{"title":"Holiday Sale 2025","description":"","products":[{"product_id":"enumclaw-jimbo-demo-lp-vinyl-record","title":"Jimbo Demo","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eRemastered for vinyl by Jonathan Schenke \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP available on \u003cem\u003eCloudy Clear Colored Vinyl\u003c\/em\u003e and \u003cem\u003eRainy Teal Colored Vinyl\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSpins at 45 RPM\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"320\" height=\"240\" src=\"https:\/\/www.youtube.com\/embed\/x_acAPULk38\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e“Tacoma, Washington’s Enumclaw bill themselves as ‘The Best Band Since Oasis,’ but they’re self-released and, thanks to COVID, have never had a chance to play a live show…Blown-out guitars and languid beats conjure a sort of dingy, Pacific Northwest shoegaze.” - Marc Hogan, Pitchfork\u003cbr\u003e\u003cbr\u003e“Last year was a banner year for Tacoma-based rock band Enumclaw.\u003cbr\u003e\u003cbr\u003eAfter dropping their first single \"Fast N All\" in early 2021, the band blew up, nabbing features in the Seattle Times, KEXP, Pitchfork, and The Fader before playing any public live shows. In April, they dropped their debut EP Jimbo Demo to rare reviews. And just last week, Enumclaw announced Luminelle Recordings signed them. Things are only looking up for the grungy four-piece…\u003cbr\u003e\u003cbr\u003eCiting bands like Nirvana, Radiohead, Mötley Crüe, Drake, and Weird Al Yankovic as influences, Enumclaw's sound is a mashup of shoegaze, post-grunge, and emo. The mix is a kind of ironic evocation of the music that made the Pacific Northwest so popular in the '90s. There's angst inherent to the band's distorted guitar and disaffected, flat singing, with lyrics earnest enough to make you want to sing along—like when Johnson speak-sings with his characteristically brash vulnerability, \"Remember when we were kids\/ How did it end up like this\/Those are the days that I miss\" on Jimbo Demo album opener ‘Cents’.” - Jas Keimig, The Stranger\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1. Cents\u003cbr\u003e2. Cinderella\u003cbr\u003e3. Eat\u003cbr\u003e4. Fast N All\u003cbr\u003e5. Free Drop Billy\u003cbr\u003e6. Fruit Flies\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Enumclaw","offers":[{"title":"LP \/ Teal","offer_id":41668181557439,"sku":"YRR048LP-TE","price":16.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Clear","offer_id":41668181590207,"sku":"YRR048LP-CL","price":16.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/JimboDemosCDFront.jpg?v=1653695352"},{"product_id":"sharon-van-etten-weve-been-going-about-this-all-wrong-lp-vinyl-record","title":"We've Been Going About This All Wrong","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e \u003cem\u003eSharon Van Etten\u003c\/em\u003e’s sixth studio album\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePressed on \u003cem\u003eMarbled Smoke Vinyl\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoused in gatefold jacket w\/ printed insert\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDigital download included\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/n9MgJ_VTpb0\" height=\"240\" width=\"320\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"Sharon Van Etten has always been the kind of artist who helps people make sense of the world around them, and her sixth album, We've Been Going About This All Wrong, concerns itself with how we feel, mourn, and reclaim our agency when we think the world - or at least, our world - might be falling apart. The ten tracks on We've Been Going About This All Wrong are designed to be listened to in order, all at once, so that a much larger story of hope, loss, longing and resilience can be told. This is, in itself, a subtle act of control, but in sharing these songs it remains an optimistic and generous one. There is darkness here but there is light too, and all of it is held together by Van Etten's uncanny ability to both pierce the hearts of her listeners and make them whole again. Things are not dark, she reminds us, only darkish. Limited smoke colored vinyl LP pressing.\" - Jagjaguwar\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1. Darkness Fades\u003cbr\u003e2. Home to Me\u003cbr\u003e3. I'll Try\u003cbr\u003e4. Anything\u003cbr\u003e5. Born\u003cbr\u003e6. Headspace\u003cbr\u003e7. Come Back\u003cbr\u003e8. Darkish\u003cbr\u003e9. Mistakes\u003cbr\u003e10. Far Away\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Sharon Van Etten","offers":[{"title":"LP \/ Marbled Smoke","offer_id":41679203139775,"sku":"JAG395LP-MBL-SMK","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/JAG395LP-C1Cover.jpg?v=1654052470"},{"product_id":"lou-reed-words-music-may-1965-standard-edition-lp-vinyl-record","title":"Words \u0026 Music, May 1965 Standard Edition","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAll tracks previously unreleased\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eProduced in partnership with \u003cem\u003eLaurie Anderson\u003c\/em\u003e and the \u003cem\u003eLou Reed Archive\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInaugural release in Light in the Attic’s Lou Reed Archive Series\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures the earliest-known recordings of “I’m Waiting for the Man,” “Pale Blue Eyes\" and “Heroin\" as made famous by The Velvet Underground\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes seven unheard Lou Reed compositions\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRemastered from the original analog tapes by GRAMMY®-nominated engineer \u003cem\u003eJohn Baldwin\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePackage designed by multi-GRAMMY®-winning artist \u003cem\u003eMasaki Koike\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e \u003cem\u003eSpecial Limited Color Edition\u003c\/em\u003e (pressed on \u003cem\u003eBright Yellow Wax\u003c\/em\u003e)\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLP includes a 28-page booklet (CD 60-page) featuring lyrics, archival photos, and liner notes by \u003cem\u003eGreil Marcus, Don Fleming, and Jason Stern\u003c\/em\u003e \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTracks 1-10: Special Color LP Edition \/ Standard LP Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"320\" height=\"240\" src=\"https:\/\/www.youtube.com\/embed\/UFcrIe7d3uQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"320\" height=\"240\" src=\"https:\/\/www.youtube.com\/embed\/DPTYzhUHQek\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e“To hear a tape containing their earliest demos, recorded on May 11, 1965, and locked away until now, is to hear traces of things rarely associated with The Velvet Underground: blues and folk, earthy and traditional, uncertain and hesitant… yet bristling with that rusty, caustic, Lou Reed spirit. It is a revelation.” – Will Hodgkinson, MOJO\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic Records\u003c\/strong\u003e\u003c\/em\u003e, in cooperation with \u003cem\u003e\u003cstrong\u003eLaurie Anderson\u003c\/strong\u003e\u003c\/em\u003e, proudly announces the inaugural title in their ongoing \u003cem\u003e\u003cstrong\u003eLou Reed Archive Series: Words \u0026amp; Music, May 1965\u003c\/strong\u003e\u003c\/em\u003e. Released in tandem with the late artist’s 80th birthday celebrations, the album offers an extraordinary, unvarnished, and plainly poignant insight into one of America’s true poet-songwriters. Capturing Reed in his formative years, this previously unreleased collection of songs—penned by a young Lou Reed, recorded to tape with the help of future bandmate John Cale, and mailed to himself as a “poor man’s copyright”—remained sealed in its original envelope and unopened for nearly 50 years. Its contents embody some of the most vital, groundbreaking contributions to American popular music committed to tape in the 20th century. Through examination of these songs rooted firmly in the folk tradition, we see clearly Lou’s lasting influence on the development of modern American music – from punk to art-rock and everything in between. A true time capsule, these recordings not only memorialize the nascent sparks of what would become the seeds of the incredibly influential Velvet Underground; they also cement Reed as a true observer with an innate talent for synthesizing and distilling the world around him into pure sonic poetry.\u003cbr\u003e\u003cbr\u003eFeaturing contributions from Reed’s future bandmate, \u003cem\u003e\u003cstrong\u003eJohn Cale\u003c\/strong\u003e\u003c\/em\u003e, Words \u0026amp; Music, May 1965 presents in their entirety the earliest-known recordings of such historic songs as “\u003cem\u003e\u003cstrong\u003eHeroin\u003c\/strong\u003e\u003c\/em\u003e”, “\u003cem\u003e\u003cstrong\u003eI’m Waiting for the Man\u003c\/strong\u003e\u003c\/em\u003e”, and “\u003cem\u003e\u003cstrong\u003ePale Blue Eyes\u003c\/strong\u003e\u003c\/em\u003e”—all of which Reed would eventually record and make indelibly influential with the Velvet Underground. 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It is a revelation.” – Will Hodgkinson, MOJO\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic Records\u003c\/strong\u003e\u003c\/em\u003e, in cooperation with \u003cem\u003e\u003cstrong\u003eLaurie Anderson\u003c\/strong\u003e\u003c\/em\u003e, proudly announces the inaugural title in their ongoing \u003cem\u003e\u003cstrong\u003eLou Reed Archive Series: Words \u0026amp; Music, May 1965\u003c\/strong\u003e\u003c\/em\u003e. Released in tandem with the late artist’s 80th birthday celebrations, the album offers an extraordinary, unvarnished, and plainly poignant insight into one of America’s true poet-songwriters. Capturing Reed in his formative years, this previously unreleased collection of songs—penned by a young Lou Reed, recorded to tape with the help of future bandmate John Cale, and mailed to himself as a “poor man’s copyright”—remained sealed in its original envelope and unopened for nearly 50 years. Its contents embody some of the most vital, groundbreaking contributions to American popular music committed to tape in the 20th century. Through examination of these songs rooted firmly in the folk tradition, we see clearly Lou’s lasting influence on the development of modern American music – from punk to art-rock and everything in between. A true time capsule, these recordings not only memorialize the nascent sparks of what would become the seeds of the incredibly influential Velvet Underground; they also cement Reed as a true observer with an innate talent for synthesizing and distilling the world around him into pure sonic poetry.\u003cbr\u003e\u003cbr\u003eFeaturing contributions from Reed’s future bandmate, \u003cem\u003e\u003cstrong\u003eJohn Cale\u003c\/strong\u003e\u003c\/em\u003e, Words \u0026amp; Music, May 1965 presents in their entirety the earliest-known recordings of such historic songs as “\u003cem\u003e\u003cstrong\u003eHeroin\u003c\/strong\u003e\u003c\/em\u003e”, “\u003cem\u003e\u003cstrong\u003eI’m Waiting for the Man\u003c\/strong\u003e\u003c\/em\u003e”, and “\u003cem\u003e\u003cstrong\u003ePale Blue Eyes\u003c\/strong\u003e\u003c\/em\u003e”—all of which Reed would eventually record and make indelibly influential with the Velvet Underground. Also included are several more previously-unreleased compositions that offer additional insight into Reed’s creative process and early influences. Produced by \u003cem\u003e\u003cstrong\u003eLaurie Anderson, Don Fleming, Jason Stern, Hal Willner, and Matt Sullivan\u003c\/strong\u003e\u003c\/em\u003e, the album features newly-remastered audio from the original tape by GRAMMY®-nominated engineer, \u003cem\u003e\u003cstrong\u003eJohn Baldwin\u003c\/strong\u003e\u003c\/em\u003e. Rounding out the package are new liner notes from acclaimed journalist and author, Greil Marcus, plus in-depth archival notes from Don Fleming and Jason Stern, who oversee the Lou Reed Archive, while the release has been designed by multi-GRAMMY®-winning artist Masaki Koike.\u003c\/p\u003e\n","brand":"Lou Reed","offers":[{"title":"CD \/ Deluxe","offer_id":41711646245055,"sku":"LITA188-2","price":16.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/LITA188LouReed-Words_Music1965Cover.jpg?v=1658468702"},{"product_id":"lou-reed-words-music-may-1965-deluxe-edition-2lp-vinyl-record","title":"Words \u0026 Music, May 1965 Deluxe Edition","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAll tracks previously unreleased\u003c\/li\u003e\n\u003cli\u003eProduced in partnership with Laurie Anderson and the Lou Reed Archive\u003c\/li\u003e\n\u003cli\u003eInaugural release in Light in the Attic’s Lou Reed Archive Series\u003c\/li\u003e\n\u003cli\u003eFeatures the earliest-known recordings of “I’m Waiting for the Man,” “Pale Blue Eyes\" and “Heroin\" as made famous by The Velvet Underground\u003c\/li\u003e\n\u003cli\u003eIncludes seven unheard Lou Reed compositions\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003e\u003cstrong\u003e45 \u003cspan class=\"caps\"\u003eRPM\u003c\/span\u003e 2LP set pressed on Audiophile-Quality 180-gram black vinyl at \u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003e\u003cstrong\u003eIncludes CD containing complete audio from the package, housed in die-cut jacket\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003eFeatures the only vinyl release of “I’m Waiting for the Man – May 1965 Alternate Version”\u003c\/li\u003e\n\u003cli\u003eRemastered from the original analog tapes by \u003cem\u003e\u003cstrong\u003eGRAMMY®-nominated engineer John Baldwin\u003c\/strong\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003ePackage designed by \u003cem\u003e\u003cstrong\u003emulti-GRAMMY®-winning artist Masaki Koike\u003c\/strong\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eIncludes bonus 7-inch record, housed in die-cut picture sleeve containing the first-ever vinyl release of six unheard tracks recorded between 1958 and 1964, including early demos, a cover of Bob Dylan’s “Don’t Think Twice, It’s All Right,” and a doo-wop serenade recorded in ‘58 when the legendary singer-songwriter was just sixteen-years-old\u003c\/li\u003e\n\u003cli\u003eSaddle-stitched, die-cut 28-page book featuring lyrics, archival photos, and liner notes by \u003cstrong\u003e\u003cem\u003eGreil Marcus, Don Fleming, and Jason Stern\u003c\/em\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003e\u003cstrong\u003eArchival reproduction of a letter written by Reed to Delmore Schwartz, circa 1964\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003eEntire package housed in \u003cem\u003e\u003cstrong\u003estylized, die-cut gatefold LP jacket\u003c\/strong\u003e\u003c\/em\u003e manufactured by Stoughton Printing Co.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003e\u003cstrong\u003eFoil numbered and limited to 7,500 copies worldwide on black vinyl\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e“To hear a tape containing their earliest demos, recorded on May 11, 1965, and locked away until now, is to hear traces of things rarely associated with The Velvet Underground: blues and folk, earthy and traditional, uncertain and hesitant… yet bristling with that rusty, caustic, Lou Reed spirit. It is a revelation.” – Will Hodgkinson, MOJO\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic Records\u003c\/strong\u003e\u003c\/em\u003e, in cooperation with \u003cem\u003e\u003cstrong\u003eLaurie Anderson\u003c\/strong\u003e\u003c\/em\u003e, proudly announces the inaugural title in their ongoing \u003cem\u003e\u003cstrong\u003eLou Reed Archive Series: Words \u0026amp; Music, May 1965\u003c\/strong\u003e\u003c\/em\u003e. Released in tandem with the late artist’s 80th birthday celebrations, the album offers an extraordinary, unvarnished, and plainly poignant insight into one of America’s true poet-songwriters. Capturing Reed in his formative years, this previously unreleased collection of songs—penned by a young Lou Reed, recorded to tape with the help of future bandmate John Cale, and mailed to himself as a “poor man’s copyright”—remained sealed in its original envelope and unopened for nearly 50 years. Its contents embody some of the most vital, groundbreaking contributions to American popular music committed to tape in the 20th century. Through examination of these songs rooted firmly in the folk tradition, we see clearly Lou’s lasting influence on the development of modern American music – from punk to art-rock and everything in between. A true time capsule, these recordings not only memorialize the nascent sparks of what would become the seeds of the incredibly influential Velvet Underground; they also cement Reed as a true observer with an innate talent for synthesizing and distilling the world around him into pure sonic poetry.\u003cbr\u003e\u003cbr\u003eFeaturing contributions from Reed’s future bandmate, \u003cem\u003e\u003cstrong\u003eJohn Cale\u003c\/strong\u003e\u003c\/em\u003e, Words \u0026amp; Music, May 1965 presents in their entirety the earliest-known recordings of such historic songs as “\u003cem\u003e\u003cstrong\u003eHeroin\u003c\/strong\u003e\u003c\/em\u003e”, “\u003cem\u003e\u003cstrong\u003eI’m Waiting for the Man\u003c\/strong\u003e\u003c\/em\u003e”, and “\u003cem\u003e\u003cstrong\u003ePale Blue Eyes\u003c\/strong\u003e\u003c\/em\u003e”—all of which Reed would eventually record and make indelibly influential with the Velvet Underground. Also included are several more previously-unreleased compositions that offer additional insight into Reed’s creative process and early influences. Produced by \u003cem\u003e\u003cstrong\u003eLaurie Anderson, Don Fleming, Jason Stern, Hal Willner, and Matt Sullivan\u003c\/strong\u003e\u003c\/em\u003e, the album features newly-remastered audio from the original tape by GRAMMY®-nominated engineer, \u003cem\u003e\u003cstrong\u003eJohn Baldwin\u003c\/strong\u003e\u003c\/em\u003e. Rounding out the package are new liner notes from acclaimed journalist and author, \u003cem\u003e\u003cstrong\u003eGreil Marcus\u003c\/strong\u003e\u003c\/em\u003e, plus in-depth archival notes from \u003cem\u003e\u003cstrong\u003eDon Fleming\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eJason Stern\u003c\/strong\u003e\u003c\/em\u003e, who oversee the Lou Reed Archive, while the release has been designed by multi-GRAMMY®-winning artist Masaki Koike.\u003c\/p\u003e\n\u003ciframe height=\"380\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/track\/5RGQJSVKzZMsa6lDyNKfGQ?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Lou Reed","offers":[{"title":"2LP \/ Black","offer_id":41715057262783,"sku":"LITA189-BK","price":84.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/LITA189LouReed-Words_MusicCover.jpg?v=1658468377"},{"product_id":"yukihiro-takahashi-grand-espoir-2lp-vinyl-record","title":"Grand Espoir [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMastering and song selections by Yoshinori Sunahara\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePressed on Black Double Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures 15 tracks\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eArt by Towa Tei\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eYukihiro Takahashi\u003c\/strong\u003e has been at the forefront of the Japanese music scene as a drummer, singer, composer, and producer since he first joined the \u003cstrong\u003eSadistic Mika Band\u003c\/strong\u003e in 1972. He established his identity as a solo artist in the early 80s following the unprecedented success of the phenomenon that was \u003cstrong\u003eYellow Magic Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAs part of the “\u003cstrong\u003eYukihiro x Yukihiro EARLY 80s\u003c\/strong\u003e” series, many of his solo albums will be reissued starting this fall; from his first hit record \u003ca href=\"https:\/\/helixsounds.com\/products\/yukihiro-takahashi-murdered-by-the-music-lp-vinyl-record\" title=\"Murdered by Music\"\u003e\u003cstrong\u003eMurdered by Music\u003c\/strong\u003e\u003c\/a\u003e to his last record from his \u003cstrong\u003eALFA\u003c\/strong\u003e era \u003ca href=\"https:\/\/helixsounds.com\/products\/yukihiro-takahashi-poisson-davril-japanese-import-lp-vinyl-record\" title=\"Poisson D’Avril\"\u003e\u003cstrong\u003ePoisson D’Avril\u003c\/strong\u003e\u003c\/a\u003e (soundtrack to the film of the same name). To kick off this series, the introductory compilation album \u003cstrong\u003eGrand Espoir\u003c\/strong\u003e will be released simultaneously on vinyl and CD, with mastering and song selections by \u003cstrong\u003eYoshinori Sunahara\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eDisc 1 of the CD version will feature his signature songs and other important tracks released between 1980 and 1985.\u003c\/p\u003e\n\u003cp\u003eDisc 2 is comprised of content exclusive to the CD release; it features tracks that he had written or produced for other artists during this era, or tracks pulled from albums that he had helped plan, and shines a light on his many activities outside of his own solo work.\u003c\/p\u003e\n\u003cp\u003eThe art direction and design for the package are done by \u003cstrong\u003eTOWA TEI\u003c\/strong\u003e, with the cover design created by internationally acclaimed visual artist \u003cstrong\u003eTOMOO GOKITA\u003c\/strong\u003e. This creative staff also worked together previously on YMO compilation \u003cstrong\u003eNEUE TANZ\u003c\/strong\u003e in 2018.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The early 80s was one of the busiest periods of my music life. This period started with the release of Murdered by Music in 1980. Starting with the sound that we had developed together as YMO, I incorporated my own worldview and elements of New Wave that I was heavily inspired by at the time. To me, my second album Murdered by Music was the result of doing what I wanted to do most at the time with freedom and joy… When I speak about this period, no matter how much time I had it wouldn’t be enough… When I think back now, I think that my recording style and production process that I continue to this day may have been solidified then, during the early 80s.”\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eYukihiro Takahashi\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSchool Of Thought ［Murdered by Music\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eNumbers From A Calculated Conversation ［Murdered by Music\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eConnection ［Neuromantic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eGrand Espoir ［Neuromantic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eDrip Dry Eyes ［Neuromantic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eCurtains ［Neuromantic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSayonara ［What, Me Worry?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eMy Bright Tomorrow ［Tomorrow’s Just Another Day\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eAre You Receiving Me? (Remix) ［Tomorrow’s Just Another Day\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eAnd I Believe In You ［Are You Receiving Me? (Single)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eGood Time ［Tomorrow’s Just Another Day\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eStranger Things Have Happened ［Wild \u0026amp; Moody\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eKill That Thermostat ［Wild \u0026amp; Moody\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eWalking To The Beat ［Wild \u0026amp; Moody\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ePoisson D'Avril ［Poisson D’Avril (Single)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline; font-size: 0.875rem;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/7GrY2GMkQE2wBILN6qFWHz?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Yukihiro Takahashi","offers":[{"title":"2LP \/ Black","offer_id":41799999455423,"sku":"MHJL-201-BK","price":69.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/MHJL-201-YukihiroTakahashi-GrandEspoir.jpg?v=1687944962"},{"product_id":"kyle-dixon-michael-stein-stranger-things-season-four-volume-two-original-score-2lp-vinyl-record","title":"Stranger Things 4: Volume Two Original Score","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDouble LPs on \u003cem\u003e\u003cstrong\u003eTransparent Red Colored Vinyl\u003c\/strong\u003e\u003c\/em\u003e (Volume 2 Vecna's Red World)\u003c\/li\u003e\n\u003cli\u003eGatefold Jacket\u003c\/li\u003e\n\u003cli\u003ePrinted Inner Sleeves\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003eLimited Stock!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cem\u003e“A pretty spectacular score from Kyle Dixon and Michael Stein” collider.com\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cem\u003e“A stunningly creepy original score by Kyle Dixon and Michael Stein” billboard.com\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eScore written, performed, and produced by Kyle Dixon and Michael Stein (Native Son, Valley Of The Boom, Spheres, Butterfly, and their band S U R V I V E).\u003c\/p\u003e\n\u003cp\u003eThe original score to Season 4 contains 80 tracks, ~3 hours of music, on both Volumes 1 \u0026amp; 2!\u003c\/p\u003e\n\u003cp\u003eStranger Things has won 7 Emmy Awards, and has been nominated for 216 various awards, with 77 wins.\u003c\/p\u003e\n\u003cp\u003eStarring: Winona Ryder (Joyce Byers), David Harbour (Sheriff Jim Hopper), Finn Wolfhard (Mike Wheeler), Millie Bobby Brown (Eleven), Gaten Matarazzo (Dustin Henderson), Caleb McLaughlin (Lucas Sinclair), Noah Schnapp (Will Byers), Sadie Sink (Max Mayfield), Natalia Dyer (Nancy Wheeler), Charlie Heaton (Jonathan Byers), Joe Keery (Steve Harrington), Maya Hawke (Robin Buckley), Priah Ferguson (Erica Sinclair) and Cara Buono (Karen Wheeler) with Brett Gelman (Murray Bauman).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eStranger Things 4 is Netflix’s most-viewed English-language series of all time.