• 2xLP pressed on 180-Gram Audiophile Black Vinyl
• Housed in a gatefold sleeve
• Re-mastering by Ron McMaster at Capitol Studios
• Recorded at the Turtle Creek Barn, Bearsville, NY and Sound on Sound, New York City, Beartracks, Suffern, NY, and Bearsville Studio B, Bearsville, NY (1995)

This is no easy listen--sparse, complex, often brooding arrangements coupled with Cassandra Wilson's deep, earthy voice and complicated phrasing demand your attention. Waver and you're lost. But… give this album the listening time & space it deserves and reap the rewards. Unusual, highly atmospheric tracks that combine superb singing and marvelously "distant" musical backings to weave real magic.

Cassandra Wilson's own excellent, jazz-tinged compositions sit alongside a stunning set of ingenious covers from a highly diverse spectrum of composers. "Last Train To Clarksville" is transformed from a catchy pop song into a stripped-down and genuinely effective jazz vocal workout. "Harvest Moon" slows down Neil Young's already wistful ballad to an almost painful level and, in so doing, takes it to an even higher level of gentle reflection. Hank Williams' "I'm So Lonesome I Could Cry" & U2's "Love Is Blindness" are transformed into 3 in the morning jazz club classics. The vocals and backing to Robert Johnson's "32-20" are simplified to the point where only the essence of the blues is allowed to shine and, Lewis Allan's "Strange Fruit" becomes as desolate and challenging as its horrific lyrics.

Clever, very effective, and worth the required effort! by nicjaytee/London