{"title":"Artist: Lee Hazlewood","description":"","products":[{"product_id":"nancy-sinatra-lee-hazlewood-nancy-and-lee-lp-vinyl-record","title":"Nancy \u0026 Lee","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLP available on Standard Black Wax plus a Special Limited Color Editions (Sundown, Sundown Metallic Gold \u0026amp; Clear Wax; Psychedelic Sands Orange\/Red Wax) \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFirst ever official reissue of Nancy \u0026amp; Lee’s classic 1968 duet album \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDefinitive reissue with Nancy’s involvement Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNewly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eQ\u0026amp;A with Nancy \u0026amp; GRAMMY®-nominated reissue co-producer Hunter Lea \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNever-before-seen photos from Nancy Sinatra’s personal archive \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBeautifully packaged and expanded gatefold LP featuring a 20-page booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic\u003c\/strong\u003e\u003c\/em\u003e is thrilled to announce the first official reissue of \u003cem\u003e\u003cstrong\u003eNancy \u0026amp; Lee\u003c\/strong\u003e\u003c\/em\u003e: the highly-influential 1968 duet album from \u003cem\u003e\u003cstrong\u003eNancy Sinatra\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eLee Hazlewood\u003c\/strong\u003e\u003c\/em\u003e. This definitive edition of Nancy \u0026amp; Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey \u0026amp; Sylvia in 1956). This release marks the official debut on vinyl for both tracks.\u003c\/p\u003e\n\u003cp\u003eNancy \u0026amp; Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (\u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q\u0026amp;A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package).\u003c\/p\u003e\n\u003cp\u003eIn celebration of the release, Nancy Sinatra and fellow musician and longtime friend \u003cem\u003e\u003cstrong\u003eDon Randi\u003c\/strong\u003e\u003c\/em\u003e (\u003cem\u003eThe Wrecking Crew\u003c\/em\u003e) visited Record Technology, Inc. (\u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eplant manager, Rick Hashimoto is available\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=pnamWlNxZr0\"\u003e\u003cstrong\u003ehere\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan class=\"caps\"\u003eMORE\u003c\/span\u003e \u003cspan class=\"caps\"\u003eABOUT\u003c\/span\u003e \u003cspan class=\"caps\"\u003eNANCY\u003c\/span\u003e \u0026amp; \u003cspan class=\"caps\"\u003eLEE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Nancy – the eldest daughter of \u003cem\u003e\u003cstrong\u003eFrank Sinatra\u003c\/strong\u003e\u003c\/em\u003e – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.\u003c\/p\u003e\n\u003cp\u003eInitially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.\u003c\/p\u003e\n\u003cp\u003eRecalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”\u003c\/p\u003e\n\u003cp\u003eBefore long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.\u003c\/p\u003e\n\u003cp\u003eThroughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love\/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”\u003c\/p\u003e\n\u003cp\u003eThat je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy \u0026amp; Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eRIAA\u003c\/span\u003e. Over the decades, however, the appeal of Nancy \u0026amp; Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus \u0026amp; Mary Chain, have cited Nancy \u0026amp; Lee as an influence.\u003c\/p\u003e\n\u003cp\u003eIn recent years, Nancy \u0026amp; Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy \u0026amp; Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy \u0026amp; Lee to be “a masterpiece that still ripples in the sonic waves today.”\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eNPR\u003c\/span\u003e, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy \u0026amp; Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”\u003c\/p\u003e\n\u003cp\u003eToday, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy \u0026amp; Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”\u003c\/p\u003e\n\u003cp\u003eSinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eLITA\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ereissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e1.    You've Lost That Lovin' Feelin'\u003cbr\u003e2.    Elusive Dreams\u003cbr\u003e3.    Greenwich Village Folk Song Salesman\u003cbr\u003e4.    Summer Wine\u003cbr\u003e5.    Storybook Children\u003cbr\u003e6.    Sundown, Sundown\u003cbr\u003e7.    Jackson\u003cbr\u003e8.    Some Velvet Morning\u003cbr\u003e9.    Sand\u003cbr\u003e10.    Lady Bird\u003cbr\u003e11.    I've Been Down So Long (It Looks Like Up To Me)\u003cbr\u003e12.    Tired Of Waiting for You (Bonus Track)\u003cbr\u003e13.    Love Is Strange (Bonus Track)\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe loading=\"lazy\" height=\"380\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/4XI8r5L0ewd7VMsF64YcIl?utm_source=generator\" style=\"border-radius: 12px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Nancy Sinatra \u0026 Lee Hazlewood","offers":[{"title":"LP \/ Gold","offer_id":41977171968191,"sku":"LITA198-1-GD","price":29.99,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":41977150079167,"sku":"LITA198-BK","price":26.99,"currency_code":"USD","in_stock":true},{"title":"LP \/ Orange","offer_id":41977172000959,"sku":"LITA198-OR","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1649365771244-qb7eutyjqp-eb549cd0b90f48745332abb55162bec8_2Flita198_3000px_300dpi.jpg?v=1664515921"},{"product_id":"nancy-sinatra-start-walkin-1965-1976-2lp-vinyl-record","title":"Start Walkin' 1965-1976","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eNewly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2xLP pressed at RTI \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\"Velvet Morning Sunrise\" Yellow \u0026amp; Orange Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eClassic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimited Numbered Edition \"Summer Wine Sunburst Orange\" Orange \u0026amp; Black Vinyl (#621 \/ 1000) (\u003cem\u003e\u003cspan\u003eLAST COPY!