u003e\u003cstrong\u003eSatellite of Love\u003c\/strong\u003e\u003c\/em\u003e”. 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Both songs were recorded at the Emerson’s home studio in Fruitland, Washington, circa 1979.\u003c\/p\u003e\n\u003cp\u003eLimited Edition \u003cstrong\u003e\u003cem\u003e“Baby” Heart Shaped 7-inch vinyl \u003c\/em\u003e\u003c\/strong\u003ereleased by \u003cem\u003e\u003cstrong\u003eLight in the Attic Records\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/track\/62wdQ5CInFr7cjISqrr46f?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Donnie \u0026 Joe Emerson","offers":[{"title":"7\" \/ Blue","offer_id":42307638231231,"sku":"LITA45-046-BL","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1675789347338-d2lz3w371wl-e034bd8651c7d30c6191649b452f0f52_2FLITA45-046-1-1_mockup.jpg?v=1701209916"},{"product_id":"hiroshi-tanaka-yoichi-fuwa-untitled-white-album-2lp-vinyl-record","title":"Untitled White Album","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eOriginally self-released in only 100 copies in 1974\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes second LP featuring 16 unreleased songs from the original sessions\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e2xLP pressed on Classic Black Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoused in a Stoughton tip-on gatefold jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePressed at Third Man Pressing\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIn 1974, \u003cem\u003e\u003cstrong\u003eHiroshi Tanaka\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eYoichi Fuwa\u003c\/strong\u003e\u003c\/em\u003e, the self-proclaimed heirs of the Beatles, crammed into a 75-square-foot room and recorded over 50 songs, all without names. 19 of those songs would be self-released on a record titled \"\u003cem\u003e\u003cstrong\u003eUntitled White Album\u003c\/strong\u003e\u003c\/em\u003e\", of which only 100 copies were pressed.\u003c\/p\u003e\n\u003cp\u003eTheir music is like a fairy tale. It's leisurely and relaxed yet bursting at the seams with melodies and youthful ambition. Its whole attitude is gentle but splendid in evoking tears, anger, sentimentality, infatuation, intoxication, and a bit of craziness. Tanaka and Fuwa's music has the power to bring that emotion to life.\u003c\/p\u003e\n\u003cp\u003eThis \u003cem\u003e\u003cstrong\u003eholy grail of Japanese psychedelic pop\u003c\/strong\u003e\u003c\/em\u003e has been searched for by collectors the world over. Now, after almost 50 years, First \u0026amp; Last Records is proud to release the official reissue of this masterpiece. In addition to the 19 original songs is a second LP featuring 16 tracks that heretofore were unknown, released for the first time.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eUntitled White Album A - 1\u003c\/li\u003e\n\u003cli\u003eUntitled White Album A - 2\u003c\/li\u003e\n\u003cli\u003eUntitled White Album A - 3\u003c\/li\u003e\n\u003cli\u003eUntitled White Album A - 4\u003c\/li\u003e\n\u003cli\u003eUntitled White Album A - 5\u003c\/li\u003e\n\u003cli\u003eUntitled White Album A - 6\u003c\/li\u003e\n\u003cli\u003eUntitled White Album A - 7\u003c\/li\u003e\n\u003cli\u003eUntitled White Album A - 8\u003c\/li\u003e\n\u003cli\u003eUntitled White Album A - 9\u003c\/li\u003e\n\u003cli\u003eUntitled White Album B - 1\u003c\/li\u003e\n\u003cli\u003eUntitled White Album B - 2\u003c\/li\u003e\n\u003cli\u003eUntitled White Album B - 3\u003c\/li\u003e\n\u003cli\u003eUntitled White Album B - 4\u003c\/li\u003e\n\u003cli\u003eUntitled White Album B - 5\u003c\/li\u003e\n\u003cli\u003eUntitled White Album B - 6\u003c\/li\u003e\n\u003cli\u003eUntitled White Album B - 7\u003c\/li\u003e\n\u003cli\u003eUntitled White Album B - 8\u003c\/li\u003e\n\u003cli\u003eUntitled White Album B - 9\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II A - 1\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II A - 2\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II A - 3\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II A - 4\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II A - 5\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II A - 6\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II A - 7\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II A - 8\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II A - 9\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II B - 1\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II B - 2\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II B - 3\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II B - 4\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II B - 5\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II B - 6\u003c\/li\u003e\n\u003cli\u003eUntitled White Album II B - 7\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e","brand":"Hiroshi Tanaka \u0026 Yoichi Fuwa","offers":[{"title":"2LP \/ Black","offer_id":42308766302399,"sku":"FLR-001-BK","price":37.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/196852380985.png?v=1680694369"},{"product_id":"maya-ongaku-approach-to-anima-lp-vinyl-record","title":"Approach to Anima [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMaya Ongaku's debut album\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoused in a Single-Pocket Jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eHailing from the seaside communities surrounding \u003cem\u003e\u003cstrong\u003eEnoshima\u003c\/strong\u003e\u003c\/em\u003e, a small island located 50 km southwest of Tokyo, \u003cem\u003e\u003cstrong\u003eMaya Ongaku\u003c\/strong\u003e\u003c\/em\u003e is a ragtag collective of local musicians whose brand of earthy psychedelia transcends widely beyond the roots of their inner souls. The name derives not from any kind of ancient civilization, but rather a neologism defined as the imagined view outside one’s field of vision. The band—currently a trio of \u003cem\u003e\u003cstrong\u003eTsutomu Sonoda, Ryota Takano, and Shoei Ikeda\u003c\/strong\u003e\u003c\/em\u003e—finds sanctuary at the Ace General Store, a beachy vintage shop and salon-like space just hidden from sight from the bustling, touristy riverside Subana Street. Between discussions on music and art, curating the vinyl section and manning the register, and chatting up with locals young and old, the members find time to jam and record their spontaneous ideas in the studio tucked away in the back. It’s in this unlikely setting where Maya Ongaku finds its origins, the culmination of what Sonoda describes as 自然発生 (\u003cstrong\u003e\u003cem\u003eshizen hassei\u003c\/em\u003e\u003c\/strong\u003e), meaning spontaneous generation, or the supposed production of living organisms from nonliving matter.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eApproach to Anima\u003c\/strong\u003e\u003c\/em\u003e, the group’s debut album released on \u003cem\u003e\u003cstrong\u003eGuruguru Brain\u003c\/strong\u003e\u003c\/em\u003e, finds Maya Ongaku building a foundational groove while tapping into their innermost psyche. Sonoda’s malleable guitar and vocals, Takano’s sinuous bass lines, Ikeda’s floating woodwinds, and a sprinkling of delicate percussion—all coalesce into an aural experience that’s assertive yet abstract, calm but unsettling. The slow-building, sax-laden “\u003cem\u003e\u003cstrong\u003eApproach\u003c\/strong\u003e\u003c\/em\u003e” serves as an introduction to Maya Ongaku’s world, while the appropriately-named “\u003cem\u003e\u003cstrong\u003eWater Dream\u003c\/strong\u003e\u003c\/em\u003e” floats its way toward the gentle finale of “\u003cstrong\u003e\u003cem\u003ePillow Song\u003c\/em\u003e\u003c\/strong\u003e.” It’s a concise distillation of their many interests and influences, from \u003cem\u003e\u003cstrong\u003eNeo-Dada\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eFluxus\u003c\/strong\u003e\u003c\/em\u003e, to where contemporary art intersects with the development of modern recording technology in the ‘60s and ‘70s.\u003cbr\u003e\u003cbr\u003eAs the title suggests, Approach to Anima is not intended to be a terminus; it’s merely the beginning of an exploration. The three childhood friends that comprise Maya Ongaku are always looking beyond the confines of the idyllic but rapidly gentrifying enclave of their beloved Enoshima. Feeding off of the energy that still radiates from the triumphant, decade-long journey of their label bosses’ band \u003cem\u003e\u003cstrong\u003eKikagaku Moyo\u003c\/strong\u003e\u003c\/em\u003e, who rose to global prominence from scrappy beginnings busking on the streets of \u003cem\u003e\u003cstrong\u003eTakadanobaba\u003c\/strong\u003e\u003c\/em\u003e, they hope to go wherever inspiration takes them, to anywhere around the globe where their music can find a home.\u003cbr\u003e\u003cbr\u003eUltimately, Maya Ongaku’s uninhibited world-building will make it possible for us to see the unseen, and expand the possibilities of the naked eye—all through the unbridled vibrancy of their music.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eApproach\u003c\/li\u003e\n\u003cli\u003eNuska\u003c\/li\u003e\n\u003cli\u003eDescription Of A Certain Sound\u003c\/li\u003e\n\u003cli\u003eMelting\u003c\/li\u003e\n\u003cli\u003eSomething In Morning Rain\u003c\/li\u003e\n\u003cli\u003eRakusui\u003c\/li\u003e\n\u003cli\u003eWater Dreams\u003c\/li\u003e\n\u003cli\u003ePillow Song\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1556655034\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Guruguru Brain\" href=\"https:\/\/soundcloud.com\/gurugurubrain\" target=\"_blank\"\u003eGuruguru Brain\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Maya Ongaku - Approach to Anima\" href=\"https:\/\/soundcloud.com\/gurugurubrain\/sets\/maya-ongaku-approach-to-anima\" target=\"_blank\"\u003eMaya Ongaku - Approach to Anima\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Maya Ongaku","offers":[{"title":"LP \/ Black","offer_id":42308766367935,"sku":"GGB-032-BK","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/9505478774725.png?v=1701227944"},{"product_id":"minami-deutsch-fortune-goodies-lp-vinyl-record","title":"Fortune Goodies [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe third Minami Deutsch studio album\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoused in a Gatefold Jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures traditional Japanese OBI strip\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRecorded between Berlin and Tokyo\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eEveryone has their own imagination about outer space, and each one of us gets to daydream about what exactly floats or exists there. ‘\u003cem\u003e\u003cstrong\u003eFortune Goodies\u003c\/strong\u003e\u003c\/em\u003e’ is \u003cem\u003e\u003cstrong\u003eMinami Deutsch\u003c\/strong\u003e\u003c\/em\u003e’s long-awaited 3rd studio album. While not all the songs on the record function as straightforward Krautrock this time around, they still manage to capture the spirit and heart of the genre. After relocating from Tokyo to Berlin, Miula’s musical vocabulary has greatly expanded, thus resulting in this\u003cem\u003e\u003cstrong\u003e ultimate Japanese take on cosmic music in 2022\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eYour Pulse\u003c\/li\u003e\n\u003cli\u003eStill Foggy\u003c\/li\u003e\n\u003cli\u003eGrumpy Joa\u003c\/li\u003e\n\u003cli\u003ePueblo\u003c\/li\u003e\n\u003cli\u003eInterpreters Of Forest\u003c\/li\u003e\n\u003cli\u003eFortune Goodies\u003c\/li\u003e\n\u003cli\u003eWhereabouts\u003c\/li\u003e\n\u003cli\u003eSteller Waffle\u003c\/li\u003e\n\u003cli\u003eFloating Fountain\u003c\/li\u003e\n\u003cli\u003eThe Border\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"352\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/08g5aYotEIElY6mJDAC3hG?utm_source=generator\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Minami Deutsch","offers":[{"title":"LP \/ Black","offer_id":42320679764159,"sku":"GGB-030-BK","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/Front-Artwork-w2000_1500x_cf797957-e207-4a86-9104-bc0646ddb06b.jpg?v=1681760968"},{"product_id":"kikagaku-moyo-masana-temples-lp-vinyl-record","title":"Masana Temples [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eKikagaku Moyo 4th Full-Length Studio Album\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eHoused in a single-pocket sleeve\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeatures a traditional Japanese OBI strip\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes hype sticker\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eKikagaku Moyo\u003c\/strong\u003e\u003c\/em\u003e started in the summer of 2012 busking on the streets of Tokyo. Though the band started as a free music collective, it quickly evolved into a tight group of multi-instrumentalists. Kikagaku Moyo call their sound psychedelic because it encompasses a broad spectrum of influence. Their music incorporates elements of \u003cstrong\u003e\u003cem\u003eclassical Indian music, Krautrock, Traditional Folk, and 70s Rock\u003c\/em\u003e\u003c\/strong\u003e. Most importantly their music is about freedom of the mind and body and building a bridge between the supernatural and the present. Improvisation is a key element to their sound.\u003cbr\u003e\u003cbr\u003eThe shifting dimensions of \u003cem\u003e\u003cstrong\u003eMasana Temples\u003c\/strong\u003e\u003c\/em\u003e, the fourth album from psychedelic explorers Kikagaku Moyo, are informed by various experiences the band had with traveling through life together, ranging from the months spent on tour to making a pilgrimage to Lisbon to record the album with jazz musician Bruno Pernadas. The band sought out Pernadas both out of admiration for his music and in an intentional move to work with a producer who came from a wildly different background. With Masana Temples, the band wanted to challenge their own concepts of what psychedelic music could be. Elements of both the attentive folk and wild-eyed rocking sides of the band are still intact throughout, but they’re sharper and more defined.\u003cbr\u003e\u003cbr\u003eMore than the literal interpretation of being on a journey, the album’s always-changing sonic panorama reflects the spiritual connection of the band moving through this all together. Life for a traveling band is a series of constant metamorphoses, with languages, cultures, climates, and vibes changing with each new town. The only constant for Kikagaku Moyo throughout their travels was the five band members always together moving through it all, but each of them taking everything in from very different perspectives. Inspecting the harmonies and disparities between these perspectives, the group reflects on the emotional impact of their nomadic paths. The music is the product of time spent in motion and all of the bending mindsets that come with it.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eEntrance\u003c\/li\u003e\n\u003cli\u003eDripping Sun\u003c\/li\u003e\n\u003cli\u003eNazo Nazo\u003c\/li\u003e\n\u003cli\u003eFluffy Kosmisch\u003c\/li\u003e\n\u003cli\u003eNana\u003c\/li\u003e\n\u003cli\u003eNana\u003c\/li\u003e\n\u003cli\u003eOrange Peel\u003c\/li\u003e\n\u003cli\u003eAmayadori\u003c\/li\u003e\n\u003cli\u003eGatherings\u003c\/li\u003e\n\u003cli\u003eBlanket Song\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Kikagaku Moyo","offers":[{"title":"LP \/ Black","offer_id":42320680616127,"sku":"GGB-017-1-BK","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/51f758c4da387b80cda112f37564b901325f1970.jpg?v=1681426708"},{"product_id":"mong-tong-mystery-lp-vinyl-record","title":"Mystery [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA psychedelic journey to the east\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes a traditional Japanese OBI strip\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eBrothers Hom Yu and Jiun Chi returned to Taipei in 2017 after finishing their studies. Since then they began to explore their mutual obsession for Taiwanese occult-inspired art and vintage superstitious imagery, channeling it through music.\u003c\/p\u003e\n\u003cp\u003eMong Tong means many things in Chinese, but the translation they choose to fit their music is “the east-side of dreams”.\u003c\/p\u003e\n\u003cp\u003eOn “Mystery” these inspirations combine with the dark humor of Taiwanese folklore and a love of conspiracy theories to form what they describe as “a psychedelic journey to the east.”\u003c\/p\u003e\n\u003cp\u003eRecorded in their home studio in Taipei, “Mystery” is a psychedelic journey into Taiwanese folklore combined with the 80’s media obsession with the supernatural. It’s a record that manages to combine nostalgia and tradition with humor and an underlying intrinsic earthiness to create something unlike anything else out there.