\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eSide A:\u003cbr\u003e01. A Proper Thump\u003cbr\u003e02. Hiiiiiiiii\u003cbr\u003e03. Still Dizzy\u003cbr\u003e04. Reign Fire From Above\u003cbr\u003e05. Religious American\u003cbr\u003e06. Surf that Tasty Pie\u003cbr\u003e07. Follow me into Death\u003cbr\u003e08. Project Nina\u003cbr\u003e09. Being Different\u003cbr\u003e10. Undressing\u003cbr\u003e\u003cbr\u003eSide B:\u003cbr\u003e01. I Want You To Watch\u003cbr\u003e02. A Realm Unspoiled by Mankind\u003cbr\u003e03. Four Gates\u003cbr\u003e04. Sleeping Dracula\u003cbr\u003e05. Praying something will happen to me\u003cbr\u003e06. Stained Glass Roses\u003cbr\u003e07. One\u003cbr\u003e08. Gates of Kamchatka\u003cbr\u003e09. Top Secret Location\u003cbr\u003e\u003cbr\u003eSide C:\u003cbr\u003e01. You’re The Heart\u003cbr\u003e02. Sleepyhead\u003cbr\u003e03. Skull Rock\u003cbr\u003e04. Spellcaster\u003cbr\u003e05. You Should Go East\u003cbr\u003e06. Unfortunate Development\u003cbr\u003e07. Slashing the Tires\u003cbr\u003e08. Soteria\u003cbr\u003e09. ELVIS CLONED BY ALIENS\u003cbr\u003e10. [delicate, intense music playing…]\u003cbr\u003e\u003cbr\u003eSide D:\u003cbr\u003e01. Demogorgons in Tanks\u003cbr\u003e02. The Cure\u003cbr\u003e03. Patient Confidentiality\u003cbr\u003e04. Stay Calm, Focus on the Game\u003cbr\u003e05. It’s Time Max\u003cbr\u003e06. All Evil Must Have A Home\u003cbr\u003e07. Flashlights, Flashlights\u003cbr\u003e08. You Have Already Lost\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Kyle Dixon \u0026 Michael Stein","offers":[{"title":"2LP \/ Red","offer_id":41802333159615,"sku":"LKS36266-RD","price":84.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/Stranger_Things_4_-_Original_Score_From_The_Netflix_Series_by_KyleDixon___Michael_Stein_d2b21cc3-6b6d-4ada-bd92-905b98667f81.jpg?v=1673902146"},{"product_id":"mad-doctor-of-blood-island-original-motion-picture-soundtrack-lp","title":"Mad Doctor of Blood Island (Original Motion Picture Soundtrack)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: bold;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: bold;\"\u003e\u003cstrong\u003e1xLP pressed on \"Chlorophyll Blood\" Green Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: bold;\"\u003e\u003cstrong\u003eIncludes an insert featuring the lurid front cover illustration\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAs head of Publicity at Hemisphere Pictures and then founder of Independent-International Pictures Corp., Sam Sherman is truly one of the godfathers of the drive-in\/grindhouse\/horror\/B-movie genre. We at Real Gone Music have teamed with Sam to release his favorite scores from his long and illustrious career in film production, each sporting rare publicity stills and a personal note from the man himself. Filipino composer Tito Arevalo's score to the 1969 film Mad Doctor of Blood Island was so good that it was used twice more, once in Beast of Blood, the 1970 finale to Hemisphere Pictures' Blood Island franchise, and again in Brain of Blood, which producer Sherman made with director Al Adamson in 1971! But this was the original and the best, utilizing a full orchestra to inspired effect, particularly on the 'Dance' sequences, which virtually invented the genre 'horror exotica.' Not only have we added as a bonus the truly unhinged radio spot that advertised Mad Doctor of Blood Island, but also the record closes with the 'Oath of Green Blood Intro' to the film, which advised audiences to drink the green 'blood' potion that was distributed as a gimmick before screenings of the movie. \u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003ePre-Title\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTitle Music\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDance, Part I\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 7\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 8\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 9\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 10\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 11\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDistant Drums\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 12\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDance, Part 2\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 13\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 14\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 15\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 16\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 17\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 19\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 20\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 21\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 22\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 23\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 24\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 25\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 26 (Edited)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 27\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 28\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 29\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 30\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCue 31\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFinale\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDance, Part 1 (Take 2)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRadio Spot\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOath Of Green Blood Intro\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Tito Arevalo","offers":[{"title":"LP \/ Green","offer_id":41811212566719,"sku":"RGM-1374-GN","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/MadFC.jpg?v=1658277845"},{"product_id":"marco-beltrami-a-quiet-place-part-ii-original-motion-picture-soundtrack-lp-vinyl-record","title":"A Quiet Place Part II: Music From The Motion Picture","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003ePressed on 140-Gram Eco marbled Vinyl \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoused inside a spot-varnished Gatefold Jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eArtwork by Matt Ryan Tobin\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eHypersensitive horrors from outer space are back in John Krasinski’s A QUIET PLACE PART II. Returning from the first picture is Emily Blunt (SICARIO), with Cillian Murphy (28 DAYS LATER) and Djimon Hounsou (GLADIATOR) now along for the ride as the Abbott family look for further survivors in their post-apocalyptic nightmare, only to face a further ordeal as they band together with a survivalist desperate to avoid the gruesome fate that befell his family. Returning to score the second film is Marco Beltrami (SCREAM), who creates a similarly terrifying yet beautiful soundscape for the nightmarish experiences of the Abbotts. Beltrami elects to retain the same themes and material from A QUIET PLACE, using it as a device to remind listeners of that world while new music comes in to extend that.\u003cbr\u003e\u003cbr\u003eOne trick the composer tries is detuning a number of piano keys to help play with the idea of fading memories, as well as toeing the line between subtle and intense tones for a film that has a very specific aural landscape. What results from that is a soundtrack that is dynamic as can be while not sounding exhausting; A QUIET PLACE PART II is not only satisfyingly scary but emotionally cathartic. Just don’t make any sound while listening to it.\u003cbr\u003e\u003cbr\u003e- Charlie Bridgen\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1. From the Beginning\u003cbr\u003e2. Leaving the Farm\u003cbr\u003e3. Watch Us Run\u003cbr\u003e4. Moving In\u003cbr\u003e5. Show Me Your Face\u003cbr\u003e6. Regan On Her Own\u003cbr\u003e7. Training Day\u003cbr\u003e8. Mother and Child\u003cbr\u003e9. Family Ties\u003cbr\u003e10. You Scream You Die\u003cbr\u003e11. Dive\u003cbr\u003e12. Emmets Realizations\u003cbr\u003e13. Entering the Station\u003cbr\u003e14. Encouraging Feedback\u003cbr\u003e15. A Grateful Family\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/62LYN8SfBNzlYP3Q7Tntya?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Marco Beltrami","offers":[{"title":"LP \/ Grey Marble","offer_id":41811228786879,"sku":"DW183B-GY-MBL","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/FRONTCOVER_df65c526-ec0c-44aa-8140-46a89f6eac04.jpg?v=1658277879"},{"product_id":"zack-snyders-justice-league-original-soundtrack-box-set-7lp","title":"Zack Snyder's Justice League (Original Soundtrack)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e7xLP Vinyl Box Set\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e6x LP + 1x LP single-sided, etched\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePressed on 180-Gram Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eMondo and WaterTower Music are proud to present \u003cstrong\u003e\u003cem\u003eTom Holkenborg\u003c\/em\u003e\u003c\/strong\u003e's epic complete soundtrack to the fan-fueled phenomenon \u003cstrong\u003e\u003cem\u003eZack Snyder's Justice League\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cdiv\u003eAs pure as any film music expression has ever existed, Holkenborg's nearly-four-hour opus is as bombastic and singular as the film it compliments, and we are honored to present the premiere physical release of this staggering work of expression.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe filmmaking story behind \u003cstrong\u003e\u003cem\u003eZack Snyder\u003c\/em\u003e\u003c\/strong\u003e's return to his \u003cstrong\u003e\u003cem\u003eDC Comics\u003c\/em\u003e\u003c\/strong\u003e juggernaut is well known at this point, but not enough time has been spent on the journey of the film's once-shelved score. The incredible composer behind one of last decade's biggest filmmaking triumphs (MAD MAX FURY ROAD) Tom Holkenborg joined the sadly far too large club of composers, across filmmaking history, to have their blockbuster scores replaced.\u003cbr\u003e\u003cbr\u003eBut the big-budget redemption arc of Zack Snyder's original vision for Justice League presented Holkenborg with the opportunity to build upon what he had started many years ago, with new skills and tools - this time with no other cook in the kitchen but his director and friend.\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1. Song To The Siren\u003cbr\u003e2. A Hunter Gathers\u003cbr\u003e3. Migratory\u003cbr\u003e4. Things Fall Apart\u003cbr\u003e5. Wonder Woman Defending \/ And What Rough Beast\u003cbr\u003e6. World Ending Fire\u003cbr\u003e7. Middle Mass\u003cbr\u003e8. Long Division\u003cbr\u003e9. No Paradise, No Fall\u003cbr\u003e10. The Center Will Not Hold, Twenty Centuries Of Stony Sleep\u003cbr\u003e11. As Above, So Below\u003cbr\u003e12. No Dog, No Master\u003cbr\u003e13. Take This Kingdom By Force\u003cbr\u003e14. A Splinter From The Thorn That Pricked You\u003cbr\u003e15. Cyborg Becoming \/ Human All Too Human\u003cbr\u003e16. The Path Chooses You\u003cbr\u003e17. Aquaman Returning \/ Carry Your Own Water\u003cbr\u003e18. The Provenance Of Something Gathered\u003cbr\u003e19. We Do This Together\u003cbr\u003e20. The Will To Power\u003cbr\u003e21. Smoke Become Fire\u003cbr\u003e22. I Teach You, The Overman\u003cbr\u003e23. A Glimmer At The Door Of The Living\u003cbr\u003e24. How We Achieve Ourselves\u003cbr\u003e25. The Sun Forever Rising\u003cbr\u003e26. Underworld\u003cbr\u003e27. Superman Rising, Pt. 1 \/ A Book Of Hours\u003cbr\u003e28. Beyond Good And Evil\u003cbr\u003e29. Monument Builder\u003cbr\u003e30. Monument Destroyer\u003cbr\u003e31. Urgrund\u003cbr\u003e32. So Begins The End\u003cbr\u003e33. The House Of Belonging\u003cbr\u003e34. Earthling\u003cbr\u003e35. Flight Is Out Nature\u003cbr\u003e36. Indivisible\u003cbr\u003e37. And The Lion-Earth Did Roar Pt. 1\u003cbr\u003e38. And The Lion-Earth Did Roar Pt. 2\u003cbr\u003e39. Superman Rising, Pt. 2 \/ Immovable\u003cbr\u003e40. At The Speed Of Force\u003cbr\u003e41. My Broken Boy\u003cbr\u003e42. That Terrible Strength\u003cbr\u003e43. An Eternal Reoccurence Of Change\u003cbr\u003e44. We Slay Ourselves\u003cbr\u003e45. Your Own House Turned To Ashes\u003cbr\u003e46. All Of You Undisturbed Cities\u003cbr\u003e47. The Art Of Preserving Fire\u003cbr\u003e48. The Crew At Warpower\u003cbr\u003e49. The Foundation Theme\u003cbr\u003e50. Batman, A Duty To Fight \/ To See\u003cbr\u003e51. Batman, An Invocation To Heal \/ To Be Seen\u003cbr\u003e52. Wonder Woman, A Call To Stand \/ A World Awakened\u003cbr\u003e53. Flash, The Space To Win \/ Our Legacy Is Now\u003cbr\u003e54. Hallelujah\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/61EYnZsY4PSE2uubb81wtB?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Tom Holkenborg","offers":[{"title":"7LP \/ Black","offer_id":41811264372927,"sku":"MOND-199-BK","price":167.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/ZSJL_Box_Front.jpg?v=1672782598"},{"product_id":"marco-beltrami-a-quiet-place-original-motion-picture-soundtrack-lp-vinyl-record","title":"A Quiet Place (Original Motion Picture Soundtrack)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoused inside a spot-varnished 425 GSM gatefold jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInsert included\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeaturing Artwork by Matt Ryan Tobin\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDeath Waltz\u003c\/strong\u003e\u003c\/em\u003e releases the score to \u003cstrong\u003e\u003cem\u003eA Quiet Place\u003c\/em\u003e\u003c\/strong\u003e in conjunction with our friends over at \u003cstrong\u003e\u003cem\u003eMilan Records\u003c\/em\u003e\u003c\/strong\u003e. This film has been one of the breakout hits of 2018. This is only the second directorial feature for \u003cem\u003e\u003cstrong\u003eJohn Krasinski\u003c\/strong\u003e\u003c\/em\u003e and is an incredibly tense monster movie that is as original as it is scary.\u003c\/p\u003e\n\u003cp\u003eThe score by \u003cem\u003e\u003cstrong\u003eMarco Beltrami\u003c\/strong\u003e\u003c\/em\u003e is an absolute tour de force, it could even be considered another character in the film. Forceful and bludgeoning one minute and quiet and reflective the next, Beltrami has his players twist their instruments to generate tones and textures not usually associated with them. The layers of sound and percussion on display are incredible, and the opening track 'It Hears You' reminds one of a classic \u003cem\u003e\u003cstrong\u003ePlanet Of The Apes\u003c\/strong\u003e\u003c\/em\u003e cue: it is disquieting and slightly wonky, but has an incredible hook that immediately lets you know you are in horror territory. Meanwhile, '\u003cem\u003e\u003cstrong\u003eA Quiet Family\u003c\/strong\u003e\u003c\/em\u003e' is a beautiful piano track that prompts the listener to recall the life the family lived before a world of monsters took over. Pianos are detuned and electronics are layered over traditional instruments throughout this album to create something truly unsettling.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1. It Hears You\u003cbr\u003e2. A Quiet Family\u003cbr\u003e3. Children Of The Corn\u003cbr\u003e4. A Quiet Life\u003cbr\u003e5. The Dinner Table\u003cbr\u003e6. Something On The Roof\u003cbr\u003e7. Babyproofing \/ Bonfire\u003cbr\u003e8. Labor Intensive\u003cbr\u003e9. Old Man\u003cbr\u003e10. Kids Bonfire\u003cbr\u003e11. Water In The Basement\u003cbr\u003e12. Silo Attack\u003cbr\u003e13. A Quiet Moment\u003cbr\u003e14. Rising Pulse\u003cbr\u003e15. All Together Now\u003cbr\u003e16. Positive Feedback\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Marco Beltrami","offers":[{"title":"LP \/ Black","offer_id":41811540050111,"sku":"DW133-BK","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/AQPFC.jpg?v=1658278557"},{"product_id":"jay-chattaway-maniac-1980-original-motion-picture-soundtrack-lp","title":"Maniac (1980) (Original Motion Picture Soundtrack)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on 180-Gram Clear Blue Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoused inside a 425gsm sleeve\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eArt by Randy Ortiz\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDeath Waltz Recording Co.\u003c\/strong\u003e\u003c\/em\u003e is proud to present a re-issue of \u003cem\u003e\u003cstrong\u003eJay Chattaway\u003c\/strong\u003e\u003c\/em\u003e's soundtrack to the 1980 classic \u003cem\u003e\u003cstrong\u003eManiac\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAn absolutely phenomenal, sleazy synth score from Jay Chattaway, perfectly capturing the unease and grime of Times Square in its pre-Disney clean-up era. Its minimal synth lines, full to the brim with dark brooding menace, exaggerated ring modulations, and discordant strings manage to echo the utter despair of Joe Spinell's character on screen.\u003c\/p\u003e\n\u003cp\u003eThis stands head and shoulders above similar 80's synth scores which too often riffed on John Carpenter's Halloween. \u003cem\u003e\u003cstrong\u003eManiac \u003c\/strong\u003e\u003c\/em\u003esees Chattaway going wild, adding layers of noise \u0026amp; dialogue into the mix, giving the score an utterly claustrophobic feel that manages to be both terrifying and exhilarating at the same time. This is a genuinely uncomfortable listen and it is easy to see why it has become such a classic amongst synth-heads and horror fans alike.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eManiac's Theme (Main Titles)\u003c\/li\u003e\n\u003cli\u003eApocalypse N.Y.\u003c\/li\u003e\n\u003cli\u003eOn The Beach \/ Hooker's Heartbeat\u003c\/li\u003e\n\u003cli\u003eA Little Knife Music\u003c\/li\u003e\n\u003cli\u003eInner Voices\u003c\/li\u003e\n\u003cli\u003eManiac Strikes Again\u003c\/li\u003e\n\u003cli\u003eBlast Him\u003c\/li\u003e\n\u003cli\u003eBlast Her\u003c\/li\u003e\n\u003cli\u003eWindow Shopping\u003c\/li\u003e\n\u003cli\u003eSubway Terror\u003c\/li\u003e\n\u003cli\u003eGoodbye Rita\u003c\/li\u003e\n\u003cli\u003eCemetery Chase\u003c\/li\u003e\n\u003cli\u003eCry For Mother\u003c\/li\u003e\n\u003cli\u003eMannequin's Revenge\u003c\/li\u003e\n\u003cli\u003eManiac's Theme (End Titles)\u003c\/li\u003e\n\u003c\/ol\u003e\n","brand":"Jay Chattaway","offers":[{"title":"LP \/ Clear Blue","offer_id":41811549356223,"sku":"DW56-CLBL","price":64.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/Maniac_FC.jpg?v=1658278772"},{"product_id":"all-that-jazz-ever-jazz-import-lp-vinyl-record","title":"Ever Jazz [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFirst time on vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJapanese Imported \u003c\/strong\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures iconic Japanese OBI strip\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/Eb4Tjw20j2E\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eP-\u003cspan class=\"caps\"\u003eVINE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e is thrilled to reissue \u003cem\u003e\u003cstrong\u003eEver Jazz\u003c\/strong\u003e\u003c\/em\u003e as a limited edition LP for the first time with an iconic obi strip attached. As with the preceding Ghibli Jazz series, the group is tied together by the soothing vocals of \u003cem\u003e\u003cstrong\u003eYukiko Kuwahara\u003c\/strong\u003e\u003c\/em\u003e who completes the core set-up of piano, bass, and drums.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1. Zankoku Na Tenshi No Thesis\u003cbr\u003e2. Angel Attack\u003cbr\u003e3. Tamashii No Refrain\u003cbr\u003e4. Mistao\u003cbr\u003e5. Shukestu No Sono E\u003cbr\u003e6. Rei I\u003cbr\u003e7. Kokoroyo Genshini Modore\u003cbr\u003e8. Asuka Strikes!\u003cbr\u003e9. Komm,susser Tod\u003cbr\u003e10. The Beast II\u003cbr\u003e11. Fly Me to the Moon\u003cbr\u003e12. Jikai Yokoku\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3Ue4UNLwofY39lrKS2u4bN?utm_source=generator\" width=\"100%\" height=\"380\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"All That Jazz","offers":[{"title":"LP \/ Black","offer_id":41821963026623,"sku":"SRVLP-5-BK","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/SRVLP-5EverJazz.jpg?v=1658735084"},{"product_id":"manu-dibango-electric-africa-lp-vinyl-record","title":"Electric Africa [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLimited 180-Gram Blue Vinyl edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeaturing original 1985 artworks \u0026amp; OBI strip\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAll-Star line-up featuring Herbie Hancock, Mory Kante \u0026amp; Bernie Worrell\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eManu Dibango\u003c\/strong\u003e\u003c\/em\u003e needs little introduction, born in Cameroon in 1933, Manu developed a musical style fusing jazz, funk, and traditional Cameroonian music. He’s definitely among the best-known African artists outside of Africa. Collaborations were numerous and include top acts like \u003cem\u003e\u003cstrong\u003eFela Kuti, Herbie Hancock, Bill Laswell, Sly \u0026amp; Robbie, Don Cherry, and Bernie Worrell\u003c\/strong\u003e\u003c\/em\u003e. In addition to selling hundreds of thousands of copies of the albums he recorded, he played such huge venues as Yankee Stadium and Madison Square Garden.\u003cbr\u003e\u003cbr\u003eIn 1972, at 40 years of age, Manu Dibango did something almost unheard of for an African artist – he had a pop hit. His song “\u003cem\u003e\u003cstrong\u003eSoul Makossa\u003c\/strong\u003e\u003c\/em\u003e” became an enormous hit that influenced popular music for decades to follow. First picked up by David Mancuso (The Loft), “Soul Makossa” took New York dance floors by storm \u0026amp; in July 1973 it became the first disco record to enter the \u003cem\u003e\u003cstrong\u003eBillboard Top 40\u003c\/strong\u003e\u003c\/em\u003e—an early instance of Western pop experiencing a paradigm shift thanks to Africa. The song’s chant of “ma-mako ma-ma-sa mako-mako sa” echoes through the greatest-selling pop album of all time, \u003cem\u003e\u003cstrong\u003eMichael Jackson’s Thriller, and it’s in the DNA of the music of Kanye West, Rihanna, A Tribe Called Quest, Akon, and The Fugees\u003c\/strong\u003e\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eBy 1985, Dibango was back in Paris, one of the most successful African artists in the world, to start on the recordings for the Electric Africa album. This album hooked Manu and the Soul Makossa Gang up with New York avant-garde producer \u003cem\u003e\u003cstrong\u003eBill Laswell\u003c\/strong\u003e\u003c\/em\u003e, jazz pianist \u003cem\u003e\u003cstrong\u003eHerbie Hancock\u003c\/strong\u003e\u003c\/em\u003e, \u003cem\u003e\u003cstrong\u003eParliament-Funkadelic\u003c\/strong\u003e\u003c\/em\u003e keyboard player \u003cem\u003e\u003cstrong\u003eBernie Worrell\u003c\/strong\u003e\u003c\/em\u003e, Pan African synthesist \u003cem\u003e\u003cstrong\u003eWally Badarou\u003c\/strong\u003e\u003c\/em\u003e, New York guitarist \u003cem\u003e\u003cstrong\u003eNicky Scopelitis\u003c\/strong\u003e\u003c\/em\u003e, African drummer \u003cem\u003e\u003cstrong\u003eAiyb Dieng\u003c\/strong\u003e\u003c\/em\u003e and Malian kora virtuoso\u003cem\u003e\u003cstrong\u003e Mory Kante\u003c\/strong\u003e\u003c\/em\u003e. This means of working gave Manu and Laswell the license to fuse synthesizers and kora, talking drums and samples, ngoni, and electric guitar. What it all boils down to is world beat in its truest sense.\u003cbr\u003e\u003cbr\u003eElectric Africa remains one of Manu’s strongest albums. His deep growl of a honey and sandpaper voice and the energetic honk of his saxophone merge with the seamless samples and the myriad hand percussion and overt funkiness of his band. Herbie Hancock plays on three tracks, contributing an amazing electric piano solo on the title track and interacting with Manu’s sax while weaving to the warp of Mory Kante’s kora during “L’arbre a Palabres.” Similarly but more subtly, Laswell, Badarou, and Worrell play dueling synthesizers in and around the band throughout ”Pata Piya.” All of this makes the album a hypnotic \u0026amp; upbeat Afro-Funk classic that will rock every part of your body (and mind).\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003ePata Piya\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eElectric Africa\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEchos Beti\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eL’Arbre A Palabres\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Manu Dibango","offers":[{"title":"LP \/ Blue","offer_id":41902480064703,"sku":"TWM10-BL","price":28.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1502140128465-9nc5apfnu6r-4e83c0356f51e58e77de03268e54166a_2F092624999433.jpg?v=1661965252"},{"product_id":"zeuss-the-munsters-soundtrack-2lp-vinyl-record","title":"The Munsters (Original Motion Picture Soundtrack)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eDeluxe 2xLP 180 Gram \"Herman\" \u0026amp; \"Lily\" Colored Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eDisc A (Black \u0026amp; Monster Green Swirl)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eDisc B (Black \u0026amp; Vampire White Swirl)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eExclusive Liner Notes By Rob Zombie\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eNew Art by Graham Humphreys\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eHeavyweight Gatefold Jackets with Matte Satin Coating\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e24 Page Booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e12\"x12\" Art Print\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003ePrinted Inner Sleeves\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eWaxwork Records is thrilled to present \u003cstrong\u003eTHE MUNSTERS Original Motion Picture Soundtrack from Rob Zombie’s brand-new film! \u003c\/strong\u003eRob Zombie (\u003cem\u003eHouse of 1000 Corpses\u003c\/em\u003e, \u003cem\u003eThe Devil’s Rejects\u003c\/em\u003e, \u003cem\u003eThe Lords Of Salem\u003c\/em\u003e) digs up the origin story of everyone’s favorite family of monsters in the brand-new movie. Starring Sheri Moon Zombie as Lily, Jeff Daniel Phillips as Herman Munster, and Daniel Roebuck as The Count, \u003cstrong\u003eTHE MUNSTERS\u003c\/strong\u003e! Lily is just your typical 150-year-old, lovelorn vampire looking for the man of her nightmares… that is until she lays eyes on Herman, a seven-foot-tall green experiment with a heart of gold. It’s love at first shock as these two ghouls fall fangs over feet in this crazy Transylvanian romance. Unfortunately, it’s not all smooth sailing in the cemetery as Lily’s father, The Count, has other plans for his beloved daughter’s future, and they don’t involve her bumbling beau, Herman. You’ll laugh, you’ll cry, you’ll howl at the moon as The Munsters make their way to Mockingbird Lane!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eThe Munsters\u003c\/em\u003e\u003c\/strong\u003e features new songs by Rob Zombie and a score by Zeuss. Waxwork Records is proud to present The Munsters as a deluxe double LP featuring spooky synth-driven jams such as “Disco Vampire” and “Microbat \/ Megabat”, movie dialogue, and the singles “It’s Zombo” and “I Got You Babe” with performances by Sheri Moon Zombie and Jeff Daniel Philips. The chilling score album features a whimsically malevolent performance by Zeuss thats pays homage to the original 1960s The Munsters television series. Bells, xylophone, horns, claves, wood blocks, and wooden guiro, are paired with synthesizers and spine-chilling choir choruses to build an eerie and cooky good time!