\u003c\/span\u003e\u003c\/em\u003e)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeatures OBI Strip and a 24-Page Booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtensive essay by Amanda Petrusich\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBeautifully packaged in a Gatefold Jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic Records\u003c\/strong\u003e\u003c\/em\u003e is proud to present \u003cstrong\u003e\u003cem\u003eNancy Sinatra: Start Walkin’ 1965–1976\u003c\/em\u003e\u003c\/strong\u003e. The definitive new collection surveys Sinatra’s most prolific period over 1965–1976, including her revered collaborations with \u003cstrong\u003e\u003cem\u003eLee Hazlewood\u003c\/em\u003e\u003c\/strong\u003e, over 23 tracks.\u003c\/p\u003e\n\u003cp\u003eRemastered from the original analog tapes by GRAMMY®–nominated engineer \u003cem\u003e\u003cstrong\u003eJohn Baldwin\u003c\/strong\u003e\u003c\/em\u003e, the collection is complemented by liner notes penned by \u003cem\u003e\u003cstrong\u003eAmanda Petrusich\u003c\/strong\u003e\u003c\/em\u003e (author and music critic at \u003cem\u003e\u003cstrong\u003eThe New Yorker\u003c\/strong\u003e\u003c\/em\u003e), featuring never–before–seen photos from Nancy Sinatra’s personal archive, as well as insightful new interviews with Sinatra, as well as a Q\u0026amp;A with archivist and GRAMMY®–nominated reissue co-producer, \u003cstrong\u003e\u003cem\u003eHunter Lea\u003c\/em\u003e\u003c\/strong\u003e. The two-disc vinyl set is presented in a gatefold jacket (featuring a 24–page booklet).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNancy’s performance of the Lee Hazlewood–penned song “\u003cstrong\u003e\u003cem\u003eThese Boots Are Made for Walkin’\u003c\/em\u003e\u003c\/strong\u003e” was a huge hit in 1966 and became her signature tune. The pair began a three-year run of successful albums, duets, and singles including “\u003cem\u003e\u003cstrong\u003eSugar Town\u003c\/strong\u003e\u003c\/em\u003e,” “\u003cem\u003e\u003cstrong\u003eSome Velvet Morning\u003c\/strong\u003e\u003c\/em\u003e,” “\u003cem\u003e\u003cstrong\u003eSummer Wine\u003c\/strong\u003e\u003c\/em\u003e,” “\u003cem\u003e\u003cstrong\u003eSand\u003c\/strong\u003e\u003c\/em\u003e,” “\u003cem\u003e\u003cstrong\u003eJackson\u003c\/strong\u003e\u003c\/em\u003e,” and the title track to the 1967 James Bond film “\u003cem\u003e\u003cstrong\u003eYou Only Live Twice\u003c\/strong\u003e\u003c\/em\u003e.”\u003cbr\u003e\u003cbr\u003eStart Walkin’ explores Nancy’s recordings with Lee, her inspired collaborations with songwriter \u003cem\u003e\u003cstrong\u003eMac Davis\u003c\/strong\u003e\u003c\/em\u003e (“\u003cstrong\u003e\u003cem\u003eHello L.A., Bye Bye Birmingham\u003c\/em\u003e\u003c\/strong\u003e”), producer \u003cem\u003e\u003cstrong\u003eLenny Waronker\u003c\/strong\u003e\u003c\/em\u003e (“\u003cstrong\u003e\u003cem\u003eHook and Ladder\u003c\/em\u003e\u003c\/strong\u003e”), and the “should’ve been hit” song with arranger\/producer \u003cem\u003e\u003cstrong\u003eBilly Strange\u003c\/strong\u003e\u003c\/em\u003e (“\u003cstrong\u003e\u003cem\u003eHow Are Things In California\u003c\/em\u003e\u003c\/strong\u003e.”)\u003cbr\u003e\u003cbr\u003eOver the years, she has been cited as an influence by countless artists, including \u003cstrong\u003e\u003cem\u003eSonic Youth, Morrissey, Calexico, U2, and Lana Del Rey\u003c\/em\u003e\u003c\/strong\u003e. Her haunting song “\u003cstrong\u003e\u003cem\u003eBang, Bang\u003c\/em\u003e\u003c\/strong\u003e” gained a new legion of fans when it appeared in the opening credits of \u003cem\u003eQuentin Tarantino\u003c\/em\u003e’s 2003 film, \u003cem\u003eKill Bill Volume 1\u003c\/em\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e\n","brand":"Nancy Sinatra","offers":[{"title":"2LP \/ Yellow \u0026 Orange","offer_id":42169390006463,"sku":"LITA195-1-YLOR-SWL","price":46.99,"currency_code":"USD","in_stock":false},{"title":"2LP \/ Orange \u0026 Black","offer_id":42169776570559,"sku":"LITA195-1-ORBK-SWL","price":124.99,"currency_code":"USD","in_stock":true},{"title":"2LP \/ Black","offer_id":42169242976447,"sku":"LITA195-1-BK","price":37.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1603218483868-zprs3r875wi-18ee9d1e6e5bcced33fde7524df399e0_2FLITA_2B195_2B-_2BNancy_2BSinatra_2B-_2BStart_2BWalkin-Hi_2BRes_2BCover.jpg?v=1698649880"},{"product_id":"nancy-sinatra-lee-hazlewood-nancy-and-lee-again-lp-vinyl-record","title":"Nancy \u0026 Lee Again","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE NOTES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFirst-ever reissue of Nancy \u0026amp; Lee’s 1972 classic\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP available on four color editions\u003c\/strong\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\"\u003cem\u003eBig Red Balloon Swirl\u003c\/em\u003e\" Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNancy’s Bootique Edition pressed on \"\u003cem\u003eTippy Toes Teal \u0026amp; White Swirl\u003c\/em\u003e\"\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFanclub Edition pressed on \"\u003cem\u003eGot It Together Again Gold\u003c\/em\u003e\"\u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eExperience Vinyl Edition pressed on Clear with Black \u0026amp; White Hi-Melt\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eClassic Black Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes bonus tracks “Machine Gun Kelly” and the previously unreleased “Think I’m Coming Down”\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNewly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBeautifully packaged and expanded gatefold LP featuring a 20-page booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eQ\u0026amp;A with Nancy \u0026amp; GRAMMY®-nominated reissue co-producer Hunter Lea\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNever-before-seen photos from Nancy Sinatra’s personal archive\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eREAD MORE...