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eIntro\u003c\/li\u003e\n\u003cli\u003eMystery 秘神\u003c\/li\u003e\n\u003cli\u003eChakra\u003c\/li\u003e\n\u003cli\u003eJou-tau\u003c\/li\u003e\n\u003cli\u003e717\u003c\/li\u003e\n\u003cli\u003eAncient Mars\u003c\/li\u003e\n\u003cli\u003eA Nambra\u003c\/li\u003e\n\u003cli\u003eIn The K. Court\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Mong Tong","offers":[{"title":"LP \/ Black","offer_id":42320680681663,"sku":"GGB-022LP-BK","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/403198faa272a325b4d13da29d9ece0bba05de0b.jpg?v=1681426708"},{"product_id":"acetone-1992-2001-2lp-vinyl-record","title":"1992 - 2001","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e2023 Color Edition pressed on Pool Haze wax\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFirst-time band anthology\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes 9 unreleased tracks\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAudio restored and remastered from original tapes\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDouble LP housed in a gatefold jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLiner notes by Sam Sweet\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAlso available on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“Acetone is into it for what they get out of it. Their music reflects who they are, and that’s so rare in music today. It’s a soul music thing.” – Jason Pierce (Spiritualized)\u003cbr\u003e\u003cbr\u003e“Acetone is one of my all-time favorite bands. Their music is still as electrifying and beautiful now as it was back then.” – Hope Sandoval (Mazzy Star)\u003cbr\u003e\u003cbr\u003e“A lovely mix of what would it be like if Dick Dale and Neil Young played with Isaac Hayes and The Velvet Underground. A seminal American band.” – Richard Ashcroft (The Verve)\u003cbr\u003e\u003cbr\u003eThis fall, the independent literary press All Night Menu will publish Sam Sweet’s Hadley Lee Lightcap, a nonfiction novel that traces the backstories of the three members in Acetone, a band that played in Los Angeles for nine years. Though few heard them, their recordings are time capsules of who they were, how they lived, and where they came from. Light In the Attic has partnered with All Night Menu to present Acetone 1992-2001, the first anthology of the trio’s music. The book and the album will be released concurrently on September 22.\u003cbr\u003e\u003cbr\u003eCounting their early years in the scuzz-rock band Spinout, whose sole self-titled release came out in 1991 on Delicious Vinyl, guitarist Mark Lightcap, bassist Richie Lee, and drummer Steve Hadley played together for a total of 15 years. They disbanded in July 2001, when Lee committed suicide in the garage next to the house where the trio practiced. Afterward, Rolling Stone ran a short obituary saying Acetone’s albums were “well received” but “failed to make any waves.” It was the first and only time they were featured in the national music press.\u003cbr\u003e\u003cbr\u003eBetween 1993 and 2001 the trio released two LPs and an EP on Vernon Yard—a Virgin subsidiary—and two LPs on Vapor, the L.A.-based label founded by Neil Young and manager Elliott Roberts. In that span, they were selected to tour with Oasis, Mazzy Star, The Verve, and Spiritualized. Against a rising tide of post-Nirvana grunge and slipshod indie rock, Acetone tapped into a timeless Southern California groove by fusing elements of psychedelia, surf, and country.\u003cbr\u003e\u003cbr\u003eThey rehearsed endlessly in an empty bedroom in northeast Los Angeles, recording hours of music onto cassettes that were subsequently stuffed into shoeboxes and left in a shed behind the drummer’s house. Those tapes are being released for the first time in this anthology, which also includes highlights from Acetone’s official releases. Taken together, the songs form a companion soundtrack to Sam Sweet’s book, which maps the character of Los Angeles as a place through the lens of these three unique characters bonded by music.\u003cbr\u003e\u003cbr\u003e“I think our music is all about moods and feeling but hopefully it will get as weird as it possibly can,” said Richie Lee in 1997. “We want things to get weird in the way that you could hear an Acetone song and know that no one else in the world could make that kind of music but us.”\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eShaker\u003c\/li\u003e\n\u003cli\u003eAll The Time\u003c\/li\u003e\n\u003cli\u003eLouise\u003c\/li\u003e\n\u003cli\u003eReturn From The Ice\u003c\/li\u003e\n\u003cli\u003eHow Sweet I Roamed\u003c\/li\u003e\n\u003cli\u003eGerms\u003c\/li\u003e\n\u003cli\u003eShore Power\u003c\/li\u003e\n\u003cli\u003eAlways Late\u003c\/li\u003e\n\u003cli\u003eThings Are Gonna Be Alright (demo)\u003c\/li\u003e\n\u003cli\u003eMidnight Cowboy\u003c\/li\u003e\n\u003cli\u003eChew\u003c\/li\u003e\n\u003cli\u003eToo Much Time\u003c\/li\u003e\n\u003cli\u003eVibrato\u003c\/li\u003e\n\u003cli\u003ePico\u003c\/li\u003e\n\u003cli\u003eStray (demo)\u003c\/li\u003e\n\u003cli\u003eSmokey\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/6vUZbXDPOX59fKA8hacgyW?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Acetone","offers":[{"title":"2LP \/ Blue","offer_id":42323470549183,"sku":"LITA159-BL","price":44.98,"currency_code":"USD","in_stock":true},{"title":"2LP \/ Black","offer_id":42573462470847,"sku":"LITA159-BK","price":34.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/826853015912.jpg?v=1699817199"},{"product_id":"les-rallizes-denudes-the-oz-tapes-lp-vinyl-record","title":"The OZ Tapes","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAvailable on Black \u0026amp; Transparent Blue Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFirst-ever official worldwide LP release by Les Rallizes Dénudés\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFully authorized by The Last One Musique\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2LP in a craft board jacket including a 12-page liner notes book with archival photos\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNotes by Yosuke Kitazawa with an intro from OZ manager Minoru Tezuka\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRemastered from the original analog tapes by Makoto Kubota\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNO SALES IN ASIA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eOperating out of a small upstairs space just around the corner from the train station in the Kichijoji neighborhood of Tokyo, OZ was a scruffy, DIY affair that lasted not much more than a year. Between June 1972 to September 1973, the cafe and performance space became the nerve center for the city’s burgeoning underground and counterculture set.\u003c\/p\u003e\n\u003cp\u003eHadaka No Rallizes, aka Les Rallizes Dénudés, the psychedelic noisemakers originally from Kyoto, was one of the marquee names at OZ. Led by the enigmatic Takashi Mizutani, the now-legendary band was one of the earliest bookings for the venue, and would ultimately close out OZ Last Days, a raucous five-day blowout to celebrate the short but wonderful world of OZ. To commemorate the occasion, recordings made at OZ were released as OZ DAYS LIVE, a private press 2LP set featuring Miyako Ochi, Acid Seven, Masato Minami, Taj Mahal Travellers, and four tracks by the Rallizes—which constituted just a fraction of what had been recorded at the time. For nearly 50 years, these songs remained the only official appearance of the Rallizes on LP—until now.\u003c\/p\u003e\n\u003cp\u003eWith The OZ Tapes, we are finally able to hear the missing pieces. Stored on reels of Scotch analog recording tape, these recordings had laid dormant in storage for almost half a century. The previously unheard material reveals the Rallizes at some of their most unhinged and experimental, as well as moments of delicate tenderness—the two sides of Mizutani that would come to define his band’s legacy. Taken as a whole, The OZ Tapes help to demystify the band’s murky history, yet this vibrant and seemingly relatively innocent era only hints at the explosive, uncharted worlds into which Mizutani would lead the band.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCREDITS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eTakashi Mizutani - vocals, guitar\u003cbr\u003eTakeshi Nakamura - guitar\u003cbr\u003eMakoto Kubota - bass\u003cbr\u003eShunichiro Shoda - drums\u003cbr\u003e\u003cbr\u003eRecorded at OZ, Kichijoji, Tokyo, 1973\u003cbr\u003e\u003cbr\u003eOriginal recordings produced by Minoru Tezuka and OZ Freaks\u003cbr\u003eRecorded by Kiyohiro Takada (Doronco) and Shigeru Sugiyama\u003cbr\u003e\u003cbr\u003eAll songs written by Takashi Mizutani © 1973, 2021 by NICHION, INC.\u003cbr\u003eAll songs arranged by Les Rallizes Dénudés\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eOZ Days\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eA Shadow on Our Joy \/ 僕らの喜びに影がさした\u003c\/li\u003e\n\u003cli\u003eWilderness of False Flowers \/ 造花の原野\u003c\/li\u003e\n\u003cli\u003eWhite Awakening \/ 白い目覚め\u003c\/li\u003e\n\u003cli\u003eThe Last One_1970\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMemory Is Far Away \/ 記憶は遠い\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eVertigo otherwise My Conviction \/ 眩暈\u003c\/li\u003e\n\u003cli\u003eThe Last One_1970 (ver.2)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Les Rallizes Dénudés","offers":[{"title":"2LP \/ Black","offer_id":42342945882303,"sku":"DRFT03-BK","price":39.99,"currency_code":"USD","in_stock":true},{"title":"2LP \/ Blue","offer_id":42363328266431,"sku":"DRFT03-BL","price":44.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/DRFT03_cover.jpg?v=1698786291"},{"product_id":"stone-soul-the-origins-of-sly-and-the-family-stone-lp","title":"Stone Soul - The Origins Of Sly And The Family Stone [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAvailable on Black Vinyl and Orange Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e8-Page Booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue Remastered \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBlack Vinyl Limited Edition 300pcs made \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOrange Vinyl Limited Edition 200pcs made \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOrange Vinyl comes with A2 Poster (60's Reproduction)\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSLY \u0026amp; THE FAMILY STONE\u003c\/strong\u003e: One of the most innovative groups popular music has ever known, the band that instigated a musical revolution! Black and white, male and female, \u003cstrong\u003eSLY \u0026amp; THE FAMILY STONE\u003c\/strong\u003e were the first- and still the most significant - integrated combo in the history of popular music. Founded in November 1966 by \u003cstrong\u003eSly Stone\u003c\/strong\u003e by merging \u003cstrong\u003eThe Stoners\u003c\/strong\u003e with his brother \u003cstrong\u003eFreddie’s Stone Souls\u003c\/strong\u003e, this new sound was a unique and unprecedented fusion of Soul, Funk, Rock, R\u0026amp;B and Psychedelia. \u003cstrong\u003eSly\u003c\/strong\u003e himself was a master musician who wrote, arranged and produced all of the group’s material, fashioning ingenious musical arrangements with a blend of syncopated rhythm, pop melody, lowdown funk and unorthodox harmony. And he chose the best players in the San Francisco Bay Area to implement this outrageous musical vision.\u003c\/p\u003e\n\u003cp\u003eWith the compilation \u003cstrong\u003eSTONE SOUL\u003c\/strong\u003e, we are focusing upon their rarely-heard roots and the earliest examples of the style that would take the music world by storm. This fascinating set includes the complete recordings of \u003cstrong\u003eFREDDIE AND THE STONE SOULS\u003c\/strong\u003e, early solo experiments by \u003cstrong\u003eSLY\u003c\/strong\u003e and \u003cstrong\u003eROSE STONE\u003c\/strong\u003e, the very first \u003cstrong\u003eSLY AND THE FAMILY STONE\u003c\/strong\u003e studio session that predates their signing with Epic Records, and the tremendous 1968 demo ‘Man Does Not Live’. Also featured are the gospel sounds of \u003cstrong\u003eTHE HEAVENLY TONES\u003c\/strong\u003e, whose members would provide vocal backgrounds on multiple \u003cstrong\u003eFamily Stone\u003c\/strong\u003e albums and later become known as \u003cstrong\u003eLittle Sister\u003c\/strong\u003e. So Ride the Rhythm and let the music take your mind!\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eSly And The Family Stone - I Can’t Turn You Loose\u003c\/li\u003e\n\u003cli\u003eSly - For Real\u003c\/li\u003e\n\u003cli\u003eFreddie And The Stone Souls – LSD\u003c\/li\u003e\n\u003cli\u003eSly And The Family Stone - Life Of Fortune And Fame\u003c\/li\u003e\n\u003cli\u003eSly, Freddie \u0026amp; Rose - You Really Got Me\u003c\/li\u003e\n\u003cli\u003eFreddie And The Stone Souls - Something About You\u003c\/li\u003e\n\u003cli\u003eThe Heavenly Tones - He’s Alright\u003c\/li\u003e\n\u003cli\u003eSly And The Family Stone - Man Does Not Live\u003c\/li\u003e\n\u003cli\u003eSly And The Family Stone - I Ain’t Got Nobody (For Real)\u003c\/li\u003e\n\u003cli\u003eFreddie And The Stone Souls – Superfunk\u003c\/li\u003e\n\u003cli\u003eSly And The Family Stone - Take My Advice\u003c\/li\u003e\n\u003cli\u003eRose - These Boots Are Made For Walkin’\u003c\/li\u003e\n\u003cli\u003eFreddie And The Stone Souls - Ain’t Too Proud To Beg\u003c\/li\u003e\n\u003cli\u003eThe Heavenly Tones - Lord Do Something For Me\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Various Artists","offers":[{"title":"LP \/ Orange","offer_id":42357558247615,"sku":"RG-005-OR","price":33.99,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":42357558214847,"sku":"RG-005-BK","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/RG-005-VariousArtists-StoneSoul-TheOriginsOfSlyAndTheFamilyStone.png?v=1711584870"},{"product_id":"tao-fire-lp","title":"Tao Fire [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eWhile sampling more sounds from the street of Southeast Asia, including weddings, funerals, and traditional celebrations, Mong Tong again explores different folk sounds around Austronesia\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes a traditional Japanese OBI strip\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eMong Tong's latest album, 'Tao Fire 道火', not only continues the idea behind their previous work, 'Indies 印', but also incorporates more local elements such as gamelan music, phin guitar, tabla drums, and Taiwan sisomi.\u003c\/p\u003e\n\u003cp\u003eWhile sampling more sounds from the street of Southeast Asia, including weddings, funerals, and traditional celebrations, Mong Tong again explores different folk sounds around Austronesia. Different to their last Guruguru Brain release 'Mystery 秘神', 'Tao Fire 道火' will take us to a land that is both familiar and fresh. Feel the hot, the crowd, humidity, and ecstasy. This time, welcome to Mong Tong's subtropical world.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eMystery Death\u003c\/li\u003e\n\u003cli\u003eTropic Sub\u003c\/li\u003e\n\u003cli\u003eAreca\u003c\/li\u003e\n\u003cli\u003eForest Show\u003c\/li\u003e\n\u003cli\u003eTaboo\u003c\/li\u003e\n\u003cli\u003eThung Beat\u003c\/li\u003e\n\u003cli\u003eMountain Pond\u003c\/li\u003e\n\u003cli\u003eNaihe Bridge\u003c\/li\u003e\n\u003cli\u003eFire Wind Wheel\u003c\/li\u003e\n\u003cli\u003eGold Earth\u003c\/li\u003e\n\u003cli\u003eHanoi\u003c\/li\u003e\n\u003cli\u003eGhost Island\u003c\/li\u003e\n\u003cli\u003eRain Maker\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Mong Tong","offers":[{"title":"LP \/ Black","offer_id":42357560148159,"sku":"GGB-033-BK","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/950135672383.jpg?v=1684527039"},{"product_id":"jim-sullivan-ufo-lp-vinyl-record","title":"U.F.O.","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eUltra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNewly remastered\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLacquers cut by John Golden Mastering\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePlated at Record Technology Inc. (RTI)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes deep booklet with liner notes by Andria Lisle, rare photos, archival materials, and full lyrics (LP: 16-pgs, CD: 48-pgs)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNew Color LP Edition pressed on \u003c\/b\u003e\u003cem\u003e\u003cstrong\u003eAlien Highways Splatter\u003c\/strong\u003e\u003c\/em\u003e\u003cb\u003e colored vinyl (Blue with Black Splatter)\u003c\/b\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIn March 1975, \u003cstrong\u003eJim Sullivan\u003c\/strong\u003e mysteriously disappeared outside \u003cstrong\u003eSanta Rosa, New Mexico\u003c\/strong\u003e. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.\u003c\/p\u003e\n\u003cp\u003eBy coincidence – or perhaps not – Jim’s 1969 debut album was titled \u003cem\u003e\u003cstrong\u003eU.F.O.\u003c\/strong\u003e\u003c\/em\u003e Released in tiny numbers on a private label, it too was truly lost, until Seattle’s \u003cstrong\u003eLight In The Attic Records\u003c\/strong\u003e began a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.\u003c\/p\u003e\n\u003cp\u003eFor record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. \u003cem\u003e\u003cstrong\u003eU.F.O.