\u003c\/p\u003e\n\u003cp\u003eThe deluxe double LP includes 180-gram “Herman” and “Lily” colored vinyl, heavyweight gatefold jackets with matte satin coating, exclusive liner notes by Rob Zombie, a 24-page booklet, a 12”x12” art print, printed inner sleeves, new artwork by Graham Humphreys, and more!\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eDisco Vampire\u003c\/li\u003e\n\u003cli\u003eI Got A Million Of Them\u003c\/li\u003e\n\u003cli\u003eMicrobat \/ Megabat\u003c\/li\u003e\n\u003cli\u003eI Got You Babe\u003c\/li\u003e\n\u003cli\u003eZombo\u003c\/li\u003e\n\u003cli\u003eHollyweird\u003c\/li\u003e\n\u003cli\u003eEl Vampiro\u003c\/li\u003e\n\u003cli\u003eGateman, Woodbury And Graves\u003c\/li\u003e\n\u003cli\u003eThey Are The Munsters\u003c\/li\u003e\n\u003cli\u003eWelcome To Transylvania\u003c\/li\u003e\n\u003cli\u003eThe Count Rises\u003c\/li\u003e\n\u003cli\u003eLily \/ Toccata and Fugue In D Minor\u003c\/li\u003e\n\u003cli\u003eThe Boneyard Cafe\u003c\/li\u003e\n\u003cli\u003eDo You Like Rats?\u003c\/li\u003e\n\u003cli\u003eLester And Zoya \/ Nice Neighborhood\u003c\/li\u003e\n\u003cli\u003eWhat Do I Look Like A Moron?\u003c\/li\u003e\n\u003cli\u003eFloor And The Shecky Brain\u003c\/li\u003e\n\u003cli\u003eLily Dreams Of Herman\u003c\/li\u003e\n\u003cli\u003eUranus God Of The Sky\u003c\/li\u003e\n\u003cli\u003eDr. Wolfgang And The Creation Of Herman\u003c\/li\u003e\n\u003cli\u003eGood Morning Transylvania\u003c\/li\u003e\n\u003cli\u003eBreakfast Time\u003c\/li\u003e\n\u003cli\u003eOh My God He Is Gorgeous\u003c\/li\u003e\n\u003cli\u003eChild Of Electricity\u003c\/li\u003e\n\u003cli\u003eFor Some Strange Reason\u003c\/li\u003e\n\u003cli\u003eFarewell Comrades\u003c\/li\u003e\n\u003cli\u003eHermie’s Got A Date\u003c\/li\u003e\n\u003cli\u003eLily Thinks I’m A Swinger\u003c\/li\u003e\n\u003cli\u003eHerman At The Castle\u003c\/li\u003e\n\u003cli\u003eA Simple Country Boy\u003c\/li\u003e\n\u003cli\u003eI’m Just A Regular Girl\u003c\/li\u003e\n\u003cli\u003eCemetery Stroll \/ Devils Island\u003c\/li\u003e\n\u003cli\u003eHusband Spell\u003c\/li\u003e\n\u003cli\u003eDancing Monkey\u003c\/li\u003e\n\u003cli\u003eLily’s Coffin\u003c\/li\u003e\n\u003cli\u003eThe Wedding\u003c\/li\u003e\n\u003cli\u003eWhat A Fun Town\u003c\/li\u003e\n\u003cli\u003eParis\u003c\/li\u003e\n\u003cli\u003eA Complete Nutshell\u003c\/li\u003e\n\u003cli\u003eThere’s Only One Thing Left To Do\u003c\/li\u003e\n\u003cli\u003eLord Grimsby\u003c\/li\u003e\n\u003cli\u003eBottoms Up\u003c\/li\u003e\n\u003cli\u003eTransylvania Flight 666\u003c\/li\u003e\n\u003cli\u003eThe Last Shirley Temple\u003c\/li\u003e\n\u003cli\u003e150 Is The New 100\u003c\/li\u003e\n\u003cli\u003eMockingbird Heights\u003c\/li\u003e\n\u003cli\u003eNow What?\u003c\/li\u003e\n\u003cli\u003eAnd The Winner Is…\u003c\/li\u003e\n\u003cli\u003eHalloween Boogie\u003c\/li\u003e\n\u003cli\u003eI Really Like That Mr. Gateman\u003c\/li\u003e\n\u003cli\u003eWhat A Crummy Day\u003c\/li\u003e\n\u003cli\u003eKnock’em Dead\u003c\/li\u003e\n\u003cli\u003eIt’s A Freakshow\u003c\/li\u003e\n\u003cli\u003eI Think We’ve Been Invaded\u003c\/li\u003e\n\u003cli\u003eI’m Rich\u003c\/li\u003e\n\u003cli\u003eThe Munsters Opening Theme\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/2zx20aRIdhFbL7sbo4d6l1?utm_source=generator\" width=\"100%\" height=\"380\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Zeuss","offers":[{"title":"2LP \/ Swirl","offer_id":41976423776447,"sku":"WW149-SWL","price":44.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/Munsters_cover.jpg?v=1664477786"},{"product_id":"john-powell-dont-worry-darling-score-from-the-original-motion-picture-soundtrack-2lp-vinyl-record","title":"Don’t Worry Darling (Original Motion Picture Score)","description":"\u003ch3\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003ePressed on 2xLP 140-Gram Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAvailable on Black Vinyl, Eggshell White Vinyl, and Standard CD\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSpins at 33 1\/3 RPM\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeaturing artwork by Jack Hughes\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes liner notes by composer John Powell\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThe \u003cem\u003e\u003cstrong\u003eDon’t Worry Darling (Score from the Original Motion Picture Soundtrack)\u003c\/strong\u003e\u003c\/em\u003e showcases all new music from Academy Award- and three-time Grammy Award-nominated composer \u003cem\u003e\u003cstrong\u003eJohn Powell\u003c\/strong\u003e\u003c\/em\u003e (“Happy Feet,” “How To Train Your Dragon,” “Solo: A Star Wars Story”). When it came to composing the score, Powell first viewed the assemblage without any sound, only the dialogue. Director \u003cem\u003e\u003cstrong\u003eOlivia Wilde\u003c\/strong\u003e\u003c\/em\u003e remembers, “Then he said to me, ‘This movie is more romantic than you are letting it be. Let the score be something that sweeps our hearts away.’ He said that if we played with something more romantic, and used percussion to feel like a heartbeat… by bringing in the world of the orchestra he made it much more emotionally impactful. This was my first experience being able to be with a composer conducting the orchestra, creating the score. I was overwhelmed with that moment, like a kid in a candy store.”\u003c\/p\u003e\n\u003cp\u003eThe perfect counterpoint to the sunny and lovestuck soundtrack album, the score properly presents the reality of the film’s protagonist. Composer John Powell creates some truly disorienting horrifying soundscapes to underscore the psychological terror of Alice (\u003cem\u003e\u003cstrong\u003eFlorence Pugh\u003c\/strong\u003e\u003c\/em\u003e) and her journey of discovery in the world of the Victory project.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003eSide A\u003cbr\u003e1. Beginners Ballet Class\u003cbr\u003e2. Breakfast of Champignons\u003cbr\u003e3. Welcome to the Party\u003cbr\u003e4. In the Bedroom\u003cbr\u003e5. Margaret’s Flashback\u003cbr\u003e6. Keeping House\u003cbr\u003e7. Trolley to HQ\u003cbr\u003e8. Waking Up to An Ever-Decreasing World\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003e1. Advanced Ballet Class\u003cbr\u003e2. Long Relaxing Bath\u003cbr\u003e3. A Doctor Visits\u003cbr\u003e4. Whisky by the Hearth\u003cbr\u003e5. In the Ladies with Bunny\u003cbr\u003e6. Whose World Is It?\u003cbr\u003e7. Sorties \/ Delusions\u003cbr\u003e\u003cbr\u003eSide C\u003cbr\u003e1. Dinner Party Fallout\u003cbr\u003e2. We Need to Go\u003cbr\u003e3. Rabbit Hole\u003cbr\u003e4. Everything is Good Now\u003cbr\u003e5. Catechisms \/ Catheters\u003cbr\u003e\u003cbr\u003eSide D\u003cbr\u003e1. All For You Alice\u003cbr\u003e2. Bunny’s Wise Words\u003cbr\u003e3. Victory Chase\u003cbr\u003e4. End Credits (Don’t Worry Darling)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n","brand":"John Powell","offers":[{"title":"CD \/ Standard","offer_id":41977221644479,"sku":"MOND-270-2","price":19.98,"currency_code":"USD","in_stock":true},{"title":"2LP \/ Black","offer_id":41977221578943,"sku":"MOND-270-BK","price":39.98,"currency_code":"USD","in_stock":true},{"title":"2LP \/ White","offer_id":41977221611711,"sku":"MOND-270-WH","price":59.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/DWD_SCORE_FC.jpg?v=1664520859"},{"product_id":"goblin-phenomena-original-motion-picture-soundtrack-2lp-vinyl-record","title":"Phenomena (Original Motion Picture Soundtrack)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cb\u003eFeatures 3 previously unreleased recordings\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eComposed by Goblin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMastering by Claudio Fuiano\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eArtwork by Randy Ortiz\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2xLP pressed on 140-Gram Red Splatter Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSpins at 33 1\/3 rpm\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eMastered by Cinevox\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDeath Waltz Recording Company \u0026amp; Mondo\u003c\/strong\u003e\u003c\/em\u003e are proud to present the complete original score to \u003cem\u003e\u003cstrong\u003eDario Argento\u003c\/strong\u003e\u003c\/em\u003e’s 1985 formidable fright film, \u003cstrong\u003e\u003cem\u003ePhenomena\u003c\/em\u003e \u003c\/strong\u003e(a.k.a. \u003cstrong\u003e\u003cem\u003eCreepers\u003c\/em\u003e\u003c\/strong\u003e). This Suspiria-esque offering features music by \u003cem\u003e\u003cstrong\u003eClaudio Simonetti, Goblin, Simon Boswell, and Andi Sex Gang\u003c\/strong\u003e\u003c\/em\u003e, and includes all the original cues and two never-before-released bonus tracks! Immediately upon arrival at an exclusive girl boarding school in Switzerland, fourteen-year-old Jennifer (played by \u003cstrong\u003e\u003cem\u003eJennifer Connelly\u003c\/em\u003e\u003c\/strong\u003e in her first starring role) learns that a mysterious killer is on the loose and is targeting her demographic. Waking up from a midnight sleepwalk, she befriends a local entomologist (\u003cstrong\u003e\u003cem\u003eDonald Pleasance\u003c\/em\u003e\u003c\/strong\u003e) and, with his help, realizes that she has the psychic ability to telepathically communicate with insects. Will this trait help catch the maniacal menace? The illusory orchestrations on this album comprise of an array of musical styles and incorporate a bevy of traditional and electronic instruments and effects – multi-layered reverberating synths, Simmons drums, bass, electric guitar, and the inventive use of an operatic aria – the sonic results are a buzzing hive of sound.\u003c\/p\u003e","brand":"Goblin","offers":[{"title":"2LP \/ Red Splatter","offer_id":41989491097791,"sku":"DW237-RD-SPR","price":52.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/PHENO_FC.jpg?v=1665039208"},{"product_id":"various-artists-somewhere-between-mutant-pop-electronic-minimalism-shadow-sounds-of-japan-1980-1988-2lp-vinyl-record","title":"Somewhere Between: Mutant Pop, Electronic Minimalism \u0026 Shadow Sounds of Japan 1980-1988","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFirst-ever officially-licensed compilation of this kind\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eArtwork by noted illustrator\/designer Koichi Sato\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNew liner notes by Mark “Frosty” McNeill\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDouble LP housed in wide–spine jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eSomewhere Between: Mutant Pop, Electronic Minimalism \u0026amp; Shadow Sounds of Japan 1980–1988\u003c\/strong\u003e\u003c\/em\u003e hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed \u003cem\u003e\u003cstrong\u003eJapan Archival Series\u003c\/strong\u003e\u003c\/em\u003e—\u003cem\u003e\u003cstrong\u003eKankyō Ongaku: Japanese Ambient, Environmental \u0026amp; New Age Music 1980–1990\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003ePacific Breeze: Japanese City Pop, \u003cspan class=\"caps\"\u003eAOR\u003c\/span\u003e \u0026amp; Boogie 1976–1986\u003c\/strong\u003e\u003c\/em\u003e. All three albums showcase recordings produced during Japan’s soaring bubble economy of the 1980s, an era in which aesthetic visions and consumerism merged. Music echoed the nation’s prosperity and with financial abundance came the luxury to dream.\u003c\/p\u003e\n\u003cp\u003eSonically, Somewhere Between mines the midpoint between Kankyō Ongaku’s sparkling atmospherics and Pacific Breeze’s metropolitan boogie. The compilation encompasses ambient pop, underground electronics, liminal minimalism, and shadow sounds—all descriptors emphasizing the hazy nature of the nebula. Out–of–focus rhythms wear ethereal accoutrements, ballads are shrouded in static, and angular drums snake skyward on transcendent tones. From the Avant–minimalism of \u003cem\u003e\u003cstrong\u003eMkwaju Ensemble\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eYoshio Ojima\u003c\/strong\u003e\u003c\/em\u003e, to the leftfield techno-pop of \u003cem\u003e\u003cstrong\u003eMishio Ogawa\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eNoriko Miyamoto\u003c\/strong\u003e\u003c\/em\u003e (featuring members of\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eYMO\u003c\/span\u003e), and highlights from the groundbreaking Osaka underground label \u003cem\u003e\u003cstrong\u003eVanity Records\u003c\/strong\u003e\u003c\/em\u003e, these are blurry constellations defying collective categorization.\u003c\/p\u003e\n\u003cp\u003eThese tracks also exist in a space of transition when the major label grip on the Japanese recording market began to give way to the escalation of independents. Thanks to the idyllic economic climate and innovations in domestically–manufactured music gear, creators on the edges were empowered to focus on satisfying their artistic visions in the open headspace of home studios. While labels like \u003cem\u003e\u003cstrong\u003eWarner Music\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eNippon Columbia\u003c\/strong\u003e\u003c\/em\u003e explored new sounds through traditional channels, it was possible for Vanity, Balcony, and other indie labels, not to mention self–released artists like Ojima and \u003cem\u003e\u003cstrong\u003eNaoki Asai\u003c\/strong\u003e\u003c\/em\u003e, to publish their work via affordable media such as cassettes, 7\" vinyl, and flexi–discs.\u003c\/p\u003e\n\u003cp\u003eExpertly curated by \u003cem\u003e\u003cstrong\u003eYosuke Kitazawa\u003c\/strong\u003e\u003c\/em\u003e and \u003cstrong\u003e\u003cem\u003eMark “Frosty” McNeill\u003c\/em\u003e\u003c\/strong\u003e (\u003cstrong\u003e\u003cem\u003edublab\u003c\/em\u003e\u003c\/strong\u003e), Somewhere Between is a collection of music, much of it released for the first time outside Japan, that is bound more by energetic vibration than shared history, genre or scene. They are the sounds of transition and searching—a celebration of the freedom found in floating.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eNoriko Miyamoto - Arrows \/ Eyes\u003c\/li\u003e\n\u003cli\u003eMishio Ogawa - Hikari No Ito Kin No Ito\u003c\/li\u003e\n\u003cli\u003eYoshio Ojima - Days Man\u003c\/li\u003e\n\u003cli\u003eMkwaju Ensemble - Tira-Rin\u003c\/li\u003e\n\u003cli\u003eR.N.A-ORGANISM - WEIMAR 22\u003c\/li\u003e\n\u003cli\u003eNaoki Asai - Yakan Hikou\u003c\/li\u003e\n\u003cli\u003eTakami Hasegawa - Koneko To Watashi\u003c\/li\u003e\n\u003cli\u003eMammy - Mizu No Naka No Himitsu\u003c\/li\u003e\n\u003cli\u003eDip in the Pool - Hasu No Enishi\u003c\/li\u003e\n\u003cli\u003eWha Ha Ha - Akatere\u003c\/li\u003e\n\u003cli\u003eD-Day - Sweet Sultan\u003c\/li\u003e\n\u003cli\u003ePerfect Mother - Dark Disco-Da·Da·Da·Da·Run\u003c\/li\u003e\n\u003cli\u003eNeo Museum - Area\u003c\/li\u003e\n\u003cli\u003eSonoko - Wedding With God (À Nijinski)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe loading=\"lazy\" height=\"380\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/3cGNSKEDYnOegJkNlkSC6E?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Various Artists","offers":[{"title":"2LP \/ Cloudy Clear Purple","offer_id":42022131073215,"sku":"LITA183-1-CLPR","price":49.98,"currency_code":"USD","in_stock":true},{"title":"2LP \/ Purple Cornetto","offer_id":42022131040447,"sku":"LITA183-1-PR-CTO","price":49.98,"currency_code":"USD","in_stock":false},{"title":"2LP \/ Black","offer_id":42022112231615,"sku":"LITA183-1-BK","price":34.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1606864266006-r1san12d54-adfc234df546e9172aacd4ae7f41cb30_2Flita183_3000px_72dpi.jpg?v=1666335561"},{"product_id":"spinch-original-soundtrack-thesis-sahib-lp-vinyl-record","title":"Spinch (Original Game Soundtrack)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003ePsychedelic Yellow \/ Green \/ Pink Tricolor Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDiecut ‘\u003cem\u003eMouth Portal\u003c\/em\u003e’ Jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes 1 of 3 Limited Edition Art Prints\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMusic by Thesis Sahib\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAlbum Art by Spinch creator, Jesse Jacobs\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMastered for Vinyl by Townsend Mastering\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLet’s be real: \u003cem\u003e\u003cstrong\u003eSpinch\u003c\/strong\u003e \u003c\/em\u003e(not “spinach” like autocorrect demands) is a really freakin’ weird game. It’s a bountiful bazaar of colorfulness and alien aesthetics as if a Kool-Aid fever dream collided with unicorn nightmares. Wacky worlds, however, are only good as their wacky soundtracks, and herein rests one of the most fabulously fun soundtracks \u003cem\u003e\u003cstrong\u003eiam8bit\u003c\/strong\u003e \u003c\/em\u003ehas ever released on wax. Composer \u003cem\u003e\u003cstrong\u003eThesis Sahib\u003c\/strong\u003e\u003c\/em\u003e is a mad genius of creatively conjuring sounds from just about anything, and with Spinch he looks to children’s toys, retro and modern, for that extra special audiosauce. (Yes, he recorded toys and it sounds awesome!) We’re so very proud to present this gem on tricolor vinyl, in an obscenely vibrant die-cut jacket design by Spinch creator, \u003cstrong\u003e\u003cem\u003eJesse Jacobs\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eSpinch\u003c\/strong\u003e \u003c\/em\u003eis developed by Queen Bee and published by Akupara Games.\u003c\/p\u003e\n\u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0965\/files\/AG_Logo_PrimaryDefault_1_160x160.png?v=1611610072\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0965\/files\/queenbeelogo_160x160.png?v=1611609354\"\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eNew Ecology\u003c\/li\u003e\n\u003cli\u003eCaptured by Colours\u003c\/li\u003e\n\u003cli\u003eAstral Island (World 1)\u003c\/li\u003e\n\u003cli\u003eChemical Canyon (World 2)\u003c\/li\u003e\n\u003cli\u003eForest Masters (World 3)\u003c\/li\u003e\n\u003cli\u003eReturn of the Star Children\u003c\/li\u003e\n\u003cli\u003eCrystal Palace (World 5\u003c\/li\u003e\n\u003cli\u003eStar Station (World 6)\u003c\/li\u003e\n\u003cli\u003eChromatic Attack Force\u003c\/li\u003e\n\u003cli\u003eBefore the End\u003c\/li\u003e\n\u003cli\u003eCousins (Bonus Level)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ciframe loading=\"lazy\" height=\"160\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/6MxnykzkcnRXXYJknnGpzw?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Thesis Sahib","offers":[{"title":"LP \/ Tricolor","offer_id":42025439068351,"sku":"8BIT-8133-TC","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/8BIT-8133-ThesisSahib-Spinch_OriginalGameSoundtrack_-min.png?v=1688627720"},{"product_id":"the-complete-harry-potter-film-music-collection-the-city-of-prague-philharmonic-orchestra-color-vinyl-box-set-4lp-vinyl-record","title":"The Complete Harry Potter Film Music Collection [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cdiv\u003e\u003cstrong\u003eLimited Box Set Edition\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv\u003e\u003cstrong\u003e4xLP pressed on 140-Gram Transparent Yellow, Blue, Green, and Red Vinyl (\u003cem\u003eCat # DFLP019\u003c\/em\u003e)\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv\u003e\u003cstrong\u003e4xLP pressed on 140-Gram Classic Black Vinyl (\u003cem\u003eCat # DFLP024\u003c\/em\u003e)\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures printed sleeves\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLPs housed in a hard slipcase\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes 34 tracks recorded by The City Of Prague Philharmonic Orchestra\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePressed at GZ Media\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThe eight \u003cem\u003e\u003cstrong\u003eHarry Potter\u003c\/strong\u003e\u003c\/em\u003e films from the largest-grossing film franchise of all time, with total worldwide revenues of over $7 billion. In the top 20 list of the biggest-ever grossing films worldwide, six are Harry Potter titles. (as of figures in 2012).\u003cbr\u003e\u003cbr\u003eThe music for the film series has featured the work of the cream of film composers including \u003cem\u003e\u003cstrong\u003eJohn Williams\u003c\/strong\u003e\u003c\/em\u003e (who received Academy Award nominations for two films in the series), \u003cstrong\u003e\u003cem\u003ePatrick Doyle, Nicholas Hooper, and Alexandre Desplat\u003c\/em\u003e\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003eThis unique box set of quadruple LP, a 34-track collection of new recordings by \u003cem\u003e\u003cstrong\u003eThe City Of Prague Philharmonic Orchestra\u003c\/strong\u003e\u003c\/em\u003e brings together the music from all eight films for the very first time.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eJohn Williams - Hedwig's Theme\u003c\/li\u003e\n\u003cli\u003eJohn Williams - Harry's Wondrous World\u003c\/li\u003e\n\u003cli\u003eJohn Williams - Nimbus 2000\u003c\/li\u003e\n\u003cli\u003eJohn Williams - Christmas At Hogwarts\u003c\/li\u003e\n\u003cli\u003eJohn Williams - Leaving Hogwarts\u003c\/li\u003e\n\u003cli\u003eJohn Williams - Fawkes The Phoenix\u003c\/li\u003e\n\u003cli\u003eJohn Williams - The Chamber of secrets\u003c\/li\u003e\n\u003cli\u003eJohn Williams - Gilderoy Lockhart\u003c\/li\u003e\n\u003cli\u003eJohn Williams - Dobby The House Elf\u003c\/li\u003e\n\u003cli\u003eJohn Williams - Cakes for Crabe and Goyle\u003c\/li\u003e\n\u003cli\u003eJohn Williams - Reunion of Friends\u003c\/li\u003e\n\u003cli\u003eJohn Williams - Aunt Marge's Waltz\u003c\/li\u003e\n\u003cli\u003eJohn Williams - The Knight Bus\u003c\/li\u003e\n\u003cli\u003eJohn Williams - Double trouble\u003c\/li\u003e\n\u003cli\u003eJohn Williams - A Window To The Past\u003c\/li\u003e\n\u003cli\u003eJohn Williams - Witches, Wands and Wizards\u003c\/li\u003e\n\u003cli\u003eJohn Williams - Mischief Managed \/ A Window To the Past \/ Buckbeak's Flight\u003c\/li\u003e\n\u003cli\u003ePatrick Doyle - Quidditch World Cup \/ Foreign Visitors Arrive\u003c\/li\u003e\n\u003cli\u003ePatrick Doyle - The Golden Egg\u003c\/li\u003e\n\u003cli\u003ePatrick Doyle - Neville's Waltz\u003c\/li\u003e\n\u003cli\u003ePatrick Doyle - Harry in Winter\u003c\/li\u003e\n\u003cli\u003ePatrick Doyle - Potter Waltz\u003c\/li\u003e\n\u003cli\u003ePatrick Doyle - Black Lake\u003c\/li\u003e\n\u003cli\u003ePatrick Doyle - Hogwarts March\u003c\/li\u003e\n\u003cli\u003ePatrick Doyle - Another Year Ends\u003c\/li\u003e\n\u003cli\u003ePatrick Doyle - Hogwarts Hymn\u003c\/li\u003e\n\u003cli\u003eNicholas Hooper - A Journey tp Hogwarts\u003c\/li\u003e\n\u003cli\u003eNicholas Hooper - Professor Umbridge\u003c\/li\u003e\n\u003cli\u003eNicholas Hooper - Sirius deception \/ Dumbledores Army\u003c\/li\u003e\n\u003cli\u003eNicholas Hooper - Flight of the Order of the Phoenix\u003c\/li\u003e\n\u003cli\u003eNicholas Hooper - Loved Ones and Leaving\u003c\/li\u003e\n\u003cli\u003eNicholas Hooper - Dumbledore's Farewell\u003c\/li\u003e\n\u003cli\u003eNicholas Hooper - Obliviate\u003c\/li\u003e\n\u003cli\u003eNicholas Hooper - Lily's Theme\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/0sZnzBQRGeXyVrBDf0dNBD?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"The City of Prague Philharmonic Orchestra","offers":[{"title":"4LP \/ Black","offer_id":42166883582143,"sku":"DFLP024-BK","price":84.98,"currency_code":"USD","in_stock":true},{"title":"4LP \/ Multicolor","offer_id":42094748631231,"sku":"DFLP019-YLBLGNRD","price":144.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/original_c00ed630-d104-4f7c-90af-0c8b04272205.jpg?v=1672871999"},{"product_id":"martin-phipps-the-crown-season-3-original-netflix-series-soundtrack-lp-vinyl-record","title":"The Crown: Season 3 - Original Netflix Series Soundtrack","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Edition 180-Gram Audiophile Vinyl pressed on\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e“Royal Blue” colored vinyl (limited to 750 individually numbered copies) - 2023 pressing\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\"Royal Silver\" colored vinyl (limited to 300\u003cspan\u003e \u003c\/span\u003eindividually numbered copies) - 2021 pressing (\u003cspan style=\"color: #ff2a00;\"\u003eLast Copy! Out of Print\u003c\/span\u003e)\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eDeluxe gatefold sleeve with leather laminate finish\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes 4-page booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMusic by Martin Phipps\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eGolden Globe Awards-winning Netflix drama series starring Olivia Colman, Emma Corin, Gillian Anderson, Helena Bonham Carter \u0026amp; Tobias Menzies a.o.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe Crown\u003c\/strong\u003e\u003c\/em\u003e is a drama television series, created and written by Peter Morgan and produced by Left Bank Pictures and Sony Pictures Television for Netflix Original. The show is a biographical story about the early reign of \u003cem\u003e\u003cstrong\u003eQueen Elizabeth II of the United Kingdom\u003c\/strong\u003e\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eReception to the series was overwhelmingly positive, with critics praising cast performances, direction, writing, cinematography, production values, and relatively accurate historical accounts of Queen Elizabeth's reign. The Crown has received many awards and nominations, including all seven drama categories at the 73rd Primetime Emmy Awards in 2021 and two at the 2017 Golden Globes, including Best Television Series Drama.\u003cbr\u003e\u003cbr\u003eThe third season features an entirely new cast of acclaimed actors taking over the very famous royal roles. In addition to a new cast, the music to The Crown - Season 3 is composed by \u003cem\u003e\u003cstrong\u003eMartin Phipps\u003c\/strong\u003e\u003c\/em\u003e, who has previously composed soundtracks for Black Mirror and Peaky Blinders. This neo-minimalistic score makes use of different tempos, string-based undertones, and brass chorus lines. From the darkly moody “Black Widow” to the eerily beautiful “Aberfan” the skillfully constructed 16-track score evokes the turbulence of both the times and inner lives of the Windsor family, while remaining eminently listenable on its own.