\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic Records\u003c\/strong\u003e\u003c\/em\u003e is proud to present the next installment of the \u003cem\u003e\u003cstrong\u003eNancy Sinatra Archival Series\u003c\/strong\u003e\u003c\/em\u003e with the first-ever reissue of the classic 1972 album \u003cem\u003e\u003cstrong\u003eNancy \u0026amp; Lee Again\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eRecorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pair’s most enduring and ambitious duets including the epic ”\u003cem\u003e\u003cstrong\u003eArkansas Coal (Suite)\u003c\/strong\u003e\u003c\/em\u003e,” the sensual “Paris Summer” and the incredibly powerful Dolly Parton-penned “Down From Dover.” Equal parts daring, psychedelic, cinematic, and sweet, Nancy \u0026amp; Lee Again reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.\u003cbr\u003e\u003cbr\u003eNancy \u0026amp; Lee Again is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activist’s personal collection, as well as in-depth Q\u0026amp;A with Nancy Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, “Machine Gun Kelly” (first time on vinyl) and the previously unreleased “Think I’m Coming Down.”\u003cbr\u003e\u003cbr\u003eNancy’s impact on fashion, music, and culture will also be celebrated at \u003cem\u003e\u003cstrong\u003eModernism Week\u003c\/strong\u003e\u003c\/em\u003e in Palm Springs this February with three events, including a roundtable discussion featuring \u003cem\u003e\u003cstrong\u003eKii Arens\u003c\/strong\u003e\u003c\/em\u003e (Visual Artist), \u003cem\u003e\u003cstrong\u003eAlison Martino\u003c\/strong\u003e\u003c\/em\u003e (Vintage Los Angeles), \u003cem\u003e\u003cstrong\u003eHunter Lea\u003c\/strong\u003e\u003c\/em\u003e (Record Producer), \u003cem\u003e\u003cstrong\u003eDon Randi\u003c\/strong\u003e\u003c\/em\u003e (The Wrecking Crew), and \u003cem\u003e\u003cstrong\u003eAmanda Erlinger\u003c\/strong\u003e\u003c\/em\u003e (daughter of Nancy Sinatra, and co-author of the book \u003cem\u003e\u003cstrong\u003eNancy Sinatra: One For Your Dreams\u003c\/strong\u003e\u003c\/em\u003e), a double-decker bus tour featuring audio commentary from Nancy at notable locations, and a \u003cem\u003e\u003cstrong\u003eNancy Sinatra Tribute\u003c\/strong\u003e\u003c\/em\u003e street party on Arenas to close out the week’s festivities.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMORE ABOUT NANCY \u0026amp; LEE AGAIN:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972’s Nancy \u0026amp; Lee Again, a follow-up to their bestselling duet debut, Nancy \u0026amp; Lee. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965 when she topped the pop charts with “These Boots Are Made For Walkin’.” Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancy’s solo hits. Soon, the duo found success with a series of duets, including “Sand,” “Summer Wine,” and “Some Velvet Morning” – all of which appeared on their highly-influential 1968 debut.\u003cbr\u003e\u003cbr\u003eNot long after the critical acclaim and chart success of Nancy \u0026amp; Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. “Trivial music and not profound music became unimportant,” recalls Nancy, speaking to Hunter Lea. “It was a tough time.” And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.\u003cbr\u003e\u003cbr\u003eReturning to Los Angeles for the project, Hazlewood – who reprised his role as producer – chose to take a new direction with the duo’s sophomore album. Nancy recalls, “It was more dramatic; it was more fun to do, more challenging to do…. It was more grandiose.” For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presley’s TCB band, whose early ‘70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewood’s 1970 LP, Cowboy in Sweden. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.\u003cbr\u003e\u003cbr\u003eThe big sound that Nancy describes above is exemplified in the album’s cinematic opener, “Arkansas Coal (Suite).” Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the miner’s daughter and his wife. Hazlewood’s knack for vivid, nuanced storytelling shines throughout Nancy \u0026amp; Lee Again, particularly in “Paris Summer,” which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, “Did You Ever,” which was released as the album’s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.\u003cbr\u003e\u003cbr\u003eOne of the most emotionally-charged moments on Nancy \u0026amp; Lee Again is a cover of Dolly Parton’s “Down From Dover.” The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Parton’s 1970 version was sung from the teenager’s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the man’s side of the story, sings in a notably deeper octave than his signature baritone.\u003cbr\u003e\u003cbr\u003eAnother poignant selection is “Congratulations,” which describes a soldier coming home from Vietnam. “His face has grown old and his eyes have grown cold\/And they tell you of where he has been\/Congratulations, you sure made a man out of him,” Hazlewood sings, pointedly. Nancy, who performs as the vet’s wife, argues that the song had a deeper meaning for her duet partner. “Lee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didn’t talk about it, but at some point, he changed radically. ‘Congratulations’ was almost like an apology from him. I don’t want to put words in his mouth, but it was as though he was saying ‘I’m really sorry.’”