\u003c\/strong\u003e\u003c\/em\u003e is one of those albums. A seventh son, \u003cstrong\u003eJim Sullivan\u003c\/strong\u003e was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like \u003cstrong\u003eHarry Dean Stanton\u003c\/strong\u003e, performing on the \u003cstrong\u003eJose Feliciano\u003c\/strong\u003e show, and even stealing a cameo in the ultimate hippie movie, \u003cem\u003e\u003cstrong\u003eEasy Rider\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eFriend and actor \u003cstrong\u003eAl Dobbs\u003c\/strong\u003e thought he could change all that, and founded a label – \u003cem\u003e\u003cstrong\u003eMonnie Records\u003c\/strong\u003e\u003c\/em\u003e – to release Jim’s album, enlisting the assistance of \u003cstrong\u003ePhil Spector\u003c\/strong\u003e’s legendary sessioneers \u003cstrong\u003eThe Wrecking Crew\u003c\/strong\u003e to do so. That’s \u003cstrong\u003eDon Randi\u003c\/strong\u003e, \u003cstrong\u003eEarl Palmer\u003c\/strong\u003e, and \u003cstrong\u003eJimmy Bond\u003c\/strong\u003e you can hear, the latter also acting as producer and arranger.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eU.F.O.\u003c\/strong\u003e\u003c\/em\u003e was a different beast to the one-man-and-his-guitar stuff \u003cstrong\u003eJim\u003c\/strong\u003e had been doing on stage; instead, it was a fully realized album of scope and imagination, a \u003cem\u003efolk-rock\u003c\/em\u003e record with its head in the stratosphere. Sullivan's voice is deep and expressive like \u003cstrong\u003eFred Neil\u003c\/strong\u003e's with a weathered and worldly Americana sound like \u003cstrong\u003eJoe South\u003c\/strong\u003e, pop songs that aren't happy - but filled with despair. The album is punctuated with a string section (that recalls \u003cstrong\u003eDavid Axelrod\u003c\/strong\u003e), other times a Wurlitzer piano provides the driving groove (as if Memphis great \u003cstrong\u003eJim Dickinson\u003c\/strong\u003e was running the show). \u003cem\u003e\u003cstrong\u003eU.F.O.\u003c\/strong\u003e\u003c\/em\u003e is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.\u003c\/p\u003e\n\u003cp\u003eWith no music industry contacts, the record went largely unnoticed, and \u003cstrong\u003eJim\u003c\/strong\u003e simply moved on, releasing a further album on the \u003cstrong\u003ePlayboy\u003c\/strong\u003e label in 1972. But by 1975, his marriage breaking up, \u003cstrong\u003eJim\u003c\/strong\u003e left, for \u003cstrong\u003eNashville\u003c\/strong\u003e and the promise of a new life as a sessioneer in the home of C\u0026amp;W. That’s where it gets hazy.\u003c\/p\u003e\n\u003cp\u003eWe know he was stopped by cops for swerving on the highway in \u003cstrong\u003eSanta Rosa\u003c\/strong\u003e, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local \u003cstrong\u003eLa Mesa Motel\u003c\/strong\u003e to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local \u003cstrong\u003eGenetti\u003c\/strong\u003e family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes, and several copies of his second album, but no note, and no \u003cstrong\u003eJim\u003c\/strong\u003e. It was as if he had simply vanished into thin air.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJim\u003c\/strong\u003e’s family traveled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the \u003cstrong\u003eGenettis\u003c\/strong\u003e moved to \u003cstrong\u003eHawaii\u003c\/strong\u003e. \u003cstrong\u003eJim\u003c\/strong\u003e’s manager \u003cstrong\u003eRobert 'Buster' Ginter\u003c\/strong\u003e later stated that during the early morning hours of a long evening, \u003cstrong\u003eJim\u003c\/strong\u003e and \u003cstrong\u003eBuster\u003c\/strong\u003e were talking about what would you do if they had to disappear. \u003cstrong\u003eJim\u003c\/strong\u003e said he'd walk into the desert and never come back.\u003c\/p\u003e\n\u003cp\u003eTracking down the truth behind \u003cstrong\u003eJim\u003c\/strong\u003e’s mystery became an obsession of \u003cstrong\u003eLight In The Attic\u003c\/strong\u003e’s \u003cstrong\u003eMatt Sullivan\u003c\/strong\u003e (no relation) when he happened upon a copy of the album and fell in love. He took on a cross-country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings, and meetings with \u003cstrong\u003eJim\u003c\/strong\u003e’s wife, son, and producer. Thanks to superb digital mastering techniques, \u003cstrong\u003eLight In The Attic\u003c\/strong\u003e is still able to present a clean, near-perfect copy of \u003cstrong\u003eJim\u003c\/strong\u003e’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eJerome\u003c\/li\u003e\n\u003cli\u003ePlain As Your Eyes Can See\u003c\/li\u003e\n\u003cli\u003eRoll Back The Time\u003c\/li\u003e\n\u003cli\u003eWhistle Stop\u003c\/li\u003e\n\u003cli\u003eRosey\u003c\/li\u003e\n\u003cli\u003eHighways\u003c\/li\u003e\n\u003cli\u003eU.F.O.\u003c\/li\u003e\n\u003cli\u003eSo Natural\u003c\/li\u003e\n\u003cli\u003eJohnny\u003c\/li\u003e\n\u003cli\u003eSandman\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/6zaVaNAjvlN583TtOJIpZu?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Jim Sullivan","offers":[{"title":"LP \/ Blue Black Splatter","offer_id":42366715592895,"sku":"LITA206-BLBK-SPR","price":34.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":42366715560127,"sku":"LITA206-BK","price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA206-JimSullivan-U.F.O_Cover.jpg?v=1685251408"},{"product_id":"les-rallizes-denudes-citta-93-3lp-vinyl-record","title":"CITTA' '93","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eFirst-ever release of the legendary 1993 gig\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eMixed from the original multitracks by Rallizes member Makoto Kubota\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eOfficial recording fully authorized by The Last One Musique\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePhotos by Takehiko Nakafuji\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLiner notes by Shinya Matsuyama\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e3LPs in a tri-fold jacket with insert\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAlso available in \u003ca href=\"https:\/\/helixsounds.com\/products\/les-rallizes-denudes-citta-93-cd\" title=\"Les Rallizes Denudes - CITTA' '93 (2xCD)\"\u003e2xCD\u003c\/a\u003e housed in a gatefold wallet\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIn 1991, \u003cstrong\u003eLes Rallizes Denudes\u003c\/strong\u003e released three full-length albums on CD, the band’s first-ever recordings to be made available since their formation in Kyoto more than two decades prior. In 1993, the band appeared in front of an audience for the first time since 1988.\u003c\/p\u003e\n\u003cp\u003eTheir \u003cstrong\u003eFebruary 17\u003c\/strong\u003e appearance at \u003cstrong\u003eClub Cittaʼ\u003c\/strong\u003e, which came four days after their \u003cem\u003e“comeback” gig at Baus Theater\u003c\/em\u003e, turned out to be one of the most notable out of all the Rallizes performances thus far. The show has been talked about in some circles as the stuff of legend. With guitars roaring at colossal levels, even surpassing the immense volume of their earlier gigs, the doors were vibrating as some audience members were said to have run out to the lobby to find respite from the sonic assault.\u003c\/p\u003e\n\u003cp\u003eThis shattering (in almost a literal sense) performance, in its entirety, was recorded and preserved on an \u003cstrong\u003e8-channel digital recorder\u003c\/strong\u003e. Discreetly kept in storage for thirty years, these multi-track masters form the basis of \u003cstrong\u003eCITTAʼ ʻ93\u003c\/strong\u003e, a brand-new album that accurately captures the transcendental roar that shook the walls of the venue in Kawasaki that one night. Carefully and sympathetically mixed by former Rallizes member \u003cstrong\u003eMakoto Kubota\u003c\/strong\u003e, CITTAʼ ʼ93 presents a Rallizes sound that has never before been heard in any official capacity.\u003c\/p\u003e\n\u003cp\u003eThe Rallizes lineup that night consisted of \u003cstrong\u003eTakashi Mizutani\u003c\/strong\u003e (vocals, guitar), \u003cstrong\u003eKatsuhiko Ishii\u003c\/strong\u003e (guitar), \u003cstrong\u003eYokai Takahashi\u003c\/strong\u003e (bass), \u003cstrong\u003eKodo Noma\u003c\/strong\u003e (drums). Album jacket artwork features photography by \u003cstrong\u003eTakehiko Nakafuji\u003c\/strong\u003e; liner notes by \u003cstrong\u003eShinya Matsuyama\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e夜、暗殺者の夜 \/ The Night\u003c\/li\u003e\n\u003cli\u003eAssassin's Night\u003c\/li\u003e\n\u003cli\u003e記憶は遠い \/ Memory is Far Away\u003c\/li\u003e\n\u003cli\u003e夜より深く \/ Deeper Than the Night\u003c\/li\u003e\n\u003cli\u003e永遠に今が \/ Eternally Now\u003c\/li\u003e\n\u003cli\u003e白い目覚め_1993 \/ White Awakening 1993\u003c\/li\u003e\n\u003cli\u003e鳥の声 \/ Bird Calls in the Dusk\u003c\/li\u003e\n\u003cli\u003eDarkness Returns 2\u003c\/li\u003e\n\u003cli\u003eThe Last One 1993\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\nTo be released.","brand":"Les Rallizes Dénudés","offers":[{"title":"3LP \/ Black","offer_id":42369075052735,"sku":"DRFT11-BK","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/DRFT11-LesRallizesDenudes-CITTA_93_Cover.jpg?v=1698786338"},{"product_id":"les-rallizes-denudes-mizutani-les-rallizes-denudes-lp-vinyl-record","title":"MIZUTANI \/ Les Rallizes Dénudés","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFirst-ever reissue of one of the legendary cult band’s three official albums\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRemastered from the original analog tapes by Makoto Kubota\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLiner notes by Shinya Matsuyama\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFully sanctioned by The Last One Musique\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAvailable on Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePressed at Third Man Pressing\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTemporal Drift\u003c\/strong\u003e presents the first-ever officially sanctioned reissue of celebrated Japanese cult band \u003cstrong\u003eLes Rallizes Dénudés'\u003c\/strong\u003e three albums, originally compiled and released in limited quantities on CD in 1991. These reissues follow the label's release of \u003cstrong\u003eThe OZ Tapes\u003c\/strong\u003e in 2022, as part of the label's ongoing series of Les Rallizes Dénudés reissues.\u003c\/p\u003e\n\u003cp\u003eLed by the enigmatic \u003cstrong\u003eTakashi Mizutani\u003c\/strong\u003e, Les Rallizes Dénudés has gained an almost mythical status the world over with their delicate balancing act between transcendent psychedelia and pure sonic assault, maintaining its status as an underground phenomenon throughout their three-decade existence and beyond.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e'67-'69 STUDIO et LIVE\u003c\/strong\u003e, \u003cstrong\u003eMIZUTANI \/ Les Rallizes Dénudés\u003c\/strong\u003e, and \u003cstrong\u003e'77 LIVE\u003c\/strong\u003e are the only albums released during Les Rallizes Dénudés' lifetime, between its formation in 1967 at Doshisha University in Kyoto to its last-ever show in 1996 at Club Citta in Kawasaki. Produced by Mizutani, the three discs collectively provide a window into the (in)famously impenetrable band's first decade of existence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIZUTANI \/ Les Rallizes Dénudés\u003c\/strong\u003e includes a set of intimate, contemplative acoustic-based tracks from a transitional period at the turn of the decade. Recorded in 1970 at Doshisha University's student broadcast studio, this session featured the band mostly as a duo, with Mizutani accompanied by Makoto Kubota, who also handled recording duties. A few of the tracks featured Tadanaka Makino on percussion. CD edition includes \"黒い悲しみのロマンセ \/ Romance of the Black Pain otherwise Fallin' Love With,\" a live recording by the 1973 lineup of Les Rallizes Dénudés.\u003c\/p\u003e\n\u003cp\u003eProduced in collaboration with \u003cstrong\u003eThe Last One Musique\u003c\/strong\u003e, the new label set up by former members and associates of Les Rallizes Dénudés, \u003cstrong\u003eMIZUTANI \/ Les Rallizes Dénudés\u003c\/strong\u003e features newly remastered audio by former Rallizes member Makoto Kubota and new liner notes by Shinya Matsuyama.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCREDITS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eArranged By, Lead Guitar [Backing Lead Guitar], Lead Guitar, Bass – Kubota Makoto\u003c\/li\u003e\n\u003cli\u003eArranged By, Percussion – Makino Tadanaka\u003c\/li\u003e\n\u003cli\u003eArranged By, Vocals, Guitar [Fuzz Guitar], Guitar [Side Guitar] – Mizutani Takashi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e記憶は遠い \/ Memory is Far Away\u003c\/li\u003e\n\u003cli\u003e朝の光 L’AUBE \/ Morning Light, L’Aube\u003c\/li\u003e\n\u003cli\u003e断章 Ⅰ \/ Fragment I\u003c\/li\u003e\n\u003cli\u003e断章 Ⅱ \/ Fragment II\u003c\/li\u003e\n\u003cli\u003e亀裂 \/ Fissure\u003c\/li\u003e\n\u003cli\u003eThe Last One 1970\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Les Rallizes Dénudés","offers":[{"title":"LP \/ Clear","offer_id":42376862204095,"sku":"DRFT06-CL","price":44.99,"currency_code":"USD","in_stock":false},{"title":"LP \/ Black","offer_id":42376862171327,"sku":"DRFT06-BK","price":38.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/DRFT06-LesRallizesDenudes-Mizutani_Cover.png?v=1686204891"},{"product_id":"les-rallizes-denudes-citta-93-2cd","title":"CITTA' '93 [CD]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eFirst-ever release of the legendary 1993 gig\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eMixed from the original multitracks by Rallizes member Makoto Kubota\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eOfficial recording fully authorized by The Last One Musique\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePhotos by Takehiko Nakafuji\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLiner notes by Shinya Matsuyama\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e2CDs housed in a gatefold wallet\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAlso available in \u003ca href=\"https:\/\/helixsounds.com\/products\/les-rallizes-denudes-citta-93-3lp\" title=\"Les Rallizes Denudes - CITTA' '93 Vinyl\"\u003eVinyl\u003c\/a\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIn 1991, \u003cstrong\u003eLes Rallizes Denudes\u003c\/strong\u003e released three full-length albums on CD, the band’s first-ever recordings to be made available since their formation in Kyoto more than two decades prior. In 1993, the band appeared in front of an audience for the first time since 1988.\u003c\/p\u003e\n\u003cp\u003eTheir \u003cstrong\u003eFebruary 17\u003c\/strong\u003e appearance at \u003cstrong\u003eClub Cittaʼ\u003c\/strong\u003e, which came four days after their \u003cem\u003e“comeback” gig at Baus Theater\u003c\/em\u003e, turned out to be one of the most notable out of all the Rallizes performances thus far. The show has been talked about in some circles as the stuff of legend. With guitars roaring at colossal levels, even surpassing the immense volume of their earlier gigs, the doors were vibrating as some audience members were said to have run out to the lobby to find respite from the sonic assault.\u003c\/p\u003e\n\u003cp\u003eThis shattering (in almost a literal sense) performance, in its entirety, was recorded and preserved on an \u003cstrong\u003e8-channel digital recorder\u003c\/strong\u003e. Discreetly kept in storage for thirty years, these multi-track masters form the basis of \u003cstrong\u003eCITTAʼ ʻ93\u003c\/strong\u003e, a brand-new album that accurately captures the transcendental roar that shook the walls of the venue in Kawasaki that one night. Carefully and sympathetically mixed by former Rallizes member \u003cstrong\u003eMakoto Kubota\u003c\/strong\u003e, CITTAʼ ʼ93 presents a Rallizes sound that has never before been heard in any official capacity.\u003c\/p\u003e\n\u003cp\u003eThe Rallizes lineup that night consisted of \u003cstrong\u003eTakashi Mizutani\u003c\/strong\u003e (vocals, guitar), \u003cstrong\u003eKatsuhiko Ishii\u003c\/strong\u003e (guitar), \u003cstrong\u003eYokai Takahashi\u003c\/strong\u003e (bass), \u003cstrong\u003eKodo Noma\u003c\/strong\u003e (drums). Album jacket artwork features photography by \u003cstrong\u003eTakehiko Nakafuji\u003c\/strong\u003e; liner notes by \u003cstrong\u003eShinya Matsuyama\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e夜、暗殺者の夜 \/ The Night\u003c\/li\u003e\n\u003cli\u003eAssassin's Night\u003c\/li\u003e\n\u003cli\u003e記憶は遠い \/ Memory is Far Away\u003c\/li\u003e\n\u003cli\u003e夜より深く \/ Deeper Than the Night\u003c\/li\u003e\n\u003cli\u003e永遠に今が \/ Eternally Now\u003c\/li\u003e\n\u003cli\u003e白い目覚め_1993 \/ White Awakening 1993\u003c\/li\u003e\n\u003cli\u003e鳥の声 \/ Bird Calls in the Dusk\u003c\/li\u003e\n\u003cli\u003eDarkness Returns 2\u003c\/li\u003e\n\u003cli\u003eThe Last One 1993\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\nTo be released.","brand":"Les Rallizes Dénudés","offers":[{"title":"2CD","offer_id":42376908472511,"sku":"DRFT11-2","price":18.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/DRFT11-LesRallizesDenudes-CITTA_93_Cover_f407d669-0eb2-4e5e-a087-feb3f977a875.jpg?v=1698786337"},{"product_id":"nde-haruomi-hosono-2lp-vinyl-record","title":"N.D.E.","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eFirst-ever vinyl pressing of N.D.E.