\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/2Fo6fhIcRqerCpyYBORZWK?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Martin Phipps","offers":[{"title":"LP \/ Silver","offer_id":42118912409791,"sku":"MOVATM255-SV","price":34.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Blue","offer_id":42118912377023,"sku":"MOVATM255-BL","price":44.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/4655_foto1_product_xl.jpg?v=1673663016"},{"product_id":"nancy-sinatra-start-walkin-1965-1976-2lp-vinyl-record","title":"Start Walkin' 1965-1976","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eNewly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2xLP pressed at RTI \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\"Velvet Morning Sunrise\" Yellow \u0026amp; Orange Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eClassic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Numbered Edition \"Summer Wine Sunburst Orange\" Orange \u0026amp; Black Vinyl (#621 \/ 1000) (\u003cem\u003e\u003cspan\u003eLAST COPY!\u003c\/span\u003e\u003c\/em\u003e)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures OBI Strip and a 24-Page Booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtensive essay by Amanda Petrusich\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBeautifully packaged in a Gatefold Jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic Records\u003c\/strong\u003e\u003c\/em\u003e is proud to present \u003cstrong\u003e\u003cem\u003eNancy Sinatra: Start Walkin’ 1965–1976\u003c\/em\u003e\u003c\/strong\u003e. The definitive new collection surveys Sinatra’s most prolific period over 1965–1976, including her revered collaborations with \u003cstrong\u003e\u003cem\u003eLee Hazlewood\u003c\/em\u003e\u003c\/strong\u003e, over 23 tracks.\u003c\/p\u003e\n\u003cp\u003eRemastered from the original analog tapes by GRAMMY®–nominated engineer \u003cem\u003e\u003cstrong\u003eJohn Baldwin\u003c\/strong\u003e\u003c\/em\u003e, the collection is complemented by liner notes penned by \u003cem\u003e\u003cstrong\u003eAmanda Petrusich\u003c\/strong\u003e\u003c\/em\u003e (author and music critic at \u003cem\u003e\u003cstrong\u003eThe New Yorker\u003c\/strong\u003e\u003c\/em\u003e), featuring never–before–seen photos from Nancy Sinatra’s personal archive, as well as insightful new interviews with Sinatra, as well as a Q\u0026amp;A with archivist and GRAMMY®–nominated reissue co-producer, \u003cstrong\u003e\u003cem\u003eHunter Lea\u003c\/em\u003e\u003c\/strong\u003e. The two-disc vinyl set is presented in a gatefold jacket (featuring a 24–page booklet).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNancy’s performance of the Lee Hazlewood–penned song “\u003cstrong\u003e\u003cem\u003eThese Boots Are Made for Walkin’\u003c\/em\u003e\u003c\/strong\u003e” was a huge hit in 1966 and became her signature tune. The pair began a three-year run of successful albums, duets, and singles including “\u003cem\u003e\u003cstrong\u003eSugar Town\u003c\/strong\u003e\u003c\/em\u003e,” “\u003cem\u003e\u003cstrong\u003eSome Velvet Morning\u003c\/strong\u003e\u003c\/em\u003e,” “\u003cem\u003e\u003cstrong\u003eSummer Wine\u003c\/strong\u003e\u003c\/em\u003e,” “\u003cem\u003e\u003cstrong\u003eSand\u003c\/strong\u003e\u003c\/em\u003e,” “\u003cem\u003e\u003cstrong\u003eJackson\u003c\/strong\u003e\u003c\/em\u003e,” and the title track to the 1967 James Bond film “\u003cem\u003e\u003cstrong\u003eYou Only Live Twice\u003c\/strong\u003e\u003c\/em\u003e.”\u003cbr\u003e\u003cbr\u003eStart Walkin’ explores Nancy’s recordings with Lee, her inspired collaborations with songwriter \u003cem\u003e\u003cstrong\u003eMac Davis\u003c\/strong\u003e\u003c\/em\u003e (“\u003cstrong\u003e\u003cem\u003eHello L.A., Bye Bye Birmingham\u003c\/em\u003e\u003c\/strong\u003e”), producer \u003cem\u003e\u003cstrong\u003eLenny Waronker\u003c\/strong\u003e\u003c\/em\u003e (“\u003cstrong\u003e\u003cem\u003eHook and Ladder\u003c\/em\u003e\u003c\/strong\u003e”), and the “should’ve been hit” song with arranger\/producer \u003cem\u003e\u003cstrong\u003eBilly Strange\u003c\/strong\u003e\u003c\/em\u003e (“\u003cstrong\u003e\u003cem\u003eHow Are Things In California\u003c\/em\u003e\u003c\/strong\u003e.”)\u003cbr\u003e\u003cbr\u003eOver the years, she has been cited as an influence by countless artists, including \u003cstrong\u003e\u003cem\u003eSonic Youth, Morrissey, Calexico, U2, and Lana Del Rey\u003c\/em\u003e\u003c\/strong\u003e. Her haunting song “\u003cstrong\u003e\u003cem\u003eBang, Bang\u003c\/em\u003e\u003c\/strong\u003e” gained a new legion of fans when it appeared in the opening credits of \u003cem\u003eQuentin Tarantino\u003c\/em\u003e’s 2003 film, \u003cem\u003eKill Bill Volume 1\u003c\/em\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e\n","brand":"Nancy Sinatra","offers":[{"title":"2LP \/ Yellow \u0026 Orange","offer_id":42169390006463,"sku":"LITA195-1-YLOR-SWL","price":46.99,"currency_code":"USD","in_stock":false},{"title":"2LP \/ Orange \u0026 Black","offer_id":42169776570559,"sku":"LITA195-1-ORBK-SWL","price":124.99,"currency_code":"USD","in_stock":true},{"title":"2LP \/ Black","offer_id":42169242976447,"sku":"LITA195-1-BK","price":37.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1603218483868-zprs3r875wi-18ee9d1e6e5bcced33fde7524df399e0_2FLITA_2B195_2B-_2BNancy_2BSinatra_2B-_2BStart_2BWalkin-Hi_2BRes_2BCover.jpg?v=1698649880"},{"product_id":"karen-dalton-in-my-own-time-standard-deluxe-edition-2lp-vinyl-record","title":"In My Own Time - 50th Anniversary (Standard Deluxe Edition)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e Two 180-gram, 45 RPM LPs cut from new 2021 transfers and pressed at RTI, featuring bonus tracks from the original album sessions \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e Previously unreleased 7” single: \"Take Me\" Live at Beat Club, Germany (April 1971) \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e Repro of 1971 French edition 7” single: Something On Your Mind b\/w One Night Of Love \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e Both 7” singles pressed at Third Man Pressing and housed in old-style tip-on jackets \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e 20-page booklet featuring unseen photos and liner notes by Lenny Kaye, plus contributions from Nick Cave and Devendra Banhart \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e Housed in a special, expanded trifold jacket \u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eKaren Dalton\u003c\/strong\u003e\u003c\/em\u003e’s 1971 album, \u003cem\u003e\u003cstrong\u003eIn My Own Time\u003c\/strong\u003e\u003c\/em\u003e, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Light in the Attic is honored to celebrate the 50th anniversary of In My Own Time with a special edition of this monumental classic.\u003cbr\u003e\u003cbr\u003eFeaturing Dalton’s interpretations of songs like “\u003cem\u003e\u003cstrong\u003eAre You Leaving for the Country\u003c\/strong\u003e\u003c\/em\u003e,” “\u003cem\u003e\u003cstrong\u003eWhen a Man Loves a Woman\u003c\/strong\u003e\u003c\/em\u003e,” “\u003cem\u003e\u003cstrong\u003eKatie Cruel\u003c\/strong\u003e\u003c\/em\u003e,” and her posthumously recognized signature performance, “\u003cem\u003e\u003cstrong\u003eSomething On Your Mind\u003c\/strong\u003e\u003c\/em\u003e,” will be available in a 50th anniversary Deluxe Edition, which expands exponentially upon Light in the Attic’s 2006 reissue of the album, co-produced by Nicholas Hill.\u003cbr\u003e\u003cbr\u003eThis 50th Anniversary Standard Deluxe Edition features the newly remastered (2021) In My Own Time album, presented on three sides of 45-RPM, 180-gram vinyl pressed at \u003cem\u003e\u003cstrong\u003eRecord Technology Inc. (RTI)\u003c\/strong\u003e\u003c\/em\u003e, with the fourth side showcasing alternate takes from the album sessions. The set also contains two 7-inch singles, featuring previously-unreleased live recordings captured at Germany’s Beat Club in 1971, both pressed at Third Man Record Pressing and housed in tip-on jackets. All audio has been newly remastered by \u003cem\u003e\u003cstrong\u003eDave Cooley\u003c\/strong\u003e\u003c\/em\u003e, while lacquers were cut by \u003cem\u003e\u003cstrong\u003ePhil Rodriguez\u003c\/strong\u003e\u003c\/em\u003e at \u003cem\u003e\u003cstrong\u003eElysian Masters\u003c\/strong\u003e\u003c\/em\u003e. A 20-page booklet—featuring rarely seen photos, liner notes from musician and writer \u003cem\u003e\u003cstrong\u003eLenny Kaye\u003c\/strong\u003e\u003c\/em\u003e, and contributions from \u003cem\u003e\u003cstrong\u003eNick Cave\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eDevendra Banhart\u003c\/strong\u003e\u003c\/em\u003e—rounds out the package, which comes housed in a special trifold jacket.\u003cbr\u003e\u003cbr\u003eThe Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “\u003cem\u003ethe jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R\u0026amp;B and country that had to seep in as she made her way to New York.\u003c\/em\u003e\"\u003cbr\u003e\u003cbr\u003eArmed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including \u003cem\u003e\u003cstrong\u003eTim Hardin, Fred Neil, and Richard Tucker\u003c\/strong\u003e\u003c\/em\u003e, whom she later married. \u003cem\u003e\u003cstrong\u003eBob Dylan\u003c\/strong\u003e\u003c\/em\u003e, meanwhile, was instantly taken with her artistry. “\u003cem\u003eMy favorite singer in the place was Karen Dalton\u003c\/em\u003e,” he recalled in Chronicles: Volume One (Simon \u0026amp; Schuster, 2004). “\u003cem\u003eKaren had a voice like Billie Holiday and played the guitar like Jimmy Reed.\u003c\/em\u003e”\u003cbr\u003e\u003cbr\u003eThose who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, \u003cem\u003e\u003cstrong\u003eIt’s So Hard to Tell Who’s Going To Love You The Best\u003c\/strong\u003e\u003c\/em\u003e, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.\u003cbr\u003e\u003cbr\u003eProducing the album was bassist \u003cem\u003e\u003cstrong\u003eHarvey Brooks\u003c\/strong\u003e\u003c\/em\u003e, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “\u003cem\u003esimple, solid and supportive,\u003c\/em\u003e” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “\u003cem\u003eI left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.\u003c\/em\u003e”\u003cbr\u003e\u003cbr\u003eDalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R\u0026amp;B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.\u003cbr\u003e\u003cbr\u003eWhile ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recently acclaimed film documentary \u003cem\u003e\u003cstrong\u003eKaren Dalton: In My Own Time\u003c\/strong\u003e\u003c\/em\u003e, Cave muses on Dalton’s unique appeal: “\u003cem\u003eThere’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.\u003c\/em\u003e” He adds, “\u003cem\u003eShe had a deep and profound and loving soul…you can hear it in her music.\u003c\/em\u003e”\u003cbr\u003e\u003cbr\u003e1–10: Originally released as Just Sunshine – PAS 6008, 1971\u003cbr\u003e11–13: Alternate Takes from album sessions, 1970\/71\u003cbr\u003e14–15: Recorded live at Beat Club, Germany, April 21, 1971\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1. Something On Your Mind\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2. When a Man Loves A Woman\u003cbr\u003e3. In My Own Dream\u003cbr\u003e4. Katie Cruel\u003cbr\u003e5. How Sweet It Is\u003cbr\u003e6. In A Station\u003cbr\u003e7. Take Me\u003cbr\u003e8. Same Old Man\u003cbr\u003e9. One Night of Love\u003cbr\u003e10. Are You Leaving For The Country\u003cbr\u003e11. Something On Your Mind (Alternate Take)\u003cbr\u003e12. In My Own Dream (Alternate Take)\u003cbr\u003e13. Katie Cruel (Alternate Take)\u003cbr\u003e14. One Night Of Love - Live at Beat Club, Germany, April 21, 1971\u003cbr\u003e15. Take Me - Live at Beat Club, Germany, April 21, 1971\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/36WryGURqME9Y2URzzzmio?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Karen Dalton","offers":[{"title":"2LP \/ Black","offer_id":42181003018431,"sku":"LITA203-1-BK","price":69.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1636404315523-p452atftqym-fee1d2a312bf3f91b430c0f0d2442024_2Flita200_203_3000px.jpg?v=1673906425"},{"product_id":"chan-kwong-wing-infernal-affairs-original-motion-picture-soundtrack-lp-vinyl-record","title":"Infernal Affairs (Original Motion Picture Soundtrack) (2002) [HK Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eHigh-Quality Japan Pressing\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHong Kong Exclusive\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Red Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThis soundtrack has not yet been released in digital format\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAlso available: \u003ca title=\"Infernal Affairs II (Original Motion Picture Soundtrack)\" href=\"https:\/\/helixsounds.com\/products\/infernal-affairs-ii-original-motion-picture-soundtrack-import\"\u003ePart II\u003c\/a\u003e and \u003ca title=\"Infernal Affairs III (Original Motion Picture Soundtrack)\" href=\"https:\/\/helixsounds.com\/products\/infernal-affairs-iii-original-motion-picture-soundtrack-import\"\u003ePart III\u003c\/a\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cstrong\u003eInfernal Affairs\u003c\/strong\u003e\u003c\/em\u003e” was born in the downturn of Hong Kong movies in the early 2000s, with a compact plot and an innovative narrative style. It won word-of-mouth from the audience, achieved a box office revenue of 55 million Hong Kong dollars, became the 2002 box office champion, and represented the peak of Hong Kong film creation.\u003cbr\u003e\u003cbr\u003e\"Infernal Affairs” has been remade many times at home and abroad, including \u003cem\u003e\u003cstrong\u003eMartin Scorsese\u003c\/strong\u003e\u003c\/em\u003e’s remake in 2006 as the American version of \"Infernal Affairs” called \"\u003cem\u003e\u003cstrong\u003eThe Departed\u003c\/strong\u003e\u003c\/em\u003e”. It won four Oscars, including Best Picture. Both China and Japan have remade the film into TV series.\u003cbr\u003e\u003cbr\u003eTo commemorate the 20th anniversary of the release of \"Infernal Affairs”, the film’s soundtrack is being pressed for the special release of the global limited edition \"Infernal Affairs” vinyl format. Created by Hong Kong famous film composer \u003cem\u003e\u003cstrong\u003eChan Kwong Wing\u003c\/strong\u003e\u003c\/em\u003e, the soundtrack was performed by the Asia Philharmonic Orchestra and the \u003cem\u003e\u003cstrong\u003eNicolaus Esterhazy Orchestra\u003c\/strong\u003e\u003c\/em\u003e, the \u003cem\u003e\u003cstrong\u003eAsian Philharmonic Choir\u003c\/strong\u003e\u003c\/em\u003e, and the \u003cem\u003e\u003cstrong\u003eHungarian Choir\u003c\/strong\u003e\u003c\/em\u003e participated in the chorus.\u003cbr\u003e\u003cbr\u003e\"Infernal Affairs” is a successful example of the flawless combination of light, shadow, and music. Cooperating with the compact plot, each note is closely related to the progress of the plot, arousing the audience’s emotions, creating a tense atmosphere, and enhancing the dramatic effect. In the first act of drug dealing, the struggle between good and evil is perfectly demonstrated. In addition to plots and images, music also plays an important role in certain scenes. \u003cem\u003e\u003cstrong\u003eCai Qin\u003c\/strong\u003e\u003c\/em\u003e’s song \"\u003cem\u003e\u003cstrong\u003eThe Forgotten Time\u003c\/strong\u003e\u003c\/em\u003e” connects two protagonists with different fate trajectories. Another example is the scene where Huang Sir was thrown off the building and died, and Feng Xiyu hummed the episode \"\u003cem\u003e\u003cstrong\u003eGoodbye – Police\u003c\/strong\u003e\u003c\/em\u003e”, like the sound of the sounds of nature, I feel sorry for Huang’s death. When fans recall the scene, the music often comes to mind at the same time.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eEntering The Inferno 無間\u003c\/li\u003e\n\u003cli\u003eIf I Were Him 跟他交換\u003c\/li\u003e\n\u003cli\u003eGoodbye Master 再見…警察 (哼唱: 馮曦妤)\u003c\/li\u003e\n\u003cli\u003eWho Are You? 標\u003c\/li\u003e\n\u003cli\u003eLet Me Quit 三年又三年\u003c\/li\u003e\n\u003cli\u003eI Dreamt About You 我在夢中見過你 (哼唱: 馮曦妤)\u003c\/li\u003e\n\u003cli\u003eSalute 他是一個好驚察\u003c\/li\u003e\n\u003cli\u003eMission Abort 有內鬼，行動取消\u003c\/li\u003e\n\u003cli\u003eI Am A Cop! 我是警察!\u003c\/li\u003e\n\u003cli\u003eYou Are The Only One 我最信的是你\u003c\/li\u003e\n\u003cli\u003eI Want To Be A Good Guy 我揀做個好人\u003c\/li\u003e\n\u003cli\u003eGoodbye Master, Goodbye 再見…警察…再見 (哼唱: 馮曦妤)\u003c\/li\u003e\n\u003cli\u003eThe Inferno 道\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Chan Kwong Wing","offers":[{"title":"LP \/ Red","offer_id":42195112394943,"sku":"MSCD014HK-RD","price":134.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1670887196932-4r8bhmn8tex-feaab18e44e26e04bd129c424ac9f8f1_2Finfernal_2Baffairs_2B1_2BLP.jpg?v=1674623096"},{"product_id":"chan-kwong-wing-infernal-affairs-ii-original-motion-picture-soundtrack-lp-vinyl-record","title":"Infernal Affairs II (Original Motion Picture Soundtrack) (2003) [HK Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eHigh-Quality Japan Pressing\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHong Kong Exclusive\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Yellow Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThis soundtrack has not yet been released in digital format\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAlso available:\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Infernal Affairs (Original Motion Picture Soundtrack)\" href=\"https:\/\/helixsounds.com\/products\/infernal-affairs-original-motion-picture-soundtrack-import\"\u003ePart I\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Infernal Affairs III (Original Motion Picture Soundtrack)\" href=\"https:\/\/helixsounds.com\/products\/infernal-affairs-iii-original-motion-picture-soundtrack-import\"\u003ePart III\u003c\/a\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“\u003cem\u003e\u003cstrong\u003eInfernal Affairs\u003c\/strong\u003e\u003c\/em\u003e” was born in the downturn of Hong Kong movies in the early 2000s, with a compact plot and an innovative narrative style. It won word-of-mouth from the audience, achieved a box office revenue of 55 million Hong Kong dollars, became the 2002 box office champion, and represented the peak of Hong Kong film creation.\u003cbr\u003e\u003cbr\u003e“Infernal Affairs” has been remade many times at home and abroad, including \u003cem\u003e\u003cstrong\u003eMartin Scorsese\u003c\/strong\u003e\u003c\/em\u003e’s remake in 2006 as the American version of “Infernal Affairs” called “\u003cem\u003e\u003cstrong\u003eThe Departed\u003c\/strong\u003e\u003c\/em\u003e”. It won four Oscars, including Best Picture. Both China and Japan have remade the film into TV series.\u003cbr\u003e\u003cbr\u003eTo commemorate the 20th anniversary of the release of “Infernal Affairs”, the film’s soundtrack is being pressed for the special release of the global limited edition “Infernal Affairs” vinyl format. Created by Hong Kong famous film composer \u003cem\u003e\u003cstrong\u003eChan Kwong Wing\u003c\/strong\u003e\u003c\/em\u003e, the soundtrack was performed by the Asia Philharmonic Orchestra and the \u003cem\u003e\u003cstrong\u003eNicolaus Esterhazy Orchestra\u003c\/strong\u003e\u003c\/em\u003e, the \u003cem\u003e\u003cstrong\u003eAsian Philharmonic Choir\u003c\/strong\u003e\u003c\/em\u003e, and the \u003cem\u003e\u003cstrong\u003eHungarian Choir\u003c\/strong\u003e\u003c\/em\u003e participated in the chorus.\u003cbr\u003e\u003cbr\u003e“Infernal Affairs” is a successful example of the flawless combination of light, shadow, and music. Cooperating with the compact plot, each note is closely related to the progress of the plot, arousing the audience’s emotions, creating a tense atmosphere, and enhancing the dramatic effect. In the first act of drug dealing, the struggle between good and evil is perfectly demonstrated. In addition to plots and images, music also plays an important role in certain scenes. \u003cem\u003e\u003cstrong\u003eCai Qin\u003c\/strong\u003e\u003c\/em\u003e’s song “\u003cem\u003e\u003cstrong\u003eThe Forgotten Time\u003c\/strong\u003e\u003c\/em\u003e” connects two protagonists with different fate trajectories. Another example is the scene where Huang Sir was thrown off the building and died, and Feng Xiyu hummed the episode “\u003cem\u003e\u003cstrong\u003eGoodbye – Police\u003c\/strong\u003e\u003c\/em\u003e”, like the sound of the sounds of nature, I feel sorry for Huang’s death. When fans recall the scene, the music often comes to mind at the same time.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eLonely Sky - 長空\u003c\/li\u003e\n\u003cli\u003e1991\u003c\/li\u003e\n\u003cli\u003eInfernal Affairs II - 無間 II\u003c\/li\u003e\n\u003cli\u003eI Really Want To Be A Good Person - 我想做好人\u003c\/li\u003e\n\u003cli\u003eLook Up - 抬頭\u003c\/li\u003e\n\u003cli\u003eSorrow - 哀\u003c\/li\u003e\n\u003cli\u003eFourth Killing - 4 殺\u003c\/li\u003e\n\u003cli\u003eCry (Vocals 主唱: Tan Han-Jin 陳奐仁)\u003c\/li\u003e\n\u003cli\u003eDeath 殉\u003c\/li\u003e\n\u003cli\u003eStrike 出擊\u003c\/li\u003e\n\u003cli\u003eConfession 我認罪\u003c\/li\u003e\n\u003cli\u003eBrotherhood 兄弟\u003c\/li\u003e\n\u003cli\u003eWorship 奠酒\u003c\/li\u003e\n\u003cli\u003eAccounting Deadline 交數日\u003c\/li\u003e\n\u003cli\u003eForgive \/ Forget\u003c\/li\u003e\n\u003cli\u003eAdditional\u003c\/li\u003e\n\u003cli\u003eBlack Hawk\u003c\/li\u003e\n\u003cli\u003e1997\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Chan Kwong Wing","offers":[{"title":"LP \/ Yellow","offer_id":42195123765439,"sku":"MSCD015HK-YL","price":134.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1670959488823-cves19y6nzp-47e9d7b8475e144b98fc6fb1ea4a04ca_2Finfernal_2Baffairs_2B2_2BLP.jpg?v=1674625069"},{"product_id":"chan-kwong-wing-infernal-affairs-iii-original-motion-picture-soundtrack-lp-vinyl-record","title":"Infernal Affairs III (Original Motion Picture Soundtrack) (2003) [HK Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eHigh-Quality Japan Pressing\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHong Kong Exclusive\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Clear Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThis soundtrack has not yet been released in digital format \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAlso available:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/helixsounds.com\/products\/infernal-affairs-original-motion-picture-soundtrack-import\" title=\"Infernal Affairs (Original Motion Picture Soundtrack)\"\u003ePart I\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/helixsounds.com\/products\/infernal-affairs-ii-original-motion-picture-soundtrack-import\" title=\"Infernal Affairs II (Original Motion Picture Soundtrack)\"\u003ePart II\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“\u003cem\u003e\u003cstrong\u003eInfernal Affairs\u003c\/strong\u003e\u003c\/em\u003e” was born in the downturn of Hong Kong movies in the early 2000s, with a compact plot and an innovative narrative style. It won word-of-mouth from the audience, achieved a box office revenue of 55 million Hong Kong dollars, became the 2002 box office champion, and represented the peak of Hong Kong film creation.\u003cbr\u003e\u003cbr\u003e“Infernal Affairs” has been remade many times at home and abroad, including \u003cem\u003e\u003cstrong\u003eMartin Scorsese\u003c\/strong\u003e\u003c\/em\u003e’s remake in 2006 as the American version of “Infernal Affairs” called “\u003cem\u003e\u003cstrong\u003eThe Departed\u003c\/strong\u003e\u003c\/em\u003e”. It won four Oscars, including Best Picture. Both China and Japan have remade the film into TV series.\u003cbr\u003e\u003cbr\u003eTo commemorate the 20th anniversary of the release of “Infernal Affairs”, the film’s soundtrack is being pressed for the special release of the global limited edition “Infernal Affairs” vinyl format. Created by Hong Kong famous film composer \u003cem\u003e\u003cstrong\u003eChan Kwong Wing\u003c\/strong\u003e\u003c\/em\u003e, the soundtrack was performed by the Asia Philharmonic Orchestra and the \u003cem\u003e\u003cstrong\u003eNicolaus Esterhazy Orchestra\u003c\/strong\u003e\u003c\/em\u003e, the \u003cem\u003e\u003cstrong\u003eAsian Philharmonic Choir\u003c\/strong\u003e\u003c\/em\u003e, and the \u003cem\u003e\u003cstrong\u003eHungarian Choir\u003c\/strong\u003e\u003c\/em\u003e participated in the chorus.\u003cbr\u003e\u003cbr\u003e“Infernal Affairs” is a successful example of the flawless combination of light, shadow, and music. Cooperating with the compact plot, each note is closely related to the progress of the plot, arousing the audience’s emotions, creating a tense atmosphere, and enhancing the dramatic effect. In the first act of drug dealing, the struggle between good and evil is perfectly demonstrated. In addition to plots and images, music also plays an important role in certain scenes. \u003cem\u003e\u003cstrong\u003eCai Qin\u003c\/strong\u003e\u003c\/em\u003e’s song “\u003cem\u003e\u003cstrong\u003eThe Forgotten Time\u003c\/strong\u003e\u003c\/em\u003e” connects two protagonists with different fate trajectories. Another example is the scene where Huang Sir was thrown off the building and died, and Feng Xiyu hummed the episode “\u003cem\u003e\u003cstrong\u003eGoodbye – Police\u003c\/strong\u003e\u003c\/em\u003e”, like the sound of the sounds of nature, I feel sorry for Huang’s death. When fans recall the scene, the music often comes to mind at the same time.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eEnd Inferno - 終極無間\u003c\/li\u003e\n\u003cli\u003eEntering The Paths - 入道\u003c\/li\u003e\n\u003cli\u003eThe Forgotten Times - 被遺忘的時光 (Vocals 主唱: Tsai Chin 蔡琴)\u003c\/li\u003e\n\u003cli\u003eFarewell - 道別\u003c\/li\u003e\n\u003cli\u003eMiddle Man - 忠奸人?\u003c\/li\u003e\n\u003cli\u003eThe Setup - 局\u003c\/li\u003e\n\u003cli\u003eGoodbye - 再見 (Vocals 主唱: Fiona Fung)\u003c\/li\u003e\n\u003cli\u003eThe Plan - 策劃\u003c\/li\u003e\n\u003cli\u003eThe Chase - 追蹤\u003c\/li\u003e\n\u003cli\u003eI Want To Cure You - 我想醫好你\u003c\/li\u003e\n\u003cli\u003eMorse Code - 摩斯蜜碼\u003c\/li\u003e\n\u003cli\u003eThe Same Path - 同道\u003c\/li\u003e\n\u003cli\u003eHypnosis - 催眠\u003c\/li\u003e\n\u003cli\u003eGive Me A Chance - 比個機會我\u003c\/li\u003e\n\u003cli\u003eShatter - 分裂\u003c\/li\u003e\n\u003cli\u003eEnding - 下場\u003c\/li\u003e\n\u003cli\u003eInfernal Hell - 無間地獄\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e","brand":"Chan Kwong Wing","offers":[{"title":"LP \/ Clear","offer_id":42195124388031,"sku":"MSCD016HK-CL","price":134.