\u003cbr\u003e\u003cbr\u003eThe song “Friendship Train” could also be interpreted as an apology of sorts – this time to Nancy. “You’ve been hurt and I’ve been hurt\/Now we’re living pain,” the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. “I felt pretty betrayed. I mean, who does that? Who just up and disappears like that? I’ll never understand it,” she reveals. But the uplifting duet – a slice of ‘70s pop perfection – offers reaffirming words of love between friends. “[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,” explains Nancy.\u003cbr\u003e\u003cbr\u003eThe 10-track album closes with the stripped-down “Got It Together.” Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. “I wish that we’d quit getting so old,” laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings – this time asking his partner, “Can I go back to Sweden?” With that, Nancy gives her blessing.\u003cbr\u003e\u003cbr\u003eThis definitive reissue of Nancy \u0026amp; Lee Again also includes two bonus tracks. Both are stylistic departures for the duo – but fit right in with the psychedelic pop of the era. The first one, “Think I’m Coming Down,” is a harmony-filled reflection on a toxic relationship. “I think that was one of [Lee’s] drug things. I don’t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,” explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is “Machine Gun Kelly,” penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy \u0026amp; Lee. Sinatra and Hazlewood first performed “Machine Gun Kelly” during their residency at Las Vegas’ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancy’s, it would be decades before it was officially released.\u003cbr\u003e\u003cbr\u003eNancy \u0026amp; Lee Again remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, Record World, and Cash Box, among others. Yet, Nancy \u0026amp; Lee Again never received the spotlight it so utterly deserved. “We didn’t have label support at all in those days,” recalls Nancy. “Without the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. It’s a very ageist kind of business.” Nevertheless, she adds, “I think it’s a very good album. I think it’s timeless.” Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.\u003cbr\u003e\u003cbr\u003eFive decades later, Nancy’s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. LITA has also reissued Sinatra’s classic debut, Boots, and her iconic, 1968 album with Lee Hazlewood, Nancy \u0026amp; Lee. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eArkansas Coal (Suite)\u003c\/li\u003e\n\u003cli\u003eBig Red Balloon\u003c\/li\u003e\n\u003cli\u003eFriendship Train\u003c\/li\u003e\n\u003cli\u003eParis Summer\u003c\/li\u003e\n\u003cli\u003eCongratulations\u003c\/li\u003e\n\u003cli\u003eDown From Dover\u003c\/li\u003e\n\u003cli\u003eDid You Ever?\u003c\/li\u003e\n\u003cli\u003eTippy Toes\u003c\/li\u003e\n\u003cli\u003eBack On The Road\u003c\/li\u003e\n\u003cli\u003eGot It Together\u003c\/li\u003e\n\u003cli\u003eMachine Gun Kelly (bonus track, first time on vinyl)\u003c\/li\u003e\n\u003cli\u003eThink I'm Coming Down (bonus track, previously unreleased)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/79ZtznPmq6uW1NuOyaYqKb?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Nancy Sinatra \u0026 Lee Hazlewood","offers":[{"title":"LP \/ Teal \/ White Swirl","offer_id":42281093857471,"sku":"LITA199-TEWH-SWL","price":24.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Gold","offer_id":42281093824703,"sku":"LITA199-GD","price":24.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Red Swirl","offer_id":42281093890239,"sku":"LITA199-RD-SWL","price":24.98,"currency_code":"USD","in_stock":false},{"title":"LP \/ Clear Black White Hi-Melt","offer_id":42387506200767,"sku":"LITA199-1-5-CLBKWH-HM","price":24.98,"currency_code":"USD","in_stock":false},{"title":"LP \/ Black","offer_id":42281089859775,"sku":"LITA199-BK","price":19.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/products\/large_550_tmp_2F1674083385494-opfm8kfke1c-6447dc37d5dd53b1becdbf5aedd35c80_2Flita199_hiRez.jpg?v=1678956190"},{"product_id":"nancy-sinatra-boots-lp-vinyl-record","title":"Boots","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eNewly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1xLP Pressed on Classic Black Vinyl and Exclusive Limited Edition \"So Long, Babe Blue\" Swirl Vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBeautifully packaged and expanded gatefold LP featuring a 20–page booklet\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVinyl pressed at RTI\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNever–before–seen photos from Nancy’s personal archive\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe definitive reissue of Nancy’s debut album.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eDumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.\u003c\/em\u003e” – \u003cstrong\u003e\u003cem\u003eNancy Sinatra\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eLight in the Attic\u003c\/strong\u003e\u003c\/em\u003e is proud to present the next installment of the \u003cem\u003e\u003cstrong\u003eNancy Sinatra Archival Series\u003c\/strong\u003e\u003c\/em\u003e with a deluxe reissue of Nancy’s first album, Boots.