\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e\u003cb\u003eRemastered for vinyl \u0026amp; cut at 45 RPM\u003c\/b\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e2xLP pressed on Classic Black Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeaturing Goh Hotoda, Yasuhiko Terada, Yasuaki Shimizu, Bill Laswell \u0026amp; François Kevorkian, a.o.\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNO SALES TO JAPAN\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eFirst ever vinyl pressing of Haruomi Hosono's full album N.D.E. Featuring Goh Hotoda, Yasuhiko Terada, Yasuaki Shimizu, Bill Laswell \u0026amp; François Kevorkian. Big TIP!\u003c\/p\u003e\n\u003cp\u003eEver since his days as a pioneer of Japanese electronic music in the 1970s, Haruomi Hosono has constantly pushed forwards musically. The 1990s was a particularly fertile decade for the Yellow Magic Orchestra co-founder. Following two decades spent creating and releasing innovative electronic pop, imaginary sound worlds, and inspirational ambient music, Hosono established the Daisyworld label to showcase cutting-edge ambient, techno, and electronica, while also embarking on a wide range of often overlooked collaborative projects.\u003c\/p\u003e\n\u003cp\u003eN.D.E. - , one of the \u003cstrong\u003e\u003cem\u003eheadiest, psychedelic, evocative and gently mind-altering albums\u003c\/em\u003e\u003c\/strong\u003e in Hosono’s vast discography, is one such project. It formed part of a run of albums that saw the Japanese producer embrace contemporaneous influences – think Spacetime Continuum style ambient techno, DJ Spooky-esque illbient, weighty ambient dub, and the ‘ambient house’ antics of The Orb – in his own inimitable, far-sighted style.\u003c\/p\u003e\n\u003cp\u003eHe was ably assisted on N.D.E. by an undeniably impressive roll call of collaborators, most notably no-wave hero turned ambient explorer Bill Laswell (who Hosono subsequently worked with on joint album Interpieces Organisation), NYC DJ\/producer Francois Kevorkian, and fellow Japanese ambient pioneer Yasuaki Shimizu.\u003c\/p\u003e\n\u003cp\u003eWith such a stellar cast list, it’s perhaps unsurprising that N.D.E. has achieved cult status over the years, despite being near impossible to find outside of Hosono’s native Japan. Remarkably, it never received a full vinyl release, with only five of the set’s cuts appearing on an ultra-limited sampler. Now Rush Hour is putting the record straight, delivering a DJ-friendly, remastered version that spreads that album’s seven tracks across two slabs of vinyl, cut at 45rpm.\u003c\/p\u003e\n\u003cp\u003eN.D.E. remains an impressive, unearthly, and otherworldly album. Its unique and distinctive sound makes use of multiple nods to Eastern musical culture – think Tabla rhythms, heady violin courtesy of guest musician Arun Bagal, and transcendental synth sounds – but also throbbing techno grooves, Pete Namlook style ambient electronics, spaced-out dub rhythms, bubbly melodies reminiscent of Warp Records Artificial Intelligence-era IDM output, trippy tribal drums, and immersive electronic dream-scapes that recall the greatest exponents of Japanese new-age ambient music.\u003c\/p\u003e\n\u003cp\u003eHighlights are plentiful, from the Test Department-at-dawn brilliance of Bill Laswell's co-production ‘Edge of the End’ and the sunrise-ready, dew-fresh dreaminess of ‘Aero’, to the surging ambient techno hedonism of ‘Strange Attractor’ – a near cult cut that remains a timeless slab of hallucinatory dancefloor excellence – and the slow-motion space-dub of Francois Kevorkian collaboration ‘Teaching of Sphinx’, whose oddly processed sounds and low-slung bass subtly reference the Orb’s earlier remix of YMO’s ‘Tong Poo’.\u003c\/p\u003e\n\u003cp\u003eThere’s also the impeccable, pleasingly experimental ‘Spinning Spirits’ – all addictive Indian rhythms, punishingly distorted bass, raw electronics, and paranoid aural textures – and the sparkling bliss of ‘Heliotherapy’, a woozy chunk of sun-bright electronic hypnotism that encapsulates everything good about Hosono’s mid-90s productions.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eSpinning Spirits\u003c\/li\u003e\n\u003cli\u003eNavigations\u003c\/li\u003e\n\u003cli\u003eTeaching Of Sphinx\u003c\/li\u003e\n\u003cli\u003eStrange Attractor\u003c\/li\u003e\n\u003cli\u003eHeliotherapy\u003c\/li\u003e\n\u003cli\u003eHigher Flyer\u003c\/li\u003e\n\u003cli\u003eEdge Of The End\u003c\/li\u003e\n\u003cli\u003eAero\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lCPAoY1wAzY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Haruomi Hosono","offers":[{"title":"2LP \/ Black","offer_id":42400031572159,"sku":"RH-JPN10-BK","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/HaruomiHosono-N.D.E._Cover.jpg?v=1687831829"},{"product_id":"wild-boy-the-lost-songs-of-eden-ahbez-lp","title":"Wild Boy: The Lost Songs Of Eden Ahbez [Import]","description":"\u003ch3\u003e** This is a PRE-ORDER item. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eUnreleased and rare studio recordings by Eden Ahbez\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAn essential collection of early psychedelic music\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eTaken from Original Tapes and mastered by Grammy-nominated Jessica Thompson\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAvailable on Black Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“Wild Boy…” is a reissue of the well-known 2016 release curated by Brian Chidester, renowned researcher and biographer of Eden Ahbez. Especially for this album, Brian wrote an interesting text about Abi’s life, which definitely became the decoration of the release.\u003c\/p\u003e\n\u003cp\u003eWith the new 2020 re-release, we went a little further and kept what is commonly referred to as studio cuts. It’s a few more minutes in the studio with Ahbez himself, full of emotion and life. In addition, to the delight of fans, the edition includes an additional composition Nature Boy (Mantovani Orchestra). Especially, it is worth noting the outstanding mastering prepared from practically decomposed tapes by the Grammy-nominated Jessica Thompson, which guarantees the deepest and warmth possible sound. Jessica a huge Ahbez fan and we’re highly appreciated for what she has done to save his music for the future.\u003c\/p\u003e\n\u003cp\u003eEden Ahbez is definitely at the origin of psychedelic music and this release can be taken as further proof. Over the past twenty years, the iconic figure of the world’s first hippie Eden Ahbez has become famous primarily for his 1948 song “Nature Boy”, praising universal love, and his amazingly solo album from the 1960s called “Eden’s Island” – one from the first concept albums in the history of music and probably the first psychedelic music album. “Wild Boy: The Lost Songs Of Eden Ahbez” deepens understanding of the origins of the psychedelic movement in the 1950s.\u003c\/p\u003e\n\u003cp\u003eThe disc contains a musical selection of works by Eden Ahbez himself, written by him in the period after Nature Boy. The inclusion of songs such as “Palm Springs” – Ray Anthony Orchestra and “Hey Jacques” by Erta Kitt gives the listener the chance to discover for the first time the little-known recordings of world-famous artists composed by Eden Ahbez. Through “Wild Boy” and “Surfer John” you can hear the author’s handling of absurd rock and exotic experimentation, as well as sweet psychedelic pop like Monterey (with Paul Horn on flute). Overall, Wild Boy: The Lost Songs Of Eden Ahbez offers an overview of the lost works of 1949-1971 with seven unpublished recordings and eight rare singles.\u003c\/p\u003e\n\u003cp\u003eIf in 2020 you are missing the hallucinogenic content in Eden Ahbez, it amazingly makes up for that deficiency with simple chords, expansive arrangements, and lyrics about travel, relaxation, free love, and spirituality. Thus creating the standard of psychedelic music. Eden Ahbez’s songs weren’t only fantasy and his personal philosophy was the real thing that he lived.\u003c\/p\u003e\n\u003cp\u003eReviews:\u003c\/p\u003e\n\u003cp\u003e“This carefully and extensively researched compilation culls covers by top-notch mainstream artists juxtaposed with unreleased Eden recordings. What might sound like a mixed bag is actually more like a chronological, musical non-fiction novel about Eden Ahbez. While Eden was writing hundreds of songs, performing live, and making recordings in various styles, his songs were also being picked up by popular artists like Nat King Cole and Eartha Kitt who recorded with a more polished mainstream style. There are also some early rock n roll style recordings here. Eden’s professional recordings often end up as Novelty Pop records such as “Child of Nature” and “The Clam Man” but if you read between the lines and listen to the lyrics it is pretty eye-opening that he is singing about Eastern-religion-style and pre-hippie philosophies about being at one with the planet Earth.\u003c\/p\u003e\n\u003cp\u003eAll of this is explained in the lengthy liner notes inside the LP along with a few choice photos that establish Eden as a founding father of Southern California mystic\/psychedelic music.” – Tiki News\u003c\/p\u003e\n\u003cp\u003e“Eden Ahbez’s life philosophy was summed up in the lyrics of his most famous song, “Nature Boy,” a 1948 hit for Nat King Cole: the song describes a “strange enchanted boy” who wanders the world in search of truth. “The greatest thing you’ll ever learn,” he concludes, “is to love and be loved in return.” Ahbez was a precursor of California’s beatniks and hippies and an exalted icon of exotica via his rare 1960 album Eden’s Island. Beyond “Nature Boy” and Eden’s Island, though, there were numerous lesser-known Ahbez recordings. Ahbez biographer Brian Chidester has been doing an exemplary job of archiving and documenting that catalog of work. The Exotic World of Eden Ahbez (reviewed in UT#38) appeared a few years ago, gathering together 14 Ahbez-related rarities” – Ugly Things\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eIndia\u003c\/li\u003e\n\u003cli\u003eChild of Nature\u003c\/li\u003e\n\u003cli\u003eAnna Was Mine (Demo Version)\u003c\/li\u003e\n\u003cli\u003eNature Boy (Mantovani Orchestra)\u003c\/li\u003e\n\u003cli\u003eLand Of Love (Come My Love And Live With Me)\u003c\/li\u003e\n\u003cli\u003eHey Jacque (Hey Jacque)\u003c\/li\u003e\n\u003cli\u003ePalm Springs (The Ray Anthony Orchestra)\u003c\/li\u003e\n\u003cli\u003eUmgowah\u003c\/li\u003e\n\u003cli\u003eWild Boy ( with Mort Wise \u0026amp; The Wisemen and Rocky Holman)\u003c\/li\u003e\n\u003cli\u003eSurfer John (Nature Boy \u0026amp; Friends)\u003c\/li\u003e\n\u003cli\u003eEden’s Island (Arthur Lyman)\u003c\/li\u003e\n\u003cli\u003eMonterey (with John Harris and Paul Horn)\u003c\/li\u003e\n\u003cli\u003eOvercomers Of The World (with John Harris)\u003c\/li\u003e\n\u003cli\u003eThe Clam Man\u003c\/li\u003e\n\u003cli\u003eNature Boy (The Talbot Brothers)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/6BOAcv0ZkCtQJq8vnl913f?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Eden Ahbez","offers":[{"title":"LP \/ Black","offer_id":42419608027327,"sku":"Everland Psych 015 LP-BK","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/tmp_2F1677106826499-ole0cppkeqn-2cc8353724205d2796df2b2254827630_2F3jehiGA_974x_55eb3f0c-3a9b-47dc-87f5-82d7c6338f53.jpg?v=1724734843"},{"product_id":"77-live-les-rallizes-denudes-3lp","title":"‘77 Live","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eFirst-ever reissue of one of the legendary cult band's three official albums\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eRemastered from the original analog tapes by Makoto Kubota\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLiner notes by Manabu Yuasa\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFully sanctioned by The Last One Musique\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eTriple LP in a Tri-Fold Jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePressed at Third Man Pressing\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAvailable as on 3LP Black Vinyl and 2CD\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eTemporal Drift presents the first-ever officially sanctioned reissue of celebrated Japanese cult band Les Rallizes Dénudés’ three albums, originally compiled and released in limited quantities on CD in 1991. These reissues follow the label’s release of The OZ Tapes in 2022, as part of the label’s ongoing series of Les Rallizes Dénudés reissues.\u003c\/p\u003e\n\u003cp\u003eLed by the enigmatic Takashi Mizutani, Les Rallizes Dénudés has gained an almost mythical status the world over with their delicate balancing act between transcendent psychedelia and pure sonic assault, maintaining its status as an underground phenomenon throughout their three-decade existence and beyond.\u003c\/p\u003e\n\u003cp\u003e‘67-’69 STUDIO et LIVE, MIZUTANI \/ Les Rallizes Dénudés, and ‘77 LIVE are the only albums released during Les Rallizes Dénudés’ lifetime, between its formation in 1967 at Doshisha University in Kyoto to its last-ever show in 1996 at Club Citta in Kawasaki. Produced by Mizutani, the three discs collectively provide a window into the (in)famously impenetrable band’s first decade of existence.\u003c\/p\u003e\n\u003cp\u003e‘77 LIVE is an explosive live set from Tokyo that captures the glorious noise of the Rallizes at their full potential. Recorded on March 12, 1977, at Tachikawa Social Education Hall in Tachikawa, Tokyo, ‘77 LIVE showcases Mizutani’s unmistakable, overdriven, feedback-drenched guitar, played on a newly purchased Gibson SG, soon to become his signature ax. Includes wholly transformed versions of “Memory is Far Away” and “The Last One” reaching the kind of highs that no unsuspecting listener could have imagined coming from Mizutani or the Rallizes just a few years prior, as heard on ‘67-’69 STUDIO et LIVE and MIZUTANI \/ Les Rallizes Dénudés.\u003c\/p\u003e\n\u003cp\u003eProduced in collaboration with The Last One Musique, the new label set up by former members and associates of Les Rallizes Dénudés, ‘77 LIVE features newly remastered audio by former Rallizes member Makoto Kubota and new liner notes by Manabu Yuasa.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eEnter the Mirror\u003c\/li\u003e\n\u003cli\u003e夜、暗殺者の夜 \/ The Night\u003c\/li\u003e\n\u003cli\u003eAssassin’s Night\u003c\/li\u003e\n\u003cli\u003e氷の炎 \/ Flame of Ice\u003c\/li\u003e\n\u003cli\u003e記憶は遠い \/ Memory is Far Away\u003c\/li\u003e\n\u003cli\u003e夜より深く\/ Deeper than the Night\u003c\/li\u003e\n\u003cli\u003e夜の収穫者たち \/ Reapers of the Night\u003c\/li\u003e\n\u003cli\u003eThe Last One 1977\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Les Rallizes Dénudés","offers":[{"title":"3LP \/ Black","offer_id":42419609075903,"sku":"DRFT07-BK","price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/a1645480834_10.jpg?v=1738569740"},{"product_id":"77-live-les-rallizes-denudes-2cd","title":"‘77 Live [CD]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eFirst-ever reissue of one of the legendary cult band's three official albums\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eRemastered from the original analog tapes by Makoto Kubota\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLiner notes by Manabu Yuasa\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFully sanctioned by The Last One Musique\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e2CD\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAlso available on LP Black Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eTemporal Drift presents the first-ever officially sanctioned reissue of celebrated Japanese cult band Les Rallizes Dénudés’ three albums, originally compiled and released in limited quantities on CD in 1991. These reissues follow the label’s release of The OZ Tapes in 2022, as part of the label’s ongoing series of Les Rallizes Dénudés reissues.\u003c\/p\u003e\n\u003cp\u003eLed by the enigmatic Takashi Mizutani, Les Rallizes Dénudés has gained an almost mythical status the world over with their delicate balancing act between transcendent psychedelia and pure sonic assault, maintaining its status as an underground phenomenon throughout their three-decade existence and beyond.\u003c\/p\u003e\n\u003cp\u003e‘67-’69 STUDIO et LIVE, MIZUTANI \/ Les Rallizes Dénudés, and ‘77 LIVE are the only albums released during Les Rallizes Dénudés’ lifetime, between its formation in 1967 at Doshisha University in Kyoto to its last-ever show in 1996 at Club Citta in Kawasaki. Produced by Mizutani, the three discs collectively provide a window into the (in)famously impenetrable band’s first decade of existence.\u003c\/p\u003e\n\u003cp\u003e‘77 LIVE is an explosive live set from Tokyo that captures the glorious noise of the Rallizes at their full potential. Recorded on March 12, 1977, at Tachikawa Social Education Hall in Tachikawa, Tokyo, ‘77 LIVE showcases Mizutani’s unmistakable, overdriven, feedback-drenched guitar, played on a newly purchased Gibson SG, soon to become his signature ax. Includes wholly transformed versions of “Memory is Far Away” and “The Last One” reaching the kind of highs that no unsuspecting listener could have imagined coming from Mizutani or the Rallizes just a few years prior, as heard on ‘67-’69 STUDIO et LIVE and MIZUTANI \/ Les Rallizes Dénudés.