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/MSCD016HK-ChanKwongWing-InfernalAffairs_OriginalMotionPictureSoundtrack.jpg?v=1702716111"},{"product_id":"nancy-sinatra-lee-hazlewood-nancy-and-lee-again-lp-vinyl-record","title":"Nancy \u0026 Lee Again","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE NOTES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFirst-ever reissue of Nancy \u0026amp; Lee’s 1972 classic\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP available on four color editions\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\"\u003cem\u003eBig Red Balloon Swirl\u003c\/em\u003e\" Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNancy’s Bootique Edition pressed on \"\u003cem\u003eTippy Toes Teal \u0026amp; White Swirl\u003c\/em\u003e\"\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFanclub Edition pressed on \"\u003cem\u003eGot It Together Again Gold\u003c\/em\u003e\"\u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eExperience Vinyl Edition pressed on Clear with Black \u0026amp; White Hi-Melt\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eClassic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes bonus tracks “Machine Gun Kelly” and the previously unreleased “Think I’m Coming Down”\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNewly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBeautifully packaged and expanded gatefold LP featuring a 20-page booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eQ\u0026amp;A with Nancy \u0026amp; GRAMMY®-nominated reissue co-producer Hunter Lea\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNever-before-seen photos from Nancy Sinatra’s personal archive\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eREAD MORE...\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic Records\u003c\/strong\u003e\u003c\/em\u003e is proud to present the next installment of the \u003cem\u003e\u003cstrong\u003eNancy Sinatra Archival Series\u003c\/strong\u003e\u003c\/em\u003e with the first-ever reissue of the classic 1972 album \u003cem\u003e\u003cstrong\u003eNancy \u0026amp; Lee Again\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eRecorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pair’s most enduring and ambitious duets including the epic ”\u003cem\u003e\u003cstrong\u003eArkansas Coal (Suite)\u003c\/strong\u003e\u003c\/em\u003e,” the sensual “Paris Summer” and the incredibly powerful Dolly Parton-penned “Down From Dover.” Equal parts daring, psychedelic, cinematic, and sweet, Nancy \u0026amp; Lee Again reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.\u003cbr\u003e\u003cbr\u003eNancy \u0026amp; Lee Again is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activist’s personal collection, as well as in-depth Q\u0026amp;A with Nancy Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, “Machine Gun Kelly” (first time on vinyl) and the previously unreleased “Think I’m Coming Down.”\u003cbr\u003e\u003cbr\u003eNancy’s impact on fashion, music, and culture will also be celebrated at \u003cem\u003e\u003cstrong\u003eModernism Week\u003c\/strong\u003e\u003c\/em\u003e in Palm Springs this February with three events, including a roundtable discussion featuring \u003cem\u003e\u003cstrong\u003eKii Arens\u003c\/strong\u003e\u003c\/em\u003e (Visual Artist), \u003cem\u003e\u003cstrong\u003eAlison Martino\u003c\/strong\u003e\u003c\/em\u003e (Vintage Los Angeles), \u003cem\u003e\u003cstrong\u003eHunter Lea\u003c\/strong\u003e\u003c\/em\u003e (Record Producer), \u003cem\u003e\u003cstrong\u003eDon Randi\u003c\/strong\u003e\u003c\/em\u003e (The Wrecking Crew), and \u003cem\u003e\u003cstrong\u003eAmanda Erlinger\u003c\/strong\u003e\u003c\/em\u003e (daughter of Nancy Sinatra, and co-author of the book \u003cem\u003e\u003cstrong\u003eNancy Sinatra: One For Your Dreams\u003c\/strong\u003e\u003c\/em\u003e), a double-decker bus tour featuring audio commentary from Nancy at notable locations, and a \u003cem\u003e\u003cstrong\u003eNancy Sinatra Tribute\u003c\/strong\u003e\u003c\/em\u003e street party on Arenas to close out the week’s festivities.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMORE ABOUT NANCY \u0026amp; LEE AGAIN:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972’s Nancy \u0026amp; Lee Again, a follow-up to their bestselling duet debut, Nancy \u0026amp; Lee. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965 when she topped the pop charts with “These Boots Are Made For Walkin’.” Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancy’s solo hits. Soon, the duo found success with a series of duets, including “Sand,” “Summer Wine,” and “Some Velvet Morning” – all of which appeared on their highly-influential 1968 debut.\u003cbr\u003e\u003cbr\u003eNot long after the critical acclaim and chart success of Nancy \u0026amp; Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. “Trivial music and not profound music became unimportant,” recalls Nancy, speaking to Hunter Lea. “It was a tough time.” And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.\u003cbr\u003e\u003cbr\u003eReturning to Los Angeles for the project, Hazlewood – who reprised his role as producer – chose to take a new direction with the duo’s sophomore album. Nancy recalls, “It was more dramatic; it was more fun to do, more challenging to do…. It was more grandiose.” For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presley’s TCB band, whose early ‘70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewood’s 1970 LP, Cowboy in Sweden. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.\u003cbr\u003e\u003cbr\u003eThe big sound that Nancy describes above is exemplified in the album’s cinematic opener, “Arkansas Coal (Suite).” Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the miner’s daughter and his wife. Hazlewood’s knack for vivid, nuanced storytelling shines throughout Nancy \u0026amp; Lee Again, particularly in “Paris Summer,” which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, “Did You Ever,” which was released as the album’s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.\u003cbr\u003e\u003cbr\u003eOne of the most emotionally-charged moments on Nancy \u0026amp; Lee Again is a cover of Dolly Parton’s “Down From Dover.” The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Parton’s 1970 version was sung from the teenager’s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the man’s side of the story, sings in a notably deeper octave than his signature baritone.\u003cbr\u003e\u003cbr\u003eAnother poignant selection is “Congratulations,” which describes a soldier coming home from Vietnam. “His face has grown old and his eyes have grown cold\/And they tell you of where he has been\/Congratulations, you sure made a man out of him,” Hazlewood sings, pointedly. Nancy, who performs as the vet’s wife, argues that the song had a deeper meaning for her duet partner. “Lee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didn’t talk about it, but at some point, he changed radically. ‘Congratulations’ was almost like an apology from him. I don’t want to put words in his mouth, but it was as though he was saying ‘I’m really sorry.’”\u003cbr\u003e\u003cbr\u003eThe song “Friendship Train” could also be interpreted as an apology of sorts – this time to Nancy. “You’ve been hurt and I’ve been hurt\/Now we’re living pain,” the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. “I felt pretty betrayed. I mean, who does that? Who just up and disappears like that? I’ll never understand it,” she reveals. But the uplifting duet – a slice of ‘70s pop perfection – offers reaffirming words of love between friends. “[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,” explains Nancy.\u003cbr\u003e\u003cbr\u003eThe 10-track album closes with the stripped-down “Got It Together.” Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. “I wish that we’d quit getting so old,” laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings – this time asking his partner, “Can I go back to Sweden?” With that, Nancy gives her blessing.\u003cbr\u003e\u003cbr\u003eThis definitive reissue of Nancy \u0026amp; Lee Again also includes two bonus tracks. Both are stylistic departures for the duo – but fit right in with the psychedelic pop of the era. The first one, “Think I’m Coming Down,” is a harmony-filled reflection on a toxic relationship. “I think that was one of [Lee’s] drug things. I don’t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,” explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is “Machine Gun Kelly,” penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy \u0026amp; Lee. Sinatra and Hazlewood first performed “Machine Gun Kelly” during their residency at Las Vegas’ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancy’s, it would be decades before it was officially released.\u003cbr\u003e\u003cbr\u003eNancy \u0026amp; Lee Again remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, Record World, and Cash Box, among others. Yet, Nancy \u0026amp; Lee Again never received the spotlight it so utterly deserved. “We didn’t have label support at all in those days,” recalls Nancy. “Without the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. It’s a very ageist kind of business.” Nevertheless, she adds, “I think it’s a very good album. I think it’s timeless.” Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.\u003cbr\u003e\u003cbr\u003eFive decades later, Nancy’s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. LITA has also reissued Sinatra’s classic debut, Boots, and her iconic, 1968 album with Lee Hazlewood, Nancy \u0026amp; Lee. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eArkansas Coal (Suite)\u003c\/li\u003e\n\u003cli\u003eBig Red Balloon\u003c\/li\u003e\n\u003cli\u003eFriendship Train\u003c\/li\u003e\n\u003cli\u003eParis Summer\u003c\/li\u003e\n\u003cli\u003eCongratulations\u003c\/li\u003e\n\u003cli\u003eDown From Dover\u003c\/li\u003e\n\u003cli\u003eDid You Ever?\u003c\/li\u003e\n\u003cli\u003eTippy Toes\u003c\/li\u003e\n\u003cli\u003eBack On The Road\u003c\/li\u003e\n\u003cli\u003eGot It Together\u003c\/li\u003e\n\u003cli\u003eMachine Gun Kelly (bonus track, first time on vinyl)\u003c\/li\u003e\n\u003cli\u003eThink I'm Coming Down (bonus track, previously unreleased)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/79ZtznPmq6uW1NuOyaYqKb?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Nancy Sinatra \u0026 Lee Hazlewood","offers":[{"title":"LP \/ Teal \/ White Swirl","offer_id":42281093857471,"sku":"LITA199-TEWH-SWL","price":24.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Gold","offer_id":42281093824703,"sku":"LITA199-GD","price":24.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Red Swirl","offer_id":42281093890239,"sku":"LITA199-RD-SWL","price":24.98,"currency_code":"USD","in_stock":false},{"title":"LP \/ Clear Black White Hi-Melt","offer_id":42387506200767,"sku":"LITA199-1-5-CLBKWH-HM","price":24.98,"currency_code":"USD","in_stock":false},{"title":"LP \/ Black","offer_id":42281089859775,"sku":"LITA199-BK","price":19.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1674083385494-opfm8kfke1c-6447dc37d5dd53b1becdbf5aedd35c80_2Flita199_hiRez.jpg?v=1678956190"},{"product_id":"nancy-sinatra-boots-lp-vinyl-record","title":"Boots","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eNewly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP Pressed on Classic Black Vinyl and Exclusive Limited Edition \"So Long, Babe Blue\" Swirl Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBeautifully packaged and expanded gatefold LP featuring a 20–page booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNever–before–seen photos from Nancy’s personal archive\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe definitive reissue of Nancy’s debut album.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eDumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.\u003c\/em\u003e” – \u003cstrong\u003e\u003cem\u003eNancy Sinatra\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic\u003c\/strong\u003e\u003c\/em\u003e is proud to present the next installment of the \u003cem\u003e\u003cstrong\u003eNancy Sinatra Archival Series\u003c\/strong\u003e\u003c\/em\u003e with a deluxe reissue of Nancy’s first album, Boots.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003e\u003cem\u003e1966 debut million-selling debut LP\u003c\/em\u003e\u003c\/strong\u003e, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “\u003cem\u003e\u003cstrong\u003eSo Long, Babe\u003c\/strong\u003e\u003c\/em\u003e,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood, and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, \u003cem\u003e\u003cstrong\u003eThe Wrecking Crew\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eBilly Strange\u003c\/strong\u003e\u003c\/em\u003e’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “\u003cem\u003e\u003cstrong\u003eThe City Never Sleeps At Night\u003c\/strong\u003e\u003c\/em\u003e” and the previously unreleased “\u003cem\u003e\u003cstrong\u003eFor Some\u003c\/strong\u003e\u003c\/em\u003e.”\u003cbr\u003e\u003cbr\u003eRemastered from the original analog tapes by GRAMMY®-nominated engineer \u003cem\u003e\u003cstrong\u003eJohn Baldwin\u003c\/strong\u003e\u003c\/em\u003e, the reissue is complemented by a new Q\u0026amp;A interview with Nancy and GRAMMY®-nominated reissue co-producer \u003cem\u003e\u003cstrong\u003eHunter Lea\u003c\/strong\u003e\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eThe vinyl set is presented in an expanded gatefold jacket (featuring a 20-page booklet), with special color editions available exclusively at NancySinatra.com, LightInTheAttic.net, and independent record stores.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eAs Tears Go By\u003c\/li\u003e\n\u003cli\u003eDay Tripper\u003c\/li\u003e\n\u003cli\u003eI Move Around\u003c\/li\u003e\n\u003cli\u003eIt Ain't Me Babe\u003c\/li\u003e\n\u003cli\u003eThese Boots Are Made For Walkin'\u003c\/li\u003e\n\u003cli\u003eIn My Room\u003c\/li\u003e\n\u003cli\u003eLies\u003c\/li\u003e\n\u003cli\u003eSo Long, Babe\u003c\/li\u003e\n\u003cli\u003eFlowers On The Wall\u003c\/li\u003e\n\u003cli\u003eIf He'd Love Me\u003c\/li\u003e\n\u003cli\u003eRun For Your Life\u003c\/li\u003e\n\u003cli\u003eThe City Never Sleeps At Night (Bonus Track)\u003c\/li\u003e\n\u003cli\u003eFor Some (Bonus Track)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/4qyuqoJb1ffoE11trJgsXc?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Nancy Sinatra","offers":[{"title":"LP \/ Blue Swirl","offer_id":42288424288447,"sku":"LITA197-1-BYBL-SWL","price":24.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":42288448372927,"sku":"LITA197-1-BK","price":19.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA197-NancySinatra-Boots-Cover.jpg?v=1698649900"},{"product_id":"acetone-1992-2001-2lp-vinyl-record","title":"1992 - 2001","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e2023 Color Edition pressed on Pool Haze wax\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFirst-time band anthology\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes 9 unreleased tracks\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAudio restored and remastered from original tapes\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDouble LP housed in a gatefold jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLiner notes by Sam Sweet\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAlso available on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“Acetone is into it for what they get out of it. Their music reflects who they are, and that’s so rare in music today. It’s a soul music thing.” – Jason Pierce (Spiritualized)\u003cbr\u003e\u003cbr\u003e“Acetone is one of my all-time favorite bands. Their music is still as electrifying and beautiful now as it was back then.” – Hope Sandoval (Mazzy Star)\u003cbr\u003e\u003cbr\u003e“A lovely mix of what would it be like if Dick Dale and Neil Young played with Isaac Hayes and The Velvet Underground. A seminal American band.” – Richard Ashcroft (The Verve)\u003cbr\u003e\u003cbr\u003eThis fall, the independent literary press All Night Menu will publish Sam Sweet’s Hadley Lee Lightcap, a nonfiction novel that traces the backstories of the three members in Acetone, a band that played in Los Angeles for nine years. Though few heard them, their recordings are time capsules of who they were, how they lived, and where they came from. Light In the Attic has partnered with All Night Menu to present Acetone 1992-2001, the first anthology of the trio’s music. The book and the album will be released concurrently on September 22.\u003cbr\u003e\u003cbr\u003eCounting their early years in the scuzz-rock band Spinout, whose sole self-titled release came out in 1991 on Delicious Vinyl, guitarist Mark Lightcap, bassist Richie Lee, and drummer Steve Hadley played together for a total of 15 years. They disbanded in July 2001, when Lee committed suicide in the garage next to the house where the trio practiced. Afterward, Rolling Stone ran a short obituary saying Acetone’s albums were “well received” but “failed to make any waves.” It was the first and only time they were featured in the national music press.\u003cbr\u003e\u003cbr\u003eBetween 1993 and 2001 the trio released two LPs and an EP on Vernon Yard—a Virgin subsidiary—and two LPs on Vapor, the L.A.-based label founded by Neil Young and manager Elliott Roberts. In that span, they were selected to tour with Oasis, Mazzy Star, The Verve, and Spiritualized. Against a rising tide of post-Nirvana grunge and slipshod indie rock, Acetone tapped into a timeless Southern California groove by fusing elements of psychedelia, surf, and country.\u003cbr\u003e\u003cbr\u003eThey rehearsed endlessly in an empty bedroom in northeast Los Angeles, recording hours of music onto cassettes that were subsequently stuffed into shoeboxes and left in a shed behind the drummer’s house. Those tapes are being released for the first time in this anthology, which also includes highlights from Acetone’s official releases. Taken together, the songs form a companion soundtrack to Sam Sweet’s book, which maps the character of Los Angeles as a place through the lens of these three unique characters bonded by music.\u003cbr\u003e\u003cbr\u003e“I think our music is all about moods and feeling but hopefully it will get as weird as it possibly can,” said Richie Lee in 1997. “We want things to get weird in the way that you could hear an Acetone song and know that no one else in the world could make that kind of music but us.”\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eShaker\u003c\/li\u003e\n\u003cli\u003eAll The Time\u003c\/li\u003e\n\u003cli\u003eLouise\u003c\/li\u003e\n\u003cli\u003eReturn From The Ice\u003c\/li\u003e\n\u003cli\u003eHow Sweet I Roamed\u003c\/li\u003e\n\u003cli\u003eGerms\u003c\/li\u003e\n\u003cli\u003eShore Power\u003c\/li\u003e\n\u003cli\u003eAlways Late\u003c\/li\u003e\n\u003cli\u003eThings Are Gonna Be Alright (demo)\u003c\/li\u003e\n\u003cli\u003eMidnight Cowboy\u003c\/li\u003e\n\u003cli\u003eChew\u003c\/li\u003e\n\u003cli\u003eToo Much Time\u003c\/li\u003e\n\u003cli\u003eVibrato\u003c\/li\u003e\n\u003cli\u003ePico\u003c\/li\u003e\n\u003cli\u003eStray (demo)\u003c\/li\u003e\n\u003cli\u003eSmokey\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/6vUZbXDPOX59fKA8hacgyW?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Acetone","offers":[{"title":"2LP \/ Blue","offer_id":42323470549183,"sku":"LITA159-BL","price":44.98,"currency_code":"USD","in_stock":true},{"title":"2LP \/ Black","offer_id":42573462470847,"sku":"LITA159-BK","price":34.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/826853015912.jpg?v=1699817199"},{"product_id":"anri-bi-ki-ni-japanese-import-lp-vinyl-record","title":"Bi·Ki·Ni [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Edition Japanese Reissue\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Clear Pink Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures traditional OBI strip\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOriginally released in 1983\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimit 1 copy per household\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eGet ready to hit the waves!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDive into this awesome summer sound with \u003cem\u003e\u003cstrong\u003eBi·Ki·Ni\u003c\/strong\u003e\u003c\/em\u003e by Japanese City Pop singer \u003cstrong\u003e\u003cem\u003eAnri\u003c\/em\u003e\u003c\/strong\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing 5 danceable Disco tracks on Side A, written, composed, arranged, and produced by \u003cem\u003e\u003cstrong\u003eToshiki Kadomatsu\u003c\/strong\u003e\u003c\/em\u003e. The second half of the album featured 5 moody \u0026amp; mellow tracks on Side B for a perfect \"Sea Side\" beat, which was produced by Takeshi Kobayashi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eToshiki Kadomatsu also produced two of Anri's hit albums \u003cstrong\u003e\u003cem\u003eTimely!!\u003c\/em\u003e\u003c\/strong\u003e and \u003cstrong\u003e\u003cem\u003eCoool\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYou'll be groovin' like you never have before!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eGood Bye Boogie Dance\u003c\/li\u003e\n\u003cli\u003eDancin' Blue\u003c\/li\u003e\n\u003cli\u003eSeptember Walkin'\u003c\/li\u003e\n\u003cli\u003eLady Sunshine\u003c\/li\u003e\n\u003cli\u003eYes I'm In Love\u003c\/li\u003e\n\u003cli\u003eSurf City\u003c\/li\u003e\n\u003cli\u003eJust Be Yourself\u003c\/li\u003e\n\u003cli\u003eBeach Boy In My Heart\u003c\/li\u003e\n\u003cli\u003eSummer Focus\u003c\/li\u003e\n\u003cli\u003eAffection\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n","brand":"Anri","offers":[{"title":"LP \/ Clear Pink","offer_id":42332677243071,"sku":"FLJF-9534-CLPK","price":64.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/FLJF-9534-BK-Anri-Bi_Ki_Ni4988018102502.jpg?v=1703891917"},{"product_id":"anri-coool-japanese-import-lp-vinyl-record","title":"COOOL [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Edition Japanese Reissue\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Clear Green Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures traditional OBI strip\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOriginally released in 1984\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimit 1 copy per household\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIntroducing \u003cem\u003e\u003cstrong\u003eCOOOL\u003c\/strong\u003e\u003c\/em\u003e, the captivating album that showcases \u003cem\u003e\u003cstrong\u003eAnri\u003c\/strong\u003e\u003c\/em\u003e's extraordinary talent, produced in L.A. with superlative studio musicians (see credits below). With its vibrant, danceable tracks and mesmerizing mellow tunes, this album is a masterpiece of the \u003cstrong\u003e\u003cem\u003eToshiki Kadomatsu\u003c\/em\u003e\u003c\/strong\u003e-produced trilogy, a sophisticated, exclusive '80s experience not to be missed.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eBring Me To The Dancenight\u003c\/li\u003e\n\u003cli\u003eGone With The Sadness\u003c\/li\u003e\n\u003cli\u003eKimamani Reflection (New Version)\u003c\/li\u003e\n\u003cli\u003eI Can't Ever Change Your Love For Me\u003c\/li\u003e\n\u003cli\u003eSilly City Girl\u003c\/li\u003e\n\u003cli\u003eMorning Highway\u003c\/li\u003e\n\u003cli\u003eSurprise Of Summer\u003c\/li\u003e\n\u003cli\u003eFlashin' Night\u003c\/li\u003e\n\u003cli\u003eMercury Lamp\u003c\/li\u003e\n\u003cli\u003eHe's My Music\u003c\/li\u003e\n\u003cli\u003eMaui\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e","brand":"Anri","offers":[{"title":"LP \/ Clear Green","offer_id":42332677341375,"sku":"FLJF-9536-CLGN","price":64.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1682451614608-ume5u0fnsjh-bb2a37e4403857638d4cca5729bf5cb4_2Fab67616d0000b27339b329eaf36f09af3c2356f4.jpg?v=1682524126"},{"product_id":"various-artists-dont-worry-darling-soundtrack-cd","title":"Don't Worry Darling (Original Motion Picture Soundtrack) [CD]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eCompact Disc\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePackaged in a clear jewel case\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes booklet\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMondo\u003c\/strong\u003e\u003c\/em\u003e, in partnership with \u003cem\u003e\u003cstrong\u003eWaterTower Music\u003c\/strong\u003e\u003c\/em\u003e, are proud to present the various artists soundtrack to \u003cstrong\u003e\u003cem\u003eOlivia Wilde\u003c\/em\u003e\u003c\/strong\u003e's sophomore feature \u003cem\u003e\u003cstrong\u003eDon't Worry Darling\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen it came to assembling the songs from the film that would ultimately be compiled into the \u003cem\u003e\u003cstrong\u003eDon't Worry Darling\u003c\/strong\u003e \u003c\/em\u003e\u003cspan\u003e(Original Motion Picture Soundtrack), Wilde reached out to two-time Grammy Award-winning music supervisor Randall Poster, whom she calls “one of the all-time greatest.” The director and Poster crossed paths while working on the Martin Scorsese\/Mick Jagger executive-produced series “Vinyl.” Wilde supplies, “Randy has an encyclopedic knowledge of music, and I really wanted to place the audience in this era through music. It’s such a great time for music and Randy and I had a lot of fun building the soundtrack, using so many of the songs I’ve been waiting for a long time to put into a movie. And what made it such a fun experience to be in the world of this movie was to dance to this wonderful music.”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis various artists compilation is an incredible mix of 50's and 60's classics by artists such as \u003cem\u003e\u003cstrong\u003eRay Charles, Ella Fitzgerald, The Chords, Mel Tormé, and more\u003c\/strong\u003e\u003c\/em\u003e. These standards are essential for any collector, whether you be a part of the Victory Project, or at home in 2022. This comp also features an original song performed by the film's leads Alice and Jack. Package design by Mondo's Creative Director \u003cem\u003e\u003cstrong\u003eMo Shafeek\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eThe Right Time – Ray Charles\u003c\/li\u003e\n\u003cli\u003eBang Bang – Dizzy Gillespie\u003c\/li\u003e\n\u003cli\u003eWhere Or When – The Benny Goodman Trio\u003c\/li\u003e\n\u003cli\u003eComin' Home Baby – Mel Tormé\u003c\/li\u003e\n\u003cli\u003eThe Oogum Boogum Song – Brenton Wood\u003c\/li\u003e\n\u003cli\u003eTears On My Pillow – Little Anthony \/ The Imperials\u003c\/li\u003e\n\u003cli\u003eTwilight Time – The Platters\u003c\/li\u003e\n\u003cli\u003eSh-Boom – The Chords\u003c\/li\u003e\n\u003cli\u003eNeed Your Love So Bad – Little Willie John\u003c\/li\u003e\n\u003cli\u003eSleep Walk – Santo and Johnny\u003c\/li\u003e\n\u003cli\u003eYou Belong To Me - Helen Foster and the Rovers\u003c\/li\u003e\n\u003cli\u003eSomeone To Watch Over Me – Ella Fitzgerald\u003c\/li\u003e\n\u003cli\u003eWith You All The Time – Alice and Jack\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/7vd9ogxIg5CSBFuvHE60LZ?utm_source=generator\" width=\"100%\" height=\"380\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Various Artists","offers":[{"title":"CD \/ Standard","offer_id":42352027369663,"sku":"MOND-269-2","price":22.