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003e\u003cem\u003e1966 debut million-selling debut LP\u003c\/em\u003e\u003c\/strong\u003e, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “\u003cem\u003e\u003cstrong\u003eSo Long, Babe\u003c\/strong\u003e\u003c\/em\u003e,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood, and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, \u003cem\u003e\u003cstrong\u003eThe Wrecking Crew\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eBilly Strange\u003c\/strong\u003e\u003c\/em\u003e’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “\u003cem\u003e\u003cstrong\u003eThe City Never Sleeps At Night\u003c\/strong\u003e\u003c\/em\u003e” and the previously unreleased “\u003cem\u003e\u003cstrong\u003eFor Some\u003c\/strong\u003e\u003c\/em\u003e.”\u003cbr\u003e\u003cbr\u003eRemastered from the original analog tapes by GRAMMY®-nominated engineer \u003cem\u003e\u003cstrong\u003eJohn Baldwin\u003c\/strong\u003e\u003c\/em\u003e, the reissue is complemented by a new Q\u0026amp;A interview with Nancy and GRAMMY®-nominated reissue co-producer \u003cem\u003e\u003cstrong\u003eHunter Lea\u003c\/strong\u003e\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eThe vinyl set is presented in an expanded gatefold jacket (featuring a 20-page booklet), with special color editions available exclusively at NancySinatra.com, LightInTheAttic.net, and independent record stores.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003eTRACKLIST\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eAs Tears Go By\u003c\/li\u003e\n\u003cli\u003eDay Tripper\u003c\/li\u003e\n\u003cli\u003eI Move Around\u003c\/li\u003e\n\u003cli\u003eIt Ain't Me Babe\u003c\/li\u003e\n\u003cli\u003eThese Boots Are Made For Walkin'\u003c\/li\u003e\n\u003cli\u003eIn My Room\u003c\/li\u003e\n\u003cli\u003eLies\u003c\/li\u003e\n\u003cli\u003eSo Long, Babe\u003c\/li\u003e\n\u003cli\u003eFlowers On The Wall\u003c\/li\u003e\n\u003cli\u003eIf He'd Love Me\u003c\/li\u003e\n\u003cli\u003eRun For Your Life\u003c\/li\u003e\n\u003cli\u003eThe City Never Sleeps At Night (Bonus Track)\u003c\/li\u003e\n\u003cli\u003eFor Some (Bonus Track)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e \u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/4qyuqoJb1ffoE11trJgsXc?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Nancy Sinatra","offers":[{"title":"LP \/ Blue Swirl","offer_id":42288424288447,"sku":"LITA197-1-BYBL-SWL","price":24.98,"currency_code":"USD","in_stock":true},{"title":"LP \/ Black","offer_id":42288448372927,"sku":"LITA197-1-BK","price":19.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA197-NancySinatra-Boots-Cover.jpg?v=1698649900"},{"product_id":"cowboy-in-sweden-deluxe-edition-lee-hazlewood-2lp","title":"Cowboy in Sweden - Deluxe Edition","description":"\u003ch3\u003e** This is a BACKORDER. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eNewly Expanded Deluxe Double LP Edition!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eDouble Lp Expanded Edition Includes Outtakes, Demos, and Instrumentals, Including 10 Previously Unreleased Recordings\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e26 Total Tracks\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAlbum Remastered From Pristine Lhi Master Tapes By Grammy®-Nominated Mastering Engineer John Baldwin\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLiner Notes By Grammy®-Nominated Reissue Producer Hunter Lea Including Interviews With TorbjöRn Axelman, Suzi Jane Hokom, Nina Lizell, Don Randi, Hal Blaine, and Shel Talmy\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eRare Film Production Photos From The TorbjöRn Axelman Archive\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eDouble LP Housed In A Gatefold Jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eBy the end of the 1960s Lee Hazlewood’s LHI Records had burned piles of cash, gone through a half dozen distributors, and failed to achieve the kind of chart success “Boots” had promised. Fortunately for Lee, there was a land where he was still on the top of the charts, a place where women flowed like Brännvin...Sweden was calling. Released as the last LHI LP, Cowboy in Sweden was a soundtrack to the 1970 cult classic film of the same name starring Lee Hazlewood. The film was a surreal psychedelic account of Lee’s journey to his new homeland, while the soundtrack was a perfect compilation of Hazlewood’s orchestral melancholy country pop songs. Recorded over a prolific globe trotting three-year period, Lee’s peak on LHI records was ironically the label’s swan song.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003ePray Them Bars Away (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eLeather and Lace (24 Bit)-Lee Hazlewood _ Nina Lizell\u003c\/li\u003e\n\u003cli\u003eForget Marie (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eCold Hard Times (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eThe Night Before (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eHey Cowboy (24 Bit)-Lee Hazlewood _ Nina Lizell\u003c\/li\u003e\n\u003cli\u003eNo Train to Stockholm (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eFor a Day Like Today (24 Bit)-Suzi Jane Hokom\u003c\/li\u003e\n\u003cli\u003eEasy and Me (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eWhat's More I Don't Need Her (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eVem Kan Segla (I Can Sail Without the Wind) (24 Bit)-Lee Hazlewood _ Nina Lizell\u003c\/li\u003e\n\u003cli\u003eMe and the Wine and the City Lights (session outtake) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eFirst Street Blues (session outtake) (24 Bit)-Suzi Jane Hokom\u003c\/li\u003e\n\u003cli\u003ePray Them Bars Away (alternate version) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eEasy and Me (alternate version) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eFor A Day Like Today (take 1) (24 Bit)-Suzi Jane Hokom\u003c\/li\u003e\n\u003cli\u003eFirst Street Blues (take 1) (24 Bit)-Suzi Jane