\u003c\/p\u003e\n\u003cp\u003eProduced in collaboration with The Last One Musique, the new label set up by former members and associates of Les Rallizes Dénudés, ‘77 LIVE features newly remastered audio by former Rallizes member Makoto Kubota and new liner notes by Manabu Yuasa.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eEnter the Mirror\u003c\/li\u003e\n\u003cli\u003e夜、暗殺者の夜 \/ The Night\u003c\/li\u003e\n\u003cli\u003eAssassin’s Night\u003c\/li\u003e\n\u003cli\u003e氷の炎 \/ Flame of Ice\u003c\/li\u003e\n\u003cli\u003e記憶は遠い \/ Memory is Far Away\u003c\/li\u003e\n\u003cli\u003e夜より深く\/ Deeper than the Night\u003c\/li\u003e\n\u003cli\u003e夜の収穫者たち \/ Reapers of the Night\u003c\/li\u003e\n\u003cli\u003eThe Last One 1977\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Les Rallizes Dénudés","offers":[{"title":"2CD \/ Standard","offer_id":42419609141439,"sku":"DRFT07-STD","price":21.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/a1645480834_10.jpg?v=1738569740"},{"product_id":"abeichizoku-abeichizoku-lp","title":"Abeichizoku","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eOriginally self-released in only 100 copies in 1973\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNew liner notes by each of the three surviving members as well as new English translation of the original liner notes.\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eStoughton “tip-on” jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eVinyl pressed at Cascade Record Pressing\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAudio restoration and mastering by Michael Graves at Osiris Studio\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLacquer cut by Jeff Powell at Take Out Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAvailable on two color editions: Black Vinyl and Translucent Smoke Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eFounded in 1972 by members of a university folk club, \u003cstrong\u003eAbeichizoku\u003c\/strong\u003e was influenced by \u003cem\u003e\u003cstrong\u003eYoshio Hayakawa’s Jacks and URC bands like Happy End, Itsutsu No Akai Fusen, and Dylan II\u003c\/strong\u003e\u003c\/em\u003e. In the twilight of their school years, with the word “job” looming over them, the band recorded their lone album in a grueling 8-hour shift in their university’s assembly hall. Originally released in 1973 and made in only 100 copies, this essential piece of Japanese 70s folk rock has been reissued here for the first time.\u003c\/p\u003e\n\u003cp\u003ePrinted on Stoughton “tip-on” jackets. New liner notes by each of the three surviving members as well new English translation of the original liner notes. Audio restoration and mastering by Michael Graves at Osiris Studio. Lacquer cut by \u003cstrong\u003eJeff Powell\u003c\/strong\u003e at \u003cstrong\u003eTake Out Vinyl\u003c\/strong\u003e. \u003cstrong\u003e400 copies on black vinyl\u003c\/strong\u003e, and \u003cstrong\u003e200 on translucent smoke vinyl\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eRainy Morning\u003c\/li\u003e\n\u003cli\u003eKankan Shine\u003c\/li\u003e\n\u003cli\u003eWhite Wind\u003c\/li\u003e\n\u003cli\u003eStorm\u003c\/li\u003e\n\u003cli\u003eTomorrow Is An Amusement Park\u003c\/li\u003e\n\u003cli\u003eI Want You\u003c\/li\u003e\n\u003cli\u003eCrow In The Sky\u003c\/li\u003e\n\u003cli\u003eRoom Of Solitude\u003c\/li\u003e\n\u003cli\u003eNow\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Abeichizoku","offers":[{"title":"LP \/ Black","offer_id":42492327035071,"sku":"FLR-003-BK","price":32.99,"currency_code":"USD","in_stock":false},{"title":"LP \/ Grey","offer_id":42492327067839,"sku":"FLR-003-GY-SMK","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/FLR-003-Abeichizoku-Abeichizoku.png?v=1701214101"},{"product_id":"justin-heathcliff-justin-heathcliff-lp","title":"Justin Heathcliff [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition of 250 copies\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e1xLP pressed on Classic Black Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eHoused in a thick fake leather cardboard cover with hot-foil embossing\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eHand-numbered on backcover\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eOfficial re-release with sound from the original mastertape, supplied by the artist himself\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIt is time that this awesome piece of late 60s style beat and psychedelic rock music gets a proper reissue. This one will be appointed with an awesome leathery cover and comes in a strictly limited edition.\u003c\/p\u003e\n\u003cp\u003eWhat do we know about this record? It feels like Syd Barret, Beatles, Twink, The Deviants, T-Rex, Tomorrow and The Small Faces got together for a boozy and smoky jam session out of which a handful of beautiful songs have emerged, ranging from straight, powerful beat tunes towards joyful flower pop anthems with a bubble gum edge with a layover at melancholic folksy singer\/songwriter sounds. What most people do not know is that the participating musicians are only partly British.\u003c\/p\u003e\n\u003cp\u003eThis album is the brainchild of renowned Japanese world music \/ ethno-jazz rock artist Osamu Kitajima, who later on went to fame under his own name with some extraordinary progressive albums in the later 70s. He spent a year in England around 1970 to 1971 and recorded this album under the monicker of „Justin Heathcliff“, to make the impression of a true British pop\/psyche record with a distinctive late 60s feel perfect. It might not have been a commercial starship around the time it got released, but it stood the test of time, and even nearly 50 years after its initial release this record still flatters our ears with songs of unearthly beauty on par with the above-mentioned English legends. More pop than alternative music of 1968 „Justin Heathcliff“ is a great soul journey to a brighter and more colorful time.\u003c\/p\u003e\n\u003cp\u003eThis is swinging London, not the apocalyptic hippie Utopia of Haight Asbury in late 1967, or the revolutionary street fights in Germany or France. This is music to comfort your mind and make you feel happy. It even goes back to 1966 when The Beatles did „Revolver“. For a 1971 release, this is already a retro affair despite only going back to elements that were five years old at most. It does not matter anyway, this is a masterpiece and Osamu Kitajima is a master of colorful UK 60s pop.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eLet's All Sing Along\u003c\/li\u003e\n\u003cli\u003eYou All Should Think More\u003c\/li\u003e\n\u003cli\u003eHand In Hand\u003c\/li\u003e\n\u003cli\u003eWhich Is True\u003c\/li\u003e\n\u003cli\u003eOnce It's Nice To Rise At Dawn\u003c\/li\u003e\n\u003cli\u003eLost Are My Dreams\u003c\/li\u003e\n\u003cli\u003eSea\u003c\/li\u003e\n\u003cli\u003eYou Know What I Mean\u003c\/li\u003e\n\u003cli\u003eA Tiny Island\u003c\/li\u003e\n\u003cli\u003eGood Bye\u003c\/li\u003e\n\u003cli\u003eLife\u003c\/li\u003e\n\u003cli\u003eTo Live In Peace\u003c\/li\u003e\n\u003cli\u003eLove Makes The World Complete\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Justin Heathcliff","offers":[{"title":"LP \/ Black","offer_id":42552976834751,"sku":"Everland Psych 002LP-BK","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/EverlandPsych002LP-JustinHeathcliff-JustinHeathcliff.jpg?v=1697584900"},{"product_id":"the-evil-one-roky-erickson-2lp","title":"The Evil One","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eRemastered from the original tapes\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e2xLP pressed on Hazy Purple Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eHoused in a gatefold tip-on jacket with etching by Travis Millard on side 4\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eComprehensive 20-page liner notes by Texas maverick Joe Nick Patoski\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eRarely seen photos \u0026amp; ephemera from the archives of Orb Productions\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eProduced over a period of two years by Stu Cook (Creedence Clearwater Revival), The Evil One was released in 1981 and is a masterful collection of songs about zombies, demons, vampires, and, yes, even the ‘Creature With The Atom Brain’. These tracks, inspired by schlock sci-fi and horror movies and colored by Roky’s distinctive, high-pitched vocal and squealing guitar, are among the maverick performer’s best.\u003c\/p\u003e\n\u003cp\u003eCelebrating a creative purple patch by a singular performer, Light In The Attic is to reissue the three albums issued by Roky Erickson in the 1980s: The Evil One (LITA 097), Don’t Slander Me (LITA 098) and Gremlins Have Pictures (LITA 099). Together, they’re a chance to pick up a missing jigsaw piece in the history of American rock ‘n’ roll in deluxe packages.\u003c\/p\u003e\n\u003cp\u003eAs the core member of the 13th Floor Elevators and an undisputed pioneer of psychedelic rock, the ’60s were thrilling times for Erickson. His band riding high in their native Texas and beyond, the howling single ‘You’re Gonna Miss Me’ was his calling card, but Erickson’s ‘60s ended in the stuff of nightmares. Under sharp scrutiny by the authorities due to the band’s well-expounded fondness for psychedelic drugs, Erickson was found with a single joint on his person. Pleading not guilty by reason of insanity to avoid prison, he was sent to the Rusk State Hospital for the criminally insane, where he was ‘treated’ with electroconvulsive therapy and Thorazine treatment. Erickson pulled through his three and a half years at Rusk, and even put together a band while incarcerated. The Missing Links contained Roky plus two murderers and a rapist.\u003c\/p\u003e\n\u003cp\u003eReleased from the institution in 1974, Roky found his legend had grown while he’d been away – not least because ‘You’re Gonna Miss Me’ was included on 1972’s Nuggets compilation. He formed a band, the Aliens, and set about honing a hard rock sound that placed the psychedelic garage blues of the Elevators firmly in the last decade. Though it was produced at a time when Roky was struggling to cope with drugs and life on the outside, he hit form on his first post Elevators album-proper, 1981’s The Evil One. Produced over a period of two years by Stu Cook, from Creedence Clearwater Revival, it’s a masterful collection of songs about zombies, demons, vampires, and, yes, even the ‘Creature With The Atom Brain’. These tracks, inspired by schlock sci-fi and horror movies and colored by Roky’s distinctive, high-pitched vocal and squealing guitar, are among the maverick performer’s best.\u003c\/p\u003e\n\u003cp\u003eAt the time, Roky explained the album this way: “It’s gonna go back to the ferocious kind of rock ‘n’ roll of the Kinks, the Who and the Yardbirds. It’s the kind of music that makes you wish you were playing it or listening to it for the first time ‘way back when.’” But the record would not reach the mass audience of those bands, its success hampered by erratic release schedules and disastrously awkward press interviews. A year after its release, Erickson would become convinced that a Martian had inhabited his body. He would soon become obsessed with mail, and take to taping it, unopened, to his bedroom walls. Many of Erickson’s demons were yet to show their faces. But the B-movie demons he exorcised on this record gave us one of hard rock’s strangest, most inventive albums.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eTwo-Headed Dog (Red Temple Prayer)\u003c\/li\u003e\n\u003cli\u003eI Think Of Demons\u003c\/li\u003e\n\u003cli\u003eI Walked With A Zombie\u003c\/li\u003e\n\u003cli\u003eDon't Shake Me Lucifer\u003c\/li\u003e\n\u003cli\u003eNight Of The Vampire\u003c\/li\u003e\n\u003cli\u003eWhite Faces\u003c\/li\u003e\n\u003cli\u003eCold Night For Alligators\u003c\/li\u003e\n\u003cli\u003eCreature With The Atom Brain\u003c\/li\u003e\n\u003cli\u003eMine Mine Mind\u003c\/li\u003e\n\u003cli\u003eStand For The Fire Demon\u003c\/li\u003e\n\u003cli\u003eIf You Have Ghosts\u003c\/li\u003e\n\u003cli\u003eSputnik\u003c\/li\u003e\n\u003cli\u003eThe Wind And More\u003c\/li\u003e\n\u003cli\u003eBloody Hammer\u003c\/li\u003e\n\u003cli\u003eClick Your Fingers Applauding The Play\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/625D7Framo0tCKlhdLKoE4?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Roky Erickson","offers":[{"title":"2LP \/ Purple","offer_id":42552976867519,"sku":"LITA097-PR","price":42.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA097-RokyErickson-TheEvilOne-Cover.jpg?v=1698650042"},{"product_id":"one-nation-underground-pearls-before-swine-2lp","title":"One Nation Underground [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003e2xLP pressed on Classic Black Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eRecreated original sleeve\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes bonus disc of outtakes and alternate versions\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eDouble LP expanded re-issue of Pearls Before Swine's debut album with unreleased extras. Faithfully recreated Original sleeve in collaboration with the Tom Rapp Estate.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eAnother Time\u003c\/li\u003e\n\u003cli\u003ePlaymate\u003c\/li\u003e\n\u003cli\u003eBallad to an Amber Lady\u003c\/li\u003e\n\u003cli\u003e(Oh Dear) Miss Morse\u003c\/li\u003e\n\u003cli\u003eDrop Out!\u003c\/li\u003e\n\u003cli\u003eMorning Song\u003c\/li\u003e\n\u003cli\u003eRegions of May\u003c\/li\u003e\n\u003cli\u003eUncle John\u003c\/li\u003e\n\u003cli\u003eI Shall Not Care\u003c\/li\u003e\n\u003cli\u003eThe Surrealist Waltz\u003c\/li\u003e\n\u003cli\u003eUncle John- ESP Out-Take\u003c\/li\u003e\n\u003cli\u003ePlaymate - ESP Out-Take\u003c\/li\u003e\n\u003cli\u003eMorning Song - Pre ONU\u003c\/li\u003e\n\u003cli\u003eSpring '67 Orlando\u003c\/li\u003e\n\u003cli\u003eFlorida\u003c\/li\u003e\n\u003cli\u003eSurrealist Waltz - ESP Out-Take\u003c\/li\u003e\n\u003cli\u003eDrop Out! - Magic Eye Show Radio Session\u003c\/li\u003e\n\u003cli\u003e1997\u003c\/li\u003e\n\u003cli\u003eAnother Time - WHCN Radio Session\u003c\/li\u003e\n\u003cli\u003e1972\u003c\/li\u003e\n\u003cli\u003eBallad to an Amber Lady - Wizard of Is Out-Take\u003c\/li\u003e\n\u003cli\u003e(Oh Dear) Miss Morse - Live at the Free Music Store\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eFull Fathom Five - I Shall Not Care - Live at Goddard College\u003c\/li\u003e\n\u003cli\u003e1972\u003c\/li\u003e\n\u003cli\u003eState U Instrumental - Pre ONU\u003c\/li\u003e\n\u003cli\u003eSpring '67 Orlando\u003c\/li\u003e\n\u003cli\u003eFlorida\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/2L12Jluj6C3bjSreHEbh78?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Pearls Before Swine","offers":[{"title":"2LP \/ Black","offer_id":42576536862911,"sku":"EARTHLP055-BK","price":40.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/tmp_2F1681498148627-uzimed16er-b2051e994bec9b14aa5a0bf82ec74dec_2Fa0277214557_10_974x_bf68af9c-ec2d-47f1-934b-df4b191a594c.jpg?v=1700170839"},{"product_id":"the-wizard-of-is-pearls-before-swine-2lp","title":"The Wizard Of Is [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures 31 tracks \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSourced from the private tape collection of the late, great Tom Rapp\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes 7 live bonus tracks\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eRemastered and re-appraised 31-track collection of Pearls Before Swine rarities from the private tape collection of the late, great Tom Rapp.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Extremely influential.” Rolling Stone\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor the first time on vinyl, this beautiful collection brings together alternate versions of Rapp originals ‘The Jeweler’, ‘Translucent Carriages’, and ‘Rocket Man’. It also includes jaw-dropping covers of Rapp’s contemporaries Cohen, Dylan, and Joni Mitchell, with bonus download material featuring seven amazing live versions plus a never before released intimate show at The Other End circa 1976.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“A more intoxicating version of folk psychedelia.” Wire magazine\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA goldmine of possibilities from a prospector with a silver tongue and stories to tell. ‘The Wizard Of Is’ is a weird and wonderful trip inside its creator’s mind, from sonnets and space hymns to stories of revolution and the war. It’s an American Gothic fantasy that straddles old time America and the outer edges of an imagined stratosphere.