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/DWD_OST_CD_FC_837009df-9035-474b-8ba7-e3b923399ab7.jpg?v=1683930628"},{"product_id":"sven-wunder-natura-morta-lp-vinyl-record","title":"Natura Morta [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe highly anticipated follow-up to Eastern Flowers and Wabi Sabi\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoused in a single-pocket printed sleeve\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe instruments used on Natura Morta are:\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e9 violins, 4 violas, 3 cellos, 1 flute, 1 piano, 1 electric piano, 1 cembalo, 1 twelve-string guitar, 1 electric guitar, 1 trumpet, 1 flugelhorn, 1 tenor horn, 1 marimba, 1 electric bass, drums, and percussions\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eOn \u003cem\u003e\u003cstrong\u003eNatura Morta\u003c\/strong\u003e\u003c\/em\u003e, \u003cem\u003e\u003cstrong\u003eSven Wunder\u003c\/strong\u003e\u003c\/em\u003e is exploring art as a bridge between nature and the human ability to judge and observe in eleven musical compositions with brightly colored textures and an emphasis on vibrant melodies.\u003cbr\u003e\u003cbr\u003eThroughout human history, we have depicted the world we live in through art. By reworking what we see in the world, the simplest things have helped us understand the beauty of nature and to evaluate the material world that we have created around us, as a window to a constantly changing reality, through our own perception. It is that absolute reality that appears in the seam of humans and nature and that can be revealed through art.\u003cbr\u003e\u003cbr\u003eStill life painting, also referred to as \u003cem\u003e\u003cstrong\u003eNatura Morta (”dead nature”)\u003c\/strong\u003e\u003c\/em\u003e in Italian, stretches back to ancient times. Some of the earliest works, found in Pompeii, depict commonplace objects such as fresh autumn fruits alongside man-made objects such as a small amphora and a small terracotta heap with dried fruits. These two-thousand-year-old paintings give a snapshot of Roman life and also create a link to time and space. A slice of life has been created by binding the earth’s pigments with extracts of oil, made from nuts and seeds, painted with brushes, and made from a variety of fibers, such as trees and hair from animals. While life wanes with each brushstroke, by shifting reality into the past, art exists to make us come alive, being a living image of a dead thing, a surface, and a symbol with symbolic powers of its own. Still life works celebrate material and ephemeral pleasures by returning to nature as the ultimate source for our standards in art as well as in life itself.\u003cbr\u003e\u003cbr\u003eNatura Morta collects pieces from a continuous variety of melodies — supported by a decisive rhythm section — creating a musical kaleidoscope of ever-changing colors. Sven Wunder brings life into this rich assortment of musical implications by fusing and combining melodic instruments with each other in a setting that spans from a classical to a modern idiom. The author evokes this panoramic portrait by articulating an instrumental dialog between a chamber orchestra and a jazz ensemble. The result is a musical celebration of material pleasures that also serves as a reminder of the brevity of human life.\u003c\/p\u003e\n\u003cp\u003eThis album was produced with financial support from the \u003cem\u003e\u003cstrong\u003eSwedish Arts Council\u003c\/strong\u003e\u003c\/em\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eEn Plein Air\u003c\/li\u003e\n\u003cli\u003eImpasto\u003c\/li\u003e\n\u003cli\u003ePrussian Blue\u003c\/li\u003e\n\u003cli\u003eNatura Morta\u003c\/li\u003e\n\u003cli\u003ePanorama\u003c\/li\u003e\n\u003cli\u003eAlla Prima\u003c\/li\u003e\n\u003cli\u003eUmber\u003c\/li\u003e\n\u003cli\u003eBarocco, Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eMemento Mori\u003c\/li\u003e\n\u003cli\u003ePentimento\u003c\/li\u003e\n\u003cli\u003eNatura Morta (reprise)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/2lwfUJNT3VZlGOGXwDUgX7?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Sven Wunder","offers":[{"title":"LP \/ Black","offer_id":42352052568255,"sku":"PP1003-BK","price":26.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/7320470255308.jpg?v=1683940230"},{"product_id":"various-artists-no-game-no-life-best-collection-lp-vinyl-record","title":"No Game No Life: Best Collection [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP pressed on Classic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eComposed and arranged by Shuji Katayama\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMusic from the animated series\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThe year is 2138. \u003cem\u003e\u003cstrong\u003eYggdrasil\u003c\/strong\u003e\u003c\/em\u003e, the famous and successful \u003cem\u003e\u003cstrong\u003eMMORPG\u003c\/strong\u003e \u003c\/em\u003eis about to close. Momonga, a level 100 undead necromancer and leader of the powerful guild 'Ainz Ooal Gown', is waiting alone for the game to shut down. However, once the game closes, Momonga does not log out and the non-playable characters find themselves with a conscience. Prisoner of an unknown world, our evil lord will go in search of a new purpose to his existence and make the decision to conquer this new universe while leaving his mark on it.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eShuji Katayama\u003c\/strong\u003e\u003c\/em\u003e is a composer and arranger who is part of the group \u003cstrong\u003e\u003cem\u003eTeam-MAX\u003c\/em\u003e\u003c\/strong\u003e. He composed all the music for the series (4 seasons). He also participated in the musical compositions of Boruto and the movie \u003cem\u003e\u003cstrong\u003eNaruto The Last\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSynopsis of the series: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSora and Shiro, brother and sister passionate about video games and incredibly talented, have risen to the rank of urban legends having never been defeated, but in reality, they are just two teenagers out of school who remain cloistered at home. Far from the real world which they consider to be a \"rotten game\", Teto, a young boy met on the internet, leads our two heroes into a parallel universe where violence is prohibited and where any conflict is settled by a game.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eOverture\u003c\/li\u003e\n\u003cli\u003ePrayer\u003c\/li\u003e\n\u003cli\u003eYes, my master my lord\u003c\/li\u003e\n\u003cli\u003eOnegai ☆ Snyaiper\u003c\/li\u003e\n\u003cli\u003eLight of Hope\u003c\/li\u003e\n\u003cli\u003eONESELF\u003c\/li\u003e\n\u003cli\u003ePrayer (Cover)\u003c\/li\u003e\n\u003cli\u003eThis game\u003c\/li\u003e\n\u003cli\u003eTHERE IS A REASON\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Various Artists","offers":[{"title":"LP \/ Black","offer_id":42357561229503,"sku":"DV12778-BK","price":54.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/3701627800109.png?v=1684475706"},{"product_id":"jim-sullivan-ufo-lp-vinyl-record","title":"U.F.O.","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eUltra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNewly remastered\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLacquers cut by John Golden Mastering\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePlated at Record Technology Inc. (RTI)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes deep booklet with liner notes by Andria Lisle, rare photos, archival materials, and full lyrics (LP: 16-pgs, CD: 48-pgs)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNew Color LP Edition pressed on \u003c\/b\u003e\u003cem\u003e\u003cstrong\u003eAlien Highways Splatter\u003c\/strong\u003e\u003c\/em\u003e\u003cb\u003e colored vinyl (Blue with Black Splatter)\u003c\/b\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIn March 1975, \u003cstrong\u003eJim Sullivan\u003c\/strong\u003e mysteriously disappeared outside \u003cstrong\u003eSanta Rosa, New Mexico\u003c\/strong\u003e. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.\u003c\/p\u003e\n\u003cp\u003eBy coincidence – or perhaps not – Jim’s 1969 debut album was titled \u003cem\u003e\u003cstrong\u003eU.F.O.\u003c\/strong\u003e\u003c\/em\u003e Released in tiny numbers on a private label, it too was truly lost, until Seattle’s \u003cstrong\u003eLight In The Attic Records\u003c\/strong\u003e began a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.\u003c\/p\u003e\n\u003cp\u003eFor record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. \u003cem\u003e\u003cstrong\u003eU.F.O.\u003c\/strong\u003e\u003c\/em\u003e is one of those albums. A seventh son, \u003cstrong\u003eJim Sullivan\u003c\/strong\u003e was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like \u003cstrong\u003eHarry Dean Stanton\u003c\/strong\u003e, performing on the \u003cstrong\u003eJose Feliciano\u003c\/strong\u003e show, and even stealing a cameo in the ultimate hippie movie, \u003cem\u003e\u003cstrong\u003eEasy Rider\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eFriend and actor \u003cstrong\u003eAl Dobbs\u003c\/strong\u003e thought he could change all that, and founded a label – \u003cem\u003e\u003cstrong\u003eMonnie Records\u003c\/strong\u003e\u003c\/em\u003e – to release Jim’s album, enlisting the assistance of \u003cstrong\u003ePhil Spector\u003c\/strong\u003e’s legendary sessioneers \u003cstrong\u003eThe Wrecking Crew\u003c\/strong\u003e to do so. That’s \u003cstrong\u003eDon Randi\u003c\/strong\u003e, \u003cstrong\u003eEarl Palmer\u003c\/strong\u003e, and \u003cstrong\u003eJimmy Bond\u003c\/strong\u003e you can hear, the latter also acting as producer and arranger.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eU.F.O.\u003c\/strong\u003e\u003c\/em\u003e was a different beast to the one-man-and-his-guitar stuff \u003cstrong\u003eJim\u003c\/strong\u003e had been doing on stage; instead, it was a fully realized album of scope and imagination, a \u003cem\u003efolk-rock\u003c\/em\u003e record with its head in the stratosphere. Sullivan's voice is deep and expressive like \u003cstrong\u003eFred Neil\u003c\/strong\u003e's with a weathered and worldly Americana sound like \u003cstrong\u003eJoe South\u003c\/strong\u003e, pop songs that aren't happy - but filled with despair. The album is punctuated with a string section (that recalls \u003cstrong\u003eDavid Axelrod\u003c\/strong\u003e), other times a Wurlitzer piano provides the driving groove (as if Memphis great \u003cstrong\u003eJim Dickinson\u003c\/strong\u003e was running the show). \u003cem\u003e\u003cstrong\u003eU.F.O.\u003c\/strong\u003e\u003c\/em\u003e is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.\u003c\/p\u003e\n\u003cp\u003eWith no music industry contacts, the record went largely unnoticed, and \u003cstrong\u003eJim\u003c\/strong\u003e simply moved on, releasing a further album on the \u003cstrong\u003ePlayboy\u003c\/strong\u003e label in 1972. But by 1975, his marriage breaking up, \u003cstrong\u003eJim\u003c\/strong\u003e left, for \u003cstrong\u003eNashville\u003c\/strong\u003e and the promise of a new life as a sessioneer in the home of C\u0026amp;W. That’s where it gets hazy.\u003c\/p\u003e\n\u003cp\u003eWe know he was stopped by cops for swerving on the highway in \u003cstrong\u003eSanta Rosa\u003c\/strong\u003e, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local \u003cstrong\u003eLa Mesa Motel\u003c\/strong\u003e to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local \u003cstrong\u003eGenetti\u003c\/strong\u003e family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes, and several copies of his second album, but no note, and no \u003cstrong\u003eJim\u003c\/strong\u003e. It was as if he had simply vanished into thin air.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJim\u003c\/strong\u003e’s family traveled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the \u003cstrong\u003eGenettis\u003c\/strong\u003e moved to \u003cstrong\u003eHawaii\u003c\/strong\u003e. \u003cstrong\u003eJim\u003c\/strong\u003e’s manager \u003cstrong\u003eRobert 'Buster' Ginter\u003c\/strong\u003e later stated that during the early morning hours of a long evening, \u003cstrong\u003eJim\u003c\/strong\u003e and \u003cstrong\u003eBuster\u003c\/strong\u003e were talking about what would you do if they had to disappear. \u003cstrong\u003eJim\u003c\/strong\u003e said he'd walk into the desert and never come back.\u003c\/p\u003e\n\u003cp\u003eTracking down the truth behind \u003cstrong\u003eJim\u003c\/strong\u003e’s mystery became an obsession of \u003cstrong\u003eLight In The Attic\u003c\/strong\u003e’s \u003cstrong\u003eMatt Sullivan\u003c\/strong\u003e (no relation) when he happened upon a copy of the album and fell in love. He took on a cross-country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings, and meetings with \u003cstrong\u003eJim\u003c\/strong\u003e’s wife, son, and producer. Thanks to superb digital mastering techniques, \u003cstrong\u003eLight In The Attic\u003c\/strong\u003e is still able to present a clean, near-perfect copy of \u003cstrong\u003eJim\u003c\/strong\u003e’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eJerome\u003c\/li\u003e\n\u003cli\u003ePlain As Your Eyes Can See\u003c\/li\u003e\n\u003cli\u003eRoll Back The Time\u003c\/li\u003e\n\u003cli\u003eWhistle Stop\u003c\/li\u003e\n\u003cli\u003eRosey\u003c\/li\u003e\n\u003cli\u003eHighways\u003c\/li\u003e\n\u003cli\u003eU.F.O.\u003c\/li\u003e\n\u003cli\u003eSo Natural\u003c\/li\u003e\n\u003cli\u003eJohnny\u003c\/li\u003e\n\u003cli\u003eSandman\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/6zaVaNAjvlN583TtOJIpZu?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Jim Sullivan","offers":[{"title":"LP \/ Blue Black Splatter","offer_id":42366715592895,"sku":"LITA206-BLBK-SPR","price":34.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":42366715560127,"sku":"LITA206-BK","price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA206-JimSullivan-U.F.O_Cover.jpg?v=1685251408"},{"product_id":"gil-melle-the-sentinel-2lp-vinyl-record","title":"The Sentinel (Original Motion Picture Soundtrack)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe Complete 1977 Soundtrack For The First Time On Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2xLP \"Gateway to Hell\" Metallic Gold with Black Smoke Colored Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNew Artwork by Robert Sammelin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDeluxe Heavyweight Gatefold Packaging with Matte Satin Coating\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e12\"x12\" Art Print\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWaxwork Records\u003c\/strong\u003e is proud to present the debut vinyl release of \u003cstrong\u003eTHE SENTINEL Original Motion Picture Soundtrack by Gil Mellé\u003c\/strong\u003e. \u003cem\u003e\u003cstrong\u003eThe Sentinel\u003c\/strong\u003e\u003c\/em\u003e is a 1977 American supernatural Horror film directed by \u003cstrong\u003eMichael Winner \u003c\/strong\u003e(\u003cem\u003eDeath Wish, Death Wish II\u003c\/em\u003e). The plot focuses on a young model (\u003cstrong\u003eCristina Raines\u003c\/strong\u003e) that moves into a historic Brooklyn brownstone that has been sectioned into apartments, only to find out that the building is owned by the Catholic diocese and is a gateway to Hell. The film features early acting roles by several now-household-name actors such as \u003cstrong\u003eChristopher Walken\u003c\/strong\u003e, \u003cstrong\u003eJeff Goldblum\u003c\/strong\u003e, and \u003cstrong\u003eJohn Carradine\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFollowing a string of supernatural Horror films such as \u003cstrong\u003e\u003cem\u003eRosemary's Baby\u003c\/em\u003e, \u003cem\u003eThe Exorcist,\u003c\/em\u003e and \u003cem\u003eThe Omen\u003c\/em\u003e\u003c\/strong\u003e, \u003cstrong\u003e\u003cem\u003eThe Sentinel \u003c\/em\u003e\u003c\/strong\u003eis based on the 1974 novel of the same name by \u003cstrong\u003eJeffrey Konvitz\u003c\/strong\u003e. Unlike other films of its time dealing in topics of the occult, \u003cem\u003eThe Sentinel\u003c\/em\u003e features strong visuals and depictions of creatures from Hell as they appear in the works of \u003cstrong\u003eDante's Inferno\u003c\/strong\u003e, \u003cstrong\u003eChristopher Marlowe\u003c\/strong\u003e, and the paintings of \u003cstrong\u003eHieronymus Bosch\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWe are beyond thrilled to release \u003cstrong\u003eTHE SENTINEL Original Motion Picture Soundtrack\u003c\/strong\u003e for the very first time on vinyl. Featuring \u003cstrong\u003e\"Gateway to Hell\" Metallic Gold with Black Smoke colored vinyl\u003c\/strong\u003e, Artwork by \u003cstrong\u003eRobert Sammelin\u003c\/strong\u003e, heavyweight gatefold packaging with matte satin coating, and a 12\"x12\" art print.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eThere Is Danger\u003c\/li\u003e\n\u003cli\u003eThe Sentinel - Main Title\u003c\/li\u003e\n\u003cli\u003eMarked Child\u003c\/li\u003e\n\u003cli\u003eProspective Tenant\u003c\/li\u003e\n\u003cli\u003eFirst Attack\u003c\/li\u003e\n\u003cli\u003eThe Photo And The Panel\u003c\/li\u003e\n\u003cli\u003eWe Are Ready\u003c\/li\u003e\n\u003cli\u003eNightmare\u003c\/li\u003e\n\u003cli\u003eVacant Except\u003c\/li\u003e\n\u003cli\u003eScreaming Into The Streets\u003c\/li\u003e\n\u003cli\u003eConvicted Murderess \/ Never Saw Him Before\u003c\/li\u003e\n\u003cli\u003eI’d Like To Take A Look At That House\u003c\/li\u003e\n\u003cli\u003eProfessor’s Translation\u003c\/li\u003e\n\u003cli\u003eA Familiar Quotation\u003c\/li\u003e\n\u003cli\u003eArchdiocese Break-in\u003c\/li\u003e\n\u003cli\u003eGod Be With You \/ The Franchino Car\u003c\/li\u003e\n\u003cli\u003eThrough Me, The City Of Grief\u003c\/li\u003e\n\u003cli\u003eDeath Of Michael\u003c\/li\u003e\n\u003cli\u003eAbout Sentinels\u003c\/li\u003e\n\u003cli\u003eWelcome Home\u003c\/li\u003e\n\u003cli\u003eBe One With Us, A Queen In Our Kingdom\u003c\/li\u003e\n\u003cli\u003eTo The Depths\u003c\/li\u003e\n\u003cli\u003eThe Sentinel - End Credits\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/5Gp5t0MgGNTcpaJCWMQqun?utm_source=generator\u0026amp;theme=0\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e","brand":"Gil Mellé","offers":[{"title":"2LP \/ Gold \/ Black Smoke","offer_id":42368824606911,"sku":"WW126-GDBK-SMK","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/Sentinel_Front-Cover.jpg?v=1685479795"},{"product_id":"marco-beltrami-renfield-soundtrack-2lp-vinyl-record","title":"Renfield (Original Motion Picture Soundtrack)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe Complete Soundtrack by Marco Beltrami\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2xLP \"Dracula Flesh \u0026amp; Blood\" Splatter Colored Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeavyweight Gatefold Jacket with Mate Satin Coating\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNew Artwork by Phantom City Creative\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e12\"x12\" Insert\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWaxwork Records\u003c\/strong\u003e, in partnership with \u003cstrong\u003eBack Lot Music\u003c\/strong\u003e, is ghoulishly delighted to announce the debut vinyl release of \u003cstrong\u003eRENFIELD Original Motion Picture Soundtrack\u003c\/strong\u003e by Emmy Award-winning \u0026amp; two-time Academy Award-nominated composer \u003cstrong\u003eMarco Beltrami\u003c\/strong\u003e. In this modern monster tale of Dracula’s loyal servant, \u003cstrong\u003eNicholas Hoult\u003c\/strong\u003e (\u003cem\u003eMad Max: Fury Road, X-Men \u003c\/em\u003efranchise) stars as Renfield, the tortured aide to history’s most narcissistic boss, Dracula (Oscar® winner \u003cstrong\u003eNicolas Cage\u003c\/strong\u003e). Renfield is forced to procure his master’s prey and do his every bidding, no matter how debased. But now, after centuries of servitude, Renfield is ready to see if there’s a life outside the shadow of The Prince of Darkness. If only he can figure out how to end his codependency.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMARCO BELTRAMI \u003c\/strong\u003eis a two-time Oscar-nominated composer. He has collaborated with many iconic film directors including Kathryn Bigelow, James Mangold, Bong Joon-ho, Angelina Jolie, Robert Rodriguez, Luc Besson, Guillermo Del Toro, Wes Craven, Alex Proyas, Jonathan Mostow, Roland Joffé, Jodie Foster, David E. Kelley and Tommy Lee Jones.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe composer established an early reputation as a genre innovator with his non-traditional horror scores for the \u003cstrong\u003e\u003cem\u003eScream\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e \u003c\/em\u003efranchise. Beltrami’s musical palette has since expanded to virtually all film genres.\u003c\/p\u003e\n\u003cp\u003eBeltrami has received accolades for his music including two Academy Award nominations for Best Score: \u003cstrong\u003e\u003cem\u003e3:10 to Yuma\u003c\/em\u003e\u003c\/strong\u003e and for Best Picture winner \u003cstrong\u003e\u003cem\u003eThe Hurt Locker\u003c\/em\u003e\u003c\/strong\u003e. In 2011 Beltrami won a Golden Satellite Award (Best Film Score of the Year) for \u003cstrong\u003e\u003cem\u003eSoul Surfer\u003c\/em\u003e.\u003c\/strong\u003e Beltrami scored the Marvel film \u003cstrong\u003e\u003cem\u003eLogan. \u003c\/em\u003e\u003c\/strong\u003eHe also wrote the theme for the hit video game \u003cstrong\u003e\u003cem\u003eFortnite.\u003c\/em\u003e\u003c\/strong\u003e Beltrami scored the critically acclaimed box-office hit \u003cstrong\u003e\u003cem\u003eA Quiet Place\u003c\/em\u003e,\u003c\/strong\u003e which was nominated for a Golden Globe for Best Score and shortlisted for Best Score at the Oscars. Beltrami won an Emmy for National Geographic’s 2019 Oscar-winning documentary \u003cstrong\u003e\u003cem\u003eFree Solo\u003c\/em\u003e\u003c\/strong\u003e, (with co-composer Brandon Roberts) for Outstanding Music Composition for a Documentary, Series, or Special. Beltrami’s recent work includes Paramount Pictures’ horror sequel \u003cem\u003e\u003cstrong\u003eA Quiet Place Part II\u003c\/strong\u003e,\u003c\/em\u003e Netflix’s horror film trilogy \u003cstrong\u003e\u003cem\u003eFear Street (Parts 1-3).\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eBack to the Beginning\u003c\/li\u003e\n\u003cli\u003eWake and Bake\u003c\/li\u003e\n\u003cli\u003eTransitional Period\u003c\/li\u003e\n\u003cli\u003eRenfield Leaves Meeting\u003c\/li\u003e\n\u003cli\u003eApache Joe\u003c\/li\u003e\n\u003cli\u003eDragging Bodies\u003c\/li\u003e\n\u003cli\u003eDrac-hole\u003c\/li\u003e\n\u003cli\u003eLos Lobos\u003c\/li\u003e\n\u003cli\u003eMulates Arrival\u003c\/li\u003e\n\u003cli\u003eRebecca and Renfield Kick Ass\u003c\/li\u003e\n\u003cli\u003eSweet n Low Hero\u003c\/li\u003e\n\u003cli\u003eWorld Domination Plan\u003c\/li\u003e\n\u003cli\u003eInspiration\u003c\/li\u003e\n\u003cli\u003eTeddy Meets Dracula\u003c\/li\u003e\n\u003cli\u003eYou’re the Monster Renfield\u003c\/li\u003e\n\u003cli\u003eDracula Arrives at CODA\u003c\/li\u003e\n\u003cli\u003eDracula Questions\u003c\/li\u003e\n\u003cli\u003eLet’s Eat\u003c\/li\u003e\n\u003cli\u003eRenfield Mourns\u003c\/li\u003e\n\u003cli\u003eRebecca’s Escape\u003c\/li\u003e\n\u003cli\u003eTeddy in Dracula’s Lair\u003c\/li\u003e\n\u003cli\u003eSWAT Team Ambush\u003c\/li\u003e\n\u003cli\u003eHello Mr. Dracula\u003c\/li\u003e\n\u003cli\u003eRenfield and Rebecca\u003c\/li\u003e\n\u003cli\u003eDracula in Renfield’s Head\u003c\/li\u003e\n\u003cli\u003eThe Familiar Battle\u003c\/li\u003e\n\u003cli\u003eFull Husk Emptied\u003c\/li\u003e\n\u003cli\u003eRebecca Throws Shade\u003c\/li\u003e\n\u003cli\u003eFinal Embrace\u003c\/li\u003e\n\u003cli\u003eRenfield’s Affirmations\u003c\/li\u003e\n\u003cli\u003eWe Can Be Heros\u003c\/li\u003e\n\u003cli\u003eA Patchy Carmen\u003c\/li\u003e\n\u003cli\u003eRenfield Blues\u003c\/li\u003e\n\u003cli\u003eDracula’s Gaze\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/7z2V9L62t2O9ySXBXmHXhP?utm_source=generator\" style=\"border-radius: 12px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Marco Beltrami","offers":[{"title":"2LP \/ Teal Red Splatter","offer_id":42380029132991,"sku":"WW188-TERD-SPR","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/Renfield-Cover.jpg?v=1686337549"},{"product_id":"hit-machine-kyohei-tsutsumi-and-his-585-band-lp","title":"Hit Machine [Japanese Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eReissued for the first time ever\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e1xLP pressed on Classic Black Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes OBI strip\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eOriginally released in 1976\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eKyohei Tsutsumi\u003c\/strong\u003e, a composer and arranger representing the Japanese music world, led the masked disco unit\u003cstrong\u003e KYOHEI TSUTSUMI AND HIS 585 BAND\u003c\/strong\u003e in 1976, making full use of the best technology for audio fans [\u003cstrong\u003eToshiba PRO-USE series\u003c\/strong\u003e]. This rare and legendary album is now being reprinted for the first time! '\u003cstrong\u003eHit Machine\u003c\/strong\u003e' is a disco-arranged project that includes not only self-composed songs but also various covers of disco hits.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eCaribbean Dream\u003c\/li\u003e\n\u003cli\u003eHit Machine\u003c\/li\u003e\n\u003cli\u003eLittle Monster\u003c\/li\u003e\n\u003cli\u003eA Killer Smile\u003c\/li\u003e\n\u003cli\u003eSexy Bus Stop\u003c\/li\u003e\n\u003cli\u003eMagic Of The Blue\u003c\/li\u003e\n\u003cli\u003eAin't Nobody Straight In L.A.