Hokom\u003c\/li\u003e\n\u003cli\u003eLeather and Lace (alternate vocal mix) (24 Bit)-Lee Hazlewood _ Nina Lizell\u003c\/li\u003e\n\u003cli\u003eThe Night Before (mono single mix) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eWhat's More I Don't Need Her (instrumental) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003ePray Them Bars Away (take 7 instrumental) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eEasy and Me (take 5 instrumental) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eCold Hard Times (take 4 instrumental) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eNo Train To Stockholm (instrumental) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eMe and the Wine and the City Lights (instrumental) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eHey Cowboy (instrumental) (24 Bit)-Lee Hazlewood\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/6zwdOtcRntgYAyUkkxVZ4t?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Lee Hazlewood","offers":[{"title":"2LP \/ Black","offer_id":42626033451199,"sku":"LITA153-BK","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA153-LeeHazlewood-CowboyinSweden-DeluxeEdition1024x1024.jpg?v=1700266512"},{"product_id":"13-deluxe-edition-lee-hazlewood-2lp","title":"13 - Deluxe Edition","description":"\u003ch3\u003e** This is a BACKORDER. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eNewly Expanded Deluxe Double Lp Edition!\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIncludes The Original 1972 Album, Plus All Of Larry Mark's Acoustic Demos And Tracks From His Unreleased 1970 Lhi Lp For The First Time On Vinyl\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePreviously Unreleased Session Outtake Of “Cold Hard Times” Plus Demos Of Obscure Hazlewood Compositions “Drums,” “The Start,” “Susie,” “Miracle On 19Th Street,” And “Peppermint Morning”\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e30 Total Tracks\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eRemastered By Grammy®-Nominated Mastering Engineer John Baldwin\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLiner Notes By Grammy®-Nominated Reissue Producer Hunter Lea Including Interviews With Larry Marks, Joe Cannon, Torbjörn Axelman \u0026amp; Suzi Jane Hokom\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLee Hazlewood Comic Strip, The Story Of 13 Told Through Original Artwork By Jess Rotter\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eDouble LP Housed In A Gatefold Jacket\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e“Pimps… whores… pushers… dopers… gangsters… and bottom of the human chain shit-heels. Now you’re probably thinking I’m writing about major record companies and their unscrupulous executives… and lawyers. You could be right… but this time… YOU’RE WRONG! I’m describing the characters in my album ‘13’ …Some I knew… some I invented … some are true… some are false… some I liked… some I didn’t. But they all had a story to tell and I told it…none of ‘em seem to care… and I don’t either… have fun…\" - Lee Hazlewood\u003c\/p\u003e\n\u003cp\u003e“He (Lee) took my voice off the album and put his voice on the album. Now don’t forget these were in my keys, it was my charts, it was my everything. Lee Hazlewood was not even remotely going to be considered as an artist for this album and that’s the way he wanted it.” - Larry Marks\u003c\/p\u003e\n\u003cp\u003eThe album 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The Bombastic brass heavy funk, deep blues, and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an off-strip seedy Vegas lounge. By 1972 Lee Hazlewood had settled in his new homeland of Sweden. His days were spent carousing, making movies with Torbjӧrn Axelman, and releasing albums. To keep up his prolific recorded output, Lee began to mine the recently defunct LHI Records archives for material. One such gem, was an unreleased album by Larry Marks (LHI producer, artist, and the voice of the first Scooby-Doo theme). Larry’s concept was to take Hazlewood’s strongest compositions and arrange them in a soul vibe. An album was completed, but with no distribution in America and no funding, Lee had no vehicle to release Larry’s record. The tapes were taken to Sweden, Larry’s voice was wiped and Hazlewood’s was dubbed… 13 was born.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eYou Look Like A Lady\u003c\/li\u003e\n\u003cli\u003eTulsa Sunday\u003c\/li\u003e\n\u003cli\u003eTen Or 11 Towns Ago\u003c\/li\u003e\n\u003cli\u003eToocie And The River\u003c\/li\u003e\n\u003cli\u003eShe Comes Running\u003c\/li\u003e\n\u003cli\u003eRosacoke Street\u003c\/li\u003e\n\u003cli\u003eI Move Around\u003c\/li\u003e\n\u003cli\u003eAnd I Loved You Then\u003c\/li\u003e\n\u003cli\u003eHej\u003c\/li\u003e\n\u003cli\u003eMe I'm Riding\u003c\/li\u003e\n\u003cli\u003eCold Hard Times\u003c\/li\u003e\n\u003cli\u003eDrums\u003c\/li\u003e\n\u003cli\u003eThe Start\u003c\/li\u003e\n\u003cli\u003eSuzie\u003c\/li\u003e\n\u003cli\u003eYou Look Like A Lady (demo)\u003c\/li\u003e\n\u003cli\u003eTulsa Sunday (demo)\u003c\/li\u003e\n\u003cli\u003eTen or 11 Towns Ago (demo)\u003c\/li\u003e\n\u003cli\u003eToocee and the River (demo)\u003c\/li\u003e\n\u003cli\u003eAnd I Loved Her Then (demo)\u003c\/li\u003e\n\u003cli\u003eI'm Riding (demo)\u003c\/li\u003e\n\u003cli\u003eCold Hard Times (demo)\u003c\/li\u003e\n\u003cli\u003eMiracle on 19th Street (demo)\u003c\/li\u003e\n\u003cli\u003ePeppermint Morning (demo)\u003c\/li\u003e\n\u003cli\u003eYou Look Like A Lady - Larry Marks\u003c\/li\u003e\n\u003cli\u003eTulsa Sunday - Larry Marks\u003c\/li\u003e\n\u003cli\u003eTen or 11 Towns Ago - Larry Marks\u003c\/li\u003e\n\u003cli\u003eShe Comes Running - Larry Marks\u003c\/li\u003e\n\u003cli\u003eRosacoke Street - Larry Marks\u003c\/li\u003e\n\u003cli\u003eI Move Around - Larry Marks\u003c\/li\u003e\n\u003cli\u003eAnd I Loved You Then - Larry Marks\u003c\/li\u003e\n\u003cli\u003eHej\u003c\/li\u003e\n\u003cli\u003eMe I'm Riding - Larry Marks\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3ktM0av8rJpqZbysLjVowl?