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eWhere Is Love\u003c\/li\u003e\n\u003cli\u003eButterflies\u003c\/li\u003e\n\u003cli\u003eLove\u003c\/li\u003e\n\u003cli\u003eYou Are Not Alone\u003c\/li\u003e\n\u003cli\u003eGrace Street\u003c\/li\u003e\n\u003cli\u003eTranslucent Carriages\u003c\/li\u003e\n\u003cli\u003eSpace\u003c\/li\u003e\n\u003cli\u003eSail Away\u003c\/li\u003e\n\u003cli\u003eCity Of Gold\u003c\/li\u003e\n\u003cli\u003eSong About A Rose\u003c\/li\u003e\n\u003cli\u003eFor Free\u003c\/li\u003e\n\u003cli\u003eRoadside Hotel\u003c\/li\u003e\n\u003cli\u003ePrisoner Of War\u003c\/li\u003e\n\u003cli\u003eWizard Of Is\u003c\/li\u003e\n\u003cli\u003eOh Sister\u003c\/li\u003e\n\u003cli\u003eThe Lincoln Dream\u003c\/li\u003e\n\u003cli\u003eCan't Go Back\u003c\/li\u003e\n\u003cli\u003eMary Mary\u003c\/li\u003e\n\u003cli\u003eGoing To The City\u003c\/li\u003e\n\u003cli\u003eRocket Man\u003c\/li\u003e\n\u003cli\u003eRiegal\u003c\/li\u003e\n\u003cli\u003eJust Let The Grass Grow\u003c\/li\u003e\n\u003cli\u003eEverybody's Got Pain\u003c\/li\u003e\n\u003cli\u003eAmber Lady \/ I Saw The World\u003c\/li\u003e\n\u003cli\u003eCrawling Towards Bethlehem\u003c\/li\u003e\n\u003cli\u003eTranslucent Carriages\u003c\/li\u003e\n\u003cli\u003eMiss Morse\u003c\/li\u003e\n\u003cli\u003eThere's No Other\u003c\/li\u003e\n\u003cli\u003eIsland Lady\u003c\/li\u003e\n\u003cli\u003eFrog In The Window\u003c\/li\u003e\n\u003cli\u003eMorning\u003c\/li\u003e\n\u003cli\u003eRiegal\u003c\/li\u003e\n\u003cli\u003eFull Fathom Five \/ I Shall Not Care\u003c\/li\u003e\n\u003cli\u003eMarshall\u003c\/li\u003e\n\u003cli\u003eFootnote \/ When The War Began\u003c\/li\u003e\n\u003cli\u003eJesus\u003c\/li\u003e\n\u003cli\u003eAnothertyme\u003c\/li\u003e\n\u003cli\u003eRocket Man\u003c\/li\u003e\n\u003cli\u003eCrewman\u003c\/li\u003e\n\u003cli\u003eSuzanne\u003c\/li\u003e\n\u003cli\u003ePrayers Of Action \/ Candle\u003c\/li\u003e\n\u003cli\u003eLesson Of The 60s\u003c\/li\u003e\n\u003cli\u003eRocket Man\u003c\/li\u003e\n\u003cli\u003eThe Jeweler\u003c\/li\u003e\n\u003cli\u003eIf You Don't Want To (I Don't Mind)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/3GA3CyIBusaZphwgd2G48f?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Pearls Before Swine","offers":[{"title":"2LP \/ Black","offer_id":42576536895679,"sku":"EARTHLP052-BK","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/tmp_2F1668800658973-mjwag08170l-ba92935c2012ed401ecb21d722ea9fc6_2FPearls-Before-Swine-The-Wizard-of-Is-COVER-1-scaled_974x_4797b062-2202-4f20-8c28-93465f12016a.jpg?v=1700170517"},{"product_id":"cold-fact-rodriguez-lp","title":"Cold Fact","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e First Official re-release  \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2013 Re-Press Edition \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on audiophile 180g Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes the classic cut “Sugar Man,” as featured in the award-winning documentary film Searching For Sugar Man\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eProduced by fuzz guitar god Dennis Coffey \u0026amp; Mike Theodore\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes unseen photos, lyrics, and detailed liner notes interviewing Rodriguez\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures old-school tip-on jacket, insert w\/ liner notes\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAlso includes OBI strip\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIt’s one of the lost classics of the ‘60s, a psychedelic masterpiece drenched in colour and inspired by life, love, poverty, rebellion. The album is Cold Fact, and what’s more intriguing is that its maker – a shadowy figure known as Rodriguez – was, for many years, lost too. A decade ago, he was rediscovered working as a day laborer in Detroit, Michigan. He was unaware that his defining album had become not only a cult classic, but for the people of South Africa, a beacon of revolution\u003c\/p\u003e\n\u003cp\u003e“****” – MOJO\u003c\/p\u003e\n\u003cp\u003e“One of those rare lost albums that turns out to be a genuine classic” – Joe Tangari, Pitchfork\u003c\/p\u003e\n\u003cp\u003e“A buried treasure worth its weight in gold” – AllMusic\u003c\/p\u003e\n\u003cp\u003eIt’s one of the lost classics of the ‘60s, a psychedelic masterpiece drenched in colour and inspired by life, love, poverty, rebellion. The album is Cold Fact, and what’s more intriguing is that its maker – a shadowy figure known as Rodriguez – was, for many years, lost too. A decade ago, he was rediscovered working as a day laborer in Detroit, Michigan. He was unaware that his defining album had become not only a cult classic, but for the people of South Africa, a beacon of revolution.\u003c\/p\u003e\n\u003cp\u003eRodriguez recorded Cold Fact – his debut album – in 1969, and released it in March 1970. It’s crushingly good stuff, filled with tales of bad drugs, lost love, and itchy-footed songs about life in late ’60s inner-city America. “Gun sales are soaring\/Housewives find life boring\/Divorce the only answer\/Smoking causes cancer,” says the Dylan-esque Establishment Blues.\u003c\/p\u003e\n\u003cp\u003eBut the album sank without trace, thanks, in part, to some of Rodriguez’s more idiosyncratic behavior, like performing at an industry showcase with his back to the audience throughout. When the follow-up, 1972’s Coming From Reality, also sold poorly, Rodriguez called an end to his recording career. He’d never even played a proper gig. And he got on with life. Over the years, he turned his hand to local politics, gaining a degree in philosophy, factory work and eventually, hard labour.\u003c\/p\u003e\n\u003cp\u003eAs his music career became a memory, Rodriguez’s legend was growing – on the other side of the world. In South Africa, Australia and New Zealand, Cold Fact had become a major word of mouth success, particularly among young people in the South African armed forces, who identified with its counter-cultural bent. But Rodriguez was an enigma – not even the label knew where to find him – and his demise became the subject of debate and conjecture. Some rumours said he’d died of a drug overdose or burned to death on stage. Others said he was in a mental institution, or in prison for murdering his girlfriend. Barring a couple of sold out Australian tours in 1979 and 1981, nothing had been heard of him for almost 30 years.\u003c\/p\u003e\n\u003cp\u003eBut the tide began to turn in 1996, when journalist Craig Bartholemew set out to get to the bottom of the mystery. After many dead ends, he found Rodriguez alive, well, free and perfectly sane in Detroit, ending years of speculation. Rodriguez himself had no idea about his fame in South Africa (the album had gone multi-platinum, Rodriguez has received not so much as a Rand in royalties), and embarked on a triumphant South African tour followed, filling 5,000 capacity venues across the country.\u003c\/p\u003e\n\u003cp\u003eNow, Light In The Attic is set to commit Cold Fact and Coming From Reality to CD for an entire new audience, who can finally find out why – halfway across the world – Rodriguez is spoken of in the same reverent tones as The Doors, Love and Jimi Hendrix.\u003c\/p\u003e\n\u003cp\u003eRodriguez Estate receives royalties from the sale of this release.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eSugar Man\u003c\/li\u003e\n\u003cli\u003eOnly Good For Conversation\u003c\/li\u003e\n\u003cli\u003eCrucify Your Mind\u003c\/li\u003e\n\u003cli\u003eThis Is Not A Song\u003c\/li\u003e\n\u003cli\u003eIt's An Outburst Or\u003c\/li\u003e\n\u003cli\u003eThe Establishment Blues\u003c\/li\u003e\n\u003cli\u003eHate Street Dialogue\u003c\/li\u003e\n\u003cli\u003eForget It\u003c\/li\u003e\n\u003cli\u003eInner City Blues\u003c\/li\u003e\n\u003cli\u003eI Wonder\u003c\/li\u003e\n\u003cli\u003eLike Janis\u003c\/li\u003e\n\u003cli\u003eGommorah (A Nursery Rhyme)\u003c\/li\u003e\n\u003cli\u003eRich Folks Hoax\u003c\/li\u003e\n\u003cli\u003eJane S. Piddy\u003c\/li\u003e\n\u003cli\u003eI'll Slip Away (Digital-Only Album Bundle)\u003c\/li\u003e\n\u003cli\u003eYou'd Like To Admit It (Digital-Only Album Bundle)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3q90UAYeHLvAtnowiQlmgp?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Rodriguez","offers":[{"title":"LP \/ Black","offer_id":42634483040447,"sku":"LITA036-BK","price":84.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA036-Rodriguez-ColdFact.jpg?v=1700721784"},{"product_id":"beautiful-rivers-and-mountains-the-psychedelic-rock-sound-of-south-koreas-shin-joong-hyun-1958-74-shin-joong-hyun-2lp","title":"Beautiful Rivers And Mountains: The Psychedelic Rock Sound Of South Korea's Shin Joong Hyun 1958-74","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFirst anthology of Shin Joong Hyun’s music outside of Korea\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eComprehensive liner notes by Kevin “Sipreano” Howes with an in-depth interview and track-by-track notes by Mr. Shin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2xLP housed in a deluxe jacket with liner notes and rare photos\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl lacquers cut by John Golden at Golden Mastering and pressed at world-renowned RTI!\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA musical trip existing somewhere between Motown, Hendrix, and the Velvet Underground\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBlack Vinyl - 2011 Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBlue Black Splatter - 2024 Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eShin Joong Hyun’s tale is personal, spiritual, and deep, not only reflecting the full spectrum of human emotions but one that produces reverberating echoes of sound, some beautiful and life-giving, others restless and ungovernable. For the first time outside of Korea, Shin’s music will be readily available to music lovers the world over. Light In The Attic is thrilled to release Beautiful Rivers And Mountains: The Psychedelic Rock Sound Of South Korea’s Shin Joong Hyun, a career spanning CD, 2xLP, and Digital Download compilation of the diminutive guitarist, songwriter, producer, arranger, and talent developer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInspired by jazz, soul, and traditional Korean music, Shin started his career in the mid-1950s, performing for US troops stationed locally after the Korean War armistice of 1953. While his English language skills were limited, the young player had no trouble communicating through his trusty electric guitar, but Shin was no mere 6-string slinger for hire, he was able to communicate something far beyond your average professional musician. Production work and extensive songwriting followed, not to mention a steady stream of electrifying performances. Gaining momentum by the moment, Shin developed popular success across South Korea molding protégés like singing duo the Pearl Sisters and folk-psych songbird Kim Jung Mi into top pop stars. From there it was hit after hit. The late 1960s rock explosion and an influx of imported music from The Beatles, Jimmy Smith, and The Jefferson Airplane all informed and inspired Mr. Shin to elevate his own craft. Even experimental trips via a crew of local hippies also took the music man to new heights despite Korean law forbidding such rebellion. Drug use was illegal and punishable as a serious offense. Park Chung-hee, then President of South Korea began to closely monitor Shin’s “subversive” activities. After refusing to write a song in praise of the political leader, the musician was labeled unpatriotic and his career was instantly snuffed-out through a series of surveillance, torture, and institutional confinement.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile this was not the end of Shin’s musical story, for an all-too-brief moment in Korean cultural history, Shin Joong Hyun and his talented accomplices laid down a trove of recordings that have slowly reverberated far from their native land. Beautiful Rivers And Mountains: The Psychedelic Rock Sound Of South Korea’s Shin Joong Hyun features Korean\/English lyric translations, unseen pictures, beautiful graphic design from Strath Shepard (Pacific Standard), fully restored and re-mastered audio by Timothy Stollenwerk (Stereophonic) extensive liner notes by Kevin “Sipreano” Howes (Jamaica-Toronto series, Rodriguez, Monks, Mowest comp) and Shin Joong Hyun himself. With loving attention to detail and Shin’s full blessing, we trust you’ll find this album as addictive as a bottle of your favorite Korean soju. So let’s raise a toast to Shin and his musical life! As they say in Seoul, “Gun Bae!!!”\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eMoon Watching - Shin Joong Hyun\u003c\/li\u003e\n\u003cli\u003ePlease Don't Bother Me Anymore - Golden Grapes\u003c\/li\u003e\n\u003cli\u003eThe Man Who Must Leave - Kim Sun\u003c\/li\u003e\n\u003cli\u003eThe Sun - Kim Jung Mi\u003c\/li\u003e\n\u003cli\u003eI Don't Like - Lee Jung Hwa\u003c\/li\u003e\n\u003cli\u003ePlease Wait - Jang Hyun\u003c\/li\u003e\n\u003cli\u003eSpring Rain - Park In Soo\u003c\/li\u003e\n\u003cli\u003eTomorrow - Lee Joong Hwa\u003c\/li\u003e\n\u003cli\u003eJ' Blues 72 - Shin Joong Hyun\u003c\/li\u003e\n\u003cli\u003ePushing Through the Fog - Jang Hyun\u003c\/li\u003e\n\u003cli\u003eI've Got Nothing To Say - Shin Joong Hyun\u003c\/li\u003e\n\u003cli\u003eWhy That Person? - Bunny Girls\u003c\/li\u003e\n\u003cli\u003eSunset - Jang Hyun\u003c\/li\u003e\n\u003cli\u003eBeautiful River and Mountains - Shin Joong Hyun \u0026amp; The Men\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Shin Joong Hyun","offers":[{"title":"2LP \/ Black","offer_id":42654686838975,"sku":"LITA065-BK","price":64.99,"currency_code":"USD","in_stock":false},{"title":"2LP \/ Blue Black Splatter","offer_id":43973225480383,"sku":"LITA065-BLBK-SPR","price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/ShinJoongHyun_325_974x_56349ed8-a6df-4e36-8fb5-92b3563112e5.jpg?v=1701593018"},{"product_id":"directions-to-see-a-ghost-the-black-angels-lp","title":"Directions To See A Ghost","description":"\u003ch3\u003e** This is a BACKORDER. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eThe Black Angels’ classic sophomore album\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePressed at RTI\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eTriple LP housed in a Stoughton tri-fold gatefold jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eSpecial color edition pressed on Metallic Silver Wax\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“The Black Angels bring the aura of mid-1966–the drilling guitars of early Velvet Underground shows, the raga inflections of late-show Fillmore jams, the acid-prayer stomp of Austin avatars the 13th Floor Elevators–everywhere they go, including the levitations on their second album, Directions To See A Ghost. Mid-Eighties echoes of Spacemen 3 and the Jesus and Mary Chain also roll through the scoured-guitar sustain and Alex Maas’ rocker-monk incantations. But he knows what time it is. ’You say the Beatles stopped the war,” Maas sings in ‘Never\/Ever.’ ‘They might’ve helped to find a cure\/But it’s still not over.’ Even so, this medicine works wonders.\" – \u003cstrong\u003eDavid Fricke, Rolling Stone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen last we met The Black Angels, they were staring into the desert sun somewhere outside of Austin, Texas. Two years later, night has fallen and the spirits have come out. It’s time for The Black Angels to provide Directions To See A Ghost.\u003c\/p\u003e\n\u003cp\u003eIf you’re familiar with Passover, the band’s 2006 debut, you’ll know that The Black Angels’ music alone is enough to invoke spirits. There’s a name for the band’s sound: \"hypno-drone 'n' roll.\" It’s the sound of long nights on peyote, dreams of a new world order, and half-invented memories of the seamy side of 60s psychedelia.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe Black Angels formed in Austin, Texas, in 2004, comprised of six people (now five) from very different backgrounds. Singer\/vocalist Christian Bland is the son of a Presbyterian Pastor and was raised in a devoutly religious household. Bassist\/guitarist Nate Ryan was born on a cult compound, and drummer Stephanie Bailey claims she’s a descendent of Davy Crocket. She and Alex Maas (vocals\/guitar) both believe a little girl in a red linen dress haunts the group’s home.\u003c\/p\u003e\n\u003cp\u003e“Civil War battlefields are prime spots for seeing ghosts,” says Bland. “One time at Kennesaw mountain in Georgia, I was climbing the mountain in the middle of June and it must have been close to 100 degrees, but in this one particular spot it was very cold. The hairs on my neck stood up and I knew something strange was happening. Then the wind whispered something like ‘retreat,’ and I did. I later learned that the spot where I was on the battlefield was known as ‘the dead angle,’ the place where the fiercest fighting took place. The confederates ended up retreating from the mountain towards Peachtree Creek.”\u003c\/p\u003e\n\u003cp\u003eThe band released Passover in 2006 to critical acclaim for both the album and song sharing the same name, The First Vietnamese War. Most of all, Passover established The Black Angels as a band with brains, gusto, and a strong message. And this time around, the message is there to read in a 16-page booklet.\u003c\/p\u003e\n\u003cp\u003e“Our central theme is that people need to open up their minds and let everything come through, and to learn from past mistakes,” says Christian. “Only then will we understand the reality of this world and progress beyond where we are now as humans. We’ve built upon that theme with Directions To See A Ghost. We want people to study the booklet we are providing with the album in hopes that they will be able to relate each song to something in their life.”