\u003c\/li\u003e\n\u003cli\u003eUnion Man\u003c\/li\u003e\n\u003cli\u003eThe Bumboo\u003c\/li\u003e\n\u003cli\u003eMy Tiny Angel\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/trHWp0zuCBA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Kyohei Tsutsumi And His 585 Band","offers":[{"title":"LP \/ Black","offer_id":42391884660927,"sku":"PROT-7213-BK","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/PROT-7213-KyoheiTsutsumi_His585Band-HitMachine.jpg?v=1687388774"},{"product_id":"betty-davis-betty-davis-lp-vinyl-record","title":"Betty Davis","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eBetty’s classic full-length debut!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLP available on Standard Black Wax and Coke Bottle Clear Wax\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eExpanded vinyl edition featuring gatefold jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeatures a 20-page booklet including rare photos, lyrics, and new 2022 liner notes by Danielle Maggio interviewing Betty\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eVinyl plated at RTI\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eOne can hardly imagine the genre-busting, culture-crossing musical magic of \u003cstrong\u003eOutkast, Prince, Erykah Badu, Rick James, The Roots\u003c\/strong\u003e, or even the early \u003ca href=\"https:\/\/helixsounds.com\/collections\/vendors?q=Red%20Hot%20Chili%20Peppers\" title=\"Red Hot Chili Peppers\"\u003e\u003cstrong\u003eRed Hot Chili Peppers\u003c\/strong\u003e\u003c\/a\u003e without the influence of R\u0026amp;B pioneer \u003cstrong\u003eBetty Davis\u003c\/strong\u003e. Her style of raw and revelatory punk-funk defies any notions that women can't be visionaries in the worlds of rock and pop. In recent years, rappers from \u003cstrong\u003eIce Cube\u003c\/strong\u003e to \u003cstrong\u003eTalib Kweli\u003c\/strong\u003e to \u003cstrong\u003eLudacris\u003c\/strong\u003e have rhymed over her intensely strong but sensual music.\u003c\/p\u003e\n\u003cp\u003eThere is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago - we live in an age that's been profoundly changed by flamboyant flaunting of female sexuality: from \u003cstrong\u003eParlet\u003c\/strong\u003e to \u003cstrong\u003eMadonna\u003c\/strong\u003e, \u003cstrong\u003eLil Kim\u003c\/strong\u003e to \u003cstrong\u003eKelis\u003c\/strong\u003e. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile, and towering Afro, who could you possibly have compared her to? \u003cstrong\u003eMarva Whitney\u003c\/strong\u003e had the voice but not the independence. \u003cstrong\u003eLabelle\u003c\/strong\u003e wouldn't get sexy with their 'Lady Marmalade' for another year while \u003cstrong\u003eMillie Jackson\u003c\/strong\u003e wasn't 'Feelin' Bitchy' until 1977. Even \u003cstrong\u003eTina Turner\u003c\/strong\u003e, the most obvious predecessor to Betty's fierce style wasn't completely out of Ike's shadow until later in the decade.\u003c\/p\u003e\n\u003cp\u003eMs. Davis's unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song 'Uptown' for the \u003cstrong\u003eChambers Brothers\u003c\/strong\u003e before marrying \u003cstrong\u003eMiles Davis\u003c\/strong\u003e in the late '60s, influencing him with psychedelic rock, and introducing him to \u003cstrong\u003eJimi Hendrix\u003c\/strong\u003e -- personally inspiring the classic album '\u003cstrong\u003eBitches Brew\u003c\/strong\u003e.'\u003c\/p\u003e\n\u003cp\u003eBut her songwriting ability was way ahead of its time as well. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got \u003cstrong\u003eThe Commodores\u003c\/strong\u003e signed to \u003cstrong\u003eMotown\u003c\/strong\u003e. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, \u003cstrong\u003eMarc Bolan\u003c\/strong\u003e of \u003cstrong\u003eT. Rex\u003c\/strong\u003e urged the creative dynamo to start writing for herself. A common thread throughout Betty's career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn't fit with the vision. She would eventually say no to \u003cstrong\u003eEric Clapton\u003c\/strong\u003e as her album producer, seeing him as too banal.\u003c\/p\u003e\n\u003cp\u003eIn 1973, Davis would finally kick off her cosmic career with an amazingly progressive hard funk and sweet soul self-titled debut. Davis showcased her fiercely unique talent and features such gems as '\u003cstrong\u003eIf I'm In Luck I Might Get Picked Up\u003c\/strong\u003e' and '\u003cstrong\u003eGame Is My Middle Name\u003c\/strong\u003e.' The album \u003cstrong\u003eBetty Davis\u003c\/strong\u003e was recorded with \u003cstrong\u003eSly \u0026amp; The Family Stone's\u003c\/strong\u003e rhythm section, sharply produced by Sly Stone drummer \u003cstrong\u003eGreg Errico\u003c\/strong\u003e, and featured backing vocals from \u003cstrong\u003eSylvester\u003c\/strong\u003e and the \u003cstrong\u003ePointer Sisters\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eIf I'm In Luck I Might Get Picked Up\u003c\/li\u003e\n\u003cli\u003eWalkin Up The Road\u003c\/li\u003e\n\u003cli\u003eAnti Love Song\u003c\/li\u003e\n\u003cli\u003eYour Man My Man\u003c\/li\u003e\n\u003cli\u003eOoh Yea\u003c\/li\u003e\n\u003cli\u003eSteppin In Her I. Miller Shoes\u003c\/li\u003e\n\u003cli\u003eGame Is My Middle Name\u003c\/li\u003e\n\u003cli\u003eIn The Meantime\u003c\/li\u003e\n\u003cli\u003eCome Take Me (Digital Only Bonus Track)\u003c\/li\u003e\n\u003cli\u003eYou Won't See Me In The Morning (Digital Only Bonus Track)\u003c\/li\u003e\n\u003cli\u003eI Will Take That Ride (Digital Only Bonus Track)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e","brand":"Betty Davis","offers":[{"title":"LP \/ Coke Bottle Clear","offer_id":42399045320895,"sku":"LITA026-1-CL","price":39.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":42399045288127,"sku":"LITA026-1-BK","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA026-BettyDavis-BettyDavis_FrontCover.jpg?v=1703889973"},{"product_id":"is-it-love-or-desire","title":"Is It Love Or Desire","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eBetty’s previously unreleased 1976 album!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLP available on 3 variants\u003c\/b\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eStandard Black Wax \u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eSpecial Gold Color Edition\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited Color Vinyl (Silver Metallic)\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cb\u003eExpanded vinyl edition featuring gatefold jacket and booklet including rare photos and lyrics\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eVinyl plated at RTI\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAlso available on \u003ca href=\"https:\/\/admin.shopify.com\/store\/helix-sounds\/products?selectedView=all\u0026amp;query=IS%20IT%20LOVE%20or%20desire\" title=\"Is It Love Or Desire Compact Disc Edition\"\u003eCompact Disc\u003c\/a\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eBetty Davis was a musical maverick with vision. Image, substance, sex, and grit combined with a badass band that could deliver the funk bed backbone to the sultry music between the sheets. After cutting two notorious discs for the Just Sunshine label (\"Betty Davis\" and \"They Say I'm Different\"), and \"Nasty Gal\" for Island Records, Davis went to work on her most personal and expressive record yet. After capturing 10 hard-hitting tracks in 1976 at the remote Studio In The Country (Louisiana), a creative difference with her then-label caused the platter to be unexpectedly shelved. Davis would cut one final album and soon retreat from the music business, completely disappearing from the public eye.\u003c\/p\u003e\n\u003cp\u003e\"Is It Love Or Desire\" is a little-known gem in the Davis catalog. Mastered from the original tapes, and untouched for over 30 years, this release features detailed liner notes, the originally intended artwork housed in a lavishly packaged digipak, rare photos, archival material, and recent interviews with Davis and her skin-tight band Funk House.\u003c\/p\u003e\n\u003cp\u003eNever bootlegged, never released, never heard until now, the secret story of this lost album will finally enter the history books and cement this bold soul sister's contributions to music and popular culture. It's time to get down…\u003c\/p\u003e\n\u003cp\u003eLong live Betty Davis!\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eIs It Love Or Desire\u003c\/li\u003e\n\u003cli\u003eWhorey Angel\u003c\/li\u003e\n\u003cli\u003eIt's So Good\u003c\/li\u003e\n\u003cli\u003eCrashin' From Passion\u003c\/li\u003e\n\u003cli\u003eWhen Romance Says Goodbye\u003c\/li\u003e\n\u003cli\u003eBottom Of The Barrel\u003c\/li\u003e\n\u003cli\u003eStars Starve\u003c\/li\u003e\n\u003cli\u003eYou Know\u003c\/li\u003e\n\u003cli\u003eLet's Get Personal\u003c\/li\u003e\n\u003cli\u003eBar Hoppin'\u003c\/li\u003e\n\u003cli\u003eFor My Man\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/7nx1Q8vvT25B12kYpy9VXJ?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Betty Davis","offers":[{"title":"LP \/ Gold","offer_id":42399145754815,"sku":"LITA047-1-GDMT","price":39.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Silver","offer_id":42399145722047,"sku":"LITA047-1-SVMT","price":39.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":42399143002303,"sku":"LITA047-1-BK","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA047-BettyDavis-IsItLoveOrDesire_FrontCover.jpg?v=1687517502"},{"product_id":"i-am-the-center-private-issue-new-age-3lp","title":"I Am The Center: Private Issue New Age Music In America 1950-1990","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003e3xLP housed in slipcase w\/ 3 tip-on jackets, and a 20-page book\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNotes by Douglas Mcgowan featuring interviews with artists and includes rare archive photos\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eArtwork by Gilbert Williams and Janaia Donaldson\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e2 unreleased tracks, 7 others previously only on cassette\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eVinyl cut by John Golden. Pressed at RTI\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eRemastered from original sources at 24 bit\/ 96 kHz\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/71ELPd7qBx0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cem\u003e“Sound created the universe. It wasn’t a word. Sound created atoms; sound and light are the original manifesting principles for worlds… A musician sources that primeval, eternal sound, and it comes out as music.”\u003c\/em\u003e – \u003cstrong\u003e\u003cem\u003eConstance Demby\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eForget everything you know, or think you know, about new age, a genre that has become one of the defining musical-archaeological explorations of the past decade.\u003cbr\u003e\u003cbr\u003eI Am The Center: Private Issue New Age In America, 1950-1990 is the first major anthology to survey the golden age of new age and reveal the unbelievable truth about the genre.\u003cbr\u003e\u003cbr\u003eFor new age, at its best, is a reverberation of psychedelic music, and great by any standard. This is analog, handmade music communicating soul and spirit, often done on limited means and without commercial potential, self-published and self-distributed. Before it became big business and devolved into the spaced-out elevator music we know and loathe today, this was the real thing.\u003cbr\u003e\u003cbr\u003eFrom mathematical musical algorithms to airport murder mysteries to Henry Mancini and Bugs Bunny, the connections to mainstream culture run in curious directions. (Did you know, for instance, that a track from the first modern private press new age album is featured on the Blade Runner soundtrack? It’s called “Pompeii, 76 A.D.”, and we’ve got it here.)\u003cbr\u003e\u003cbr\u003eI Am The Center is a knowing, but never cynical overview that invites listeners at last to the mainspring of a misunderstood genre’s greatest lights. Many of the biggest names are present — Iasos, inter-dimentional channeler of “paradise music”; Laraaji, discovered by Brian Eno playing for spare change in Washington Square Park; and the recently famous JD Emmanuel, icon to a new generation of drone, ambient, noise musicians. Call it what you will — before it was anything else, it was new age.\u003cbr\u003e\u003cbr\u003eLovingly conceived and lavishly presented, I Am The Center features stunning paintings by the legendary visual artist Gilbert Williams, and liner notes by producer Douglas Mcgowan, who weaves the words and images of the wizards and sorceresses of new age into a prismatic portrait of music that can finally be recognized for what it is: great American folk art.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eUnderground\u003c\/li\u003e\n\u003cli\u003ePrologue\u003c\/li\u003e\n\u003cli\u003eVampire Killer\u003c\/li\u003e\n\u003cli\u003eStalker\u003c\/li\u003e\n\u003cli\u003eWicked Child\u003c\/li\u003e\n\u003cli\u003eWalking On The Edge\u003c\/li\u003e\n\u003cli\u003eHeart Of Fire\u003c\/li\u003e\n\u003cli\u003eOut Of Time\u003c\/li\u003e\n\u003cli\u003eNothing To Lose\u003c\/li\u003e\n\u003cli\u003ePoison Mind\u003c\/li\u003e\n\u003cli\u003eBlack Night\u003c\/li\u003e\n\u003cli\u003eVoyager\u003c\/li\u003e\n\u003cli\u003eLifting Off - Joanna Brouk\u003c\/li\u003e\n\u003cli\u003eAs The Earth Kissed The Moon (excerpt) - Michael Stearns\u003c\/li\u003e\n\u003cli\u003eTien Fu: Heaven's Gate (excerpt) - Aeoliah\u003c\/li\u003e\n\u003cli\u003eBlue Spirals - Daniel Kobialka\u003c\/li\u003e\n\u003cli\u003eTwo Souls Dance - Larkin\u003c\/li\u003e\n\u003cli\u003eLi Sun - Judith Tripp\u003c\/li\u003e\n\u003cli\u003eLunar Eclipse (excerpt) - Mark Banning\u003c\/li\u003e\n\u003cli\u003eWaterfall Winds - Alice Damon\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/5J6elnQWSwhzzD6Zo6QZso?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Various Artists","offers":[{"title":"3LP \/ Black","offer_id":42628366991551,"sku":"LITA107-BK","price":94.98,"currency_code":"USD","in_stock":true},{"title":"3LP \/ Clear Yellow","offer_id":42439801798847,"sku":"LITA107-CLYL","price":114.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA107-VariousArtists-IAmTheCenter.jpg?v=1691391610"},{"product_id":"have-you-been-good-to-yourself-johnnie-frierson-lp","title":"Have You Been Good To Yourself","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition of 500 copies\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e1xLP pressed on Clear Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eRemastered from the original cassette\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLiner notes by Memphis native Andria Lisle\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes OBI strip\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eVinyl pressed at RTI\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“My dad loved people. He was an activist for Black people, but also an activist for human rights. I don’t care what color you are, my dad was kind to you. He wanted the word ‘love’ out there: the self-love message, the world-love message. Anything good he knew, he wanted to let everyone know about it.” – Keesha Frierson\u003c\/p\u003e\n\u003cp\u003eFollowers of our output might have a pang of recognition on reading the name, Frierson. That was the surname of Wendy Rene, whose work was collected into the 2012 LITA anthology After Laughter Comes Tears, and indeed, Johnnie Frierson is Wendy’s brother – a fellow member of her mid-’60s Stax four-piece The Drapels.\u003c\/p\u003e\n\u003cp\u003eBut Have You Been Good To Yourself will come as a surprise to anyone expecting more of the beat-driven R\u0026amp;B Johnnie and his sibling produced – including that compilation’s much-sampled title track. A mix of spoken word and gospel songs laid down direct to cassette, these ultra-rare home recordings draw from Johnnie’s religious upbringing and his history in the music business, which was interrupted in 1970 when he was sent to fight in Vietnam.\u003c\/p\u003e\n\u003cp\u003eCratedigger Jameson Sweiger found Have You Been Good To Yourself and a companion album, Real Education, released under the name Khafele Ojore Ajanaku in a Memphis thrift store, but it was noticeably Frierson’s work. They hadn’t made it far – they would originally have been sold at corner stores and music festivals in the Memphis area, where Frierson continued to perform and host a gospel radio show, all the while working as a mechanic, laborer, and teacher.\u003c\/p\u003e\n\u003cp\u003eThe seven songs on Have You Been Good To Yourself are overtly religious; some, such as “Out Here On Your Word,” are strident and faithful; others, like the self-questioning “Have You Been Good To Yourself,” are more meditative. They reflect the difficult situation that Frierson was in when recording, shell-shocked from his time in the military and grieving the untimely death of his son. “He was really trying to find his way,” remembers Frierson’s daughter Keesha in Andria Lisle’s liner notes. “And writing and making music was a way out for him.”\u003c\/p\u003e\n\u003cp\u003eRemastered and released professionally for the first time, the message spread by Frierson – who passed away in 2010 – remains undimmed.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eHave You Been Good To Yourself\u003c\/li\u003e\n\u003cli\u003eHeavenly Father\u003c\/li\u003e\n\u003cli\u003eYou've Been Good\u003c\/li\u003e\n\u003cli\u003eMiracles\u003c\/li\u003e\n\u003cli\u003eOut Here On Your Word\u003c\/li\u003e\n\u003cli\u003eYou Were Sent To This World\u003c\/li\u003e\n\u003cli\u003eWoke Up This Morning\u003c\/li\u003e\n\u003cli\u003eTrust In The Lord\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Johnnie Frierson","offers":[{"title":"LP \/ Clear","offer_id":42552976900287,"sku":"LITA127-CL","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA127-JohnnieFrierson-HaveYouBeenGoodToYourself.jpg?v=1697583522"},{"product_id":"in-my-own-time-50th-anniversary-edition-karen-dalton-lp","title":"In My Own Time (50th Anniversary Edition)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eAll tracks from 2021 transfers and newly remastered\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eCD \u0026amp; Cassette Editions feature 9 bonus tracks, including 6 previously unreleased live performances from The Montreux Golden Rose Pop Festival (May 1971) and Beat Club, Germany (April 1971)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eCD \u0026amp; LP editions include a booklet featuring unseen photos and liner notes by Lenny Kaye with contributions from Nick Cave and Devendra Banhart\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eTracks 11-19 Only Available on CD \u0026amp; Cassette Editions\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e8-Track \u0026amp; single LP editions only include tracks 1-10\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eKaren Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.\u003c\/p\u003e\n\u003cp\u003eThe LITA Anniversary LP edition features the original 10-track album, pressed on clear wax at Record Technology Inc. (RTI) and housed in an expanded gatefold LP jacket, while the album makes its long-overdue return on the almighty 8-Track format.\u003c\/p\u003e\n\u003cp\u003eBoth the CD and cassette editions feature 9 bonus tracks, including 3 alternate takes from the In My Own Time album sessions, along with 6 previously unreleased tracks captured during Karen’s 1971 European tour, including live at The Montreux Golden Rose Pop Festival and Germany’s Beat Club.\u003c\/p\u003e\n\u003cp\u003eAll audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.\u003c\/p\u003e\n\u003cp\u003eA newly expanded booklet—featuring rarely seen photos, liner notes from musician and writer Lenny Kaye, and contributions from Nick Cave and Devendra Banhart—rounds out the package (CD booklet 32-pgs; LP booklet 20-pgs).\u003c\/p\u003e\n\u003cp\u003eThe Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R\u0026amp;B and country that had to seep in as she made her way to New York.\"\u003c\/p\u003e\n\u003cp\u003eArmed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early 60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon \u0026amp; Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”\u003c\/p\u003e\n\u003cp\u003eThose who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.\u003c\/p\u003e\n\u003cp\u003eProducing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process but was also willing to offer gentle encouragement and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”\u003c\/p\u003e\n\u003cp\u003eDalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R\u0026amp;B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.\u003c\/p\u003e\n\u003cp\u003eWhile 70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, many artists would name Karen Dalton as an influence including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recently acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul… you can hear it in her music.”\u003c\/p\u003e\n\u003cp\u003e1–10: Originally released as Just Sunshine – PAS 6008, 1971\u003c\/p\u003e\n\u003cp\u003e11–13: Alternate Takes from album sessions, 1970\/71\u003c\/p\u003e\n\u003cp\u003e14–15: Recorded live at Beat Club, Germany, April 21, 1971\u003c\/p\u003e\n\u003cp\u003e16–19: Recorded live at The Montreux Golden Rose Pop Festival, May 1, 1971\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eSomething On Your Mind\u003c\/li\u003e\n\u003cli\u003eWhen a Man Loves A Woman\u003c\/li\u003e\n\u003cli\u003eIn My Own Dream\u003c\/li\u003e\n\u003cli\u003eKatie Cruel\u003c\/li\u003e\n\u003cli\u003eHow Sweet It Is\u003c\/li\u003e\n\u003cli\u003eIn A Station\u003c\/li\u003e\n\u003cli\u003eTake Me\u003c\/li\u003e\n\u003cli\u003eSame Old Man\u003c\/li\u003e\n\u003cli\u003eOne Night of Love\u003c\/li\u003e\n\u003cli\u003eAre You Leaving For The Country\u003c\/li\u003e\n\u003cli\u003eSomething On Your Mind (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eIn My Own Dream (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eKatie Cruel (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eOne Night Of Love - Live at Beat Club\u003c\/li\u003e\n\u003cli\u003eGermany\u003c\/li\u003e\n\u003cli\u003eApril 21\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eTake Me - Live at Beat Club\u003c\/li\u003e\n\u003cli\u003eGermany\u003c\/li\u003e\n\u003cli\u003eApril 21\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eSomething On Your Mind - Live at The Montreux Golden Rose Pop Festival\u003c\/li\u003e\n\u003cli\u003eMay 1\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eBlues On The Ceiling - Live at The Montreux Golden Rose Pop Festival\u003c\/li\u003e\n\u003cli\u003eMay 1\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eAre You Leaving For The Country - Live at The Montreux Golden Rose Pop Festival\u003c\/li\u003e\n\u003cli\u003eMay 1\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003cli\u003eOne Night Of Love - Live at The Montreux Golden Rose Pop Festival\u003c\/li\u003e\n\u003cli\u003eMay 1\u003c\/li\u003e\n\u003cli\u003e1971\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/36WryGURqME9Y2URzzzmio?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Karen Dalton","offers":[{"title":"LP \/ Black","offer_id":42622042996927,"sku":"LITA200-BK","price":29.98,"currency_code":"USD","in_stock":false},{"title":"LP \/ Silver","offer_id":42622043062463,"sku":"LITA200-SV","price":39.98,"currency_code":"USD","in_stock":false},{"title":"LP \/ Clear","offer_id":42622043029695,"sku":"LITA200-CL","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/826853020091.jpg?v=1701149300"},{"product_id":"walk-in-africa-1979-81-national-wake-2lp","title":"Walk In Africa 1979-81","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e﻿\u003cstrong\u003eFirst ever anthology\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRemastered from original sources\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2xLP housed in a deluxe gatefold tip-on jacket with 20-pg book, and download card full full anthology\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eScholarly liner notes by Punk In Africa film director Keith Jones\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUnseen photos, flyers, and band ephemera\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl cut by John Golden and pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThe South Africa of the late 1970s was neither the right place nor time to launch a mixed-race punk band. Yet, following the student-inspired Soweto Uprising of 1976, it was also exactly the right conditions to foster a band like National Wake, one formed in an underground commune, and one whose very name exists in protest at the divisive, racist apartheid regime. Never before collected together, Light In The Attic is set to release National Wake’s full body of work as Walk In Africa 1979-81.\u003cbr\u003e\u003cbr\u003eFeatured heavily in the recent documentary Punk In Africa, National Wake played punk, reggae, and tropical funk, equally at home in the city’s rock underground and the township nightclub circuit. Ivan Kadey started the band with two brothers, Gary and Punka Khoza. The three were from different worlds – while Ivan was an outsider, a Jewish orphan born in the traditional Johannesburg immigrant neighborhood, Gary, Punka, and their family were forcibly moved to the troubled township of Soweto under the apartheid regime. Later joined by guitarist Steve Moni, the whole band grew up against a backdrop of township unrest, social upheaval, and suburban tedium that characterized apartheid-era South Africa.\u003cbr\u003e\u003cbr\u003eNational Wake released just one album, in 1981. It sold approximately 700 copies before being withdrawn under government pressure. The band subsequently disintegrated, but their influence could be traced in the racially mixed post-punk underground centered around Rockey Street in Johannesburg throughout the 1980s, their legacy transmitted through fanzines and underground cassette trading.\u003cbr\u003e\u003cbr\u003eSadly, Gary and Punka Khoza both passed away in their 40s. Kadey now works as an architect in Los Angeles, but his attention eventually turned back to the band as their legacy grew in the digital era, with the emergence of specialized music websites and Punk In Africa leading to their rediscovery. Czech State Radio memorably described the band as “perhaps the most dissident music scene of the 20th century: a multi-racial punk band in a fascist police state.”\u003cbr\u003e\u003cbr\u003eIn 2011, Kadey re-released the band’s self-titled album on CD in South Africa, but spoke about having more than 20 tracks that had never seen the light of day – until now. “All of these recordings put together they speak of the whole evolution of the band,” he has said. “From a sort of naive, almost belief that we could miraculously change everything to realizing what a struggle it was, and what the country was going through and what it would go through.”