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Lee Hazlewood","offers":[{"title":"2LP \/ Black","offer_id":42626033844415,"sku":"LITA142-BK","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA142-LeeHazlewood-13-DeluxeEdition.jpg?v=1700266116"},{"product_id":"lee-hazlewood-the-lhi-years-singles-nudes-and-backsides-lee-hazlewood-2lp","title":"Lee Hazlewood - The LHI Years: Singles, Nudes, \u0026 Backsides","description":"\u003ch3\u003e** This is a BACKORDER. Please read our policies before ordering. Check our website for Est. Ship Date.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eCuts From Essential Albums Like Cowboy In Sweden\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFeatures Duets With Suzi Jane Hokom, Ann-Margret And Nina Lizell\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eAudio Re-Mastered From Original Tapes\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eUnreleased Song “I Just Learned To Run”\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eIn-Depth Liner Notes \u0026amp; Unseen Photographs\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAs a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo-laden pop masterpieces, Lee’s influence continues to reverberate today. Between 1968-71, Hazlewood not only released his finest solo work but produced numerous artists on LHI. From acid-folk and country-rock to pop-psych and soul, LHI issued dozens of long-forgotten 45s and LPs. This series will include material from LHI (re-mastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.\u003c\/p\u003e\n\u003cp\u003eSee the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, ever-so-slightly awkwardly playing the role of the ‘60s playboy. Just like the picture, the songs present a man conflicted; he’s the tender-hearted romantic, the broken-hearted loser, and the rugged cowboy, all in one. It’s there in the western swing of “Califia (Stone Rider)”, the loneliness of ”The Bed” and the bleak beauty of ”If It’s Monday Morning.” Hazlewood’s tremulous voice was made for duets (indeed, he wrote ”Some Velvet Morning”, one of the greatest of all time); here, Suzi Jane Hokom, Ann-Margret, and Nina Lizell play counterparts to his manly tones.\u003c\/p\u003e\n\u003cp\u003eIn the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as “a curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.” The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first-ever solo performance in the UK.\u003c\/p\u003e\n\u003cp\u003eA natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ‘50s, working as a big-shot LA producer in the ‘60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid-‘60s British invasion. He didn’t: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ‘70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latter-day interest in his work. This landmark compilation promises to create many more converts.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eCalifia (Stone Rider) - featuring Suzi Jane Hokom\u003c\/li\u003e\n\u003cli\u003eThe Bed\u003c\/li\u003e\n\u003cli\u003eSleep in the Grass - featuring Ann-Margret\u003c\/li\u003e\n\u003cli\u003eLeather and Lace - featuring Nina Lizell\u003c\/li\u003e\n\u003cli\u003eIf It's Monday Morning\u003c\/li\u003e\n\u003cli\u003eThe Night Before\u003c\/li\u003e\n\u003cli\u003eBye Babe\u003c\/li\u003e\n\u003cli\u003eVictims of the Night - featuring Ann-Margret\u003c\/li\u003e\n\u003cli\u003eChico - featuring Ann-Margret\u003c\/li\u003e\n\u003cli\u003eHey Cowboy - featuring Nina Lizell\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/7nmbzxLAOsQGY6KvWrCFZl?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Lee Hazlewood","offers":[{"title":"2LP \/ Black","offer_id":42626034008255,"sku":"LITA084-BK","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LeeHazlewood-LHIYears-Singles_Nudes_Backsides_1968-71_-Hi-ResCover.jpg?v=1700266718"},{"product_id":"400-miles-from-la-1955-56-lee-hazlewood-2lp","title":"400 Miles From L.A. 1955-56","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e2LP pressed at RTI \u0026amp; housed in a deluxe Stoughton “tip-on” jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTracks mastered from original Viv Records analog tapes\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFeaturing many previously unreleased compositions and an early draft of Trouble Is A Lonesome Town\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLiner notes by Hunter Lea with an interview from John Dixon\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncludes archival photos and ephemera\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003ePhoenix, Arizona 1955…a twenty-five-year-old disc jockey and fledgling songwriter, Lee Hazlewood, is trying to break into the music industry. He takes Greyhound bus trips to Los Angeles to pitch songs, only to be rejected each time. Undeterred, Lee started a record label called Viv Records. Running the label out of his house, Lee finds the artists, writes the songs, produces the sessions, arranges the pressings of the records, and handles distribution. Recently discovered tapes in the Viv Records archive yielded an unbelievable find, the earliest known recordings of Hazlewood singing his songs…Lee’s first demo! The mysterious and bountiful tapes featured Lee singing early unheard compositions and a complete first draft of his Trouble Is A Lonesome Town song cycle that would become his first official solo album in 1963.