\u003c\/p\u003e\n\u003cp\u003e\"War is Peace.\u003c\/p\u003e\n\u003cp\u003eFreedom is Slavery.\u003c\/p\u003e\n\u003cp\u003eIgnorance is Strength.\u003c\/p\u003e\n\u003cp\u003eKeep Music Evil.\"\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eYou On The Run\u003c\/li\u003e\n\u003cli\u003eDoves\u003c\/li\u003e\n\u003cli\u003eScience Killer\u003c\/li\u003e\n\u003cli\u003eMission District\u003c\/li\u003e\n\u003cli\u003e18 Years\u003c\/li\u003e\n\u003cli\u003eDeer-Ree-Shee\u003c\/li\u003e\n\u003cli\u003eNever\/Ever\u003c\/li\u003e\n\u003cli\u003eVikings\u003c\/li\u003e\n\u003cli\u003eYou In Color\u003c\/li\u003e\n\u003cli\u003eThe Return\u003c\/li\u003e\n\u003cli\u003eSnake In The Grass\u003c\/li\u003e\n\u003cli\u003eBlack Angel Exit\/Shine (Digital Only Bonus Track)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/7mUYlXQOAtFHNU8eIC0QzN?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"The Black Angels","offers":[{"title":"3LP \/ Silver Metalic","offer_id":42708306002111,"sku":"LITA033-MTSV","price":43.99,"currency_code":"USD","in_stock":true},{"title":"3LP \/ Black","offer_id":42708305969343,"sku":"LITA033-BK","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA033-TheBlackAngels-DirectionsToSeeAGhost.jpg?v=1704354625"},{"product_id":"nippon-psychedelic-soul-1970-1979-various-artists-lp","title":"Nippon Psychedelic Soul 1970-1979 [Import]","description":"\u003ch3\u003e** This is a BACKORDER. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003e1xLP pressed on Classic Black Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFollow-up compilation to Time Capsule’s Nippon Acid Folk\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeaturing Happy End, Yoshiko Sai, and more!\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThe kaleidoscopic psychedelia of 1970s Japan captured a fragile and fertile moment as the country sought its future in funk grooves, heavy reverb, and lyrical hallucinations.\u003c\/p\u003e\n\u003cp\u003eThe follow-up compilation to Time Capsule’s Nippon Acid Folk, Nippon Psychedelic Soul takes myriad pathways into the tripped-out undergrowth of 1970s Japan. Finding their feet at home and looking for inspiration abroad, the musicians featured here were engaged in the communal soul-searching that followed the breakdown of the 1960s protest movements. Some made it big, others drifted into oblivion. The music they left behind shimmers with intensity.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eHiroshi Kamayatsu - Have you smoked Gauloise?\u003c\/li\u003e\n\u003cli\u003eHappy End - Haruyo Koi (Come)\u003c\/li\u003e\n\u003cli\u003eYoshiko Sai - Aoi Galasu Dama (Blue Glass Ball)\u003c\/li\u003e\n\u003cli\u003eTadashi Goino Group - Jikan Wo Koero (Go Beyond Time)\u003c\/li\u003e\n\u003cli\u003eJun Fukamachi - Omae (You)\u003c\/li\u003e\n\u003cli\u003eMomotaro Pink with Original PINKS - Hachigatsu No Inshow (August’s impression)\u003c\/li\u003e\n\u003cli\u003eVol.1 Chap.100 - Heya No Naka (In The Room)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/4x7XDFs8AnfQRvJiT7Y2cd?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"LP \/ Black","offer_id":42826693738687,"sku":"TIME018-BK","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/TIME018-VariousArtists-NipponPsychedelicSoul1970-1979.jpg?v=1707866448"},{"product_id":"the-power-of-the-heart-a-tribute-to-lou-reed-various-artists-lp","title":"The Power of the Heart: A Tribute to Lou Reed (RSD 2024 World Exclusive)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eA tribute to one of the greatest songwriters \u0026amp; artists of our time\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeatures newly recorded covers from Keith Richards, Joan Jett and the Blackhearts, Rufus Wainwright, Lucinda Williams, Maxim Ludwig \u0026amp; Angel Olsen, Rickie Lee Jones, Mary Gauthier, Bobby Rush, Automatic, The Afghan Whigs, and Rosanne Cash\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eSpecial Record Store Day Edition pressed on Silver Nugget wax and housed in a silver laminated jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eBooklet features liner notes by compilation producer \u0026amp; former Lou Reed publicist Bill Bentley, featuring photos by Mick Rock and Timothy Greenfield-Sanders\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition of 3,000 copies\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\"To me, Lou stood out. The real deal! Something important to American music and to ALL MUSIC! I miss him and his dog.\" - Keith Richards\u003c\/p\u003e\n\u003cp\u003e“Lou seemed fearless to me, like he’d rather die than be a people-pleaser. I took inspiration from that.” - Rosanne Cash\u003c\/p\u003e\n\u003cp\u003e“Lou Reed is my earliest influence, my introduction to punk rock, and the soundtrack to the beginning of my romance with Maxim.” - Angel Olsen\u003c\/p\u003e\n\u003cp\u003e“Lou Reed has been gone now for many years. He's one of the few people whom I miss as much now as when he left. There are so many instances where I wonder what he would say or what he would think. His general aura would always lend something really unique to the room. Thank God he left his great music and recordings. His personality is sorely missed. Love you, Lou.” - Rufus Wainwright\u003c\/p\u003e\n\u003cp\u003eIt goes without saying that the legendary Lou Reed was a true rock ’n’ roll pioneer. From The Velvet Underground’s debut in 1967 all the way through the end of his days, Reed sang truth from his heart. He lived life to the limit—and then some. The Power of the Heart is a tribute to Reed’s freedom of expression with covers spanning his ground-breaking years with the Velvets into his majestic solo career. Each track is a glorious extension of the Rock ’n’ Roll Animal’s soul, ever adventurous and avant-garde.\u003c\/p\u003e\n\u003cp\u003eThe Power of the Heart: A Tribute to Lou Reed kicks off with a legend in his own right, Keith Richards, reimagining the Velvets’ classic, “I’m Waiting for the Man.” Richards’ rendition instantly invites you on board this unforgettable ride. In stark contrast, “Perfect Day” is somehow even more melancholy than the original given the Rufus Wainwright treatment, featuring sparse fingerpicking and gentle harmonies. Joan Jett and the Blackhearts deliver a version of “I'm So Free” that would have even Lou rockin’ in his grave. It’s thrilling to hear these songs reinterpreted and sung by such heavyweights; you can even hear as Lucinda Williams channels the spirit of Lou with her take on “Legendary Hearts.”\u003c\/p\u003e\n\u003cp\u003eOther notable tracks include a punk-drunk, loved-up duet by real-life lovers Angel Olsen \u0026amp; Maxim Ludwig with “I Can’t Stand It,” and Rickie Lee Jones’ reimagining of “Walk on the Wild Side,” both whimsical and enticing with her whispery vocals, stripped-down percussion, and a piano fit for a late-night lounge. This tribute album truly defies genre, but its throughline, in the end, is its heart: a deeply thoughtful collection of songs that shaped a generation, each paying homage to a man whose body of work still sings.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eI'm Waiting for the Man\u003c\/li\u003e\n\u003cli\u003eI Can't Stand It\u003c\/li\u003e\n\u003cli\u003ePerfect Day\u003c\/li\u003e\n\u003cli\u003eI'm So Free\u003c\/li\u003e\n\u003cli\u003eSally Can't Dance\u003c\/li\u003e\n\u003cli\u003eWalk on the Wild Side\u003c\/li\u003e\n\u003cli\u003eI Love You\u003c\/li\u003e\n\u003cli\u003eSuzanne\u003c\/li\u003e\n\u003cli\u003eConey Island Baby\u003c\/li\u003e\n\u003cli\u003eLegendary Hearts\u003c\/li\u003e\n\u003cli\u003eNew Sensations\u003c\/li\u003e\n\u003cli\u003eMagician\u003c\/li\u003e\n\u003cli\u003eThe Power of the Heart\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\n\u003ciframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/3kDuIayCdMLFvXHTAQf6w3?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Various Artists","offers":[{"title":"LP \/ Silver","offer_id":42836474331327,"sku":"LITA217-SV","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA217-VariousArtists-ThePoweroftheHeartATributetoLouReed.jpg?v=1708056898"},{"product_id":"night-train-transcontinental-landscapes-1968-2019-various-artists-2lp","title":"Night Train: Transcontinental Landscapes 1968 – 2019 [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003e2xLP pressed on Transparent Petrol and Magenta Sky Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eCompiled by Ben Jones\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeaturing J.J. Cale, Chris \u0026amp; Cosey, and The B-52s...\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eFrom Dusk, through to Dawn. A collection to accompany the change of the fields, the coastline, and the color of the sky outside your window as you take your journey. From the compiler of Music For The Stars comes the next collection for Brighton label Two-Piers. Featuring artists such as J.J Cale, Chris \u0026amp; Cosey, The B-52s, The Asphodells, Bob Lind, Linda Perhacs, and The Menahan Street Band.\u003c\/p\u003e\n\u003cp\u003eThis choice of tracks is just one journey, a celebration of the beauty created by the artists, the musicians, the space \u0026amp; sound, the dark \u0026amp; light.\u003c\/p\u003e\n\u003cp\u003eAll aboard….The Night Train.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eEdward Hollcraft – South Bound Amtrak 716\u003c\/li\u003e\n\u003cli\u003eJ.J. Cale – Cherry\u003c\/li\u003e\n\u003cli\u003eBonnie Dobson – Milk \u0026amp; Honey\u003c\/li\u003e\n\u003cli\u003eH.P. Lovecraft – Spin Spin Spin\u003c\/li\u003e\n\u003cli\u003eThe Rationals – Glowin’\u003c\/li\u003e\n\u003cli\u003eLinda Perhacs – Hey\u003c\/li\u003e\n\u003cli\u003eB-52’s – Deep Sleep\u003c\/li\u003e\n\u003cli\u003eNine Circles – Twinkling Stars\u003c\/li\u003e\n\u003cli\u003eThe Asphodells – Another Lonely City\u003c\/li\u003e\n\u003cli\u003eTangerine Dream – Love On A Real Train\u003c\/li\u003e\n\u003cli\u003eChris \u0026amp; Cosey – Dancing Ghosts\u003c\/li\u003e\n\u003cli\u003eJohnny Harris – Fragments Of Fear\u003c\/li\u003e\n\u003cli\u003eBill Frisell – 1968\u003c\/li\u003e\n\u003cli\u003eBob Lind – City Scenes\u003c\/li\u003e\n\u003cli\u003eTony Joe White – Rainy Night In Georgia\u003c\/li\u003e\n\u003cli\u003eMenahan Street Band – There’s A New Coming\u003c\/li\u003e\n\u003cli\u003eThe Byrds – Goin’ Back\u003c\/li\u003e\n\u003cli\u003eEarth\u003c\/li\u003e\n\u003cli\u003eLeon Russell – Out In The Woods\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/2AbbQpMTLnAgS4RaSTCUVI?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Various Artists","offers":[{"title":"2LP \/ Teal Magenta","offer_id":42953122054335,"sku":"BN10LPX-TEMG","price":46.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/445500_974x_7c80e896-fddd-42ca-98b4-e20ca7deab9d.jpg?v=1711054299"},{"product_id":"taifu13gou-tsumetaionna-fumio-nunoya-7-inch","title":"Taifu13gou \/ Tsumetaionna [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003ePressed on Black 7\" Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eProduced by Eiichi Otaki\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eOriginally released in 1973\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eFumio Nunotani, also known as the vocalist of \"Niagara Ondo\", released his second solo single back in 1973. Produced by Eiichi Otaki and performed by Coconut Bank, this 7\" version is different from the one included in the album \"Sadashi Natsu Bate\". Side A features a cover of Happy End's song \"Taifu\" from their album \"Kazemachi Roman\". Don't miss out on this reprint!\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eTaifu13gou\u003c\/li\u003e\n\u003cli\u003eTsumetaionna\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Fumio Nunoya","offers":[{"title":"7\" \/ Black","offer_id":43326192222399,"sku":"PROT-7281-BK","price":28.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/500_PROT-7281_ozAEJo_ov_jacket_smass_974x_4ea7cf0c-ab88-40ba-889a-d636e1a5e71e.jpg?v=1715894806"},{"product_id":"song-line-rashinban-2lp","title":"Song Line [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eFirst time on vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eThe band led by Seiichi Yamamoto (ex-Boredoms, Omoide Hatoba etc)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e1xLP pressed on Black Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eJapanese obi-strip\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eSpins at 45 RPM\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eP-Vine is proud to present the reissue of several Rashinban albums on vinyl for the first time ever!\u003c\/p\u003e\n\u003cp\u003eRashinban is a Japanese psychedelic rock band which was active in the 90s to early 00s. The founder Seiichi Yamamoto is well known as a guitarist of Japanese experimental\/noise\/space rock\/tribal drumming band Boredoms.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eGareki No Sora\u003c\/li\u003e\n\u003cli\u003eCircle\u003c\/li\u003e\n\u003cli\u003eRefrain\u003c\/li\u003e\n\u003cli\u003eShizuka Na Basho\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/2tt8CuKKWky3SAZqvEEsno?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Rashinban","offers":[{"title":"2LP \/ Black","offer_id":43360388415679,"sku":"PLP-7417-8-BK","price":52.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/plp7417-8_JACKET_RGB_974x_0d1287e2-64dd-4acd-9ef5-810d96774f44.jpg?v=1716586751"},{"product_id":"eienn-no-uta-adrenaline-drive-rashinban-lp","title":"Eienn No Uta \/ Adrenaline Drive [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eFirst time on vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e1xLP pressed on Black Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eSpins at 45 RPM\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eJapanese obi-strip\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eThe band led by Seiichi Yamamoto (ex-Boredoms, Omoide Hatoba etc)\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eP-Vine is proud to present the reissue of several Rashinban albums on vinyl for the first time ever!\u003c\/p\u003e\n\u003cp\u003eRashinban is a Japanese psychedelic rock band which was active in the 90s to early 00s. The founder Seiichi Yamamoto is well known as a guitarist of Japanese experimental\/noise\/space rock\/tribal drumming band Boredoms.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eEienn No Uta\u003c\/li\u003e\n\u003cli\u003eCHIME\u003c\/li\u003e\n\u003cli\u003eEienn No Uta (Instrumental)\u003c\/li\u003e\n\u003cli\u003eAdrenaline Drive\u003c\/li\u003e\n\u003cli\u003eManatsu No Dekigoto\u003c\/li\u003e\n\u003cli\u003eAdrenaline Drive (Alternative version)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/1jNHYVh3Ekcz8T6qqmJtKx?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Rashinban","offers":[{"title":"LP \/ Black","offer_id":43360389267647,"sku":"PLP-7419-BK","price":43.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/plp7419_JACKET_RGB_974x_54d60772-d6fb-47c5-8520-36ae10c6d45f.jpg?v=1716586756"},{"product_id":"yaneura-oct-80-les-rallizes-denudes-2lp","title":"YaneUra Oct. '80","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eFirst-ever official release of the October 1980 gig at YaneUra in Shibuya, Tokyo\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeaturing guitarist Fujio Yamaguchi, formerly of proto-punk bad boys Murahachibu\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eMixed and mastered from the original tapes by Rallizes member Makoto Kubota\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eDesign by Akira Uji\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eBlack Vinyl 2LP housed in a gatefold jacket with insert\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAslo available on \u003ca href=\"https:\/\/helixsounds.com\/products\/yaneura-oct-80-les-rallizes-denudes-2cd\"\u003e2CD\u003c\/a\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNO SALES IN ASIA\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIn 1980, Les Rallizes Dénudés welcomed guitarist Fujio Yamaguchi (The Dynamites, Murahachibu, Teardrops) to its fold. The unconventional pairing of inimitable Rallizes frontman Mizutani with Fujio’s unrestrained, bluesier styles ushered in a new era for the band that excited fans old and new. This unique arrangement lasted less than a year, but the lineup would leave behind a long-lasting impact among Rallizes fans that can still be felt to this day.\u003c\/p\u003e\n\u003cp\u003eAmong the seven gigs played by the Fujio-era lineup, one particular show stood out from the rest. YaneUra Oct. ‘80 contains the blistering performance that took place on October 29, 1980, at the original YaneUra live house in Shibuya, Tokyo. This night, one of a series of gigs played at YaneUra by this lineup, has always been considered one of the certifiable classics among the live tapes that circulated among Rallizes aficionados.\u003c\/p\u003e\n\u003cp\u003eNewly mixed and mastered from the best available sources by Rallizes member Makoto Kubota, YaneUra Oct. ‘80 is the long-awaited, first-ever official release of this show. Built upon the tight rhythm section of bassist Doronco (Kiyohiro Takada) and drummer Kodo Noma, the violent interplay between the twin guitars of Mizutani and Fujio was known to have generated a jet-black aura that would permeate the air during each performance. The intense, 30-minute-plus medley of “I’m the Darkness” leading into “Flame of Ice” in particular can be considered one of the defining performances of the Rallizes entire career.