\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eInternational News\u003c\/li\u003e\n\u003cli\u003eIt's All Right\u003c\/li\u003e\n\u003cli\u003eWalk in Africa\u003c\/li\u003e\n\u003cli\u003eTime and Place\u003c\/li\u003e\n\u003cli\u003eCorner House Stone\u003c\/li\u003e\n\u003cli\u003eMercenaries\u003c\/li\u003e\n\u003cli\u003eWake of the Nation\u003c\/li\u003e\n\u003cli\u003eSupaman\u003c\/li\u003e\n\u003cli\u003eSpeed It Up\u003c\/li\u003e\n\u003cli\u003eBeat up the Lights\u003c\/li\u003e\n\u003cli\u003eBlack Punk Rockers\u003c\/li\u003e\n\u003cli\u003eStratocaster\u003c\/li\u003e\n\u003cli\u003eEverybody\u003c\/li\u003e\n\u003cli\u003eVatsiketeni\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/5qCdJk2qZfjtXr0AHxNeGQ?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"National Wake","offers":[{"title":"2LP \/ Black","offer_id":42654686937279,"sku":"LITA105-BK","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA105-NationalWake-WalkInAfrica1979-81.jpg?v=1704695367"},{"product_id":"if-the-evening-were-dawn-jim-sullivan-lp","title":"If The Evening Were Dawn","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMastered from the original analog tapes\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDeluxe Stoughton “tip-on” jacket with debossing\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAll tracks previously unreleased\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eOn March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost until Light in the Attic Records began a years-long quest to re-release it–and to solve the mystery of Sullivan’s disappearance. Only one of those things happened, and you can guess which…\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLight in the Attic’s reissue of U.F.O. introduced the world to an overlooked masterwork and won Sullivan, posthumously (presumably), legions of new fans. Those new admirers are in for a real treat: a lavish, first-time release of a previously unheard 1969 studio session.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf The Evening Were Dawn contains 10 acoustic solo recordings that have never seen the light of day. Whereas U.F.O. was bolstered by legendary sessioneers The Wrecking Crew, this is Jim Sullivan on his own terms, stripped down and soulful as ever. Recorded at a Los Angeles studio circa 1969, the session contains acoustic versions of a handful of U.F.O. tracks alongside a half dozen previously unheard songs. This, then, is the closest thing to those fabled Malibu bar performances at which Sullivan was first noticed.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAccording to his widow, Barbara, this was the album Jim always hoped to record. It serves as an unprecedented glimpse into the mysterious, larger-than-life figure who’s become the stuff of legends.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile Sullivan’s disappearance remains unsolved, his music endures and is finally gaining him the recognition he deserves, albeit long overdue. This recording serves as an unexpected missing piece of the puzzle; this is Jim Sullivan’s true swan song.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eRoll Back The Time\u003c\/li\u003e\n\u003cli\u003eSandman\u003c\/li\u003e\n\u003cli\u003eWalls\u003c\/li\u003e\n\u003cli\u003eJerome\u003c\/li\u003e\n\u003cli\u003eWhat To Tell Her\u003c\/li\u003e\n\u003cli\u003eGrandpa's Trip\u003c\/li\u003e\n\u003cli\u003eSo Natural\u003c\/li\u003e\n\u003cli\u003eWhistle Stop \/ Mama\u003c\/li\u003e\n\u003cli\u003eWhat Is My Name?\u003c\/li\u003e\n\u003cli\u003eClose My Eyes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/7lPX2ftVjBFLVo0xWjf2hV?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Jim Sullivan","offers":[{"title":"LP \/ Orange","offer_id":42921555656895,"sku":"LITA178-OR","price":24.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":42654687428799,"sku":"LITA178-BK","price":14.99,"currency_code":"USD","in_stock":false},{"title":"LP \/ Clear Gold","offer_id":42921555689663,"sku":"LITA178-CLGD","price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/tmp_2F1561483595840-1fpxpwsnd2c-39e076f7f6ccfd4fcfef91507b8f14a4_2FLITA178_Highres_Cover_974x_2db39f67-cfba-4e56-ace5-d5b43016c9f7.jpg?v=1701592453"},{"product_id":"earls-closet-the-lost-archive-of-earl-mcgrath-1970-1980-various-artists-2lp","title":"Earl’s Closet: The Lost Archive of Earl McGrath 1970-1980","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAll tracks previously unreleased including unheard recordings from Daryl Hall and John Oates, David Johansen (New York Dolls), Terry Allen, Delbert McClinton, Andy Warhol’s Superstar Ultra Violet, Norma Jean Bell, and The Jim Carroll Band\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRestored and remastered audio by GRAMMY®-nominated engineer, John Baldwin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eExtensive booklet featuring unseen archive photos, ephemera and label history (LP: 20-pgs, CD: 40-pgs)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLiner notes by journalist Joe Hagan with exclusive interviews\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDouble LP pressed on 180-gram vinyl and housed in a gatefold jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e‘Cocktail Party’ Vinyl Color Edition pressed on Clear Wax\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e‘LITA Anniversary’ Vinyl Color Edition pressed on Red Opaque Wax\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e﻿“Earl was a wonderful man with a great eye for new and innovative art. And such an amusing companion, too.” – Mick Jagger\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEarl McGrath was the ultimate ’70s jet setter, an art collector and comic bon vivant who stumbled into the record business between legendary parties in New York and LA and discovered Daryl Hall and John Oates, and then Jim Carroll. Atlantic founder Ahmet Ertegun gave Earl his own label, Clean Records, in 1970; Mick Jagger hired him to run Rolling Stones Records in 1977.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFriend to Joan Didion, Andy Warhol, and a galaxy of luminaries, Earl was an inveterate tastemaker. Actor Harrison Ford, who before Star Wars fame was Earl’s handyman and pot dealer, called him “the last of a breed, one of the last great gentlemen and bohemians.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter Earl died in 2016, journalist Joe Hagan, author of the critically-acclaimed Sticky Fingers, the biography of Rolling Stone founder Jann Wenner, discovered a trove of rare and unheard tapes in Earl’s apartment in New York—literally inside his closet. “I asked for a step ladder and the first box I pulled off the shelf was a master tape of Some Girls, the Stones album,” says Hagan.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNow Light in the Attic Records proudly presents Earl’s Closet, a double album of the treasures discovered inside, including unheard music by Daryl Hall and John Oates, David Johansen, Terry Allen, Delbert McClinton, Warhol “Superstar” Ultra Violet, Detroit sax legend Norma Jean Bell, Jim Carroll and an eclectic cast of undiscovered artists who once vied for fame and glory—folk, rock, country, funk and R\u0026amp;B gems that virtually no one has heard in decades. Whether it’s the almost-famous power pop of Shadow from Detroit, or the Delfonics-style soul of the Blood Brothers Six, Earl’s Closet retraces the dreams of artists who once sent demos to Earl McGrath. Longtime Light in the Attic-affiliated reissue producer Pat Thomas assisted Hagan in tracking down the artists and finalizing the paperwork.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt once an archival mixtape, a secret history, and a journey into the heart of an era, Earl’s Closet features a deep booklet of documents, images, and ephemera from Earl’s archive, expansive liner notes by Joe Hagan, who tracked down and interviewed the artists, and astonishing photographs by Earl’s late wife, the Italian countess Camilla Pecci-Blunt McGrath.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eDelbert \u0026amp; Glen - Two More Bottles of Wine\u003c\/li\u003e\n\u003cli\u003eDaryl Hall \u0026amp; John Oates - Baby Come Closer\u003c\/li\u003e\n\u003cli\u003eTerry Allen - Gonna California\u003c\/li\u003e\n\u003cli\u003eKazoo Singers - Only Yourself to Lose\u003c\/li\u003e\n\u003cli\u003eMichael McCarty - Christopher\u003c\/li\u003e\n\u003cli\u003eJim Hurt - Dixie darling\u003c\/li\u003e\n\u003cli\u003eMark Rodney - California\u003c\/li\u003e\n\u003cli\u003eCountry - Killer\u003c\/li\u003e\n\u003cli\u003eDaryl Hall \u0026amp; John Oates - Dry In the Sun\u003c\/li\u003e\n\u003cli\u003eShadow (82) - Oh La La\u003c\/li\u003e\n\u003cli\u003eTerry Allen - Cocaine Cowboy\u003c\/li\u003e\n\u003cli\u003eUltra Violet (7) - How Do You Do (Children of the Most High)\u003c\/li\u003e\n\u003cli\u003eJohnny Angel - Invisible Lady\u003c\/li\u003e\n\u003cli\u003eShadow (82) - I See My Days Go By\u003c\/li\u003e\n\u003cli\u003eBlood Brothers Six - Where Have All the Flowers Gone?\u003c\/li\u003e\n\u003cli\u003eLen \u0026amp; Betsy Green - Salt Showers\u003c\/li\u003e\n\u003cli\u003ePaul Potash - Holy Commotion\u003c\/li\u003e\n\u003cli\u003eJabor - Sail Away\u003c\/li\u003e\n\u003cli\u003eDavid Johansen - Funky But Chic\u003c\/li\u003e\n\u003cli\u003eNorma Jean Bell - Just Look-Ah What You'll Be Missing\u003c\/li\u003e\n\u003cli\u003eThe Jim Carroll Band - Tension\u003c\/li\u003e\n\u003cli\u003eLittle Whisper And The Rumors - Waiting For Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/5KNu9abN0Qc5ujoVE7q3HU?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Various Artists","offers":[{"title":"2LP \/ Red","offer_id":42654687494335,"sku":"LITA180-RD","price":32.98,"currency_code":"USD","in_stock":true},{"title":"2LP \/ Clear","offer_id":42654687527103,"sku":"LITA180-CL","price":17.99,"currency_code":"USD","in_stock":false},{"title":"2LP \/ Black","offer_id":42654687461567,"sku":"LITA180-BK","price":16.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA180-VariousArtists-Earl_sClosetTheLostArchiveofEarlMcGrath1970-1980.jpg?v=1703385107"},{"product_id":"once-i-was-leslie-winer-and-maxwell-sterling-tim-buckley-7-inch","title":"Once I Was","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eLatest release in Light in the Attic’s Covers Series\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eArtwork by Los Angeles-based fine artist Robbie Simon\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited edition first pressing\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThe latest installment of Light in the Attic’s exclusive vinyl and digital singles series features musician, poet, and author Leslie Winer collaborating with Manchester-born composer Maxwell Sterling on a truly gorgeous cover of Tim Buckley’s 1967 forlorn love song “Once I Was.” Buckley’s original classic is found on the flip-side and initially taken from the release Lady, Give Me Your Key: The Unissued 1967 Solo Acoustic Sessions (FDR 631).\u003c\/p\u003e\n\u003cp\u003ePrevious singles in Light in the Attic’s Covers Series includes Bill Callahan \u0026amp; Bonnie ‘Prince’ Billy covering Johnnie Frierson’s beautiful and inspiring tune “Miracles,” BADBADNOTGOOD with Jonah Yano covering “Key To Love (Is Understanding)\" by Milwaukee’s funk\/soul pioneers Majestics, Charles Bradley \u0026amp; the Menahan Street Band covering Sixto Rodriguez, Mac DeMarco covering Haruomi Hosono’s “Honey Moon,\" and Iggy Pop with the Zig Zags transforming Betty Davis’ dirty funk into a heavy Sabbath grind, amongst many others.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eLeslie Winer \u0026amp; Maxwell Sterling - Once I Was\u003c\/li\u003e\n\u003cli\u003eTim Buckley - Once I Was\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/01piEAVygsuq9wfNsRXZP8?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Leslie Winer \u0026 Maxwell Sterling \/ Tim Buckley","offers":[{"title":"7\" \/ Black","offer_id":42779424129215,"sku":"LITA45-044-BK","price":16.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA45-044-LeslieWiner_MaxwellSterlingTimBuckley-OnceIWas.jpg?v=1706577798"},{"product_id":"the-power-of-the-heart-a-tribute-to-lou-reed-various-artists-lp","title":"The Power of the Heart: A Tribute to Lou Reed (RSD 2024 World Exclusive)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eA tribute to one of the greatest songwriters \u0026amp; artists of our time\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeatures newly recorded covers from Keith Richards, Joan Jett and the Blackhearts, Rufus Wainwright, Lucinda Williams, Maxim Ludwig \u0026amp; Angel Olsen, Rickie Lee Jones, Mary Gauthier, Bobby Rush, Automatic, The Afghan Whigs, and Rosanne Cash\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eSpecial Record Store Day Edition pressed on Silver Nugget wax and housed in a silver laminated jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eBooklet features liner notes by compilation producer \u0026amp; former Lou Reed publicist Bill Bentley, featuring photos by Mick Rock and Timothy Greenfield-Sanders\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition of 3,000 copies\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\"To me, Lou stood out. The real deal! Something important to American music and to ALL MUSIC! I miss him and his dog.\" - Keith Richards\u003c\/p\u003e\n\u003cp\u003e“Lou seemed fearless to me, like he’d rather die than be a people-pleaser. I took inspiration from that.” - Rosanne Cash\u003c\/p\u003e\n\u003cp\u003e“Lou Reed is my earliest influence, my introduction to punk rock, and the soundtrack to the beginning of my romance with Maxim.” - Angel Olsen\u003c\/p\u003e\n\u003cp\u003e“Lou Reed has been gone now for many years. He's one of the few people whom I miss as much now as when he left. There are so many instances where I wonder what he would say or what he would think. His general aura would always lend something really unique to the room. Thank God he left his great music and recordings. His personality is sorely missed. Love you, Lou.” - Rufus Wainwright\u003c\/p\u003e\n\u003cp\u003eIt goes without saying that the legendary Lou Reed was a true rock ’n’ roll pioneer. From The Velvet Underground’s debut in 1967 all the way through the end of his days, Reed sang truth from his heart. He lived life to the limit—and then some. The Power of the Heart is a tribute to Reed’s freedom of expression with covers spanning his ground-breaking years with the Velvets into his majestic solo career. Each track is a glorious extension of the Rock ’n’ Roll Animal’s soul, ever adventurous and avant-garde.\u003c\/p\u003e\n\u003cp\u003eThe Power of the Heart: A Tribute to Lou Reed kicks off with a legend in his own right, Keith Richards, reimagining the Velvets’ classic, “I’m Waiting for the Man.” Richards’ rendition instantly invites you on board this unforgettable ride. In stark contrast, “Perfect Day” is somehow even more melancholy than the original given the Rufus Wainwright treatment, featuring sparse fingerpicking and gentle harmonies. Joan Jett and the Blackhearts deliver a version of “I'm So Free” that would have even Lou rockin’ in his grave. It’s thrilling to hear these songs reinterpreted and sung by such heavyweights; you can even hear as Lucinda Williams channels the spirit of Lou with her take on “Legendary Hearts.”\u003c\/p\u003e\n\u003cp\u003eOther notable tracks include a punk-drunk, loved-up duet by real-life lovers Angel Olsen \u0026amp; Maxim Ludwig with “I Can’t Stand It,” and Rickie Lee Jones’ reimagining of “Walk on the Wild Side,” both whimsical and enticing with her whispery vocals, stripped-down percussion, and a piano fit for a late-night lounge. This tribute album truly defies genre, but its throughline, in the end, is its heart: a deeply thoughtful collection of songs that shaped a generation, each paying homage to a man whose body of work still sings.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eI'm Waiting for the Man\u003c\/li\u003e\n\u003cli\u003eI Can't Stand It\u003c\/li\u003e\n\u003cli\u003ePerfect Day\u003c\/li\u003e\n\u003cli\u003eI'm So Free\u003c\/li\u003e\n\u003cli\u003eSally Can't Dance\u003c\/li\u003e\n\u003cli\u003eWalk on the Wild Side\u003c\/li\u003e\n\u003cli\u003eI Love You\u003c\/li\u003e\n\u003cli\u003eSuzanne\u003c\/li\u003e\n\u003cli\u003eConey Island Baby\u003c\/li\u003e\n\u003cli\u003eLegendary Hearts\u003c\/li\u003e\n\u003cli\u003eNew Sensations\u003c\/li\u003e\n\u003cli\u003eMagician\u003c\/li\u003e\n\u003cli\u003eThe Power of the Heart\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\n\u003ciframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/3kDuIayCdMLFvXHTAQf6w3?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Various Artists","offers":[{"title":"LP \/ Silver","offer_id":42836474331327,"sku":"LITA217-SV","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA217-VariousArtists-ThePoweroftheHeartATributetoLouReed.jpg?v=1708056898"},{"product_id":"la-donna-della-domenica-original-soundtrack-ennio-morricone-lp","title":"La Donna della Domenica (Original Soundtrack) [Import]","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eClear Light Blue Vinyl edition\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAudio remastered by Claudio Fuiano\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited Edition\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNOTE: Seam split from manufacturer at the top of the jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“La donna della domenica” (Sunday Woman) is a 1975 giallo movie, an Italian\/French co-production directed by Luigi Comencini and starring Marcello Mastroianni, Jacqueline Bisset and Jean-Louis Trintignant.\u003c\/p\u003e\n\u003cp\u003eThe soundtrack of this film, composed, orchestrated, and directed by Ennio Morricone, enjoys the typical elements of the Maestro's style and mainly consists of a beautiful leading theme and various variations, alternating with more intense moments, perfect for a detective film, evoking the atmosphere of “Indagine su un cittadino al di sopra di ogni sospetto” (Investigation of a Citizen Above Suspicion) or “Milano odia: la polizia non può sparare” (Almost Human), two films for which Morricone himself wrote the soundtrack a few years earlier.\u003c\/p\u003e\n\u003cp\u003eMystery, tension, and melancholy are the main features of this excellent work. At the time, only a single 45rpm was released for “La donna della domenica”, including the main theme and “Torino di notte” as the B-side, and only in 2008 the full score has been finally released on CD; this is, therefore, the very first vinyl version of this soundtrack!\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eLa Donna della Domenica (Titoli)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Riproponendo Rabbia)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Infido)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Ripresa)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Impaziente Pianino)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Ripresa 2)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Ripresa 3)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Ripresa 4)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Infido 2)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Infido 3)\u003c\/li\u003e\n\u003cli\u003eTorino di Notte (Lato B - Singolo Originale)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Ripresa 5)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Una Donna Misteriosa)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Ripresa 6)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Torino di Giorno)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Infido 4)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Torino Al Mattino)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Tra il Dire e Il Fare)\u003c\/li\u003e\n\u003cli\u003eLa Donna della Domenica (Lato A - Singolo Originale)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/7aMdQsCy19a4taAvmPYogK?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Ennio Morricone","offers":[{"title":"LP \/ Clear Light Blue","offer_id":42917938725055,"sku":"LPOST065-CL","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LPOST065-EnnioMorricone-LaDonnadellaDomenica_OriginalSoundtrack.jpg?v=1710188447"},{"product_id":"house-on-haunted-hill-original-motion-picture-soundtrack-rob-zombie-2lp","title":"House On Haunted Hill (Original Motion Picture Soundtrack)","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eThe Original Motion Picture Soundtrack by Von Dexter\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e150 Gram Pink \u0026amp; Black Hand Poured Color Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eExclusive Interview Conducted by Rob Zombie with Victoria Price\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eArtwork By Graham Humphreys\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eDeluxe Gatefold Packaging with Matte Satin Coating\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFour Page Booklet\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eSelect Dialogue \u0026amp; Sound Effects from the film included\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eRob Zombie and Waxwork Records have partnered to release an exclusive, curated line of classic Horror movie soundtracks. “Rob Zombie Presents” features several never-before-released film soundtracks that were personally selected by the singer, songwriter, and filmmaker.\u003c\/p\u003e\n\u003cp\u003e“I have always been a huge fan of movie soundtracks. So I jumped at the opportunity to work with Waxwork on this project.” Says Zombie, “I can’t wait to release these albums. So many of these films are greatly underappreciated and, they all contain such great music. So, to be able to release these deluxe packages is a dream come true.“ - Rob Zombie\u003c\/p\u003e\n\u003cp\u003eIn collaboration with Rob Zombie, Waxwork Records is thrilled to release Rob Zombie Presents HOUSE ON HAUNTED HILL Original Motion Picture Soundtrack by Von Dexter. Starring Vincent Price, HOUSE ON HAUNTED HILL is a 1959 American Horror film produced and directed by William Castle. Vincent Price plays an eccentric millionaire, Frederick Loren, who, along with his wife Annabelle, has invited five people to a house for a \"haunted house\" party. Whoever stays in the house for one night will earn $10,000. As the night progresses, the guests are trapped within the house with an assortment of terrors. The film uses many props used in carnival haunted houses to generate fear and terror. The film is also known for its promotional gimmick, Emergo, which included a \"flying skeleton\" that would appear over the audience as they enjoyed the film in a movie theater.\u003c\/p\u003e\n\u003cp\u003eWaxwork worked with the rights holders of the original film elements which have been restored, allowing for the best source material of this never-before-released soundtrack album. In addition to the original music by composer Von Dexter, this release features segments of the film's dialogue and sound effects appealingly included and sourced from the restored original soundtrack.\u003c\/p\u003e\n\u003cp\u003eIncluded in this very special release is the first part of an exclusive two-part interview conducted by Rob Zombie with Vincent Price's daughter, Victoria Price. Part two will be included with Waxwork's upcoming release of Rob Zombie Presents The Last Man On Earth!\u003c\/p\u003e\n\u003cp\u003eVon Dexter (1912-1996) was an American composer born in Aurora, Illinois. He later moved to Chicago where his professional music career began playing in bars and nightclubs. After gaining a music degree at USC, he moved to California where he became the West Coast MD for NBC. In addition to House On Haunted Hill, Dexter composed the scores for other William Castle films including 13 Ghosts and The Tingler.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eHouse On Haunted Hill\u003c\/li\u003e\n\u003cli\u003eIntroductions\u003c\/li\u003e\n\u003cli\u003eMain Theme And Titles\u003c\/li\u003e\n\u003cli\u003eA Very Warm Welcome\u003c\/li\u003e\n\u003cli\u003eFrederick And Annabelle\u003c\/li\u003e\n\u003cli\u003eThe Heads Have Never Been Found\u003c\/li\u003e\n\u003cli\u003eYour Host\u003c\/li\u003e\n\u003cli\u003eFrederick Lauren\u003c\/li\u003e\n\u003cli\u003ePritchard's House Tour\u003c\/li\u003e\n\u003cli\u003eLance And Nora\u003c\/li\u003e\n\u003cli\u003eNora And The Ghost\u003c\/li\u003e\n\u003cli\u003eIn The Living Room\u003c\/li\u003e\n\u003cli\u003eGhost Hunting\u003c\/li\u003e\n\u003cli\u003eAnnabelle And Mrs. Manning\u003c\/li\u003e\n\u003cli\u003eLance And Annabelle\u003c\/li\u003e\n\u003cli\u003eA Lovely Window\u003c\/li\u003e\n\u003cli\u003eClose To Midnight\u003c\/li\u003e\n\u003cli\u003eThe Caretakers\u003c\/li\u003e\n\u003cli\u003eParty Favours\u003c\/li\u003e\n\u003cli\u003eJust Go Look In My Suitcase!\u003c\/li\u003e\n\u003cli\u003eLance Looking For Nora\u003c\/li\u003e\n\u003cli\u003eAnnabelle's Death\u003c\/li\u003e\n\u003cli\u003eDr. Trent Calls A Meeting\u003c\/li\u003e\n\u003cli\u003eLance Hides Nora\u003c\/li\u003e\n\u003cli\u003eSo Beautiful\u003c\/li\u003e\n\u003cli\u003eSo Greedy\u003c\/li\u003e\n\u003cli\u003eSo Cold\u003c\/li\u003e\n\u003cli\u003eAccusations In The Living Room\u003c\/li\u003e\n\u003cli\u003eTo Their Rooms\u003c\/li\u003e\n\u003cli\u003eIn Their Rooms\u003c\/li\u003e\n\u003cli\u003eLance And Nora Plot\u003c\/li\u003e\n\u003cli\u003eThe Secret Door\u003c\/li\u003e\n\u003cli\u003eAnnabelle's Rope\u003c\/li\u003e\n\u003cli\u003eRuth Hanged\u003c\/li\u003e\n\u003cli\u003eOrgan Serenades\u003c\/li\u003e\n\u003cli\u003eTrent And Lauren On The Hunt\u003c\/li\u003e\n\u003cli\u003eEvery Detail Was Perfect\u003c\/li\u003e\n\u003cli\u003eDown In The Cellar\u003c\/li\u003e\n\u003cli\u003eInto The Vat\u003c\/li\u003e\n\u003cli\u003eCome With Me\u003c\/li\u003e\n\u003cli\u003eMurderess\u003c\/li\u003e\n\u003cli\u003eGoodnight Doctor\u003c\/li\u003e\n\u003cli\u003eGoodnight Annabelle\u003c\/li\u003e\n\u003cli\u003eEpilogue (And They'll Come For You)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Rob Zombie","offers":[{"title":"2LP \/ Pink Black Swirl","offer_id":43167295602879,"sku":"WW162-PKBK-SWL","price":44.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/WW162-RobZombie-HouseOnHauntedHill.jpg?v=1713559004"}],"url":"https:\/\/helixsounds.com\/collections\/holiday-sale-2025.oembed","provider":"Helix Sounds","version":"1.0","type":"link"}