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLight in the Attic Records is proud to continue its Lee Hazlewood archival series with 400 Miles From L.A. 1955-56, a collection of previously unknown intimate recordings, never intended for release. Lee sings, plays guitar, and even presses the record button on the tape machine. These are rural sketches and small-town dreams, captured in an innocent time before the path ahead was clear.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThese songs rewrite Lee’s recorded history, adding a new first chapter to his saga. For Hazlewood addicts, hearing these early tracks and the embryonic version of Trouble Is A Lonesome Town is akin to finding an early draft of the Old Testament.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“That’s the beauty of Lee’s songwriting. It lives on. People will hear it for the first time, even though it’s fifty years old or whatever, if it’s good enough and strong enough, they’ll accept and like it as much as if it was just created. That’s the wonderful legacy that Lee has. It’s wonderful to look back and make all this early work available. To put “Boots” and all those other LHI songs into perspective. That it all started somewhere and this is where.” – Arizona Music Historian and record producer, John Dixon.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eCross Country Bus\u003c\/li\u003e\n\u003cli\u003eThe Woman I Love\u003c\/li\u003e\n\u003cli\u003eFive Thousand and One\u003c\/li\u003e\n\u003cli\u003eLonesome Day\u003c\/li\u003e\n\u003cli\u003eA Lady Called Blues\u003c\/li\u003e\n\u003cli\u003eFive More Miles to Folsom\u003c\/li\u003e\n\u003cli\u003eFort Worth\u003c\/li\u003e\n\u003cli\u003eThe Old Man and His Guitar\u003c\/li\u003e\n\u003cli\u003ePeculiar Guy (Solo Version)\u003c\/li\u003e\n\u003cli\u003eLong Black Train (Solo Version)\u003c\/li\u003e\n\u003cli\u003eI Guess It's Love\u003c\/li\u003e\n\u003cli\u003eIt's an Actuality\u003c\/li\u003e\n\u003cli\u003eBuying on Time\u003c\/li\u003e\n\u003cli\u003eThe Country Bus Tune\u003c\/li\u003e\n\u003cli\u003eLong Black Train (Band Version)\u003c\/li\u003e\n\u003cli\u003eRun Boy Run\u003c\/li\u003e\n\u003cli\u003eBig Joe Slade\u003c\/li\u003e\n\u003cli\u003eSon of a Gun\u003c\/li\u003e\n\u003cli\u003eGeorgia Chain Gang\u003c\/li\u003e\n\u003cli\u003eLook at That Woman\u003c\/li\u003e\n\u003cli\u003ePeculiar Guy (Band Version)\u003c\/li\u003e\n\u003cli\u003eThe Railroad Song\u003c\/li\u003e\n\u003cli\u003eSix Feet of Chain\u003c\/li\u003e\n\u003cli\u003eTrouble is a Lonesome Town\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003c\/p\u003e","brand":"Lee Hazlewood","offers":[{"title":"2LP \/ Gold","offer_id":42654687363263,"sku":"LITA176-GD","price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/tmp_2F1556745633251-7lkhjx45cly-8fed12e99d3e2c0ebceed9f35bed43e6_2FLITA176_LeeHazlewood_400Miles_300DPI_Cover_974x_6a6f71bf-c5a3-4344-b134-d1baae84ee1c.jpg?v=1701593797"},{"product_id":"some-velvet-morning-bw-tired-of-waiting-for-you-nancy-sinatra-and-lee-hazlewood-7-inch","title":"Some Velvet Morning b\/w Tired Of Waiting For You","description":"\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEY FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003e2020 Record Store Day \/ Black Friday Exclusive Release\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited to 2,000 copies\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eTwo classics recorded with The Wrecking Crew in 1967 and 1968\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eNewly remastered from the original analog tapes\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFirst time on vinyl for “Tired Of Waiting For You”\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003ePressed on splattered color wax (images are mock-ups and subject to change)\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRELEASE DESCRIPTION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eLight in the Attic Records is proud to honor the enduring legacy of singer, actress, activist, and cultural icon Nancy Sinatra, who recently entered her eighth decade and sixth as a worldwide household name and a force for positive cultural change both at home and abroad. LITA will pay homage to Sinatra’s pioneering music career with a selection of archival releases and full-album reissues throughout 2021 and beyond.\u003c\/p\u003e\n\u003cp\u003eLITA’s Nancy Sinatra Archival Series will kicked off on Black Friday 2020 with a limited edition 7” single featuring one of the 20th century’s greatest recordings, “Some Velvet Morning” on the A-side, while the flip includes a cover of The Kinks’ classic “Tired Of Waiting For You.” Stay tuned for much more to follow, including a definitive new collection entitled Start Walkin’ 1965–1976, available as of 2021.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eSome Velvet Morning - Nancy Sinatra \u0026amp; Lee Hazlewood\u003c\/li\u003e\n\u003cli\u003eTired Of Waiting For You - Nancy Sinatra \u0026amp; Lee Hazlewood\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLISTEN\u003c\/span\u003e\u003c\/h3\u003e\n\u003cem\u003eAvailable on Desktop \u0026amp; Mobile\u003c\/em\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3OcYspDTFl3d8evfhXIFx2?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"Nancy Sinatra \u0026 Lee Hazlewood","offers":[{"title":"7\" \/ Orange Black Swirl","offer_id":42779424686271,"sku":"LITA45-052-ORBK-SWL","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/files\/LITA45-052-NancySinatra_LeeHazlewood-SomeVelvetMorningbwTiredOfWaitingForYou.jpg?v=1706578314"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/6947\/3471\/collections\/Artist_Collection_Banner_-_Lee_Hazlewood.jpg?v=1686425860","url":"https:\/\/helixsounds.com\/collections\/lee-hazlewood.oembed?page=2","provider":"Helix Sounds","version":"1.0","type":"link"}