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eおれは暗黒 (I'm the Darkness)\u003c\/li\u003e\n\u003cli\u003e氷の炎 (Flame of Ice)\u003c\/li\u003e\n\u003cli\u003eEnter The Mirror\u003c\/li\u003e\n\u003cli\u003e夜、暗殺者の夜 (Night Assassin's Night)\u003c\/li\u003e\n\u003cli\u003e夜より深 1980 (Deeper than the Night 1980)\u003c\/li\u003e\n\u003cli\u003eThe Last One 1980\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Les Rallizes Dénudés","offers":[{"title":"2LP \/ Black","offer_id":43393280114879,"sku":"DRFT13-BK","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/DRFT13_HiresCover_974x_2d7b4436-8fdb-4da0-9ec0-3c69aad49b96.jpg?v=1717183897"},{"product_id":"yaneura-oct-80-les-rallizes-denudes-2cd","title":"YaneUra Oct. '80 [CD]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eFirst-ever official release of the October 1980 gig at YaneUra in Shibuya, Tokyo\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeaturing guitarist Fujio Yamaguchi, formerly of proto-punk bad boys Murahachibu\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eMixed and mastered from the original tapes by Rallizes member Makoto Kubota\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eDesign by Akira Uji\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e2CD housed in a gatefold wallet with booklet. Note: CD contains the same tracks as the LP, except songs are in the actual order in which they were played at the live show\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAlso available on \u003ca href=\"https:\/\/helixsounds.com\/products\/yaneura-oct-80-les-rallizes-denudes-2lp\"\u003e2LP\u003c\/a\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNO SALES IN ASIA\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIn 1980, Les Rallizes Dénudés welcomed guitarist Fujio Yamaguchi (The Dynamites, Murahachibu, Teardrops) to its fold. The unconventional pairing of inimitable Rallizes frontman Mizutani with Fujio’s unrestrained, bluesier styles ushered in a new era for the band that excited fans old and new. This unique arrangement lasted less than a year, but the lineup would leave behind a long-lasting impact among Rallizes fans that can still be felt to this day.\u003c\/p\u003e\n\u003cp\u003eAmong the seven gigs played by the Fujio-era lineup, one particular show stood out from the rest. YaneUra Oct. ‘80 contains the blistering performance that took place on October 29, 1980, at the original YaneUra live house in Shibuya, Tokyo. This night, one of a series of gigs played at YaneUra by this lineup, has always been considered one of the certifiable classics among the live tapes that circulated among Rallizes aficionados.\u003c\/p\u003e\n\u003cp\u003eNewly mixed and mastered from the best available sources by Rallizes member Makoto Kubota, YaneUra Oct. ‘80 is the long-awaited, first-ever official release of this show. Built upon the tight rhythm section of bassist Doronco (Kiyohiro Takada) and drummer Kodo Noma, the violent interplay between the twin guitars of Mizutani and Fujio was known to have generated a jet-black aura that would permeate the air during each performance. The intense, 30-minute-plus medley of “I’m the Darkness” leading into “Flame of Ice” in particular can be considered one of the defining performances of the Rallizes entire career.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eおれは暗黒 (I'm the Darkness)\u003c\/li\u003e\n\u003cli\u003e氷の炎 (Flame of Ice)\u003c\/li\u003e\n\u003cli\u003eEnter The Mirror\u003c\/li\u003e\n\u003cli\u003e夜、暗殺者の夜 (Night Assassin's Night)\u003c\/li\u003e\n\u003cli\u003e夜より深 1980 (Deeper than the Night 1980)\u003c\/li\u003e\n\u003cli\u003eThe Last One 1980\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Les Rallizes Dénudés","offers":[{"title":"2CD \/ Standard","offer_id":43393280180415,"sku":"DRFT13-STD","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/DRFT13_HiresCover_974x_f4d03784-ecb2-45c5-8cee-3c7c83289b27.jpg?v=1717183905"},{"product_id":"dicks-picks-vol-12-providence-civic-center-grateful-dead-6lp","title":"Dicks Picks Vol. 12 - Providence Civic Center","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eGrateful Dead: Dick's Picks Vol. 12-Providence Civic Center 6\/26\/74 \u0026amp; Boston Garden 6\/28\/74\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eHand-Numbered\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e6xLP pressed on 180-Gram Black Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eFrom the Label:\u003c\/p\u003e\n\u003cp\u003eWhen we were offered the most welcome opportunity of choosing another \"virgin\" (as in never released on vinyl before) volume from the Dick's Picks catalog, we did our Dead diligence, combing through the many chat rooms online to see which one the fans really wanted to see come out on LP. It will come as no surprise that opinions were varied and vehement... but a consensus emerged that Dick's Picks Vol. 12-Providence Civic Center 6\/26\/74 \u0026amp; Boston Garden 6\/28\/74 was the one. Which is interesting, because that Pick is a little different, combining the second sets of two different nights instead of offering a single show. But it's the exception that proves the rule-the playing is so extraordinary, and the repertoire so unusual, that one can understand why Dick Latvala played more curator than archivist here.\u003c\/p\u003e\n\u003cp\u003eSide A picks up the second set from Providence three songs in, featuring a short jam that leads into what many have labeled the most extraordinary live version of \"China Cat Sunflower\" ever recorded, complete with a sublime transition (\"Mud Love Buddy Jam\" a.k.a. \"Mind Left Body Jam\") into \"I Know You Rider.\" The revelatory moments continue throughout the Providence set, highlighted by a dazzling, 15-minute \"Spanish Jam.\" But the second set of the Boston show-which appears here complete, after a superb encore performance of \"Eyes of the World\" from Providence-is the one that has passed into legend among Dead fans (a performance of Phil Lesh and Ned Lagin's electronic music piece \"Seastones\" provides an appropriately adventurous interlude).\u003c\/p\u003e\n\u003cp\u003eThe set boasts one of the most renowned live jams of the band's career, a flawless, 14-minute \"Weather Report Suite: Prelude\/Pt. 1\/Pt. 2-Let It Grow\" leading into a 27-minute \"Jam\" that is simply one of the most far-ranging, telepathic improvisations ever played by, well, anybody. That this set also includes a separation of the \"Sunshine Daydream\" section from \"Sugar Magnolia\" for only the second time ever is just gravy. This is, of course, a \"Wall of Sound\" concert, so we're working with something of a special audio source to begin with.\u003c\/p\u003e\n\u003cp\u003eSo, we enlisted Jeffrey Norman to master the release for vinyl from the original tapes (pictured on the enclosed insert) and enlisted Clint Holley and Dave Polster over at Well Made Music to cut the lacquers. Gotta Groove Records, our manufacturer of choice, has pressed the 6 LPs on 180-gram black vinyl housed inside a two-piece hardshell box.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eJam\u003c\/li\u003e\n\u003cli\u003eChina Cat Sunflower\u003c\/li\u003e\n\u003cli\u003eMud Love Buddy Jam A.K.A. Mind Left Body Jam\u003c\/li\u003e\n\u003cli\u003eI Know You Rider\u003c\/li\u003e\n\u003cli\u003eBeer Barrel Polka\u003c\/li\u003e\n\u003cli\u003eTruckin'\u003c\/li\u003e\n\u003cli\u003eOther One Jam\u003c\/li\u003e\n\u003cli\u003eSpanish Jam\u003c\/li\u003e\n\u003cli\u003eWharf Rat\u003c\/li\u003e\n\u003cli\u003eSugar Magnolia\u003c\/li\u003e\n\u003cli\u003eEyes of the World\u003c\/li\u003e\n\u003cli\u003eSeastones\u003c\/li\u003e\n\u003cli\u003eSugar Magnolia\u003c\/li\u003e\n\u003cli\u003eScarlet Begonias\u003c\/li\u003e\n\u003cli\u003eBig River\u003c\/li\u003e\n\u003cli\u003eTo Lay Me Down\u003c\/li\u003e\n\u003cli\u003eMe and My Uncle\u003c\/li\u003e\n\u003cli\u003eRow Jimmy\u003c\/li\u003e\n\u003cli\u003eWeather Report Suite: Prelude\/Pt. 1\/Pt. 2-Let It Grow\u003c\/li\u003e\n\u003cli\u003eJam\u003c\/li\u003e\n\u003cli\u003eJam (Cont.)\u003c\/li\u003e\n\u003cli\u003eU.S. Blues\u003c\/li\u003e\n\u003cli\u003ePromised Land\u003c\/li\u003e\n\u003cli\u003eGoin' Down the Road Feeling Bad\u003c\/li\u003e\n\u003cli\u003eSunshine Daydream\u003c\/li\u003e\n\u003cli\u003eShip of Fools\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/0B87pzzLQzyevvMvdcJqHZ?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Grateful Dead","offers":[{"title":"6LP \/ Black","offer_id":43529285271743,"sku":"RLGM-1703-BK","price":224.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/4356981-3201230.jpg?v=1720687421"},{"product_id":"genesis-wendy-bonnie-lp","title":"Genesis [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e1xLP pressed on Green Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eOriginally produced by Gary McFarland, Gábor Szabó and Cal Tjader\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eOriginally released in 1969\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eEnchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy \u0026amp; Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling, and organists\/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó, and Cal Tjader.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eLet Yourself Go Another Time\u003c\/li\u003e\n\u003cli\u003eThe Paisley Window Pane\u003c\/li\u003e\n\u003cli\u003eI Realized You By The Sea\u003c\/li\u003e\n\u003cli\u003eYou Keep Hanging Up On My Mind\u003c\/li\u003e\n\u003cli\u003eIt's What's Really Happening\u003c\/li\u003e\n\u003cli\u003eFive O'Clock In\u003c\/li\u003e\n\u003cli\u003eThe Morning\u003c\/li\u003e\n\u003cli\u003eEndless Pathway\u003c\/li\u003e\n\u003cli\u003eChildren Laughing\u003c\/li\u003e\n\u003cli\u003eThe Winter Is Cold\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3sq7WzlP6sal02b8opb0b7?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Wendy \u0026 Bonnie","offers":[{"title":"LP \/ Green","offer_id":43529286811839,"sku":"CNLP71-GN","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/8055323521505_974x_a8c8d230-3306-48d5-9568-bdbd5aa0e180.jpg?v=1720687448"},{"product_id":"thunder-on-a-clear-day-century-zoo-lp","title":"Thunder On A Clear Day","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition - 500 copies\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eOriginally released in 1968\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePressed on black vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNewly remastered\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eThe debut album and only release from Arizona based rock band Twentieth Century Zoo\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIn the summer of 1968, the Arizona rock band Blue Scepter released their overlooked masterpiece, Eternal Journey, on Vault Records. Now available as a strictly limited vinyl reissue, this album blends psych rock, acid blues, and jazz with a West Coast sound. Formed from the folk-rock outfit The Bittersweets in 1967, these musicians created a journey through acid rock and melancholic blues. This fuzzed-out gem from the early Phoenix Valley rock scene remains a rare and pure slice of mid-'60s psychedelia.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eQuiet Before The Storm\u003c\/li\u003e\n\u003cli\u003eRainbow\u003c\/li\u003e\n\u003cli\u003eBullfrog\u003c\/li\u003e\n\u003cli\u003eLove In Your Face\u003c\/li\u003e\n\u003cli\u003eYou Don't Remember\u003c\/li\u003e\n\u003cli\u003eIt's All In My Head\u003c\/li\u003e\n\u003cli\u003eBlues In A Feeling - Jam\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/4inHMOJPrSlMUqiORWM2wo?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Century Zoo","offers":[{"title":"LP \/ Black","offer_id":43575120330943,"sku":"BONF024-BK","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/BONF024-CenturyZoo-ThunderOnAClearDay.jpg?v=1722034565"},{"product_id":"with-my-dog-ricky-the-early-works-of-shinichi-omata-1981-1983-shinichi-omata-lp","title":"With My Dog Ricky: The Early Works of Shinichi Omata 1981-1983 [Import]","description":"\u003ch3\u003e** This is a PRE-ORDER. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eAvailable for the first time on vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLovingly extracted from Shinichi Omata’s unreleased early recorded output, 1981-1983\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eRemastered for vinyl by Josh Bonati at Bonati Mastering NYC\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eUnknown personal masterpieces of Japanese synth culture\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eSomewhere between Solid State Survivor, Force Majeure, and Danzindan-Pojidon you’ll find Shinichi Omata’s Boku・Neko・Platanus. Or rather you won’t – throughout his captivating debut from 1984, reissued by chOOn!! in 2022, you’ll hear connections to other music but its unique unbridled will keep pushing those references out of mind.\u003c\/p\u003e\n\u003cp\u003eOmata is a fascinating figure – an unsung hero of early Japanese electronic music who between 1981–84 recorded three albums of incredible DIY techno-pop while studying as a student in Tokyo. At University, Omata worked and collaborated as a sitar player and keyboardist with artists such as Hiroko Yoshihara, Takami, DEA, and various members of the LLE music circle, where he developed an expressive fusion of minimal synth and psychedelia.\u003c\/p\u003e\n\u003cp\u003eThe Japan of the late 1970s and early 80s was still largely a monoculture, lacking the substantial immigrant populations who brought the reggae and dub elements that so musically and politically energized pop, punk, post-punk, and new wave in the West.\u003c\/p\u003e\n\u003cp\u003eJapan – and Tokyo especially – was, however, going through a cultural renaissance of sorts, defined by some unlikely intersections between art and commerce. Department stores positioned themselves as bastions of the cultural avant-garde; advertising copywriters were revered like poets. Within the music industry, the success of Yellow Magic Orchestra briefly opened up a space where experimentation, highbrow intellectualism, and unabashed pop could co-exist.\u003c\/p\u003e\n\u003cp\u003eThat was the MO for Omata, whose first recordings abound with pointillistically pretty melodies, translucent textures, and subliminal rhythms. This selection, lovingly extracted from his unreleased early recorded output, dating from 1981’s Neo Modernism through to 1983's With My Dog Ricky, demonstrates just how closely he clung to the original abstract ideal of molding 8-bit bleeps and ungainly drum patterns into lo-fi triumphalism. On paper you wouldn’t give this aesthetic clash a pass were it not for the aural evidence of a unique sensibility, precociously open-minded and visionary, charmingly transparent in respect of its influences yet possessed of a need for individuality.\u003c\/p\u003e\n\u003cp\u003eThroughout this kaleidoscopic collection, all the ghost plastic in Omata’s head, Kosmische synthesis, synth-funk squiggles, arcade games, and early Ambient is thrown together, reimagined and regarded affectionately – through a glass lightly, so to speak. The relentless aerobic rhythms, pristine surfaces, and hyper-accelerated synthesizer lines that would later define Boku・Neko・Platanus are here in abundance. It’s cheap and colorful, all achieved by analog means so that the joins are nicely exposed, reaching ecstatic heights where old forms are mutated and twisted like balloons into new animal shapes. Beneath the pulsing arpeggiated bleeps, Omata’s compositions show a remarkable economy and poise hinting at European classical influences - like a reimagining of Erik Satie’s piano miniatures that swaps 19th-century Parisian boulevards for Tokyo’s 1980s technopolis. The music is sheer skin-puckering delight throughout, a delirious, mesmeric collage of dark disco bubblegum and eccentrically enchanting atmospheres that you cannot quite believe you’ve never heard before.\u003c\/p\u003e\n\u003cp\u003eAvailable for the first time on vinyl and produced in cooperation with Shinichi Omata for chOOn!!, a label specializing in obscure, archival, and forgotten releases.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eAsphyxiation in the Womb\u003c\/li\u003e\n\u003cli\u003eNostalgia in Bombay\u003c\/li\u003e\n\u003cli\u003eSuteki Na Costa\u003c\/li\u003e\n\u003cli\u003eSea Bottom Fish\u003c\/li\u003e\n\u003cli\u003eWith My Dog Ricky\u003c\/li\u003e\n\u003cli\u003eDeath Mask Dance\u003c\/li\u003e\n\u003cli\u003eIron Rose - Early Version\u003c\/li\u003e\n\u003cli\u003eMedusa\u003c\/li\u003e\n\u003cli\u003eGymnopédie No. 1\u003c\/li\u003e\n\u003cli\u003eTora-chan No Yume\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Shinichi Omata","offers":[{"title":"LP \/ Black","offer_id":43586543747263,"sku":"CHN011-BK","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/Ricky_Front_974x_0cca3fa0-ee34-489e-9d36-be5a8b4d0e97.png?v=1722561990"}],"url":"https:\/\/helixsounds.com\/collections\/genre-psych.oembed?page=2","provider":"Helix Sounds","version":"1.0","type":"link"}